Beethoven: Symphony No.3 Eroica - Klaus Mäkelä, Royal Concertgebouw Orchestra
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- Опубликовано: 28 авг 2024
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Klaus Mäkela conducts the Christmas Concert at the Concertgebouw in Amsterdam - Royal Concertgebouw Orchestra, Klaus Mäkelä (Conductor)
Chen Reiss (Soprano)
Ludwig van Beethoven (1770 - 1827)
Symphony No. 3 'Eroica'
2023 - Concertgebouw | Amsterdam
#classicalmusic #dance #jazz #opera #ballet #beethoven
Sterile, this soon to be music director designate of the Chicago Symphony Orchestra, but there may be some real chemistry there that i doubt can happen between this dude and Concertgebouw.
He’s a well promoted fake
❤
Wonderful 🧡 BRAVO 👌👍🙏👏👏👏
Muito bom . . . .
👍😃🇧🇷
This is revolting. And this is what the once-great Chicago Symphony Orchestra has chosen?!?! I suppose harmony, rhythmic intensity, rhetorical gesture etc etc are things of the past (except in some holdouts, such as Berlin) and what we have left are adolescent (I’m not referring to his age) self-indulgence. Well, at least we have recordings to remind us of what music is (used to be?)
I wonder if we’d know who he is if he weighed 250 pounds and had no hair?
Sad to see the Concertgebouworkest stoop so low.
Vanilla, caramel and whipped cream. Delicious. Beethoven cannot get any sweeter than that.
He is almost as annoying as Yannick Nézet-Séguin, but not quite.
True Packer!
Oh come on, he’s so much more professional than Yannick. Klaus has been taught, and trained to use gestures as little as possible. We don’t see a single second of him disturbing the musicians. And that’s how he gets so much out of the orchestra, and he truly conducts the music rather than just being a time-beater.
You are leading the affective direction the music takes by either pain and sadness or enraptured and serenely intensifying pleasure on the face and in the energetic or languid as it may be, pace and attitude of the body. The human face conveys pain and pathos, pleasure and grief. All the ranges of gradually evolving emotions and their foreshadowing and crescendos Poco a Poco.
The face is the master indicator of emotional variance. And the rate at which the transition evolves is best indicated by the face and arms.
This might be the worst “professional” Eroica I’ve ever heard.