Aron Zelkowicz plays Bach's Chaconne (transcribed in G minor for cello) at historic Trinity Church on Wall Street, New York City. www.aron-zelkowicz.com
Wow, the best version on cello that I've heard yet. Normally it just sounds like an inferior version on cello: all that growl and no clarity, but here, instead of trying to imitate the agility of the violin, Aron brings out that deep cello sonority and casts the Chaconne in a way that makes it seem like a real part of the cello repertoire.
Beautiful interpretation indeed. I have heard so many violin and even guitar interpretations of this piece that I cannot even remember. But this one is a pure pleasure to listen to. Thanks.
Stunning performance! The cello really adds a special mood to the piece which is not found by violin. He skips a handful of notes @ 5:30, but that is just a curiosity.
@MrCelloBoi Thats what happens in this world, last year came Alban Gerhardt to the city and played the Shostakovich's cello concerto, the place was empty, a place for less than 400 people, the price for ticket was 15 US dlls, some weeks before came U2 and got a +50,000 people stadium full, the price was 100 US dlls. Sorry for my bad english.
Is there any way I may have a copy of this transcribed version? I greatly enjoy this and I would like to play this at future concerts. I also believe it will help me greatly in terms of my musicianship. Thank you for your time and thank you for this great transcribed version of Chaconne.
Never heard this played on the cello, it's nice! Much darker and richer, although the stretches look a bit more of a challenge! However I think I much prefer it on the viola, the Chaconne sounds richer than on the violin, and sings better than when it's played on the cello, so despite the fact that it was written for the violin, I feel the viola has the perfect voice for it.
I m pretty sure its the right way to put the finger on the fingerboard but it th cello whom tuned lower giving deep vib cause if tune correctly the cello can be to much agressiv vib , lowed of two tons its nice to play Bach but also folk music and jazz... Great interpretation
Well Done, now try it it in the original key, you will learn so much from the shere effort of trying - it is worth it..... best wishes, and congrats on your very musical playing
Das Cello ist einfach zu schwerfällig für das leichtfüßige Stück. Sieht man von diesem grundsätzlichen Problem ab, ist es eine wohlgelungene Transkription.
In the video responses, I provide a unique comparison of what this piece would sound like in its original key of D minor, as opposed to G minor transcription.
Wow, the best version on cello that I've heard yet. Normally it just sounds like an inferior version on cello: all that growl and no clarity, but here, instead of trying to imitate the agility of the violin, Aron brings out that deep cello sonority and casts the Chaconne in a way that makes it seem like a real part of the cello repertoire.
i love this old cello
Beautiful interpretation indeed. I have heard so many violin and even guitar interpretations of this piece that I cannot even remember. But this one is a pure pleasure to listen to. Thanks.
Wow! The transposition to G minor is just fantastic! Thanks for uploading!
Very nice! Bach sounds good on just about any instrument. :)
Wow! terrific performance!
Thanks for taking this task to play it on cello, well done!
how is there not a full house...this piece is incredibly difficult on violin. bravo to this cellist
Awsome !!! Aaron, you are a Genius !!!
Beautiful!!
Stunning performance!
The cello really adds a special mood to the piece which is not found by violin.
He skips a handful of notes @ 5:30, but that is just a curiosity.
Wow, this is fantastic. I would love to see Sigiswald play the chaconne on his viola de spalla
Dear Aaron,
This is simply extraordinary. COngratulations on a wonderful recording and performance!
Did you study this with Carr?
I'm impressed by this humilitation.
He subordinates himself to the music, he plays.
It is called "musica sacra".
@MrCelloBoi Thats what happens in this world, last year came Alban Gerhardt to the city and played the Shostakovich's cello concerto, the place was empty, a place for less than 400 people, the price for ticket was 15 US dlls, some weeks before came U2 and got a +50,000 people stadium full, the price was 100 US dlls. Sorry for my bad english.
Well.
It took a half a minute to adjust to the lower sound, but it was worth it. Very nice gravity. A wonderful performance.
Rockin.
He plays and angels and God watch him......so spiritually it IS a full house there !
I think Bach himself, would be extremely impressed with this.
Is there any way I may have a copy of this transcribed version? I greatly enjoy this and I would like to play this at future concerts. I also believe it will help me greatly in terms of my musicianship.
Thank you for your time and thank you for this great transcribed version of Chaconne.
Never heard this played on the cello, it's nice! Much darker and richer, although the stretches look a bit more of a challenge! However I think I much prefer it on the viola, the Chaconne sounds richer than on the violin, and sings better than when it's played on the cello, so despite the fact that it was written for the violin, I feel the viola has the perfect voice for it.
To prawda, świetnie brzmi, bo to genialna muzyka.
Bravo!
do you now where I could find your version of the transcription?
wow
nice cello
the viola steal all from both the cello and the violin either suites or partitas.:)
insane o.O
I m pretty sure its the right way to put the finger on the fingerboard but it th cello whom tuned lower giving deep vib cause if tune correctly the cello can be to much agressiv vib , lowed of two tons its nice to play Bach but also folk music and jazz... Great interpretation
is it tuned in 415?
Unbelievable.
Well Done, now try it it in the original key, you will learn so much from the shere effort of trying - it is worth it..... best wishes, and congrats on your very musical playing
i have seen violinists play cello suites, the swan, and other cello stuff..
they all sound better on a cello :D
hmm, i do like the piece but i think it works better on a violin
neat though!
@hobbitgnr That's a sad reality
Das Cello ist einfach zu schwerfällig für das leichtfüßige Stück. Sieht man von diesem grundsätzlichen Problem ab, ist es eine wohlgelungene Transkription.
played very well but this is not a piece for the cello
This transcription is too low and muddy. Listen to Tanya Anisimova do it in D minor. That is awesome.
In the video responses, I provide a unique comparison of what this piece would sound like in its original key of D minor, as opposed to G minor transcription.