All the pedals look easily accessible which is cool. I think you could add a bunch of pedals to the list but these are pretty much what I think of from Nashville session guys except maybe the light speed is pretty popular. And you already explained how the m9 is popular. So looks good.
Thank you for that explanation - I currently play in a country band and finally decided I simply didn’t like using a compressor pedal; currently attempting to use OD in place of a comp pedal……. Gives me a sound that is reminiscent of Marty Stuart. Hopefully this will work out, but my gut keeps telling me that comp pedals don’t work for my style.
Go with your gut and ear for pedals i run a ts808 for a little dirt on my clean channel and it smooths out the distortion channel on my amp nicely. I use a keeley caverns for delay and modulated reverb and a hall of fame for a bigger reverb. Blx mini phaser, EHX POG octave up, walrus Juliav2 chorus, and a calico fugly v2 fuzz (tonebender copy)
Tim Pierce and Rick Beato mentioned a Mostortion substitute in a recent video, so there are builders out there. Ah, Greg Drummond. RJ Ronquillo did a video: ruclips.net/video/OOS5wPkouMs/видео.html
You lost me at "A Rascall Flatts Song...." They did a version... a sub-standard one... the Tom Cochrane version will ALWAYS be the DEFINITIVE version....
Nobles are amazing pedals even though I still love a good TS-808 and always have. Maybe because it was my first pedal, after a Vox Wah, that I bought 20 years ago and truly loved and really felt enhanced my playing. I always thought the TS-808 was many pedals in one. A light overdrive, a boost as in mid-boost, an amp pushing distortion, and best of all, a pedal that made all the harmonics pop like no other pedal
I guess Nashville has gone cosmopolitan and pop today. No mention of a compressor pedal? But then again, that's a country pedal more than pop. Some days when I'm scanning radio stations when I drive into a new radio territory I have to listen for a while to determine if the radio station is a pop station or a country station. I don't always recognize the names of modern "country" artists (or are they "crossover" artists?) and it's difficult to distinguish between today's country and pop music genres.
“Life is a Highway“ is a Tom Cochrane song that was covered by Rascal Flatts. Tom’s version was number one in Canada, and number six on the billboard charts in the USA. At least give the dude credit for his own song.
Lol, I've played guitar for almost 30 years and yep, I live in Nashville (Well, 30 miles North) and except for the MosStortion, I've got ALL these pedals, lol... Well, clones... But...
I'm sorry but, when I think of this track, there's no other version than the original by Tom Cochrane for me (I'm Canadian ;). Much respect for Rascal Flatts but I much prefer the groove and feel of the original as well as the original arrangement. The guitar work and drums are so much better in Tom's version IMO.
Sounds like a comment more appropriate for the Rascal Flatts suggestion box, this isn’t a video about “who wore it best,” rather the song was simply a vehicle to demonstrate the context of these particular guitar pedals in a song that’s indicative of modern country. The origins of the song are not in dispute and isn’t in the scope of the video.
@@raymondtheriault2555he did say it was a cover, just didnt mention Tom Cochran. Which, as a guy that came of age in the 90s, did hurt my heart a little bit. Lol
Great video. You basically listed my pedalboard from 2006-2010 haha. An honorable mention and a sleeper in the Nashville scene for a quick season in the early aughts were the Way Huge Fat Sandwich and the Menatone Red Snapper. Not really anymore. Also the Hughes and Kettner Rotosphere had its time until the Strymon Lex arrived.
What’s that? More OD pedals to own you say…? (wrings hands and laughs greedily) [Kidding aside, two thumbs WAY up for the content here. Recent subscriber after watching the video on Fender Concert amps; very happy I found the channel. Cheers…]
Jeez dude. Super knowledgeable but Mason can play! And not only just play, but the sound is awesome. Great tones and an excellent video!!! My fave channel on YouYube hands down!! Downside. After every video I'm on the internet looking for all the great gear he talks about. I'll be soldering my own cables by next year.... Lol... Hey Google... ODR-1
@@VertexEffectsInc True, but more popular doesn’t always equal better. Taylor Swift sold millions upon millions of copies of her album 1989, but Ryan Adams’ cover of the entire is infinitely better overall. It’s also a testament to the Taylor Swift’s talent as a songwriter.
Nashville is no longer "country". They're a bit of a ba$tardization of pop music. Difficult to tell apart as you listen and cross thru various radio territories.
I have the ODR 1 and the Belle. I prefer the Bell. It doesn't have that heavy low end that u can't dial out of the ODR 1 but can still dial it in with the bass knob on the Belle if you want it. Plus the switch on the side gives another tone variation.
I love my ODR-1 but I use a mesa highwire for my buffering. Do you think I should switch it out for something true bypass like a Wampler Belle? What would you recommend?
A little OT, but I love my Hot Rod DeVille. The 4x10 combo, immortalized by the original Super, gets it’s magic the same way the original SVT did, with a bunch of small, quick cones. I spent 3 hours comparing with the 2x12 model, they were completely different amps. A few years later I recorded the Doors live DVD only to find Robbie used a pair of them and nothing else. Happiness. 👍🏽
This was fantastic! I disagree wholly with the tuning out comment, but as great as Rascal Flatts is, it would have been cool to hear a shout out to Tom Cochrane. But still, everything in this video was wise and true - and very well done.
The song is the vehicle, the pedals are what's driving this. People can perv out on Tom Cochrane vs. Rascal Flatts all they want, that's not what the video is about.
@@VertexEffectsInc Totally true. Just like with pedals, more of a respectful and/both rather than either/or. Again, thanks. Loved it - and I still can't get that tune out of my head and it's been days. Brilliant vehicle. LOL.
I'd have thought a compressor would have made the Rushmore of Nashville pedals but I have the GE7 and the TR2 on my board. I think a good slapback analog delay would be a Nashville pedal as well...I use a 78 680 DOD analog delay for that and as an A/B splitter as it has a remote output.
I live here in Nash. However, I can tell you the musicians are great, the city is crap though. It's like Los Angeles (which I lived in a long long time ago) but worse. Ugh.
Don't live there but been there a bunch. Definitely seems like a great atmosphere for getting together and playing with people. The city itself was the complete opposite of what I expected the first time I got there. And it seemed like every joint on the strip had a band playing the same song as the other place.
I have recorded a couple of times in the Nashville area, nothing top 40 wise however, but I have seen a couple of the smaller lesser known session guys use and swear by the Diamond Cpr-1 Compressor, which I use now as well.. Also just for me personally the Ibanez MSL Metal Screamer has a great tone for this style, can easily be substituted in place of the Nobels Odr if you're looking to switch it up.
I have two ODR-1s...I am hot a high gain player, but there is more on tap with this pedal. I would recommend it, like many people who are way more knowledgeble than I.. :)
This is a great list! I would also add (as several others have) the Greer Lightspeed. I would also nominate for honorable mention the Mad Professor Sweet Honey Overdrive, or it’s budget friendly clone the Tone City Sweet Cream.
lol not many Canadians about? Tom Cochrane..not the Fat Rascals..do yourself a favour and check Tom out and his Band Red Rider..wow there really is a wall when it comes to music...
@@VertexEffectsInc Yes I know..lol..thats why I thought I would help you out abit...Tom had hits like Big League..Boy Inside the Man..with Red Rider..White Hot..Lunatic Fringe..Avenue A more of a mature style of arranging Tom and his crew are a decent bunch and worth a listen.I still think your reviews and podcasts are the best and I also give you and your crew shout outs when ever I can..thanks eh!
I have 2 Nobels odrs, the The Belle by Wampler, The Hotwire v2 Wampler, The Vertex boost, BB preamp, the danoelectro roebuck,(I really liked the Vertex boost, The Dano Roebuck adds more treble on a Tele neck so it takes away any woofiness, The Vertex boost slams the fender Amps and it is my personal opinion that anyone who plays Fender circit type amps should use this as the frst od, or boost pedal period.. The Nobles in my my opinon sounds better than any nobles copy of of which I gave away. The Wampler Hotwire is very good for a strat less for a tele. My Vox AC 30 s1 sounds tremendous with the Dano. Excuse me for the wordiness.
When I think of the Nashville guitar sound the first thing I think of is a compressor. I don't know if the more modern guys are as into them as the older guys are though and I really don't like modern country because I'm a lifelong east Tennessean and we're very particular with our definition of "real country". Lol. There are still some phenomenal studio players there though. The best in the world really.
@@VertexEffectsInc Yeah I definitely think the guys there now are much more "Tim Pierce" than "Brent Mason" for sure. Do you think a guy like Tim could've made a good living in Nashville 20 years ago and guy like Brent could've made a good living in LA 20 years ago? They're both insanely awesome players so I say they could both do anything but I'd say Brent is probably a little more versatile since he's so proficient at country.
I suppose a cover of a Canadian song, but I think some people are putting too much emphasis on the song and not the guitar pedals and the tones which is completely independent of the song choice
@@VertexEffectsInc Hey, that record was the first one I ever bought. On cassette. On my 9th birthday. I’m a fan. And I love the tones you got. Keep fighting the good fight!
Depends on the guitar and amp. I run a Telecaster into a Dyna Comp into a Wampler Belle into a Blues Deluxe. But running a Telecaster into a Marshall with a drive pedal is not going to sound very good with a compressor. And yeah, Nashville guys use Marshalls and high gain.
Thanks for the shoutout! This list is spot on... a couple honorable mentions might be the KoT and Greer Lightspeed. Almost every studio board we build has at least two of the pedals on this list. They are the Strat, Tele, and Pauls of the scene.
Man that was a great video with great tones! I could listen to that 335 and Mostortion all day. I just did a demo video on the Karma MTN10. Love it dude!
Looks like Rascal Flatts sold 3.4 M copies compared to 500K on Cochrane's...I'm sure the Disney backing helped a lot. That's not to qualify which one was better, the guy that wrote it should get the credit for sure no matter who made it more famous, however this isn't what the video is about...the song is just a vehicle for the pedals.
Yeah I've often used the RC as a solo booster after other drives. It's relatively neutral but has enough EQ control to work well in this role too. Pretty versatile pedal.
@@VertexEffectsInc It kind of opens up the OCD. I had it in front for a long time (as conventional wisdom would dictate) and then tried it after and it was surprised at how it actually added a lot of nice character. In front of the OCD it could push into OCD for more saturation, which was cool, but now for me it's an always on pedal after the OCD that seems to make everything that comes before it just sound better. It's nice to have the bass and treble as kind of a master eq after everything, and the "gain" is almost a mid boost, especially from zero to noon - since there is not much gain anyway!
@@VertexEffectsInc I think if you go back to the charts you might be surprised how big the orig was at the time too mate. My perception is different because the Rascal Flatts version didn't chart in Australia whereas the orig did.
@@Grant_Ferstat as a Commonwealth Country...you'll get more Canadian play in Australia. I noticed that when I moved back to the US from Perth in the 1990s that Oz favored more British/Commonwealth artists before US artists unless it was someone huge or at the time, Ace of Base.
@@VertexEffectsInc Yeah I dunno mate. I think we get a pretty even split and obviously a lot of Aussie content too. I pretty much grew up on American music but that was probably just more my tastes than anything else. Now my wife who is Belgian...well. I'm still working at the University of Western Australia btw...
I might be a bit pedantic about this, but that song was a massive hit way before Rascal Flatts got a hold of it. Don't get me wrong, they did an amazing job of doing a 1:1 cover of the song. Sure their version is a bit brighter sounding than the original (likely due to the latter being recorded digitally vs the very analog original along with other technological advancements) but it's basically a carbon copy. I don't think they even changed the key.
It was a way bigger hit for Rascal Flatts undoubtedly. I do mention it’s a cover in the video and frankly the song choice has little to do with the pedal choices.
@@VertexEffectsInc I was working in a record store when the original came out. That song spent quite q few weeks at or near the top of the charts. Of course R.F. gave it more crossover appeal combined with Disney being able to amplify it through marketing. It's a great song regardless of who's playing it. Also it does rather typify the contemporary country guitar tone of the last 20 or so years.
@@VertexEffectsInc I know you mentioned it multiple times as being a cover, but I was also calling myself out for being pedantic. It just triggered my C.D.O. and gave me flashbacks to a 15 year old girl saying that Adele was covering 311 by doing "Love Song" and I had to tell her that she an 311 were actually covering The Cure. Plus for all we know the original version could likely have been recorded in Nashville as well. Hence the near carbon copy of the production.
@@capefearcapt4679 They were just as bad in the 70s.....ignoring Willie Nelson and Buck Owens. But to fabricate that Bro-Co, and go even further by injecting rap into it .....its no wonder Taylor Swift jumped ship !!! Hate her too.....
Hey Doc, I’m so happy to see that you took upon making this videos! These are very informative and show the reality of every song that’s known to us. Knowing which effects to use with every song,Is paramount and you just Nailed it bar none!! Besides the fact that you discuss the details of every pedal with advantages, substitutes, recommendations, and drawbacks! You’re awesome! I hope you make a series of these videos as it would be one of the best tools in the business for us less musically gifted as yourself! Thank you very much!
I’ve seen Luke McQueary use an Sd-1 with awesome results , and have seen the tube screamer mini on his board and several other Robert’s guys boards. The diamond comp also seems like a Nashville staple… loved the video! Glad you take time to shine a light on what is truly the most influential and progressive guitar town currently!
My two year old is all about this song right now from Cars. We listen to it non stop. The guitar tones are great! But i've heard this song more times than you could imagine.
Wage Huge STO is based off the Nobels. I actually have an XTS Imperial which is their version. I think it makes more sense to use the original in this video as it is what is most commonly used in Nashville.
I have watched a lot of your videos first thank you for the great information. I was wondering if you can use these with Acoustic guitar and get almost the result ? I am a full time solo performer over 3700 shows of 23 years. I use a Rick Turner RS-6 and on the Lead side of my pedal-board xotic SP compressor into a Tech 21 GT4 into a Boss DD-3 Delay and into a Behringer Active DI right into my Power amp. Pretty good sound but as a guitarist always looking for better tone. Thanks again for your videos.
Great video Mason!! Enjoyed the playing and knowledge that you drop on here! I have used the ODR-1 in the past but right now I am running the Browne Amplification Protein. What is your opinion on that pedal and the paisley deluxe by wampler ?
Thank you Dr for this great video!! The only problem is that when you show new pedals I end feeling in need of one of those and my pedalboard keeps growing. Greetings from Mexico
A lot of this eq and boost stuff can be done in a mix. Compression. Reverb eq. All better to be done while mixing more options. I guess Nashville is a factory and they craft it out on a daily basis.
Can be...often not though specially if you're changing the guitar itself and how it's affecting the pedals after it...e.g. when Bukovac makes a HB sound like a TV Jones.
I learn way more from you, the JHS and that pedal show. Dude, you are awesome at explaining things. I love the other shows, though. I always have the box. When I buy a pedal in black marker, I write "I Have The Box". Great video and you are an excellent player too.
Great video thoroughly enjoyed it and long drive home turn it on and lay the bone my feet really enjoyed it… I had a couple of those petals let them go… We have an S… Oh my goodness what is work now! Here’s an absolute sweetheart, Guyatone OD2. In the news for your vein much more open super simple do use in a little bit ago
I purchased an ODR-1 mini based on this video. I figured it would sit on the shelf with all the other pedals I have wasted money on but, I love it! Thx!
Great video Mason! One pedal that I can see being a future classic is the Greer Lightspeed. I think it fills that niche of transparent overdrive where the Bluesbreaker used to be. I've been pairing it with my Nobels with the bass cut toggle and its a lot fun to use!
It definitely has a shot, I guess time will tell! I would say the king of tone seems to be the most popular derivative of the blues breaker in Nashville.
I think that what I love about these is that there is nothing inherently too country about these selections that omits them from any other genre of play. They're all favorites, sure, but they're all great alternative flavors that are really just a great tonal secret in the studio. My favorite is the EQ once again proving itself as a very important piece in any collection. Mason, I think the modern TR-2 has a trim pot to adjust the output, am I right about that? I have one that's about 20 years old so I couldn't check mine for confirming. I would think that increasing the volume too much would clip the signal like a gain, no?
That’s just the way modern country has gone really. So much more rock oriented than ever before. Even hip hop is making its way in. EQ is key! Dunno about the new TR-2 with a trimmer, not to my knowledge - happy to be wrong on that. It wouldn’t clip if it’s on the output:
Agree the Greer Lightspeed should be here, although my understanding is that it sits between the ODR-1 and the RC Boost. Perhaps a shout out also to the EP boost another one for the list.
I don't understand why folks who claim they swear they gotta use all vintage and analog gear, especially these pedals, and then they send them through a digital effects processor and cause an analog to digital to analog signal chain before the amp. It seems like if you're trying to hit the front end of the amp with all that analog goodness, which is supposed to give the proper feel and response with the tubes, that inserting these conversions up front undermines what Nashville guys profess to be trying to achieve.
Too bad guys don't use the "delay/modulation" type processors in the FX loop AFTER the amplifier preamp and leave the front end for boost, volume, pedals.
Are there any pedals that you think should have made this list? Tell us about them in the comments below!
All the pedals look easily accessible which is cool. I think you could add a bunch of pedals to the list but these are pretty much what I think of from Nashville session guys except maybe the light speed is pretty popular. And you already explained how the m9 is popular. So looks good.
@@micktheman6 Light Speed is great...also Timmy could be on there...Memory Man???
@@VertexEffectsInc yes memory man is always forever popular. I haven’t seen timmys as much but I’m sure they are used a lot.
Haven’t seen the end of the video yet, but did you include a compressor? The Wampler Ego is awesome, know the Cali76 has been used loads too?
@@dslrrookie6808 cali…no. Ego, maybe. dyna comp or CS-2 yes.
Chet Atkins used a Korg Miku on all his 1970s tracks
Undoubtedly!
No actually he uses 2 in stereo
That's probably where Brent Mason got the idea from
Thanks man, was finally was able to fill in what my Nashville sound was missing!
I was there and he actually used a Boss Metal Zone, just like Elvis and Willie Nelson.
Thank you for that explanation - I currently play in a country band and finally decided I simply didn’t like using a compressor pedal; currently attempting to use OD in place of a comp pedal……. Gives me a sound that is reminiscent of Marty Stuart. Hopefully this will work out, but my gut keeps telling me that comp pedals don’t work for my style.
Go with your gut and ear for pedals i run a ts808 for a little dirt on my clean channel and it smooths out the distortion channel on my amp nicely. I use a keeley caverns for delay and modulated reverb and a hall of fame for a bigger reverb. Blx mini phaser, EHX POG octave up, walrus Juliav2 chorus, and a calico fugly v2 fuzz (tonebender copy)
Great overview and thank you! Another one I’d like to see is what Buckethead uses, he seems to be a master of pedals.
🙏🙏🙏
No chorus? Unbelievable.
Dude. Now I want a $799 out of production mostortion. Just dandy
Tim Pierce and Rick Beato mentioned a Mostortion substitute in a recent video, so there are builders out there. Ah, Greg Drummond. RJ Ronquillo did a video: ruclips.net/video/OOS5wPkouMs/видео.html
Karma MTN-10 is a great replica.
@@VertexEffectsInc THAT'S the one!
You lost me at "A Rascall Flatts Song...." They did a version... a sub-standard one... the Tom Cochrane version will ALWAYS be the DEFINITIVE version....
Life is a highway was originally done by the great Tom Cochrane! Often imitated…never duplicated. A real Canadian treasure!!
Definitely associate this song wth Tom Cochrane. But I'm also Canadian so there's that. You could have given him a mention though, n'est pas?
Don't pay a thousand dollars for a 90s ODR1 lol the new ones are awesome with the bass switch! and the Karma is great to clone the MT10
Both fantastic alternatives
I have a ODR1 Mini that is also amazing and very versatile.
Nobles are amazing pedals even though I still love a good TS-808 and always have. Maybe because it was my first pedal, after a Vox Wah, that I bought 20 years ago and truly loved and really felt enhanced my playing. I always thought the TS-808 was many pedals in one. A light overdrive, a boost as in mid-boost, an amp pushing distortion, and best of all, a pedal that made all the harmonics pop like no other pedal
Ibanez need to rerelease the Mostortion, used ones on reverb for $500-$1000. That’s just crazy.
Or get the Karma version!
I guess Nashville has gone cosmopolitan and pop today. No mention of a compressor pedal? But then again, that's a country pedal more than pop. Some days when I'm scanning radio stations when I drive into a new radio territory I have to listen for a while to determine if the radio station is a pop station or a country station. I don't always recognize the names of modern "country" artists (or are they "crossover" artists?) and it's difficult to distinguish between today's country and pop music genres.
“Life is a Highway“ is a Tom Cochrane song that was covered by Rascal Flatts. Tom’s version was number one in Canada, and number six on the billboard charts in the USA. At least give the dude credit for his own song.
Wish you would have done a before and after, so… we can hear what the pedals a actually doing….
Lol, I've played guitar for almost 30 years and yep, I live in Nashville (Well, 30 miles North) and except for the MosStortion, I've got ALL these pedals, lol... Well, clones... But...
No harm in that!
Gotta love Tom Cochrane for writing the best highway song of all time.
Agreed. The song didn't need to be remade.
Yes, great song!
I'm sorry but, when I think of this track, there's no other version than the original by Tom Cochrane for me (I'm Canadian ;). Much respect for Rascal Flatts but I much prefer the groove and feel of the original as well as the original arrangement. The guitar work and drums are so much better in Tom's version IMO.
Sounds like a comment more appropriate for the Rascal Flatts suggestion box, this isn’t a video about “who wore it best,” rather the song was simply a vehicle to demonstrate the context of these particular guitar pedals in a song that’s indicative of modern country. The origins of the song are not in dispute and isn’t in the scope of the video.
It is only (or always) respectful to give credit to the songwriter especially in a Nashville context
The Danelectro Roebuck is an excellent alternative to the Mostortion for those looking for something a bit easier on the wallet.
Yes, or the Karma Overdrive.
Why not mention that life is a Highway by Tom Cochrane? That would’ve been totally appropriate.
Cause he's a Canadian, not from Nashville ;)
To have said once, "Rascal Flatts cover of a Tom Cochrane song" would have been cool. But I guess, you have to know this to mention it.
@@raymondtheriault2555he did say it was a cover, just didnt mention Tom Cochran. Which, as a guy that came of age in the 90s, did hurt my heart a little bit. Lol
What? Give any credit to a Canadian in Nashville? Don't be silly. Does Canada even still exist? Those cucks don't even have a backbone.
But Keith Urban gets a pass?! Hmmmmm.
Great video. You basically listed my pedalboard from 2006-2010 haha.
An honorable mention and a sleeper in the Nashville scene for a quick season in the early aughts were the Way Huge Fat Sandwich and the Menatone Red Snapper. Not really anymore. Also the Hughes and Kettner Rotosphere had its time until the Strymon Lex arrived.
❤️❤️❤️
What’s that? More OD pedals to own you say…? (wrings hands and laughs greedily)
[Kidding aside, two thumbs WAY up for the content here. Recent subscriber after watching the video on Fender Concert amps; very happy I found the channel. Cheers…]
Thanks so much for the sub!
Mason you are an asset to the industry. There aren't many out there that encompass both technical aptitude and music/guitar tone talent. Great video!
Wow! Thanks 🙏
I think now a days, the Greer Lightspeed is slowly bringing itself into the Nashville Pedals Hall of Fame.
Unsure if it has taken off in Nashville, but the Protein Pedal is one of my favorites. A Bluesbeaker and a ODR1 style circuit in one box.
Can’t say that it has, not like anything we mention here.
The Light Speed is good and the POG-2 is used, dispatch Maker are all good if still today. Are the session guitarist still the same in 2024
I use a tubescreamer before the ODR-1 Nobels.
Jeez dude. Super knowledgeable but Mason can play! And not only just play, but the sound is awesome. Great tones and an excellent video!!! My fave channel on YouYube hands down!! Downside. After every video I'm on the internet looking for all the great gear he talks about. I'll be soldering my own cables by next year.... Lol... Hey Google... ODR-1
Wow, thanks!
This is not the version that comes to mind when someone thinks of Life Is A Highway. It's the other one, by the other guy.
Way bigger hit for Rascal Flatts than anyone else. Became a big part of the 2000's country sound.
@@VertexEffectsInc
True, but more popular doesn’t always equal better.
Taylor Swift sold millions upon millions of copies of her album 1989, but Ryan Adams’ cover of the entire is infinitely better overall. It’s also a testament to the Taylor Swift’s talent as a songwriter.
“Nashville” pedals and every one is just basic rock sounds
Nashville is no longer "country". They're a bit of a ba$tardization of pop music. Difficult to tell apart as you listen and cross thru various radio territories.
Country radio has largely had rock sounds for a couple decades now
When Mutt Lange invaded country with his proxy Shania Twain 😂😂
@@wildgoose-mediaI was just going to comment that. If you isolate the guitar parts you would think it was 80’s rock.
I would suggest people try the Wampler Belle. Bought it 3 weeks ago and to me, it's the best thing to happen to a Telecaster.
It's an ODR-1 clone with some added features, and I agree it is amazing with a Tele.
Nice!
I have the ODR 1 and the Belle. I prefer the Bell. It doesn't have that heavy low end that u can't dial out of the ODR 1 but can still dial it in with the bass knob on the Belle if you want it. Plus the switch on the side gives another tone variation.
What I’ve learned from this is, if you want to ‘stand out in a mix’, just turn your guitar up so it’s way louder than all the rest of the instruments!
As God intended.
The goal is to control the peaks of the tone, that the level is constant while tracking.
Chris Ledoux. That's who recorded this first.
Hopefully we did him justice here!
Take a drink every time Tom Bukavac is mentioned, lol! 🤮
I love my ODR-1 but I use a mesa highwire for my buffering. Do you think I should switch it out for something true bypass like a Wampler Belle? What would you recommend?
I appreciate this video. My daughter is obsessed with the movie Cars and wants to hear this song constantly now
❤️❤️❤️
Very articulate presentation my friend. Nice job.
Glad you liked it!
I wish I could stand this dude enough to finish this video
A little OT, but I love my Hot Rod DeVille. The 4x10 combo, immortalized by the original Super, gets it’s magic the same way the original SVT did, with a bunch of small, quick cones. I spent 3 hours comparing with the 2x12 model, they were completely different amps. A few years later I recorded the Doors live DVD only to find Robbie used a pair of them and nothing else. Happiness. 👍🏽
If they're properly serviced they can be good workhorses. They have some known issues, but are easy to resolve.
I’d rather have the Wampler Paisley Drive than the Nobels. It’s basically a Nobels on one side.
Cool...do it!
Thanks for mentioning this. I was about to pull the trigger on the Belle but went with the Paisley Deluxe instead after checking it out.
@@daddyslittlejunkies awesome! It will cover a lot of ground musically..
This was fantastic! I disagree wholly with the tuning out comment, but as great as Rascal Flatts is, it would have been cool to hear a shout out to Tom Cochrane. But still, everything in this video was wise and true - and very well done.
The song is the vehicle, the pedals are what's driving this. People can perv out on Tom Cochrane vs. Rascal Flatts all they want, that's not what the video is about.
@@VertexEffectsInc Totally true. Just like with pedals, more of a respectful and/both rather than either/or. Again, thanks. Loved it - and I still can't get that tune out of my head and it's been days. Brilliant vehicle. LOL.
i was into it but just couldnt listen to that much rascall flatts haha
lmfao
Pretty isolated to guitar though...the guitar playing on that song is killer and has great tone.
@@VertexEffectsInc haha yeah I get it man. Good stuff either way
I think I misunderstood what the "nashville" sound is.
I'd have thought a compressor would have made the Rushmore of Nashville pedals but I have the GE7 and the TR2 on my board. I think a good slapback analog delay would be a Nashville pedal as well...I use a 78 680 DOD analog delay for that and as an A/B splitter as it has a remote output.
*Voodoo Sparkle Drive!?*
I live here in Nash. However, I can tell you the musicians are great, the city is crap though. It's like Los Angeles (which I lived in a long long time ago) but worse. Ugh.
I would like to visit one day, lives in a country thousand of miles away, why is it crap? Just curious
I agree 100 percent. Hate this city.
I live here too. Nashville sucks.
Yeah... Got here in '89 and it was great... now it's to music what Chipotle is to Mexican food.
Don't live there but been there a bunch. Definitely seems like a great atmosphere for getting together and playing with people. The city itself was the complete opposite of what I expected the first time I got there. And it seemed like every joint on the strip had a band playing the same song as the other place.
I have recorded a couple of times in the Nashville area, nothing top 40 wise however, but I have seen a couple of the smaller lesser known session guys use and swear by the Diamond Cpr-1 Compressor, which I use now as well..
Also just for me personally the Ibanez MSL Metal Screamer has a great tone for this style, can easily be substituted in place of the Nobels Odr if you're looking to switch it up.
👍👍👍
I have two ODR-1s...I am hot a high gain player, but there is more on tap with this pedal. I would recommend it, like many people who are way more knowledgeble than I.. :)
Agreed sir! And those ODR Minis are no joke! $80 for beautiful tone
This is a great list! I would also add (as several others have) the Greer Lightspeed. I would also nominate for honorable mention the Mad Professor Sweet Honey Overdrive, or it’s budget friendly clone the Tone City Sweet Cream.
Thanks for adding this!
Surprised the MXR dyna-comp didn’t make the list. Probably a more modernized list of what you’d see on a Nashville guitarist’s pedalboard.
A good choice up till the 90s for sure
lol not many Canadians about? Tom Cochrane..not the Fat Rascals..do yourself a favour and check Tom out and his Band Red Rider..wow there really is a wall when it comes to music...
We mention that this was not a Rascal Flatts song originally in the video.
@@VertexEffectsInc Yes I know..lol..thats why I thought I would help you out abit...Tom had hits like Big League..Boy Inside the Man..with Red Rider..White Hot..Lunatic Fringe..Avenue A more of a mature style of arranging Tom and his crew are a decent bunch and worth a listen.I still think your reviews and podcasts are the best and I also give you and your crew shout outs when ever I can..thanks eh!
I have 2 Nobels odrs, the The Belle by Wampler, The Hotwire v2 Wampler, The Vertex boost, BB preamp, the danoelectro roebuck,(I really liked the Vertex boost, The Dano Roebuck adds more treble on a Tele neck so it takes away any woofiness, The Vertex boost slams the fender Amps and it is my personal opinion that anyone who plays Fender circit type amps should use this as the frst od, or boost pedal period.. The Nobles in my my opinon sounds better than any nobles copy of of which I gave away. The Wampler Hotwire is very good for a strat less for a tele. My Vox AC 30 s1 sounds tremendous with the Dano. Excuse me for the wordiness.
Thanks for watching and the comment Mark!
Hearing pedals IN CONTEXT to existing tracks is the way to demo pedals. Thank you for uploading and sharing!
Glad you enjoyed it!
As a Canadian kid from the 80s/90s, I loved that song. Didn't know Rascal Flatts covered it lol. Love the video!
Thanks for watching!
When I think of the Nashville guitar sound the first thing I think of is a compressor. I don't know if the more modern guys are as into them as the older guys are though and I really don't like modern country because I'm a lifelong east Tennessean and we're very particular with our definition of "real country". Lol. There are still some phenomenal studio players there though. The best in the world really.
That would've been true 20 years ago, but not it's more and more like 1980's Rock.
@@VertexEffectsInc Yeah I definitely think the guys there now are much more "Tim Pierce" than "Brent Mason" for sure. Do you think a guy like Tim could've made a good living in Nashville 20 years ago and guy like Brent could've made a good living in LA 20 years ago? They're both insanely awesome players so I say they could both do anything but I'd say Brent is probably a little more versatile since he's so proficient at country.
I still see that Greer Amps - Lightspeed. As transparent as it gets.
I love that the Nashville Sound is Canada :)
…Also, yes, the Nobels are pretty nice!
I suppose a cover of a Canadian song, but I think some people are putting too much emphasis on the song and not the guitar pedals and the tones which is completely independent of the song choice
@@VertexEffectsInc Hey, that record was the first one I ever bought. On cassette. On my 9th birthday. I’m a fan.
And I love the tones you got. Keep fighting the good fight!
@@Wileylikethehawk Thanks for watching!
Joyo has a lot of great affordable clones.
Nice video Mason. I think The Timmy is another fantastic boost pedal similar to the Xotic. It can also be an “always on” box. 🎸🙏🏼
Very interesting video, thanks! I just ordered the Danelectro Roebuck to stand in for the Mostortion, so thanks again!
Mxr Dyna Comp
Keeley 2 nob Compressor
Great vid as always!
Good choice!
The secret to Nashville sound is a compressor.
It was, 30 years ago.
@@VertexEffectsInc it still is. You know why? Because is the one pedal you can’t go without
Depends on the guitar and amp. I run a Telecaster into a Dyna Comp into a Wampler Belle into a Blues Deluxe. But running a Telecaster into a Marshall with a drive pedal is not going to sound very good with a compressor. And yeah, Nashville guys use Marshalls and high gain.
@@ParkerPPipe god….its hard to watch somebody be sooooo wrong
But country is now pop as Nashville has become cosmopolitan. George Strait and Allan Jackson no longer fit the Nashville scene.
I think of the Tim/Timmy od as a particularly Nashville pedal.
Yes!!! Another worthy mention!
Thanks for the shoutout! This list is spot on... a couple honorable mentions might be the KoT and Greer Lightspeed. Almost every studio board we build has at least two of the pedals on this list. They are the Strat, Tele, and Pauls of the scene.
Thanks for making such great stuff! Yes...KOT and Lightspeed, both great!!!
Man that was a great video with great tones! I could listen to that 335 and Mostortion all day. I just did a demo video on the Karma MTN10. Love it dude!
Wow! Thanks!
Cochrane's version is by far the more popular one. It even had a higher peak position on the Billboard 100.
Looks like Rascal Flatts sold 3.4 M copies compared to 500K on Cochrane's...I'm sure the Disney backing helped a lot. That's not to qualify which one was better, the guy that wrote it should get the credit for sure no matter who made it more famous, however this isn't what the video is about...the song is just a vehicle for the pedals.
@@VertexEffectsInc
“Disney backing helped a lot…”
I don’t think they would have even recorded it without “Disney backing”.
Never thought I would see the day when clones were the only affordable option. Pedals are going for more than rack effects.
I put an RC Booster after my drive (OCD) and it does something really nice. I know most would put it before like what you did here to push the pedal.
Yeah I've often used the RC as a solo booster after other drives. It's relatively neutral
but has enough EQ control to work well in this role too. Pretty versatile pedal.
I think it works best first and something more neutral/transparent like our Vertex Boost after. That's pretty common in Nashville.
@@VertexEffectsInc It kind of opens up the OCD. I had it in front for a long time (as conventional wisdom would dictate) and then tried it after and it was surprised at how it actually added a lot of nice character. In front of the OCD it could push into OCD for more saturation, which was cool, but now for me it's an always on pedal after the OCD that seems to make everything that comes before it just sound better. It's nice to have the bass and treble as kind of a master eq after everything, and the "gain" is almost a mid boost, especially from zero to noon - since there is not much gain anyway!
@@jaltsch1 It's doing nothing to your OCD...it's the OCD that's doing something to the RC.
@@VertexEffectsInc right - it's affecting the signal coming from the OCD in a nice way.
Nobels is $1,000. It better come with a bathroom and kitchen. LMAO
They have re-issue versions that are also great!
@@VertexEffectsInc I would hope so! Great vid Mason.
@@pensatorseven1898 Thanks!!!
The Bluesdrive I understand has been used to get that Nashville sound
Hmmmmm
Fantastic video format. Using one song for all the demos helps
Thanks 🙏
Bro… Life is a Highway is gonna be stuck in my head for days now. 😂😂😂
I still associate the song with Tom Cochrane, but, well I'm 58 :-)
Sure…and we mention it as a cover. It’s also not nearly as famous as what Rascal Flatts did with it.
@@VertexEffectsInc I think if you go back to the charts you might be surprised how big the orig was at the time too mate. My perception is different because the Rascal Flatts version didn't chart in Australia whereas the orig did.
@@Grant_Ferstat as a Commonwealth Country...you'll get more Canadian play in Australia. I noticed that when I moved back to the US from Perth in the 1990s that Oz favored more British/Commonwealth artists before US artists unless it was someone huge or at the time, Ace of Base.
@@VertexEffectsInc Yeah I dunno mate. I think we get a pretty even split and obviously a lot of Aussie content too. I pretty much grew up on American music but that was probably just more my tastes than anything else. Now my wife who is Belgian...well. I'm still working at the University of Western Australia btw...
@@Grant_Ferstat I've been to the University Club many times...think that's on the campus if I'm not mistaken.
I might be a bit pedantic about this, but that song was a massive hit way before Rascal Flatts got a hold of it. Don't get me wrong, they did an amazing job of doing a 1:1 cover of the song. Sure their version is a bit brighter sounding than the original (likely due to the latter being recorded digitally vs the very analog original along with other technological advancements) but it's basically a carbon copy. I don't think they even changed the key.
Well he is talking about the sound after all...
It was a way bigger hit for Rascal Flatts undoubtedly. I do mention it’s a cover in the video and frankly the song choice has little to do with the pedal choices.
@@VertexEffectsInc I was working in a record store when the original came out. That song spent quite q few weeks at or near the top of the charts. Of course R.F. gave it more crossover appeal combined with Disney being able to amplify it through marketing. It's a great song regardless of who's playing it. Also it does rather typify the contemporary country guitar tone of the last 20 or so years.
@@VertexEffectsInc I know you mentioned it multiple times as being a cover, but I was also calling myself out for being pedantic. It just triggered my C.D.O. and gave me flashbacks to a 15 year old girl saying that Adele was covering 311 by doing "Love Song" and I had to tell her that she an 311 were actually covering The Cure.
Plus for all we know the original version could likely have been recorded in Nashville as well. Hence the near carbon copy of the production.
@@brettmarlar4154 👍👍👍
Отличный звук. Исторический
Nashville has lost its musical soul.
You can blame Garth Brooks.
@@westbayk2156 it's pretty sad that Rascal Flats is now the "Nashville Standard" ?!
@@capefearcapt4679 They were just as bad in the 70s.....ignoring Willie Nelson and Buck Owens. But to fabricate that Bro-Co, and go even further by injecting rap into it .....its no wonder Taylor Swift jumped ship !!!
Hate her too.....
It's 80's Rock now!
Hey Doc, I’m so happy to see that you took upon making this videos! These are very informative and show the reality of every song that’s known to us. Knowing which effects to use with every song,Is paramount and you just Nailed it bar none!! Besides the fact that you discuss the details of every pedal with advantages, substitutes, recommendations, and drawbacks! You’re awesome! I hope you make a series of these videos as it would be one of the best tools in the business for us less musically gifted as yourself! Thank you very much!
Thanks for watching!!!
I’ve seen Luke McQueary use an Sd-1 with awesome results , and have seen the tube screamer mini on his board and several other Robert’s guys boards. The diamond comp also seems like a Nashville staple… loved the video! Glad you take time to shine a light on what is truly the most influential and progressive guitar town currently!
Thanks for watching and for adding these pedals!
My two year old is all about this song right now from Cars. We listen to it non stop. The guitar tones are great! But i've heard this song more times than you could imagine.
I bet!
I depends if you want to sound like Nashville
It is missing the Way Huge STO. This pedal is amazing!
Who in Nashville is using this in any numbers? Nobody
Wage Huge STO is based off the Nobels. I actually have an XTS Imperial which is their version.
I think it makes more sense to use the original in this video as it is what is most commonly used in Nashville.
I have watched a lot of your videos first thank you for the great information. I was wondering if you can use these with Acoustic guitar and get almost the result ? I am a full time solo performer over 3700 shows of 23 years. I use a Rick Turner RS-6 and on the Lead side of my pedal-board xotic SP compressor into a Tech 21 GT4 into a Boss DD-3 Delay and into a Behringer Active DI right into my Power amp. Pretty good sound but as a guitarist always looking for better tone. Thanks again for your videos.
Acoustic, not really...not the same type of instrument for this applications in terms of getting these sounds. The approach should be different.
Very Cool. Thankyou. Tom Cochran such an awesome Song Writer. Cheers
Thanks for listening
personally I prefer "Lunatic Fringe". The first few times I heard it I thought it was Pink Floyd until a radio announcer mentioned the artist.
Great video Mason!! Enjoyed the playing and knowledge that you drop on here! I have used the ODR-1 in the past but right now I am running the Browne Amplification Protein. What is your opinion on that pedal and the paisley deluxe by wampler ?
Awesome! Thank you! I hear they're great pedals!
Thank you Dr for this great video!! The only problem is that when you show new pedals I end feeling in need of one of those and my pedalboard keeps growing. Greetings from Mexico
Sorry!
A lot of this eq and boost stuff can be done in a mix. Compression. Reverb eq. All better to be done while mixing more options. I guess Nashville is a factory and they craft it out on a daily basis.
Can be...often not though specially if you're changing the guitar itself and how it's affecting the pedals after it...e.g. when Bukovac makes a HB sound like a TV Jones.
Cool Vid! Love that Boss EQ pedal. 🤘✌️
Yes, get the XTS mod, makes it even better!
I learn way more from you, the JHS and that pedal show. Dude, you are awesome at explaining things. I love the other shows, though. I always have the box. When I buy a pedal in black marker, I write "I Have The Box". Great video and you are an excellent player too.
So glad it's useful!
Great video thoroughly enjoyed it and long drive home turn it on and lay the bone my feet really enjoyed it… I had a couple of those petals let them go… We have an S… Oh my goodness what is work now! Here’s an absolute sweetheart, Guyatone OD2. In the news for your vein much more open super simple do use in a little bit ago
❤️❤️❤️
I purchased an ODR-1 mini based on this video.
I figured it would sit on the shelf with all the other pedals I have wasted money on but, I love it!
Thx!
Great to hear!
Great video Mason! One pedal that I can see being a future classic is the Greer Lightspeed. I think it fills that niche of transparent overdrive where the Bluesbreaker used to be. I've been pairing it with my Nobels with the bass cut toggle and its a lot fun to use!
It definitely has a shot, I guess time will tell! I would say the king of tone seems to be the most popular derivative of the blues breaker in Nashville.
I think that what I love about these is that there is nothing inherently too country about these selections that omits them from any other genre of play. They're all favorites, sure, but they're all great alternative flavors that are really just a great tonal secret in the studio.
My favorite is the EQ once again proving itself as a very important piece in any collection.
Mason, I think the modern TR-2 has a trim pot to adjust the output, am I right about that? I have one that's about 20 years old so I couldn't check mine for confirming. I would think that increasing the volume too much would clip the signal like a gain, no?
That’s just the way modern country has gone really. So much more rock oriented than ever before. Even hip hop is making its way in. EQ is key! Dunno about the new TR-2 with a trimmer, not to my knowledge - happy to be wrong on that. It wouldn’t clip if it’s on the output:
@@VertexEffectsInc would love to know what your thoughts are on the Boss EH-2 Enhancer pedal
What about a compressor?
Old school country, for sure. New school is more like 80's pop rock.
Agree the Greer Lightspeed should be here, although my understanding is that it sits between the ODR-1 and the RC Boost.
Perhaps a shout out also to the EP boost another one for the list.
Perhaps…time will tell.
I really want that Tremolo now! Great video!
The best!!!
Xotic rc booster going into an xotic bb preamp is the win for me. Those into a fender deluxe reverb and here we go! Cheers from France
Nice!
I really enjoyed this. Great great sounds. Also, I played this song all night after this. Fun! Thanks.
Glad you enjoyed it!
I don't understand why folks who claim they swear they gotta use all vintage and analog gear, especially these pedals, and then they send them through a digital effects processor and cause an analog to digital to analog signal chain before the amp. It seems like if you're trying to hit the front end of the amp with all that analog goodness, which is supposed to give the proper feel and response with the tubes, that inserting these conversions up front undermines what Nashville guys profess to be trying to achieve.
Too bad guys don't use the "delay/modulation" type processors in the FX loop AFTER the amplifier preamp and leave the front end for boost, volume, pedals.
Line 6 DL4 is a Nashville staple. You’re sniffing corks.
I tried the Steel Strings MKII you guys designed and it kills...it's like adding cream to any sound.
Great to hear!
Noble's sounds really good but the Mortorion blowed me away. It was fantastic..great video.
Glad you enjoyed it!
COMPRESSION
literally how did they not include the red dyna comp ..
Compression is for kids
Tell that to all the big players in Nashville who use them night after night. Good luck to you.
@@joseph2832aaah Ok. I was talking about studio, not Broadway