I've seen and heard plenty of pianists in my over 75 years but Ms. Buniatishvil is one of the very finest. She is in a league of her own. She is magnificent.
One with the piano, one with the orchestra, so expressive and sensitive. Brilliant! In total concentration and control in that open air setting. Takes this outstanding music to everyone!
Miss Khatia Buniatishvili is really and truly the 21st century female pianist; extremely rare to see intelligence and beauty combined in the same one person...she is THE WOMAN
Ringrazio la stupenda pianista per le emozioni che mi dà perché suona con il cuore , un cuore grande, gentile, generoso capace di trasmettere i sentimenti che prova lei con la sua musica!
No matter whether you like her or not, she creates conversation. She brings new interest to the music. She is still young. She will be heralded as one of the greats.
Dommage que la prise de son et la prise de vues ne soient pas à la hauteur ! Khatia est de loin la plus extraordinaire pianiste de notre époque,elle mérite mieux que ça... En tous cas bravo et merci Khatia ! On vous aime !
After listening to this performance multiple times, and saying it might have been played too fast, well this is 2019 and not 1976 when I was first introduced to this wonderful composition. The other thing is this, the audio on this video is not as good as many of her other RUclips videos, and that makes a difference too. So, her interpretation is her own, and she deserves much credit for being able to play it at a tempo that is satisfying to her soul.
This is an incredible performance played under the most adverse conditions imaginable - open air , babies screaming, people walking up and down the aisle; and yet it's one of the finest performances of.Rachmaninoff 2 I've heard in quite a while, played with intensity, accuracy, and great romantic spirit. Khatia is capable of inspiring orchestras to play beyond their normal abilities; in this instance they were united by common adversity to give a performance of great courage, considering all that could have gone wrong with a piece as difficult as Rach 2. Auf Deutsch: Dies ist eine unglaubliche Leistung unter den widrigsten Bedingungen, die man sich vorstellen kann - Open Air, Babys schreien, Leute, die auf und ab den Gang gehen; Und doch ist es eine der besten Aufführungen von. Rachmaninoff 2 Ich habe schon eine ganze Weile gehört, gespielt mit Intensität, Genauigkeit und großem romantischen Geist. Khatia ist in der Lage, Orchester zu inspirieren, über ihre normalen Fähigkeiten hinauszugehen; In diesem Fall wurden sie durch gemeinsame Widrigkeiten vereint, um eine Aufführung von großem Mut zu geben, wenn man bedenkt, dass alles, was mit einem Stück so schwer wie Rach 2 gegangen wäre. P.S. A whole thread stating this sentiment was just deleted; I don't know why. This is an attempt to restore the essence of what I stated before. Thanks.
Woher wissen Sie denn, dass die Umstände äußerst widrig, ja fast inakzeptabel waren? Haben Sie die Solistin oder ein Orchestermitglied befragt, waren Sie auf der Bühne oder wenigstens im Publikum anwesend? phasebook hat ein sehr schönes Video eingestellt und alle Khatia-Fans sind dankbar dafür. ABER: die Kamera war mitten im Publikum, vorne beim Mittelgang platziert. Ja, viele Leute laufen herum, reden und filmen mit ihren Handys. Viele wollen Khatia aus der Nähe sehen und an diesem Trubel ist youtube auch beteiligt. Auf der großen weiten Wiese war davon kaum etwas zu hören und das Konzert war ein schönes Erlebnis! Ein Video vom zweiten Klassik Open Air Nürnberg am 5.8.2017 mit den Nürnberger Symphonikern, Alexander Shelley und Daniel Hope finden Sie in der BR Mediathek. Es zeigt auch sehr schön die friedliche, entspannte Atmosphäre im Publikum. www.br.de/mediathek/video/video/br-klassik-klassik-open-air-nuernberg-100.html Daniel Hope spielt als Zugabe "Schindlers Liste".
Da war ich eigentlich nicht bei dem Konzert dabei, alles was ich gehen kann ist, was ich auf dem Video beobachte. Als ein professioneller Musiker, mit viel Erfahrung in einer Vielzahl von Bedingungen, die Bedingungen an diesem Open-Air-Konzert sind sehr weit von den idealen Situtationen Musiker bevorzugen, vor allem bei der Durchführung eines Stückes mit so vielen möglichen Katastrophen wie Rachmaninoff 2. Das heißt, man sollte nichts als Bewunderung für die Organisatoren und vor allem die Darsteller dieses Konzertes, weil sie den Mut haben, unter diesen Bedingungen zu spielen und mehr als erfolgreich zu sein. Weil sie bereit waren, ein Risiko einzugehen, wurde viel gewonnen; Eine außergewöhnliche Aufführung unter allen Bedingungen war zu hören, vor allem dank dem außergewöhnliche Solist und feinen Orchester. Das war vielleicht die erste Aufführung dieser Art von Musik, die viele im Publikum jemals gehört haben, und lassen sie mit einem positiven Eindruck, der dazu führen wird, die Anwesenheit bei Konzerten wie diesem zu wiederholen.
Abundance There you are, Abundance! So happy to find another post from you! And you put everything in perspective for me. I don't know what to think about all the movement she did on the bench at about 5:25. It was the wildest thing I have ever seen a classical performer do. Also confusing to me is the conductor starting this 3rd movement while Khatia was graciously acknowledging the inappropriate applause between the 2nd and 3rd movements. She hardly had time to adjust herself on the bench before the conductor started. She got herself together despite this. Under these circumstances, with a noisy, seemingly unsophisticated audience, the conductor should have taken his cue from Khatia and allowed her the time to acknowledge the audience and wait until things settle down. She is just incredible to me. She seems undaunted by everything and keeps the pace, no matter what! Wild horses could have charged the stage! She is one glorious woman!
Kristine Thomas Yes, this is definitely an unusual concert in many ways, both in the performers' response to the conditions and in the behavior of the audience itself. I was astounded at the quality of the performance given the wretchedness of the conditions. Both the orchestra and the soloist play with intensity and precision, responding to each other as if they were playing an intimate piece of chamber music. Especially commendable is the concertmaster, who leads the orchestra with a decisiveness found only among the best. He was situated directly adjacent to Khatia and they seemed to be communicating very well, which was one of the keys, I think, to the greatness of the performance. The audience, meanwhile, exhibits behavior very boorish even for outdoor concerts of this type. Khatia is definitely one-of-a-kind, a unique performer who does everything in her own way. The gyrations at 5:25 are definitely something you won't see from anyone else. The conductor seemed to be in a hurry to get out of there as soon as possible, maybe explaining his over-hasty commencement of the last movement. Fortunately even this Khatia was unaffected by, she just ignored it and carried on as if there was nothing unusual about anything that was happening. She has a fearlessness which characterizes not only her behavior, but her performances themselves. Her willingness to take risks and live on the edge of what is possible sometimes results in revelatory performances, such as in the recordings of the Liszt B minor Sonata or Mussorgsky's Pictures or even this unique interpretation of the Rachmaninov Second Concerto.
I started to listen to classical music as a child on 78 RPM records. Long before the 33 1/3 long play recordings. I never had the luxury of seeing the artist playing. They could have been standing on their heads while playing for all I knew. And all recordings were done on a sound stage. No audiences. This is a private "Bootlegged" recording of a live concert with all of the associated problems. Like babies crying wanting to be breast fed by their mothers. Who don't want to miss an excellent concert.
Ciao khatia , quando suoni il pianoforte incarni la soavità della musica e anche l’interpretazione magica della energia vibrante sulla tastiera del pianoforte fa incantare i pensieri di spiritualità......insomma sei una visione d’amore !? Grandissimo omaggio alla vera intelligenza che anima la nostra vita !? Ti ammiro infinitamente. Un abbraccio Jo albot
Look at her arms & wrists. This lady practices like a warrior. I played the same number for the Van Cliburn contest in Amarillo back in 1965. Couldn't make it because they said I was too mechanical. I couldn't get a date either due to my nerd status. Had I found another player like Khatia, I'd still be playing today.
Under that mop of hair there's a brain which would put any computer to shame, and inside of that lady there's a heart and soul that contain the very essence of music,
@@JohnCepurna Yeah, she’s a beauty. No argument there. She’s also getting a great big free ride from charmed men who suddenly know all about classical piano. She’s quite bad.
Exellence at it's best. I especially admire her exibition of beauty that she has as woman. She is unique in this aproach and It is remarkable, as she gives herself in an additiolal dimention. Bravo from millions of audiences. Envy jelousy, may follow her, I say too bad for those who are so narrow minded, weak and can't line up with the present, she is BEAUTIFUL!!! Enourmously present with all that is art, appreciation of Khatia's presentiation as she corners a fabulous new area that is just begining and coming from within. Be all you can be! Incredible is her ability to work with the piano, on an extreamely high level, the best that Is available. Vladimir Horowits comes to mind, each person remains in this category high above the expectation of human achiavements. God bless you for being who you are!
A wonderful talent, surely she is quite beautiful but her range of interpretations is wide, subtle when required and powerful when required. A wonderful musician
A beautiful performance in so many directions and levels. Hard to get inspired on a Sunday morning during this time, but this did it. Thank you all involved.
I played this when I was 17 & trying out for the Van Cliburn contest in Amarillo, TX. I have no doubt that had I looked like her & exuded the sexuality of the work I might have won, not to mention having her absolute talent. I love this lady & am glad to see a Steinway on the stage. Go Khatia Go!
Estimulante corriente de endorfinas fluyen por mis sistemas y por ende a nivel celular una fiesta en mi organismo con esta escucha...Apasionada interpretacion y apasionada relacion entre pianista y la orquesta...como apasionada es mi relacion con este nuevo dia en el una vez mas siento en este despertar mañanero la alegria emerger con cada nota.... VIVA LA MUSICA y los musicos apasionados
If this audience were blind, KB's performance would have been technically (if not musically) astounding; if this were a beauty contest, KB would have been a strong contender. But since it is neither, we get Victorian criticism. That's what happens when we have a 21st century virtuoso playing 19th century music.
We all acknowledge KB's beauty and sensuality, but the orgiastic poses are a bit over the top, ever more. Of course this very talented pianist lives in the music, has her temperament and clothing preferences that highlight her beauty , but still. I tend to not watch, only listen. This recording quality is not the best due to too much background noise (baby crying...)
@@nessieness5433 orgiastic poses at climactic musical peaks are not entirely mismatched. Granted that the music-tousled hair does lend itself to misleading optics
I thought I was watching a beautiful concert until 8:15 when the camera zooms out and we see all these people wandering around. How sad for those wonderful musicians on stage - in spite of being such a large event.
I felt the same!!! Even in Nuremberg, with outstanding music education, I got very surprised. No connection at all with the music and such a great performance. Ashamed!!
I am impressed by the elevated levels of knowledge and taste to be found amongst the 'cognoscenti' in this RUclips audience - all apparently having lifelong expertise in judging and critiquing the piano skills of even the most renowned and popular performers! Next time an international Chopin competition or Leeds competition or other comes up, maybe the organizers should troll the RUclips 'graffiti' for candidates to sit on the adjudicator panel.😄
... Trop de nuisances sonores gâchent l'écoute de cette extraordinaire pianiste qui comble autant nos récepteurs auditifs que nos yeux émerveillés par une si belle personne passionnée et passionnante. Merci Khatia, c'est un bonheur de vous voir jouer !!!
Interpréter un chef-d'œuvre par une pianiste extrêmement talentueuse devant un public qui fait du bruit et qui est en mouvement constant, c'est comme offrir du caviar à un lapin.
jm Quand on est virtuose dans son ART, je pense que l'on peut tout se permettre et elle a bien raison ! Elle y trouve son PLAISIR, tant mieux, elle nous le fait PARTAGER. Il faut SALUER LE CAMERAMAN qui n'est pas de la dernière pluie et qui a su prendre les meilleurs plans...! Regardons autour de KHATIA ce qui se passe pour se rendre compte qu'elle RAYONNE, que tout le monde est HEUREUX alors encore BRAVO...!
I had the great fortune to be near the front row at the Met, in N.Y. in 1969, to see Van Cliburn perform this fabulous piece with the Moscow Symphony. This lady is certainly his peer, and SHALL be a legend as much as Van Cliburn in the same time frame.
At a time when everyone is wondering where the communication routes of alien civilizations are and what message to send them so that they don't think of us as the heart of darkness, I came across this concert.
Khatia est un phénomène. On peut la détester, pour son jeu ou ses tenues trop glamour. Mais c'est un réflexe conservateur, c'est s'empêcher de penser qu'au XXIe siècle on peut encore révolutionner le piano classique, le réinventer, casser les codes, proposer une interprétation inspirée, magnétique et fougueuse. Elle joue vite ? Et alors ? C'est oublier qu'elle a une base virtuose, qu'elle a été une prodige, et qu'elle propose maintenant une lecture totalement transgressive par rapport à la tradition. Et puis, évidemment, elle irradie. Sa beauté incandescente transparaît même dans ces concerts, dont l'enregistrement est indigne (jamais entendu autant de bruit de fond). Avec Khatia il faut se laisser emporter, loin, très loin des codes traditionnels. Et c'est magique.
Das Nürnberger Publikum hat Frau Buniatishvili nicht gewürdigt? Keineswegs, es gab begeisterten Beifall, die Künstlerin schien Freude an ihrem Auftritt zu haben und die Zugabe "Clair de Lune" war wunderschön. Das Publikum ist bunt gemischt, und das ist auch gut so. Klassikliebhaber und Leute, die noch nie in einem Konzert waren oder nur bei dieser Gelegenheit klassische Musik hören, und von denen einige sich nicht bewusst sind, wie sehr lautes Reden stört. Da hilft nur ein Platz weit weg von Mittelgang und Hauptwegen, um sich herum nette Leute die aufmerksam zuhören. Das Wunderkerzenmeer ist traumhaft, ebenso das Feuerwerk zum Schluss. Nürnberg leistet sich zwei Orchester, einen neuen Konzertsaal und im Sommer zwei Klassik Open Air Konzerte. Wir sind sehr froh darüber. Danke phasebook für das Video.
Es war chaotisch, sehe auch phasebooks zweite upload. Dass Khatia und das Orchester das ganze konzentriert und mit ein Lächeln über die Bühne gebracht haben, ist den hoch anzurechnen.
Caressing the piano like her own hair with voluptuous hand gestures... aside from the amazing performance... what a sight and sound to relish for a long time!!
I've seen and heard plenty of pianists in my over 75 years but Ms. Buniatishvil is one of the very finest. She is in a league of her own. She is magnificent.
Beautiful and gifted beyond any language…she is a Divine gift to us mortals!❤❤❤❤❤
Khatia Buniatishvili's skill, ability, expression, joy, and passion at the piano are one in a generation.
The amazing magical Katia we love your presence in our world, since you make it richer, thank you thank you Katia.
She is a true gem. Magnificent. When she plays, she owns the piano.
One with the piano, one with the orchestra, so expressive and sensitive. Brilliant! In total concentration and control in that open air setting. Takes this outstanding music to everyone!
Miss Khatia Buniatishvili is really and truly the 21st century female pianist; extremely rare to see intelligence and beauty combined in the same one person...she is THE WOMAN
there are many beautiful but they are dressed!
👏👏👏👏👏
Unbelievable performance even when audience is terrible. She is so beautiful. It is a great joy to watch her playing with passion.
Khatia Buniatishvili plays this concerto N°2 from S. Rachmaninoff beautifully. It is a deep pleasure for me to listen to Khatia. Thank you so much.
She plays with the class, finesse and emotion great classical music deserves.
Ringrazio la stupenda pianista per le emozioni che mi dà perché suona con il cuore , un cuore grande, gentile, generoso capace di trasmettere i sentimenti che prova lei con la sua musica!
Denkt u dat?
Despite the background noise of the audience, this performance was amazing!
Romantic performance of one of the greatest romantic concerti in all of music. Bravo!, Ms Khatia, Bravo!
She's a spirit with supernatural talent and beauty and life.
No matter whether you like her or not, she creates conversation. She brings new interest to the music. She is still young. She will be heralded as one of the greats.
Thank you for recording this!!! Awesome.
KHATIA BUNIATISHVILLI dans toute sa splendeur d' immense pianiste planétaire. MAGNIFIQUE 👋👋👋👋👋👋👋👋👋❤️♥️👋♥️👋👋👋👋👋
Dommage que la prise de son et la prise de vues ne soient pas à la hauteur ! Khatia est de loin la plus extraordinaire pianiste de notre époque,elle mérite mieux que ça... En tous cas bravo et merci Khatia ! On vous aime !
Khatia is a gifted and magnificent pianist. BRAVO!!!!💯🤗🎹
Impressive
orchestration!!! Extraordinary
Kathia, to the author of
the event!!!
Incredible power of music served by masters!!! 😍
At this level of perfection in concert, children should never be seen or heard. Her playing of this selection is superb. Thank you
Superb music and superb dress too .
After listening to this performance multiple times, and saying it might have been played too fast, well this is 2019 and not 1976 when I was first introduced to this wonderful composition. The other thing is this, the audio on this video is not as good as many of her other RUclips videos, and that makes a difference too. So, her interpretation is her own, and she deserves much credit for being able to play it at a tempo that is satisfying to her soul.
This is an incredible performance played under the most adverse conditions imaginable - open air , babies screaming, people walking up and down the aisle; and yet it's one of the finest performances of.Rachmaninoff 2 I've heard in quite a while, played with intensity, accuracy, and great romantic spirit. Khatia is capable of inspiring orchestras to play beyond their normal abilities; in this instance they were united by common adversity to give a performance of great courage, considering all that could have gone wrong with a piece as difficult as Rach 2.
Auf Deutsch: Dies ist eine unglaubliche Leistung unter den widrigsten Bedingungen, die man sich vorstellen kann - Open Air, Babys schreien, Leute, die auf und ab den Gang gehen; Und doch ist es eine der besten Aufführungen von. Rachmaninoff 2 Ich habe schon eine ganze Weile gehört, gespielt mit Intensität, Genauigkeit und großem romantischen Geist. Khatia ist in der Lage, Orchester zu inspirieren, über ihre normalen Fähigkeiten hinauszugehen; In diesem Fall wurden sie durch gemeinsame Widrigkeiten vereint, um eine Aufführung von großem Mut zu geben, wenn man bedenkt, dass alles, was mit einem Stück so schwer wie Rach 2 gegangen wäre.
P.S. A whole thread stating this sentiment was just deleted; I don't know why. This is an attempt to restore the essence of what I stated before. Thanks.
Woher wissen Sie denn, dass die Umstände äußerst widrig, ja fast inakzeptabel waren?
Haben Sie die Solistin oder ein Orchestermitglied befragt,
waren Sie auf der Bühne oder wenigstens im Publikum anwesend?
phasebook hat ein sehr schönes Video eingestellt
und alle Khatia-Fans sind dankbar dafür.
ABER: die Kamera war mitten im Publikum, vorne beim Mittelgang
platziert. Ja, viele Leute laufen herum, reden und filmen mit ihren Handys.
Viele wollen Khatia aus der Nähe sehen und an diesem Trubel
ist youtube auch beteiligt.
Auf der großen weiten Wiese war davon kaum etwas zu hören und
das Konzert war ein schönes Erlebnis!
Ein Video vom zweiten Klassik Open Air Nürnberg am 5.8.2017
mit den Nürnberger Symphonikern, Alexander Shelley und Daniel Hope
finden Sie in der BR Mediathek. Es zeigt auch sehr schön die friedliche,
entspannte Atmosphäre im Publikum.
www.br.de/mediathek/video/video/br-klassik-klassik-open-air-nuernberg-100.html
Daniel Hope spielt als Zugabe "Schindlers Liste".
Da war ich eigentlich nicht bei dem Konzert dabei, alles was ich gehen kann ist, was ich auf dem Video beobachte. Als ein professioneller Musiker, mit viel Erfahrung in einer Vielzahl von Bedingungen, die Bedingungen an diesem Open-Air-Konzert sind sehr weit von den idealen Situtationen Musiker bevorzugen, vor allem bei der Durchführung eines Stückes mit so vielen möglichen Katastrophen wie Rachmaninoff 2. Das heißt, man sollte nichts als Bewunderung für die Organisatoren und vor allem die Darsteller dieses Konzertes, weil sie den Mut haben, unter diesen Bedingungen zu spielen und mehr als erfolgreich zu sein. Weil sie bereit waren, ein Risiko einzugehen, wurde viel gewonnen; Eine außergewöhnliche Aufführung unter allen Bedingungen war zu hören, vor allem dank dem außergewöhnliche Solist und feinen Orchester. Das war vielleicht die erste Aufführung dieser Art von Musik, die viele im Publikum jemals gehört haben, und lassen sie mit einem positiven Eindruck, der dazu führen wird, die Anwesenheit bei Konzerten wie diesem zu wiederholen.
Abundance There you are, Abundance! So happy to find another post from you! And you put everything in perspective for me. I don't know what to think about all the movement she did on the bench at about 5:25. It was the wildest thing I have ever seen a classical performer do. Also confusing to me is the conductor starting this 3rd movement while Khatia was graciously acknowledging the inappropriate applause between the 2nd and 3rd movements. She hardly had time to adjust herself on the bench before the conductor started. She got herself together despite this. Under these circumstances, with a noisy, seemingly unsophisticated audience, the conductor should have taken his cue from Khatia and allowed her the time to acknowledge the audience and wait until things settle down. She is just incredible to me. She seems undaunted by everything and keeps the pace, no matter what! Wild horses could have charged the stage! She is one glorious woman!
Kristine Thomas Yes, this is definitely an unusual concert in many ways, both in the performers' response to the conditions and in the behavior of the audience itself. I was astounded at the quality of the performance given the wretchedness of the conditions. Both the orchestra and the soloist play with intensity and precision, responding to each other as if they were playing an intimate piece of chamber music. Especially commendable is the concertmaster, who leads the orchestra with a decisiveness found only among the best. He was situated directly adjacent to Khatia and they seemed to be communicating very well, which was one of the keys, I think, to the greatness of the performance. The audience, meanwhile, exhibits behavior very boorish even for outdoor concerts of this type.
Khatia is definitely one-of-a-kind, a unique performer who does everything in her own way. The gyrations at 5:25 are definitely something you won't see from anyone else. The conductor seemed to be in a hurry to get out of there as soon as possible, maybe explaining his over-hasty commencement of the last movement. Fortunately even this Khatia was unaffected by, she just ignored it and carried on as if there was nothing unusual about anything that was happening. She has a fearlessness which characterizes not only her behavior, but her performances themselves. Her willingness to take risks and live on the edge of what is possible sometimes results in revelatory performances, such as in the recordings of the Liszt B minor Sonata or Mussorgsky's Pictures or even this unique interpretation of the Rachmaninov Second Concerto.
I started to listen to classical music as a child on 78 RPM records. Long before the 33 1/3 long play recordings. I never had the luxury of seeing the artist playing. They could have been standing on their heads while playing for all I knew. And all recordings were done on a sound stage. No audiences. This is a private "Bootlegged" recording of a live concert with all of the associated problems. Like babies crying wanting to be breast fed by their mothers. Who don't want to miss an excellent concert.
Khatia ci ha donato il meglio.. eccezionale interpretazione del grande Rachmaninov.. superba !!
Ciao khatia , quando suoni il pianoforte incarni la soavità della musica e anche l’interpretazione magica della energia vibrante sulla tastiera del pianoforte fa incantare i pensieri di spiritualità......insomma sei una visione d’amore !? Grandissimo omaggio alla vera intelligenza che anima la nostra vita !? Ti ammiro infinitamente. Un abbraccio Jo albot
Kathia is one awesome woman. Consummate artist and singular personality. Love her.
"Khatia"
Разливанное море очарования Кати в её неподражаемой игре волшебства музыки .
Look at her arms & wrists. This lady practices like a warrior. I played the same number for the Van Cliburn contest in Amarillo back in 1965. Couldn't make it because they said I was too mechanical. I couldn't get a date either due to my nerd status. Had I found another player like Khatia, I'd still be playing today.
Хотя он и не знал ее ,но создал именно для этой особы.неповторимое исполнение👏💐
Thank you for the share of this beautiful piece. My favorite one.
Under that mop of hair there's a brain which would put any computer to shame, and inside of that lady there's a heart and soul that contain the very essence of music,
Did we watch the same clip?!
1:59 @@artysanmobile
@@JohnCepurna Yeah, she’s a beauty. No argument there. She’s also getting a great big free ride from charmed men who suddenly know all about classical piano. She’s quite bad.
Nice outdoor concert, good way to introduce people to the classics, beautifully performed by the beautiful Khatia, always a pleasure to watch...
I enjoy your Talent as Pianist your Beauty and Sensuality so much you are an Angel to me !!!
Exellence at it's best. I especially admire her exibition of beauty that she has as woman. She is unique in this aproach and
It is remarkable, as she gives herself in an additiolal dimention. Bravo from millions of audiences. Envy jelousy, may follow her,
I say too bad for those who are so narrow minded, weak and can't line up with the present, she is BEAUTIFUL!!! Enourmously present with all that is art, appreciation of Khatia's presentiation as she corners a fabulous new area that is just begining and coming from within. Be all you can be! Incredible is her ability to work with the piano, on an extreamely high level, the best that
Is available. Vladimir Horowits comes to mind, each person remains in this category high above the expectation of human achiavements. God bless you for being who you are!
A wonderful talent, surely she is quite beautiful but her range of interpretations is wide, subtle when required and powerful when required. A wonderful musician
The ONLY thing she shares with the incomparable Vladimir Horowitz is a piano.
Brilliant,perfect !!!👏🙏
A beautiful performance in so many directions and levels. Hard to get inspired on a Sunday morning during this time, but this did it. Thank you all involved.
Énorme orchestre pour l' accompagner👋👋👋👋
I played this when I was 17 & trying out for the Van Cliburn contest in Amarillo, TX. I have no doubt that had I looked like her & exuded the sexuality of the work I might have won, not to mention having her absolute talent. I love this lady & am glad to see a Steinway on the stage. Go Khatia Go!
A fair admission from an obviously talented pianist. So rare are such admissions that I accept it for the truth therein. Bravo, Wise Al.
👍👍👍
Simply Irresistible!!!
Beautiful and warm!
By the way she dresses, she shows she doesn't mind flaunting her "other talents" for the enjoyment of the males in the audience. BRAVO!!!!
I know a couple of women who had to change their panties after watching this, she is very talented in more ways than one...
ça ne gâte rien.
Mi ripeto è sublime le sue dita sono come petali di una farfalla che sfiorando i tasti generano queste meravigliose sinfonie. Bravissima
Evry concert where is Khatia Buniatishvili that concert is very good concert !
Exquisite and powerful! Khatia is queenly in this performance.
Только ВОСХИЩЕНИЕ
В Вашем исполнении
Дорогая Кхетия,как в прочем и всегда.С уважением-Людмила
Dar um concerto maravilhoso desses para uma platéia displicente é deplorável
Estimulante corriente de endorfinas fluyen por mis sistemas y por ende a nivel celular una fiesta en mi organismo con esta escucha...Apasionada interpretacion y apasionada relacion entre pianista y la orquesta...como apasionada es mi relacion con este nuevo dia en el una vez mas siento en este despertar mañanero la alegria emerger con cada nota.... VIVA LA MUSICA y los musicos apasionados
I especially like her double octaves!!! Very bouncy.
A great performance of a beautiful woman
BEAUTY FULL
BEAUTY FULL
BEAUTY FULL
@@qatriamlucy - you have good taste for good music
Bravoooooooo!👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏
KRASNO,NAPUNI I DUŠU I SRCE.LEPOTA U OVOJ RUŻNOJ I TUŽNOJ STVARNOSTI.
If this audience were blind, KB's performance would have been technically (if not musically) astounding; if this were a beauty contest, KB would have been a strong contender. But since it is neither, we get Victorian criticism. That's what happens when we have a 21st century virtuoso playing 19th century music.
We all acknowledge KB's beauty and sensuality, but the orgiastic poses are a bit over the top, ever more. Of course this very talented pianist lives in the music, has her temperament and clothing preferences that highlight her beauty , but still. I tend to not watch, only listen. This recording quality is not the best due to too much background noise (baby crying...)
@@nessieness5433 orgiastic poses at climactic musical peaks are not entirely mismatched. Granted that the music-tousled hair does lend itself to misleading optics
Nessie Ness ñopñp
Krasibaspa si a
Think your calendar needs adjustment - Rachmaninov's 2nd is a 20th Century work - if only just, 1901 actually.
Stunningly beautiful performance of a favorite of decades, by a stunning Beauty of a performer.
Bravissimo 😀
Can't believe the bad behavior of the audience!
What a performance!
I thought I was watching a beautiful concert until 8:15 when the camera zooms out and we see all these people wandering around. How sad for those wonderful musicians on stage - in spite of being such a large event.
Rachmaninoff a la Woodstock. And a grossly over (or under) dresses superstar.
I felt the same!!! Even in Nuremberg, with outstanding music education, I got very surprised. No connection at all with the music and such a great performance. Ashamed!!
Great performance with perfect sensitivity!
Sie ist die Marilyn Monroe des Klaviers! Ein musikalisches Sexsymbol...Wow! 🥰
Exciting and attractiv lady maybe in love with Rachmaninoff? Frenetic applause!
Talentuosa, bravissima, bellissima: I love you, Khatia!!!
Superb Khatia is the best
Khatia si the best ! Khatia is the most beauty
All that talent and a heaving statuesque profile.
I am impressed by the elevated levels of knowledge and taste to be found amongst the 'cognoscenti' in this RUclips audience - all apparently having lifelong expertise in judging and critiquing the piano skills of even the most renowned and popular performers! Next time an international Chopin competition or Leeds competition or other comes up, maybe the organizers should troll the RUclips 'graffiti' for candidates to sit on the adjudicator panel.😄
Sarcasm deserved.
Excellent bravo.
Herzlichen dank, phasebook!
Я имела счастье быть на этом выступлении.Браво
@@marinatscholokawa1981 Боже, как Вам повезло!
Вот на какие концерты надо ходить и даже летать!☺️👍👍👍
Superlative. And she could also conduct any orchestra with her lovely movements. See 5:20 and above.
This women is facinating she has a natural resonate gift
What a stunning musical Katya felt the music all over her body
Khatia é Khatia. Basta isto. Uma mulher e uma pianista fenomenais! Quem não gostar, simplesmente, mude de canal!
... Trop de nuisances sonores gâchent l'écoute de cette extraordinaire pianiste qui comble autant nos récepteurs auditifs que nos yeux émerveillés par une si belle personne passionnée et passionnante. Merci Khatia, c'est un bonheur de vous voir jouer !!!
Interpréter un chef-d'œuvre par une pianiste extrêmement talentueuse devant un public qui fait du bruit et qui est en mouvement constant, c'est comme offrir du caviar à un lapin.
საუკეთესო! ! 🎹🎼👏👏🌻🌸💮💮🏵🌹⚘🌸🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹💜💛💜💗💙💚💟💞
AMAZING MIRACLE
Comme diraient nos amis espagnols (ou comme ils disaient à une certaine époque) : eso es una mujer !
jm
Quand on est virtuose dans son ART, je pense que l'on peut tout se permettre et elle a bien raison ! Elle y trouve son PLAISIR, tant mieux, elle nous le fait PARTAGER. Il faut SALUER LE CAMERAMAN qui n'est pas de la dernière pluie et qui a su prendre les meilleurs plans...! Regardons autour de KHATIA ce qui se passe pour se rendre compte qu'elle RAYONNE, que tout le monde est HEUREUX alors encore BRAVO...!
jacques mercier merci je suis entièrement de votre avis qui résume ce que je pense de cette belle et talentueuse Katia
Miss Khatia, your passion for your music is only matched by your provocative and flirtatious nature. I'm in love
And it's a wonderful experience.
musicienne hors pair,merci pour toutes ces émotions;merci!!
Euphoric~
PASSIONATE,POWERFUL, PERFORMANCE! SHE'S A GIFT OF GOD !!!!!!!
Y CREO POR ESTA INTERPRETACIÓN,QUE ES MEJOR QUE YUJA WANG!!!
See through dress for a ravishing beauty. Yuja beware! Outdoor recording not ideal. But she is an angel.
One guy said that she's the breast pianist he's ever seen. Now I think I could understand why he said that. :-)
Sublime.
Beautiful music, beautiful woman, excellent skill, very few can equal or surpass!
Bravo Khatia bravo!!! მაგარი ხარ გოგო...
Bello y Maravilloso!!!
I had the great fortune to be near the front row at the Met, in N.Y. in 1969, to see Van Cliburn perform this fabulous piece with the Moscow Symphony. This lady is certainly his peer, and SHALL be a legend as much as Van Cliburn in the same time frame.
Finally, someone that knows what they're talking about !!!!!!!
LOVE OF MY LIFE!!! KHATIA!!!
She's the best! Marvellous!
You don’t hear the power she puts into it!
O modo como essa moça “ataca” o piano chega a ser “ indecente “ , simplesmente fantástica . Uma diva !
At a time when everyone is wondering where the communication routes of alien civilizations are and what message to send them so that they don't think of us as the heart of darkness, I came across this concert.
Khatia est un phénomène. On peut la détester, pour son jeu ou ses tenues trop glamour. Mais c'est un réflexe conservateur, c'est s'empêcher de penser qu'au XXIe siècle on peut encore révolutionner le piano classique, le réinventer, casser les codes, proposer une interprétation inspirée, magnétique et fougueuse. Elle joue vite ? Et alors ? C'est oublier qu'elle a une base virtuose, qu'elle a été une prodige, et qu'elle propose maintenant une lecture totalement transgressive par rapport à la tradition. Et puis, évidemment, elle irradie. Sa beauté incandescente transparaît même dans ces concerts, dont l'enregistrement est indigne (jamais entendu autant de bruit de fond). Avec Khatia il faut se laisser emporter, loin, très loin des codes traditionnels. Et c'est magique.
Magnifiquement exprimé.
Merci tancrede vous avez écrit comme je désirais le faire .
Have yet to another being so totally absorbed by the performance....
I am so in love with her...what an excellent talent....wow!
MAESTRA KHATIA!!! Bravo!!!
Das Nürnberger Publikum hat Frau Buniatishvili nicht gewürdigt?
Keineswegs, es gab begeisterten Beifall, die Künstlerin schien Freude
an ihrem Auftritt zu haben und die Zugabe "Clair de Lune" war wunderschön.
Das Publikum ist bunt gemischt, und das ist auch gut so.
Klassikliebhaber und Leute, die noch nie in einem Konzert waren
oder nur bei dieser Gelegenheit klassische Musik hören, und von denen
einige sich nicht bewusst sind, wie sehr lautes Reden stört.
Da hilft nur ein Platz weit weg von Mittelgang und Hauptwegen, um sich herum
nette Leute die aufmerksam zuhören.
Das Wunderkerzenmeer ist traumhaft, ebenso das Feuerwerk zum Schluss.
Nürnberg leistet sich zwei Orchester, einen neuen Konzertsaal und im Sommer
zwei Klassik Open Air Konzerte. Wir sind sehr froh darüber.
Danke phasebook für das Video.
Es war chaotisch, sehe auch phasebooks zweite upload. Dass Khatia und das Orchester das ganze konzentriert und mit ein Lächeln über die Bühne gebracht haben, ist den hoch anzurechnen.
Frage es Frau Dr. Ursula Adamski, sie weiss es genau.
Ich kenne die Dame nicht persönlich. Spielt sie auch im Orchester mit
oder hat sie nach dem Konzert mit der Künstlerin gesprochen?
Vor dem Konzert, das Interview finden Sie auch auf YT: Wie sie sich nach dem Konzert fühlte, wollen wir alle wissen.
Maravillosa y hermosa Katia.
Caressing the piano like her own hair with voluptuous hand gestures... aside from the amazing performance... what a sight and sound to relish for a long time!!