Kozena is one of the most exquisite singers ever---but this is the first time I've been able to view her in an operatic performance---thanks much.. also great traditional direction and costuming.
in German Language ....Bis Heute einer der Größten in der Klassik Musik VIELE haben von Ihm gelernt , auch Heutzutage gehe ich oft an seinem Wohnhaus in Wien vorbei und denke an Ihn
This is so beautiful. Everything matches perfectly: music, stage, colours, costume, ethereal and "greater-than-life" bodily expressions. And Gluck's music here touches my spirit from its core. :)
Has there ever been a more moving depiction of an imagined afterlife, of an imagined other dimension of the dead, than the scene in the Elysian fields.Almost drives you over the edge with its mystery and beauty.?
@Da yan . f I can contribute to the extent of what I have understood , the main characters : : Orphee and Eurydice are married, one is dead and will be resurrected : "Eurydice va paraitre, renaitre", ... the most hauntingly beautiful part of it ... It is played by two women here ...
Braviiiiiiiiiiiiiiiiiiiiiiiiiiiiiii Magdalena Kožená (Orphée), Madeline Bender (Eurydice), Patricia Petibon (Amore), L'Orchestre Révolutionnaire et Romantique et le Monteverdi Choir, Sir John Eliot Gardiner (direction). Tout était fantastique !!! ~
Вот так найдешь видео со спектаклем и этой божественной музыкой и не можешь прерваться, чтобы пойти спать... Орфея и Эвридику впервые слушал с пластинки а музыкальной школе на уроках музыкальной литературы и истории музыки. All my life I envy singers and writers - they lives in happiness of beautiful sounds and images independently... ...
Aesthetic minimalism and understatement! All for the subtle representation and understanding of the myth, wonderful voices and profound music, clear, without distraction.
c'est un type de beauté rare, j'en connais juste une actrice qui lui appartient, à mon avis, Anastassia Vertinskaya, une Russe: ruclips.net/video/0b_JzZNSLKY/видео.html
What could be total boredom, in the skillful hands of Bob Wilson, is a beautiful spectacle. Brilliant mise en scène, correct singers, without fanfare, great conduction by John Eliot Gardiner. HERE SUPERB GLUCK
Maravillosa , soberbia...................46:36 danza de los espíritus bienaventurados , y Cet asile amaible et tranquile , minuto 55:03 música de otro mundo..................
Version de Berlioz pour mezzo-soprano de l'Orphée et Eurydice de Gluck (version française) dirigé par Eliot Gardiner et mise en scène minimaliste habituelle de Bob Wilson, mais avec gestuelle baroque, Chatelet Paris 2012 (Magdalena Kozena dans le rôle d'Orphée, Madeline Bender Eurydice et Patricia Petiton dans le rôle de Amour)
Musique, femmes, images dans la lumière irréelle : beautés antidotes des enfers. Comment n'y pas retrouver son Eurydice - son Orphée - au delà des sexes? Merci Bob Wilson, Gardiner et ces trois magnifiques interprètes du génial Gluck.
sans oublier musiciens et choristes-acteurs - tous remarquables - spectacle total bien rendu par la vidéo. En souhaitant que le Châtelet, après sa rénovation, offre encore de tels moments.
It's amazing how well the Martha Graham-ish choreography and costuming fit this Baroque opera. Orphee moves as beautifully as s/he sings. And s/he has perfect diction, among other things.
What an extraordinary soprano is this Magdalena Kozena! She shows a musical and scenic dramatic, profound role, this time appearing as the divine Orpheus, - (son of Apollo and Clio, according to some traditions), in whose honor the Orphic Mysteries were developed. And what about Madeline Bender as Euridice. His haunting and lyrical soprano bright timbre is incomparable. ¡Qué extraordinaria soprano es esta Magdalena Kozena! Demuestra un oficio musical y escénico espectacular, profundo, esta vez apareciendo como el divino Orfeo,-(hijo de Apolo y Clío, segun algunas tradiciones), en cuyo honor se desarrollaron los Misterios Órficos. Y qué decir de Madeline Bender como Euridice. Su timbre inquietante y brillante de soprano lírica es incomparable.
"Ah! quale icognito affeto…" Estoy leyendo los libretos mientras la escucho porque sino "no me entero". Y el argumento ya me lo se...pero es tarde... Good night!
los amigos de uridice se reúnen delante de su tumba para decirle adiós¿llevando corona de flores.Orfeo se lamenta que haré sin mi Eurídice,el semidios,increpa,discute con los Dioses hasta que estos le permiten ir al Averno para ver a su amada,pero se lo permiten con una condición,que a pesar de que ella se queje y no comprenda, el debe de darle la espalda.El resultado de esta incomprensible condición,el acepta,pero al no mirarla,ella se queja, es que ya no soy bella,es que ya no me amas,porque no me miras, le dice toda triste.EL llega un momento que no puede más soportar el dolor de ella, y se vuelve y la mira con ojos de enamorado.Y Fatalidad Eurídice se velve a morir...ect s
Perdón la molestia, ¿cómo se llama aquel fragmento tan espectacular en el que parece que se desata una tormenta y el escenario se viste de penumbras un momento?
When Gluck moved to Paris it was necessary to change Orphee to a tenor as the French had a distaste for counter tenors (full disclosure: I do too) and besides adding much more music--all beautiful--Orphee became a tenor. Why do the French version with a mezzo who is costumed as a female? I actually prefer the version that Berlioz made for the great mezzo Viardot but alas it is rarely performed,
Interesting comment and reply. Apart from the likes of you both, to which I personally disagree by the way, this is the kind of information which teaches me. 👍
Kozena is one of the most exquisite singers ever---but this is the first time I've been able to view her in an operatic performance---thanks much.. also great traditional direction and costuming.
in German Language ....Bis Heute einer der Größten in der Klassik Musik VIELE haben von Ihm gelernt , auch Heutzutage gehe ich oft an seinem Wohnhaus in Wien vorbei und denke an Ihn
Pure beauté.Avec ma profonde gratitude à toutes et tous.
Σας ευχαριστώ που μοιράζεστε αυτό το αριστούργημα του Γκλούκ και της μεγάλης Μαγκνταλένα Κοζίνα.
This is so beautiful. Everything matches perfectly: music, stage, colours, costume, ethereal and "greater-than-life" bodily expressions. And Gluck's music here touches my spirit from its core. :)
We can't say better
Has there ever been a more moving depiction of an imagined afterlife, of an imagined other dimension of the dead, than the scene in the Elysian fields.Almost drives you over the edge with its mystery and beauty.?
"Out of this world" I have always considered this to be the most outstandingly beautiful performance.
Monteverdi Choir is the best and most versatile in the world today. Their repot ours must be amazing
To be honest, I don't understand a single word, but it is simply beautiful in every way! Great scenes, great music, and great performance!
@Da yan . f I can contribute to the extent of what I have understood , the main characters : : Orphee and Eurydice are married, one is dead and will be resurrected : "Eurydice va paraitre, renaitre", ... the most hauntingly beautiful part of it ...
It is played by two women here ...
👌❗@@nikaproust
If there's something after life... Take me to this spot then and I will bring Euridice back a live. Stunning in it's simplicity. Chapeau.
Braviiiiiiiiiiiiiiiiiiiiiiiiiiiiiii Magdalena Kožená (Orphée), Madeline Bender (Eurydice), Patricia Petibon (Amore), L'Orchestre Révolutionnaire et Romantique et le Monteverdi Choir, Sir John Eliot Gardiner (direction). Tout était fantastique !!! ~
Вот так найдешь видео со спектаклем и этой божественной музыкой и не можешь прерваться, чтобы пойти спать... Орфея и Эвридику впервые слушал с пластинки а музыкальной школе на уроках музыкальной литературы и истории музыки. All my life I envy singers and writers - they lives in happiness of beautiful sounds and images independently... ...
Aesthetic minimalism and understatement! All for the subtle representation and understanding of the myth, wonderful voices and profound music, clear, without distraction.
Eberhard Herold ikr? Just shit...
Eurydice est la plus belle femme que je n'aie jamais vue. Bravo!!!! Harmonies exceptionnelles aussi, bien sûr .
c'est un type de beauté rare, j'en connais juste une actrice qui lui appartient, à mon avis, Anastassia Vertinskaya, une Russe: ruclips.net/video/0b_JzZNSLKY/видео.html
excellente performance de tout le monde de l'enseignant à l'solistes JEGardiner, bravo!
Leaves me speechless. The simplicity of the sets, costumes and movement totally in sync with the music.
What could be total boredom, in the skillful hands of Bob Wilson, is a beautiful spectacle. Brilliant mise en scène, correct singers, without fanfare, great conduction by John Eliot Gardiner. HERE SUPERB GLUCK
Bob? You mean Bobbie Wilson, good old Bobbie-boy?
@@tahiragibson6407 Bobothy Williardson
@@toxi101yt5 Robert Wilson ses splendides mises en scenes
@@cedricmarieantoine7165 1000%
Maravillosa , soberbia...................46:36 danza de los espíritus bienaventurados , y Cet asile amaible et tranquile , minuto 55:03 música de otro mundo..................
Version de Berlioz pour mezzo-soprano de l'Orphée et Eurydice de Gluck (version française) dirigé par Eliot Gardiner et mise en scène minimaliste habituelle de Bob Wilson, mais avec gestuelle baroque, Chatelet Paris 2012 (Magdalena Kozena dans le rôle d'Orphée, Madeline Bender Eurydice et Patricia Petiton dans le rôle de Amour)
High art at it's zenith, incredible.I have watched this so many times . One of my favourite performances.Greetings from Ireland.
💥Perfetto!🙏Fabulous!👍 Magnifique!👏Чарівно!💖
Thank you for uploading this! It is perfect. I've been listening to it at least once a week for the past year. I only wish it would come out in a CD.
it is on a dvd
Merci Patricia Petibon ,merci
Musique, femmes, images dans la lumière irréelle : beautés antidotes des enfers. Comment n'y pas retrouver son Eurydice - son Orphée - au delà des sexes? Merci Bob Wilson, Gardiner et ces trois magnifiques interprètes du génial Gluck.
sans oublier musiciens et choristes-acteurs - tous remarquables - spectacle total bien rendu par la vidéo. En souhaitant que le Châtelet, après sa rénovation, offre encore de tels moments.
Superbe..... cela préfigure les grands opéras mozartiens, ainsi que le fameux Requiem ..... Belle découverte.
Sublime -out of this world!. Thank you.
What a great piece, beautiful , all very well thought out scenes , bright
Beautifully to view and to listen, thanks for that.
It's amazing how well the Martha Graham-ish choreography and costuming fit this Baroque opera. Orphee moves as beautifully as s/he sings. And s/he has perfect diction, among other things.
Великолепное исполнение и редчайшая постановочная удача! Козена обладает необыкновенным магнетизмом.
+Игорь Бондаренко Christoph Willibald Gluck: Orfeo ed Euridice - Bejun Mehta, Eva Liebau, Václav Luks (2013, HD 1080p)
everything- absolut perfect
Zum Immerwiederhören und Sehen
zum Immerwiedersehen !
Beautiful--- when all comes together for an extraordinary experience!! Bravi!!
What an extraordinary soprano is this Magdalena Kozena! She shows a musical and scenic dramatic, profound role, this time appearing as the divine Orpheus, - (son of Apollo and Clio, according to some traditions), in whose honor the Orphic Mysteries were developed. And what about Madeline Bender as Euridice. His haunting and lyrical soprano bright timbre is incomparable.
¡Qué extraordinaria soprano es esta Magdalena Kozena! Demuestra un oficio musical y escénico espectacular, profundo, esta vez apareciendo como el divino Orfeo,-(hijo de Apolo y Clío, segun algunas tradiciones), en cuyo honor se desarrollaron los Misterios Órficos. Y qué decir de Madeline Bender como Euridice. Su timbre inquietante y brillante de soprano lírica es incomparable.
D'accord... Et aussi Patricia Petibon, qui personnifie un dieu paradoxalement moins irréel, plus familier, que les humains égarés...
Excellent, but not overcome: Gluck - Orfeo ed Euridice / Baker, Speiser, Gale, Leppard, Glyndebourne Opera
un enchantement
Magnifique !!
1:32:20 I adore this trio. I think it should appear on all versions of this opera
Stunning in every sense 💕
Brilliant, thanks!
Extrêmement subtil et si émouvant
absolument
That's magical !
Wonderful! Both visually and musically.
Truly sensational.
48:30 ❤
Versione perfetta ! :-)
Orchestre Révolutionnaire et Romantique, Monteverdi Choir, John Eliot Gardiner, cond.
Beautiful interpretation! Thanks for uploading.
amazing! inspiring!!^^
Amazing music! 43:00 could be from Das Rheingold....
magnifique...
Beautiful!
Tres belle interpretation
Cenário expressionista, maravilhoso.
Exelent !
Pure polyphony. Montiverdi Choir. 22:04
Of course I just gave it a vote! Bravi! ;)
Pls give us more information about singers etc
Thank you. Spasiva!
Had someone heard the person who always bless
si y a un Rocoyen ici à cause de Mme Solage bah... longue vie a toi wsh !! ( c Alessandra la coupine a tout le monde mdrr )
bravo!!!!!!
Beauty
I search a CD of this opera version...Please Help me!!! It is sooooo amazing
Großartig!
particia la best
1:17:31 Qual vita e' 1:19:00 Che fiero momento
can i have a synopsis at minute 35:56? forgive my ignorance
Bravo! Bravo! Bravo!
Bravo for the man, brava for the woman and bravi for everyone. Ciao
JE SUIS D'ACCORD VIVE DIVINITÉ DE L'ACHERON ET VIVE DIDIER !!!
👍🏻👍🏻
"Ah! quale icognito affeto…"
Estoy leyendo los libretos mientras la escucho porque sino "no me entero". Y el argumento ya me lo se...pero es tarde... Good night!
Cependant, i love most Monteverdi's optimism :) A little bit too tragic...
以奧菲歐為題材的歌劇除本齣外，尚有蒙台威爾第(Monteverdi)的『奧菲歐』，惟結局大不相同。本齣不以悲劇收場，改以愛神的力量讓幽麗笛彩復活，夫妻重回人世間團圓。本齣管絃樂的旋律非常優美，尤其是芭蕾舞的部份；男主角奧菲歐的份量很重，很多場合是單人獨唱，曲調哀戚優雅，係採用次女高音(m-Sop)或假聲男高音(c-Ten)扮演。第三幕奧菲歐所唱的『我又失去幽麗笛彩』是一首著名的詠嘆調。
한국인 입니다
comment detester une musique aussi pure chercher le nul !!!!!!!!!
Je suis francophone et je ne comprends rien à votre phrase.
💙💙💙💙💙
Good day everyone. What is the name of the aria which starts at 55.03? Any idea please?
Very good
Les chanteurs sont superbes. La direction de Gardiner, comme d'habitude trop rapide...
Glad this was when Patricia Petitbon could still sing, then? I’ll watch, listen & see.
45.17-46 strong reference to Vivaldi
los amigos de uridice se reúnen delante de su tumba para decirle adiós¿llevando corona de flores.Orfeo se lamenta que haré sin mi Eurídice,el semidios,increpa,discute con los Dioses hasta que estos le permiten ir al Averno para ver a su amada,pero se lo permiten con una condición,que a pesar de que ella se queje y no comprenda, el debe de darle la espalda.El resultado de esta incomprensible condición,el acepta,pero al no mirarla,ella se queja, es que ya no soy bella,es que ya no me amas,porque no me miras, le dice toda triste.EL llega un momento que no puede más soportar el dolor de ella, y se vuelve y la mira con ojos de enamorado.Y Fatalidad Eurídice se velve a morir...ect
s
Perdón la molestia, ¿cómo se llama aquel fragmento tan espectacular en el que parece que se desata una tormenta y el escenario se viste de penumbras un momento?
me encanta esta opera la música del maestro Glück inigualable
Molto bueno
personally, i like the french version much better with male tenor as orphee
Me, too. More effective.
ontroerend mooi vertolkt
48:28 - favourite melody
Billy Murrey A quoi correspond cette "Mélodie" d'ailleurs dans l'histoire?
Martin Noel a quoi ça correspond stp ??
4:20
55:03 Mesmerising...
can you please post some informations about the production?
¿alguien sabe si está en español?
Overdose de Beauté.
46:32 and 55:02
Una bella versione con una regia finalmente antinaturalistica.
J vue sa en classe :D
1:39:35 Che fiero momento
omfg
Why should the f be in there?..
C'est la version de berlioz ?
46:35
mmmmmm i want a french version XD
When Gluck moved to Paris it was necessary to change
Orphee to a tenor as the French had a distaste for counter tenors (full disclosure: I do too) and besides adding much more music--all beautiful--Orphee became a tenor. Why do the French version with a mezzo who is costumed as a female?
I actually prefer the version that Berlioz made for the great mezzo Viardot but alas it is rarely performed,
This is actually the Berlioz version, philologically performed. I like the 1774 tenor version far better.
Interesting comment and reply. Apart from the likes of you both, to which I personally disagree by the way, this is the kind of information which teaches me. 👍
26:09
Minimalist in the extreme.
Makes ii
46:16