Matthias Pintscher, sonic eclipse - Ensemble intercontemporain
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- Опубликовано: 13 сен 2024
- Matthias Pintscher
sonic eclipse :
celestial object I, pour trompette et ensemble
celestial object II, pour cor et ensemble
occultation, pour trompette, cor et ensemble
Clément Saunier, trompette
Jean-Christophe Vervoitte, cor
Ensemble intercontemporain
Matthias Pintscher, direction
enregistré le 15.11.2016 à la Cité de la musique-Philharmonie de Paris
I love this in many ways. You have made efforts to bring the viewer onto the stage. The world is a good place.
Awesome!
He has succeeded Boulez . He is onderful - was in Miami 2 years ago . Also respected composer . Is this really a new language like the one Boulez gave us ? Well know we've all heard these sounds , silences structures before . Scelsi , Boulez , Maderna at least 6 or 7 really gave us something new . i think computer electronic music is what's generating real new ideas and innovation now and since the 1970's . Even new instruments and performance techniques . Wonderful to have this on youtube !
@@user-kw9qt1rx1p NO, Lachenmann.
Mille mercis à Matthias Pintscher et à l'Ensemble Intercontemporain de nous offrir cette très belle œuvre!
This made me smile over and over again ...
wonderful piece...pure art!
Yes, shit could be art
Sorry every quart of an hour the goofy commercials cut this beautiful piece short.
Bravíssimo!!
The king is naked but nevertheless many like his clothes. Pintscher is a magician in sound, fascinating the first minuten but then: blut.
J'espère qu'il a au moins un maillot de bain.
Super Stück
Those who tell that they like this want to convince others to be experts of sound, except the deaf one who still didnt notice being deaf. I try to understand such, sometimes it helps to create phantasies: to be on another planet seeing strange things, or just to try to follow the sound exactly: sometimes it works.
quite good...
so good...
Sur la première pièce, si je me fends d'un commentaire : Un suspens étouffant, sans détente... cela pourrait figurer la déroute de l'individu, perdu dans cet univers moderne, quelque chose de très lourd, qui s'impose, et auquel on ne croit pas. Quand ça se termine, le problème reste entier. Le tout sous la forme incongrue d'un concerto, avec une trompette qui jazzifie. L'orchestration est transparente, si c'est le terme, en tout cas, chaque timbre correspond à un phénomène.
Can anyone tell me what the instrument is at 5:50? Thanks!
sandpaper block
2:14
El título es inapropiado; lo justo sería 'sonic shit anhilation'
This is certainly a brilliantly conceived piece of modern music that plays by the new rules: no melody, no harmony, nothing warm and friendly, nothing you could hum later in the day, nothing that has any connection to the musicality of the past 500 years. This is music in bits and pieces. The Ensemble worked very hard trying to make it come to life but the lasting impression is neurotic and fidgety. The goofy trumpet opening gestures warned you not to expect anything "normal."
Just the kind of comment I was hoping for, thanks Stephen. Don't suppose you're able to point to what conpositional techniques are being used to create this pleasant racket?
@@stompinknowledge3968 That is a matter for music theory which gets very complex and convoluted when you start digging into compositional practice. Every piece sounds different because the composer has made different choices about the elements and processes he/she will use. Since much music is the result of inspiration that is almost impossible to get a grip on. Every piece is a game that the composer plays with himself and should not affect your appreciation of the music "Better you don't know".
Nimp
38 minutes to tune the instruments.
They play and tune their instruments at the same time, so they're never out of tune.
a whole live to keep being dumb.....
go hear Despacito
Muito burro e panaca mesmo... nunca vai entender esse música tão maravilhosa e complexa. Vai ouvir sertanejo universal, infeliz
Same old same old reconstituted Sixties avant-garde by the all too predictable ensemble inter-decrepit.
Predictable, boring. Everyone sounds the same nowadays.
Gimmicky music in the 60s now being sold as snake oil to post-millennials.
Entsetzlich und grauslich
Fürchterliches Gedudel... da höre ich doch lieber anständige Musik mit Melodie... Mozart, Grieg und so weiter...
...dann tue dies? Keiner zwingt hier jemanden, das zu hören
Jedes der tausenden Werke von Mozart klingt doch gleich, was gibt es da groß noch zu erleben?