I just started college last month for digital media (with a focus on audio). Due to credits I got while in high school I was able to skip the first audio class and go right to the intermediate level... and flipping through the curriculum I've found that I already know pretty much everything that is going to be taught in the class. Thank you Graham for making my audio class into a boring couple hours of review! :)
Good tips! A little expansion on Tip#3 (aiming the back of the cardioid microphone to avoid unwanted sounds): With cheap ribbon mics, and multipattern condensers becoming more available, it is useful to note that you can use the sides of a Bidirectional/Figure-8 pattern microphone to even greater effect than the back of a cardioid mic. The side "nulls" of figure-8 will reject a shocking amount of unwanted sound/bleed. I have even used this property for recording acoustic guitar and vocal simultaneously. Vocal figure-8 mic, front pointed toward the singer's mouth, and edge pointed at guitar. Listen with headphones while the guitar is strummed, turing mic until you hear the least guitar, repeat the process for figure-8 mic on guitar, so it's getting a good guitar sound, and rejecting as much vocal as possible. I've gotten 30+dB of separation; enough to EQ/compress the vocal and guitar separately with no ill effect.
I have found that you can impress upon a greenhorn (newbie) how to think like a mic regardless of the pattern is, by plugging ONE EAR when you listen to an amp or instrument and you will for the first time understand WHY a mic doesn't produce what you hear is because YOU are listening in stereo. Get in the habbit of one ear listening whilst setting up your session and you will save a ton of time, for you will be hearing a much less clear sound! It will be distant sounding AND you will hear the room sound much clearer.You will experience room coefficients like you never heard before. Try it. You (your student) will have a much kinder understanding of a MICs limits and challenges. Just sayin...
This is actually very interesting. Everything did sound much different, and I found it DID sound similar to what my mic heard. I moved my head different angles like he mentioned in the video (while plugging one ear) and heard things differently than I had before, as if I was hearing what a cardioid would pick up.
ok so does this mean that I should try to make it sound as good as possible with just one ear? then when I mix to stereo later will everything be better?
It means find the best position by moving your head in all directions to just see what you hear and what you want to microphone to pick up depending on the situation, instrument, and sound reflections of the room. Then put the microphone in that position and do a test to see if you like it. When you are happy, you are ready to record.
Hey Graham, buddy just wanna thank you again. You have been such a big inspiration and teacher over the past few years. There is a request for you: Sometime in this recording month do give us a tour of your current setup and maybe your current go-to workflow if possible because I know it changes all the time as we gain more experience. Maybe that will give us some new ideas, things to learn and above all, a new breathe of inspiration. I see you have got a whole bunch of changes and hardware upgrades. (I am a sucker for setup tours btw :P)
I just happened across this video and I must say,... It's really nice to find that there is somebody out there that not only knows what the hell they're talkin' about but also that you really are aware of the fine art of recording sound that no-one else seems to even care about,... placement and proximity of the mic,... room ambience and all the other fine nuances of recording sound!! Thank you for a FINE video loaded with important and often overlooked strategies,.... I'm odd to check out your other vids,... and look for that e-book you mention,... Thanks again! You got a new fan!
Boys and girls, mic placement is the single most important aspect of studio engineering. As Graham states, mics, with proper placement, are self EQing. Living on a budget? Take your trusty SM57 and move it around. Try corner loading. Your Squire and Mustang amp can sound like a million bucks. Spend an evening just listening. Find those yummy spots. Moving the mic around and changing the recorded frequencies will give the impression of a second guitarist with different equipment when adding more parts to your recording.. Cool, huh? Your band mates will be impressed. It's just a natural side effect of being cool and knowledgeable.
Im a student at SAE in Bangkok on Audio Engineering,I found your video usefull as well,cause its always good to look around on the net,so to you people out there,this guy know what he is talking about.Thanks for your tutorials ;-----) Greetings from Jram (Norway)
Thanks, Graham. It's so refreshing to go back to basics to remind us what's actually important. I often feel like your videos are akin to a walk through the forest or through the mountains - they dial down the noise of life (e.g. gear lust in audioland) and cut to what's important. Thanks!
Awesome, keep listening. Almost turned it off because of his non stop rambling, sometimes seemingly insulting style. This guy is really bright, funny(dark), has a deep understanding of "recording" and is able to relay it simply so you can actually use it. I think that he's the kind of guy that would tell his wife she's fat and not understand why she's mad.
Thanks for all the great tips Graham! Especially the one about the back of the microphone, I'm definitely gonna start facing it towards my door. Much thanks!
A thing I have learned is that if your source is pretty quite, making you to gain your preamp up, the sound gets so much closer and intimate. Trying to set a guitaramp pretty low instead if puching it very hard is something to really try out! Gives a much fuller in your face sound! :)
Oh gosh! Man, thank you so much for your book! It really saves years of time, when you already giving ideas that you thought through carefully through your experience. With no bs about expensive gear "that will make you a pro musician". You are very smart, and when I make thousands dollars on my music I will donate some to ur music fund for releasing the musician out of me by saving so much time. I just wish I got this book years ago when I just started. Good luck on ur way, bro! Ur best,
Good shit Graham, I've been producing and recording for a long time and always wondered how to take advantage of the full scope of my mics, but somehow the back never occurred to me.. learn something new everyday 🌠
Good tips, great articulation & sentence structure. Thanks Graham. I love that thousands of people who previously would never have been able to record their music now can thanks to technology and people like you laying out the principles of how to use the technology. Like most things its not rocket science, just a lot of details that affect your sound one way or another.
This was like listen to a recording of me teaching my Intro to Audio classes about polar patterns and mics being "stupid." Seriously, like holding up a mirror! Thanks for the morning weird out! ;)
You just earned yourself a sub, son. Seriously though this is helping so much with my recording. I'm able to eliminate so much hiss that I couldn't before.
You're great and what you're doing is great! It also gives me confidence to go forward wit my recording and mixing because watchung your tips I realized that I already knew most of the stuff or figured it out myself. Can I ask you what band you are in and what you sing or play?
Graham, the funny thing about these techniques is, although I've known most of them, I find it quite challenging to keep the mic placements in tact without the recording artists moving around to the front of the mic. It's weird because it almost never fails; if I do mic placements, the artists simply (and seemingly unknowingly) find a way to void out my placement. What I usually do is use the plosive/pop shield (or "spit guard") to try designating a roundabout, desired distance, and to almost hide the mic placement from the performer. Somehow, though, they usually start acting squirmy as if they don't know what to do if they can't see the mic. lol, it's both hilarious and sometimes troubling.
Must agree on the "Thanks for the effort you put into this." The back of the mic tip seems to cause response here. I use off axis on close vocals to avoid airflow's. It will be interesting when it comes to EQ cause many people are chocked how bad they think it sounds the first time they sing into a large diaphragm mic without EQ that pick up all the low end
Your videos are so helpful 💯❤ All the tips are lit🔥 Especially that "back of the microphone tip" is wow💯🔥 which made me to comment (Mostly I won't comment in RUclips) Thank you pal :) Keep doing many valuable stuffs 🤞🏻
Graham, may I suggest moving your spot lights a bit further from your face or using a bounce card? The hard light, to me, seems a little unflattering and makes your face look a little washed. Just my two sense. :)
Thank you so much for all these tips! They really help me learn how to record. You're seriously so helpful with all of this. I look forward to your new EP :)
Thanks for the Monday brain buffer... You do a great job with the video tips and your consistent output. Haven't really played around using the back of the mic... (Since the plugins save some time.when perfection must be set aside when you need THAT moment recorded). This video has been good inspiration for me at THIS moment in time... Keep your videos coming Graham, very much enjoyed ... B-)
awesome video and tips. Very helpful. Never thought about facing the back of the mic towards noise. Genius! lol. My parents walk in closet is super quiet thanks to all the clothing. lol perfect place to record. Liked and subbed!
They used to just say a Mic was Uni-directional or Omni-directional. Whatever happened to that? And I guess Graham's videos are several years old. I wonder whatever happened to him. He is really great at doing these videos.
I know its maybe not your area of expertise, but any chance you could do a video recommending some video equipment and video editing software? All these tips for setting up home recording equipment are great , but I am struggling to find guides for mixing audio I record of me singing and playing guitar with a video I make at the same time. I have a basic HD webcam that I have used so far (£90 dollar webcam) but need some advice what equipment I could use/upgrade to for recording me playing in the studio. Thanks again.
Hey Graham, drop the striped jumper it's making weird visual effects. Great vid anyway, maybe a bit too long, but in the end we sure remember the main tips...
Hey Graham, Love the channel. Now, don't laugh when I say this but, I own an Electro Voice RE20 and RE27 N/D. Now let me turn you on to a little mic that you should look at. Ready? Remember don't laugh. NADY SP-4C $15.00 including shipping on Ebay. I recorded the same poem on Adobe Audition using the RE20 and the SP-4C and looked at the noise of both mics and they are almost identical. I then played them side by side and it was hard to hear a difference. I then conditioned the recording through noise reduction, voice normalization and then mastering. Still no difference. I started asking myself why I havehundreds in mics when I could have spent $100.00 on a dozen of the nady mics. PS~ the room I was recording in was NOT treated, has tile floors, my computer is less than a foot away, and the room has metal file cabinets and a metal work out station. No bouncing sound. I have another mic that pics up my refrigerator fan from 40 feet away and two rooms away. Check out the Nady.
If I have two overheads, am I better off using them both as overheads or is it ok to use one for my hi hats cause I like the sound of the hats mic'd. I'm going to get another mic just for the hihat in a few months but until then which way should I go?
Is I even moved a drumkit (7 pc,with like 12 cymbals) after setting it up,n mic'ed...I noticed it wasnt parallel to the back wall,ran off about a foot every 3 feet,so ride cymbal ,and bells were loud and defined,being 3 ft off back wall,but the hats,and splashes and other bells n whistles werent,I switched O.H.mics,patterns,all wondering whats going on.errr. The hats (stage right O.H.) were almost twice the distance to back wall. Once parallel to wall,it all sounded like I was behind the kit,even snare sounded fuller. Just drummer wanted more room on the right to add floor tom next to hats,but thought of it in middle of setting up,so continued a sharp angle out from back wall. Eh,didnt blame him,and frankly the enormous kit kinda"masked" how crooked it was. Small room drum tracking definitely aint easy (yup,I said aint) but the real thing is,its just amazing how many lil things can react to micing, this vidio tells alot,and THANK YOU GRAHAM FOR ALL UR EFFORT,all is vital knowledge!! It takes years n years to learn ins n outs of this awesomeness,just hope ppl give it the time,and be pateint. Sorry so long...overcaffinated as usual.
thats call: "turn your microphone" xD thank you very much ! But it will be more easy with French Subtitle for the French (so, me). But we can understand the essential i think. I LOVE YOUR CHANEL
I don't know why people click dislike on videos like this. Pure facts of mic technique. No personal views on what one should do with the mics.
Just wanted to come out of lurking and say your videos are SO helpful. Thank you for doing what you do.
I just started college last month for digital media (with a focus on audio). Due to credits I got while in high school I was able to skip the first audio class and go right to the intermediate level... and flipping through the curriculum I've found that I already know pretty much everything that is going to be taught in the class.
Thank you Graham for making my audio class into a boring couple hours of review! :)
Good tips!
A little expansion on Tip#3 (aiming the back of the cardioid microphone to avoid unwanted sounds):
With cheap ribbon mics, and multipattern condensers becoming more available, it is useful to note that you can use the sides of a Bidirectional/Figure-8 pattern microphone to even greater effect than the back of a cardioid mic. The side "nulls" of figure-8 will reject a shocking amount of unwanted sound/bleed.
I have even used this property for recording acoustic guitar and vocal simultaneously. Vocal figure-8 mic, front pointed toward the singer's mouth, and edge pointed at guitar. Listen with headphones while the guitar is strummed, turing mic until you hear the least guitar, repeat the process for figure-8 mic on guitar, so it's getting a good guitar sound, and rejecting as much vocal as possible. I've gotten 30+dB of separation; enough to EQ/compress the vocal and guitar separately with no ill effect.
I have been engineering for 18 years and I am still learning. Very interesting topic. You have a great channel!
I have found that you can impress upon a greenhorn (newbie) how to think like a mic regardless of the pattern is, by plugging ONE EAR when you listen to an amp or instrument and you will for the first time understand WHY a mic doesn't produce what you hear is because YOU are listening in stereo. Get in the habbit of one ear listening whilst setting up your session and you will save a ton of time, for you will be hearing a much less clear sound! It will be distant sounding AND you will hear the room sound much clearer.You will experience room coefficients like you never heard before. Try it. You (your student) will have a much kinder understanding of a MICs limits and challenges. Just sayin...
very interesting idea, I will try it
This is actually very interesting. Everything did sound much different, and I found it DID sound similar to what my mic heard. I moved my head different angles like he mentioned in the video (while plugging one ear) and heard things differently than I had before, as if I was hearing what a cardioid would pick up.
ok so does this mean that I should try to make it sound as good as possible with just one ear? then when I mix to stereo later will everything be better?
It means find the best position by moving your head in all directions to just see what you hear and what you want to microphone to pick up depending on the situation, instrument, and sound reflections of the room. Then put the microphone in that position and do a test to see if you like it. When you are happy, you are ready to record.
tasweet28 Exactly
Hey Graham, buddy just wanna thank you again. You have been such a big inspiration and teacher over the past few years. There is a request for you: Sometime in this recording month do give us a tour of your current setup and maybe your current go-to workflow if possible because I know it changes all the time as we gain more experience. Maybe that will give us some new ideas, things to learn and above all, a new breathe of inspiration. I see you have got a whole bunch of changes and hardware upgrades. (I am a sucker for setup tours btw :P)
I just happened across this video and I must say,... It's really nice to find that there is somebody out there that not only knows what the hell they're talkin' about but also that you really are aware of the fine art of recording sound that no-one else seems to even care about,... placement and proximity of the mic,... room ambience and all the other fine nuances of recording sound!!
Thank you for a FINE video loaded with important and often overlooked strategies,....
I'm odd to check out your other vids,... and look for that e-book you mention,...
Thanks again!
You got a new fan!
Boys and girls, mic placement is the single most important aspect of studio engineering. As Graham states, mics, with proper placement, are self EQing. Living on a budget? Take your trusty SM57 and move it around. Try corner loading. Your Squire and Mustang amp can sound like a million bucks. Spend an evening just listening. Find those yummy spots. Moving the mic around and changing the recorded frequencies will give the impression of a second guitarist with different equipment when adding more parts to your recording.. Cool, huh? Your band mates will be impressed. It's just a natural side effect of being cool and knowledgeable.
Put the back of your microphone facing your girlfriend
+Hovinell ha - or toward her?
Hovinell hahahaa
good idea
100th like!
OneFortune first like of your comment.
Im a student at SAE in Bangkok on Audio Engineering,I found your video usefull as well,cause its always good to look around on the net,so to you people out there,this guy know what he is talking about.Thanks for your tutorials ;-----) Greetings from Jram (Norway)
Thanks, Graham. It's so refreshing to go back to basics to remind us what's actually important. I often feel like your videos are akin to a walk through the forest or through the mountains - they dial down the noise of life (e.g. gear lust in audioland) and cut to what's important. Thanks!
Very insightful, especially the part about using the cardioid's natural sound rejection in the back, as noise cancellation.
very good info .worth thousands at a recording class
Awesome, keep listening. Almost turned it off because of his non stop rambling, sometimes seemingly insulting style. This guy is really bright, funny(dark), has a deep understanding of "recording" and is able to relay it simply so you can actually use it. I think that he's the kind of guy that would tell his wife she's fat and not understand why she's mad.
The mic placement tip at around 6:00 was great. most people don't have silent pc fans so this helps a bunch.
"It's called turn the microphone" That's friggin awesome dude!
Thanks for all the great tips Graham! Especially the one about the back of the microphone, I'm definitely gonna start facing it towards my door. Much thanks!
Thanks Graham! Massively helpful as usual. Will keep tuning in to this series and good luck with the album. You can sign me up for a copy!
A thing I have learned is that if your source is pretty quite, making you to gain your preamp up, the sound gets so much closer and intimate. Trying to set a guitaramp pretty low instead if puching it very hard is something to really try out! Gives a much fuller in your face sound! :)
Love the Blue Spark. pick it over a Neumann U87 almost every time when i'm recording
I know what you mean - Iam driving my Ford everyday to work. While my Porche and Ferrari stays in the garage.
FigureInDots HAHAHAHAH
Wtf
Oh gosh! Man, thank you so much for your book! It really saves years of time, when you already giving ideas that you thought through carefully through your experience. With no bs about expensive gear "that will make you a pro musician". You are very smart, and when I make thousands dollars on my music I will donate some to ur music fund for releasing the musician out of me by saving so much time. I just wish I got this book years ago when I just started. Good luck on ur way, bro! Ur best,
Wow. That back of the microphone tip is great. Never thought of that
Good shit Graham, I've been producing and recording for a long time and always wondered how to take advantage of the full scope of my mics, but somehow the back never occurred to me..
learn something new everyday 🌠
Good tips, great articulation & sentence structure. Thanks Graham. I love that thousands of people who previously would never have been able to record their music now can thanks to technology and people like you laying out the principles of how to use the technology. Like most things its not rocket science, just a lot of details that affect your sound one way or another.
Thanks Graham, you are so practical. Keep up the good work.
This was like listen to a recording of me teaching my Intro to Audio classes about polar patterns and mics being "stupid." Seriously, like holding up a mirror! Thanks for the morning weird out! ;)
Good advice. I've been experimenting and it really does add subtle frequency changes. Thank you Corey haim!
Great stuff. Finding the best drum kit sound is so hard - going to try this stuff ASAP!
You just earned yourself a sub, son. Seriously though this is helping so much with my recording. I'm able to eliminate so much hiss that I couldn't before.
You're great and what you're doing is great! It also gives me confidence to go forward wit my recording and mixing because watchung your tips I realized that I already knew most of the stuff or figured it out myself. Can I ask you what band you are in and what you sing or play?
Graham, the funny thing about these techniques is, although I've known most of them, I find it quite challenging to keep the mic placements in tact without the recording artists moving around to the front of the mic. It's weird because it almost never fails; if I do mic placements, the artists simply (and seemingly unknowingly) find a way to void out my placement. What I usually do is use the plosive/pop shield (or "spit guard") to try designating a roundabout, desired distance, and to almost hide the mic placement from the performer. Somehow, though, they usually start acting squirmy as if they don't know what to do if they can't see the mic. lol, it's both hilarious and sometimes troubling.
that whistle at 10:06 though, :)
i would be using the tips u shared with my dynamic mic, i hope it ll sound good. Thanks
Must agree on the "Thanks for the effort you put into this." The back of the mic tip seems to cause response here. I use off axis on close vocals to avoid airflow's. It will be interesting when it comes to EQ cause many people are chocked how bad they think it sounds the first time they sing into a large diaphragm mic without EQ that pick up all the low end
Thank you for good tips!
In this video: NT1-A Studio Secrets
you can hear the effect of different angles and distances from your source.
Dude, i don't normal subscribe to channels, but you honestly deserve it. I admire your consistency 👍
Your videos are so helpful 💯❤
All the tips are lit🔥
Especially that "back of the microphone tip" is wow💯🔥 which made me to comment (Mostly I won't comment in RUclips)
Thank you pal :)
Keep doing many valuable stuffs 🤞🏻
Graham Cochrane! Generous, helpful, insightful. All round good guy!
Cheers
Alex
this was actually incredibly helpful! In your opinion what is your favorite vocal mic for recording?
As always, thanks for the great tips. Especially the back of the mic. That's a new thought for me.
Graham, may I suggest moving your spot lights a bit further from your face or using a bounce card? The hard light, to me, seems a little unflattering and makes your face look a little washed. Just my two sense. :)
I'm having a ball watching your videos! Thank you very much!
Nice video, and by the way blue mics totally rock!
Very helpful video. So simple and SO important. Thank you for sharing
Thanks for these valuable tips bro
Thank you so much for all these tips! They really help me learn how to record. You're seriously so helpful with all of this. I look forward to your new EP :)
Thanks for the Monday brain buffer... You do a great job with the video tips and your consistent output. Haven't really played around using the back of the mic... (Since the plugins save some time.when perfection must be set aside when you need THAT moment recorded).
This video has been good inspiration for me at THIS moment in time... Keep your videos coming Graham, very much enjoyed ... B-)
Love your tutorials man! Helps me a lot with my music :)
awesome video and tips. Very helpful. Never thought about facing the back of the mic towards noise. Genius! lol.
My parents walk in closet is super quiet thanks to all the clothing. lol perfect place to record.
Liked and subbed!
I like off axis with an sm57 on a guitar amp, at about 45 degrees, never straight on, it never fails me
They used to just say a Mic was Uni-directional or Omni-directional. Whatever happened to that? And I guess Graham's videos are several years old. I wonder whatever happened to him. He is really great at doing these videos.
I've just found your channel. Thanks so much for this stuff - very watchable and informative.
nicely done; but, nothing new ( to me ). I still appreciate your insights on almost all topics, and I have learned a LOT from your tutorials.
I know its maybe not your area of expertise, but any chance you could do a video recommending some video equipment and video editing software? All these tips for setting up home recording equipment are great , but I am struggling to find guides for mixing audio I record of me singing and playing guitar with a video I make at the same time. I have a basic HD webcam that I have used so far (£90 dollar webcam) but need some advice what equipment I could use/upgrade to for recording me playing in the studio. Thanks again.
We're rocking the same studio monitors! Very good video, lots of good points. Subscribed.
+Zach MacLachlan Me too, Presonus kicks ass. Love Studio One as well.
I wish I got the blue spark when it was $99 back in the holidays :-(
du thank you for your videos - helped me a lot with my own production
Great explanation of microphone usage. ;)
Thanks Graham... great tips!
You are a wonderful teacher
Wow, great thngs 2 thnk abt. Thnks, i'm looking 4ward 2 my nxt recording...when ur music coming out?
Seriously your a legend
All your videos are so helpful !
Hey Graham, drop the striped jumper it's making weird visual effects.
Great vid anyway, maybe a bit too long, but in the end we sure remember the main tips...
God bless you! your tips and advices have been really helpful! Thank You!
tommorow going for the recording session...
need all urs blessings....\m/
Great video for people just starting out
great vid. You should illustrate your speach by recording few samples, what do u think ? Anyway, thanks for all your tips.
Great tips man, can't wait and looking FW for upcoming month.
Hey Graham, Love the channel. Now, don't laugh when I say this but, I own an Electro Voice RE20 and RE27 N/D. Now let me turn you on to a little mic that you should look at. Ready? Remember don't laugh. NADY SP-4C $15.00 including shipping on Ebay. I recorded the same poem on Adobe Audition using the RE20 and the SP-4C and looked at the noise of both mics and they are almost identical. I then played them side by side and it was hard to hear a difference. I then conditioned the recording through noise reduction, voice normalization and then mastering. Still no difference. I started asking myself why I havehundreds in mics when I could have spent $100.00 on a dozen of the nady mics. PS~ the room I was recording in was NOT treated, has tile floors, my computer is less than a foot away, and the room has metal file cabinets and a metal work out station. No bouncing sound. I have another mic that pics up my refrigerator fan from 40 feet away and two rooms away. Check out the Nady.
graham what do you think about a mic absorber? for home recording it would be better than a self-made booth right?
Great video Graham, very helpful
Thank you for the awesome work that you do and the effort you put into your videos!
would cotton inside of egg crates make the mic more clearer, and i want to know how to mount a mic on my handle bars of my bike like a booth ?
Thanks for taking the time to share very important info..
Thank you Graham!
Thank you so much. Very instructive.
hey Graham. what angle do you use for recording lead vocals?
Refreshing tips, man... thank you!
2:50 haha love it
From italy grazie mille per gli ottimi consigli! Continua ad aiutarci cosi che è perfetto!
If I have two overheads, am I better off using them both as overheads or is it ok to use one for my hi hats cause I like the sound of the hats mic'd. I'm going to get another mic just for the hihat in a few months but until then which way should I go?
Hey Graham, Whats up? What mic do you use for your recording most?
These are some great tips, thanks for sharing!
Is I even moved a drumkit (7 pc,with like 12 cymbals) after setting it up,n mic'ed...I noticed it wasnt parallel to the back wall,ran off about a foot every 3 feet,so ride cymbal ,and bells were loud and defined,being 3 ft off back wall,but the hats,and splashes and other bells n whistles werent,I switched O.H.mics,patterns,all wondering whats going on.errr.
The hats (stage right O.H.) were almost twice the distance to back wall. Once parallel to wall,it all sounded like I was behind the kit,even snare sounded fuller. Just drummer wanted more room on the right to add floor tom next to hats,but thought of it in middle of setting up,so continued a sharp angle out from back wall. Eh,didnt blame him,and frankly the enormous kit kinda"masked" how crooked it was. Small room drum tracking definitely aint easy (yup,I said aint) but the real thing is,its just amazing how many lil things can react to micing, this vidio tells alot,and THANK YOU GRAHAM FOR ALL UR EFFORT,all is vital knowledge!! It takes years n years to learn ins n outs of this awesomeness,just hope ppl give it the time,and be pateint. Sorry so long...overcaffinated as usual.
Excellent tips, and nicely presented.
gram you always have amazing tips!!! thanx bro keep it up!!!
You have great tutorials! Keep it up!
I have a question; do you absolutely need a pop filter or could you work without it?
How do you like the mic you were hiding. Comparison to rode nt1 .
Akg C214 .
Very helpful! Thank you.
Thanks this was very helpful, love your post!
Thanks you so much! Your videos are very helpful, I subscribed!
how much preamp gain would you use on the blue spark?
Hey Graham, thanks a lot! Great Video!
was that light hurting your eyes??? =/ great vid tho!! =]
Too much computer screen watching...
hahah totally!! i get that a lot…..!! =P
thats call: "turn your microphone" xD thank you very much ! But it will be more easy with French Subtitle for the French (so, me). But we can understand the essential i think. I LOVE YOUR CHANEL
I love these tips man!
great video, i will have to watch this a few times, make sure this is all ingrained
Awesome info thanks for sharing Graham, you are the bomb :D
Aye I have the microphone used in this video and I have a question why are my vocals so low using this microphone ?