You know, that's quite interesting. Could you specificate it a bit more in details, because Kalinnikov wrote most of his major works after the eath of Tchaikovsky. So, that's interesting, that Tchaikovsky had found his talent and skills already before these masterpieces composed -- if you don't mind, I'd like to receive more information about it from yours. Or do you mean Boris Tchaikovsky?
@@Ivan_Preobragenskiy Tchaikovsky did in fact recognize his talent just before his death, although it seems to have been in conducting. According to Wikipedia: "In 1892, Pyotr Ilyich Tchaikovsky recommended Kalinnikov for the position of main conductor of the Maly Theatre." Also, after Kalinnikov's death and on Rachmaninoff's recommendation, Tchaikovsky's publisher P. Jurgenson bought some of his music including the second symphony
Quite a remarkable achievement for a 29 year old. Wonderful symphony, very Russian with beautiful melodies and an ingenious Durchführung (development section) in the first movement.
Kalinnikov seems to be the greatest lost of the late Romantic and of Russian music. He has this unique enveloping style that makes like him so much. The magistral unificate combination of Dvorak, Beethoven and Tchaikovsky styles (with a very marked personality) and his fabulous use of the orchestral tutti makes clear that he had a genius mind
Un symphonie absolument merveilleuse, tout comme d'ailleurs la deuxième du même auteur. Toute l'âme russe se trouve dans cette pure poésie, qui fourmille de mélodies envoûtantes.
Flute 1. 18:05 Mov II figure G flute excerpt 2. 24:15 Mov III figure K flute excerpt 3a. 32:40 Mov IV two bars before P excerpt 3b. 32:57 Mov IV six bar before R excerpt Piccolo 1. 34:00 Mov IV bar before V excerpt
As V. Paskhalov, Kalinnikov's biographer and friend, writes, "the theme of the Andante came to him as he lay sleepless and listened intently to the stillness of the night. Everybody is asleep, no sound comes from without, but the silence itself seems to vibrate. One hears the throbbing of one's heart and experiences a feeling of loneliness..."
This is very beautiful so thanks for posting it. It should be much better known and played far more frequently in both concert halls and on the radio. Lovely first and second movements and a terrific final movement. Lush melodies throughout. Terrific dances too (all reminiscent of Tchaikovsky and Aram Khachaturian, his fellow countrymen). This is simply stunning in its artistry. There are two other very good versions of this on RUclips (one by Neemi Jarvi one by Osmo Vanski). All three are good. Wonderful stuff!
Tchaikovsky was certainly an influence (the two knew each other), but this was written well before Khachaturian. Given that Kalinnikov's reputation remained in the Soviet Union after his death, perhaps Khachaturian was influenced by these two symphonies and Kalinnikov's tone poems? It's an interesting thought.
Насколько искусственны, "пристёгнуты" и неуклюжи имитации ("в немецком духе") в финале Первой симфонии Чайковского, вызывающие только досаду - и насколько классно выполнены имитации у Калинникова здесь, в разработке первой части! Чайковский лишь потом нашел равновесие между "техникой" и чувством - а Калинников обрел его уже в Первой симфонии. .. Ясно, что эта симфония написана гораздо позже, чем "Зимние грезы". Но дело не только в этом, конечно, а в поразительно цельной и гармоничной личности Калинникова, почти невозможной тогда, в конце 19 в., когда русской (и мировой вообще) элитой уже постепенно овладевали нездоровые настроения. У любого иного, вздумавшего писать в таком стиле в это время, вышло бы лишь жалкое "повторение задов", главное - вышла бы неискренность.
А неимитационная полифония! 18:54 - три темы зараз (дерево, струнные arco, струнные pizzicato) - и абсолютно спокойно и непринужденно... И да, финал у Калинникова куда органичнее, чем у Чайковского в "Зимних грезах". И самая кода действительно триумфальная, страстная, а не барабанно-начищенно-самоварная, как, увы, вышло у Чайковского в его Первой симфонии.
Очень интересная и содержательная в музыкальном плане симфония. Правда главная партия первой части мне не сильно понравилась. Секвенция ее не украшает. Ну да это мелочь. Очень классная вещь.
@@ignatkulikov2622, послушайте ту же симфонию в исполнении оркестра Московской филармонии под управлением Дмитрия Китаенко - тогда, возможно, почувствуете разницу.
@@ignatkulikov2622, всё-таки выскажу простое логическое соображение, что если гимн играть в темпе Allegro - это будет мазурка, аналогично и в случае траурного марша, т.е. получится профанация.
@@SelectCircle Oh, now I got it. But I don't agree... An orchestra playing in Tutti a lyrical melody may sound corny, but it's quite common, and there's a lot of that in the romantic period. Kalinnikov has a lot of influence from the folklore, maybe that's why it sounds kind of common or not so innovative.
A criminally neglected symphony. No wonder why Tchaikovsky and Rachmaninoff loved him so much.
Just read his biography T^T Hope he lived a bit longer...
You know, that's quite interesting. Could you specificate it a bit more in details, because Kalinnikov wrote most of his major works after the eath of Tchaikovsky. So, that's interesting, that Tchaikovsky had found his talent and skills already before these masterpieces composed -- if you don't mind, I'd like to receive more information about it from yours. Or do you mean Boris Tchaikovsky?
@@Ivan_Preobragenskiy Tchaikovsky did in fact recognize his talent just before his death, although it seems to have been in conducting. According to Wikipedia: "In 1892, Pyotr Ilyich Tchaikovsky recommended Kalinnikov for the position of main conductor of the Maly Theatre." Also, after Kalinnikov's death and on Rachmaninoff's recommendation, Tchaikovsky's publisher P. Jurgenson bought some of his music including the second symphony
That last movement is what you get when you let the trumpets choose both the tempo and their preferred dynamic.
Quite a remarkable achievement for a 29 year old. Wonderful symphony, very Russian with beautiful melodies and an ingenious Durchführung (development section) in the first movement.
Gorgeous music, unmistakably Russian...it couldn't come from anywhere else...
Kalinnikov seems to be the greatest lost of the late Romantic and of Russian music. He has this unique enveloping style that makes like him so much. The magistral unificate combination of Dvorak, Beethoven and Tchaikovsky styles (with a very marked personality) and his fabulous use of the orchestral tutti makes clear that he had a genius mind
Un symphonie absolument merveilleuse, tout comme d'ailleurs la deuxième du même auteur. Toute l'âme russe se trouve dans cette pure poésie, qui fourmille de mélodies envoûtantes.
Flute
1. 18:05 Mov II figure G flute excerpt
2. 24:15 Mov III figure K flute excerpt
3a. 32:40 Mov IV two bars before P excerpt
3b. 32:57 Mov IV six bar before R excerpt
Piccolo
1. 34:00 Mov IV bar before V excerpt
The opening and ending of the Andante comodamente is a musical portrait of a melancholy smile.
As V. Paskhalov, Kalinnikov's biographer and friend, writes, "the theme of the Andante came to him as he lay sleepless and listened intently to the stillness of the night. Everybody is asleep, no sound comes from without, but the silence itself seems to vibrate. One hears the throbbing of one's heart and experiences a feeling of loneliness..."
Second movement is gorgeous.
so absolutely, tremendously beautiful
34:29 Poor 2nd clarinet being buried under the brass while all the other high woodwinds are busying doing running notes.
that was me when I played this symphony, so true 💔
Excerpt 14 - 33:55
Excerpt 13 - 29:35
Excerpt 12 - 22:25
Excerpt 11 - 21:54
Excerpt 10 - 16:10
Excerpt 9 - 7:35
Excerpt 8 - 4:28
Excerpt 7 - 0:53
gl and hook em :)
Thank you for posting this masterpiece with the score!!
it's such a great and stupidly underrated piece of music. we NEED to play this more!
прекрасная мелодия! обожаю инструментацию. Поздравляю
This composer is a new one for me and i hope to listen to more of his workes
как жаль, что даже в россии эта музыка сейчас не звучит!
А что звучиит,да не чего не звучит,по радио одна попса низкого сорта,полный отстой
@@ВалераМедведев-м6в При чем здесь радио. Я имею в виду концертные залы и театры. Только там можно слушать музыку
This is very beautiful so thanks for posting it. It should be much better known and played far more frequently in both concert halls and on the radio. Lovely first and second movements and a terrific final movement. Lush melodies throughout. Terrific dances too (all reminiscent of Tchaikovsky and Aram Khachaturian, his fellow countrymen). This is simply stunning in its artistry. There are two other very good versions of this on RUclips (one by Neemi Jarvi one by Osmo Vanski). All three are good. Wonderful stuff!
Tchaikovsky was certainly an influence (the two knew each other), but this was written well before Khachaturian. Given that Kalinnikov's reputation remained in the Soviet Union after his death, perhaps Khachaturian was influenced by these two symphonies and Kalinnikov's tone poems? It's an interesting thought.
Absolutely mindblowing 34:25 onwards
Thank you very much for this.
The music goes to a Heavenly place at 36:15
Yes, i love this melody❤
Насколько искусственны, "пристёгнуты" и неуклюжи имитации ("в немецком духе") в финале Первой симфонии Чайковского, вызывающие только досаду - и насколько классно выполнены имитации у Калинникова здесь, в разработке первой части! Чайковский лишь потом нашел равновесие между "техникой" и чувством - а Калинников обрел его уже в Первой симфонии.
.. Ясно, что эта симфония написана гораздо позже, чем "Зимние грезы". Но дело не только в этом, конечно, а в поразительно цельной и гармоничной личности Калинникова, почти невозможной тогда, в конце 19 в., когда русской (и мировой вообще) элитой уже постепенно овладевали нездоровые настроения. У любого иного, вздумавшего писать в таком стиле в это время, вышло бы лишь жалкое "повторение задов", главное - вышла бы неискренность.
А неимитационная полифония!
18:54 - три темы зараз (дерево, струнные arco, струнные pizzicato) - и абсолютно спокойно и непринужденно...
И да, финал у Калинникова куда органичнее, чем у Чайковского в "Зимних грезах". И самая кода действительно триумфальная, страстная, а не барабанно-начищенно-самоварная, как, увы, вышло у Чайковского в его Первой симфонии.
This is the First Video which has commercial breaks perfectly between the movements, Thank you!
YT Premium is helpful. Only 14 USD per month.
Just Saiyan. 🤷🏾♂️
@@jmbechtelget a free adblocker, don't give the people who put ads on videos where the creator isn't even monetized your money
The part at 1:14 is pretty great!
Прекрасная и истинно истинно РУССКАЯ музыка
Capolavoro!
The opening of the second movement sounds so much like Copland.
meravigliosa!
What an amazing symphony. Any other symphonies quite like this? Please let me know :)
Kalinnikov Symphony No.2 :)
Lyapunov symphony no.1
I know these are a lot more famous, but I always think of the second movement of Tchaikovsky 1 and the opening of Tchaikovsky 2 when I listen to this.
Thanks, I’ll have a listen!
Listen to Frederick Delius upon hearing the first cuckoo of spring.
love the finale 😍😍
Очень интересная и содержательная в музыкальном плане симфония. Правда главная партия первой части мне не сильно понравилась. Секвенция ее не украшает. Ну да это мелочь. Очень классная вещь.
11:32 :)
Mateusz Dybka THANK YOU
:)
corn
Thank so much
1:14 is so good
He died almost a youth. How much Russian talented is now going away.
Love this symphony but I feel like the fourth movement is played way too fast...
34:24 11:31
1:14
4:29
11:31 made me feels like lost prince in a fantasy
29:26 4楽章
22:24
23:41
24:50
29:33
29:51
33:58
4:29
28:55 自分用
0:50
1:36
7:30
33:55
下から4番目が1stVn
下から3番目が2ndVn
11:31-13:06
7:46
25:48
26:40
16:10
30:30
24:06 ⛲
04:05
31:28
В финале симфонии Светланов задал слишком быстрый темп оркестру и в результате этого уничтожил эпический блеск побочной темы финала.
темп отличный, как раз все получилось прочувствовать, до сих пор мурашки....
@@ignatkulikov2622, послушайте ту же симфонию в исполнении оркестра Московской филармонии под управлением Дмитрия Китаенко - тогда, возможно, почувствуете разницу.
@@АлександрБуянов-л7в мне хватило этой записи, и того, что я играл.
@@ignatkulikov2622, всё-таки выскажу простое логическое соображение, что если гимн играть в темпе Allegro - это будет мазурка, аналогично и в случае траурного марша, т.е. получится профанация.
темп - выбор исполнителя. или кто-то еще верит в "замысел автора, правдиво воплощенный"? установки времен советского союза. помню уроки музлитры! 😅😅😅
Кто исполняет ?
ГАСО под управлением Светланова
2 and 4 are still rewarding - 1 and 3 haven't aged well
why?
@@ine6149 Corn is corn. Much of classical music is sheer cornpone.
@@SelectCircle I didn't get it
@@ine6149 Look up slang term "corny".
@@SelectCircle Oh, now I got it. But I don't agree... An orchestra playing in Tutti a lyrical melody may sound corny, but it's quite common, and there's a lot of that in the romantic period. Kalinnikov has a lot of influence from the folklore, maybe that's why it sounds kind of common or not so innovative.
27:55
15:49