@@bayusik the people and places are real and the things that they did were true father Picard did horrible things king took some creative licenses with parts but most were true read the casset or cd insert by king himself
The Trial is connected to a broader story from KDs album The Eye. You woud have spasms if you checked out the entire Abigail or Them/Conspiracy. King is a master when it comes to story writing.
This song would have been better listened to with Burn following immediately after, as the 2 essentially serve as two parts of this "chapter" of the album, focusing on Nicolas de la Reymie conducting the trial of Jeanne Dibasson. The opening and closing tracks are bookends that can stand alone, Two Little Girls sorta serves as an "epilogue" of The Trial and Burn. All the other other tracks tell the second "chapter"telling of Madeleine Bavent and her ordeals with Fathers Pierre David and then Mathurin Picard in the convent at Louviers. The main parts of the stories told on this album are true, and took place during the French Inquisition, 1450-1670.
The Trial is such a unique King Diamond song, it’s structure is a bit different as it sets up the story. It is uncomfortable, i’m glad to have heard your conversation on the subject.
King Diamond's two prior concept albums had been told from the perspective of the protagonists ; this one is told from the view of a narrator. The themes of Christian atrocity with the persecution of alleged witches and sexual abuse against nuns are present. The story starts off with an unnamed character finding a necklace called "The Eye" (The Eye Of The Witch), that allows him/her to see the events the necklace was witness for in the past. They see an accused witch named Jeanne Dibasson being tortured and burned at the stake (The Trial, Burn). Next they see two little girls finding the necklace in the ashes at a stake, and what they see when they look in the eye kills them (Two Little Girls). Finally there is the story of Madeleine Bavent, a nun working in the Louviers convent, who finds the necklace and decides to put it on. After being raped by Father David, she uses the necklace to kill him by making him look into it (Into The Convent). Shortly after, the new Chaplain, Father Picard, arrives and starts bringing everyone to communion. He winds up lacing their communion wine with some substance that lets him control their minds, and uses a group of nuns including Madeleine to ritually torture and kill children. In 1642 all are arrested and imprisoned (Father Picard, Behind These Walls, The Meetings, Insanity, 1642 Imprisonment). A quasi-reprise of the title track closes out the album (The Curse Of The Eye). The main parts of the stories told on this album are true, and took place during the French Inquisition, 1450-1670.
LOUVIERS The possessions at Louviers (Normandy, France) took place at the Louviers Convent in 1647. Sister Madeleine Bavent, who was eighteen years old at the time, was the initial possession victim whose testimony started the investigation. Supposedly, Father Mathurin Picard (nunnery director) and Father Thomas Boulle (vicar at Louviers) had taken the nuns to secret sabbats where they had sexual intecourses with demons, namely the demon Dagon by Bavent's testimony. Similar testimony of the other nuns followed. Picard and Boulle were convicted on the evidence of the possessed nuns. Father Boulle was tortured during the exorcism. Sister Bavent was imprisoned for life, Father Boulle was burnt alive, and the corpse of Father Picard (who was fortunate enough to have died earlier) was exhumed and burned. Upon further investigation it was discovered that the nuns were suffering from the classic symptoms of possession. Throughout the whole history of Witchcraft there is no history so hideous as that of Madeleine Bavent, Mathurin Picard, and Thomas Boulle. Nowhere have I read so hideous a confession. The details are so utterly abominable that even the soul of a priest steeped in the fires of the confessional, whom no human aberration can shock or surprise, shudders and sickens at the dark mass of turpitudes which are as tlic stench and vomit of the pit of hell. In 1616 at Louviers, a busy little old-world town of Normandy situate on the river Eure, some seven-and-twenty miles from Rouen, was founded the convent of S. Louis IX and S. Elizabeth of Hungary, for a community of Regular Tertiaries of the Third Franciscan Order. Their first director was an old priest named David, shortly to be succeeded by Mathurin Picard, the vicar of Mesnil-Jourdain, whose curate, Thomas Boulle, assisted him, and upon his death in 1842 was installed with full responsibility in his room. By some unhappy fate, it was more than mere chance, without design-all three were adherents of the Manichees, concealing their Satanism under the disguise of orthodox sanctity. From the commencement they set to work to corrupt the hapless religious whose faithful pastors and guardians they should have been, and instead of lifting their souls to heaven they dragged them down to the nethermost inferno. As early as l634 there were indications that something was seriously amiss. Two or three Sisters were seized with fits of an abnormal nature, now standing rigid in some paralytic trance, now foaming on the ground in an epilepsy and writhing as some boneless contortionist of the circus arena. Matters, however, seem to have been hushed up for a while, although the infamous Picard ran some danger of being exposed. He was, in truth, the Chief Officer and Grand-Master of all the witches and devil-worshippers throughout the district. Having seduced and entirely subjected to his will an unfortunate nun, Madeleine Bavent, he used her as his instrument, his associate, and intermediary. There can be no doubt, I think, that Picard must have possessed extraordinary Hypnotic powers, and Madeleine Bavent is probably not to be accounted morally responsible for the orgy of crime into which she was plunged. The details are known from the confession which she wrote in prison at the instance of the Abbe de Marets, an Oratorian, who helped and counselled her in those hours of penitence and remorse. Several nights a week she was awakened just before Matins, that is to say about midnight, but one of the nuns, and conducted to the Sabbat. It is clear that Picard had provided himself with false keys so that he could gain admission to any part of the cloister at any hour. She declared that she never used any ointment or recited any spell, but that she was conveyed to the Sabbat by the power of Picard without knowing how she arrived there, obviously in a state of trance. The exact place where the Sabbat took place she could not identify, but it was presumably in some house not far from the convent. It was a long and narrow room, lighted by flares and the candles upon the Devil's altar which had been erected there. This certainly suggests a cellar. A number of persons dressed as priests were present, and some in grotesque masking habits, half-animal, half-human. She never assisted at any adoration of the demon in the form of a goat, and the rites were seldom followed by a banquet. The Black Mass of Satan was continually said at the altar. The host appeared to be of a red colour, and communion was given to the worshippers. The liturgy was read from a book of blasphemies, which was Carried in procession. It contained the most hideous maledictions against all things sacred and divine, and seems to have been a manuscript rather than a printed book. There was also a register or roll of the Satanists in which her name had been inscribed by David. This was kept with the utmost care and Madeleine was never told the names of any who were present. She recognised four religious from her own house, Catherine of the Cross, Catherine of S. Genevieve, Elizabeth of the Nativity, and Anne Barre, also Thomas Boulle and several other priests whom she knew only by sight, probably as having served the convent chapel. Prominent among the assistants were an elderly man with iron-grey hair, who was generally richly dressed in a purple velvet suit, and a matron, said to be Mother Frances of the Cross (in the world Simonne Gangain, a co-foundress of the Louviers convent, who ordinarily resided at Paris. It is impossible to relate certain abominations and unnatural defilements of the Blessed Sacrament which these evil priests practised. The details are frankly too monstrous for reproduction. The wretched woman further related: "On the Good Friday night of one year Picard and Boulle brought with them four Hosts; of these they put in their own mouths, and the other two into Mother Simonne's mouth and mine; then they exchanged theirs for ours in order to cement for ever the union and connexion between us. One night, after the book of blasphemies had been carried in procession, a little crucifix was brought in and large Hosts were nailed to the hands and feet of the figure of Christ, and each one present stabbed the Hosts with a sharp knife. There fell two or three drops of blood, which were gathered up carefully and preserved with the Hosts to confect a charm. " I cannot but believe," she cried in tones of utter despair, " that this is a renewal of the Crucifixion of Our Lord." On one occasion a priest brought a Host to burn it; and another time a priest brought a chalice half-filled with the Precious Blood, which they poured out over the floor. One Holy Saturday a woman handed over to these men-devils her newly born child. The babe was crucified on a rough cross, its little hands and feet being fastened to the wood with nails which pierced large Hosts. Two men, who had ventured to the Sabbat out of curiosity, filled with horror at the spectacle refused to take part in the orgies of lust and murder. They were not allowed to leave the house alive. Picard used to delight to subject the miserable Madeleine to the most infamous sexual connexions, to prostitute her publicly before the fiendish assembly, In fine, the pages of de Sade contain nothing fouler than the confessions of this wretched woman; the most cruel and obscene episodes of Justine or Juliette pale before the sworn statement of this demoniac nun. Mathurin Picard died in 1642, and was buried in the chapel of the Franciscans, near the choir grille. No doubt Boulle, who succeeded him, could not maintain the same magnetic influence over the Sisters as their late director, and the mastermind removed conscience began to make itself heard. Several religious sickened of a strange malady, and were driven almost to madness by their guilt and the pangs of remorse. They uttered piercing cries, accusing themselves of hideous crimes. Fear fell upon them, and before long some twenty inmates of the house were in the last stages of nervous disorder, broken in spirit and body. The thing could not be hidden, and early in 1643 the Bishop of Evreux, Monsignor Francois Pericard, determined to begin a thorough investigation. He was assisted by several Capuchin fathers of great tact and experience. The nuns soon made the most alarming confessions, mortally implicating Madeleine Bavent, who they seem to have regarded as the chief instrument of their undoing, the dead Picard, the living Boulle. The good Bishop did not delay to promulgate his sentence. Madeleine Bavent was to be degraded from religion and imprisoned for life; the body of Picard was no longer to be suffered to remain in consecrated earth, but to be disinterred and flung with contumely into a ditch, le Puits Cronier, which lay outside the boundaries of the town; Boulle was pronounced worthy of death. This judgement was delivered on 12 March, 163, and before a few months were out Monsignor Pericard heart-broken at the insults offered to the Most Holy Sacrament, had sunk into an untimely grave. Secular justice stepped in, and the accused were transferred to Rouen. Delay followed delay, and procrastination procrastination, until after four years a final condemnation was issued by the supreme courts. On 21 August, 1647, Thomas Boulle, after having humbly begged pardon of God and the King before the principal door of Rouen Cathedral, was degraded from all ecclesiastical order, and burned alive in the market-square. The corpse of Picard was flung into the same fire. Madeleine Bavent remained in close confinement, and ended her days forgotten in a dungeon. At first she revolted against her doom, and attempted suicide, wounding her throat with a knife she had concealed and thrusting it into her side. She also swallowed glass, and would have starved herself to death. In time a deep resignation succeeded, but there is no further record of her fate.
Haha, I think the Salem witch trials took place in Massachusetts (not England - although most of the people probably emigrated from there to America). :-P
The witch hunt inquisition in Europe in full renaissance and late. To 18 century. In Rome chatolic and protestant. Italy Spain e England in particular Spain inquisition. , much bloodies.
Any chance you'd react to "Albino Black" by Rexway? It has a good stance on racial stereotyping. I think if you really listen to it you'll enjoy it. I found them because of covers they did of Tool's "Hooker with a Penis," and Andy Prieboy's "Tomorrow Wendy." Both of which you've reacted to. Well I guess it was Concrete Blonde's version of Tomorrow Wendy. But you should also check out Rexways covers of those if you would. They probably won't gain you any followers as few people have ever even heard of Rexway but it'd be a great opportunity to introduce your followers to a new band. Thanks in advance! ruclips.net/video/jRb3KxJc-sg/видео.html
OMG!!! 🤭😬 Music is NOT a WAR!!! I couldn’t even listen to this song, maybe 10 seconds of it!! Whether it’s about God vs Devil… don’t you think our minds are already stressed 😫 from this world?? This SOUND is just that, a sound…not music…I can’t see any good from this, I would think it just makes people angry inside or better yet more confused!! Just my opinion… Bands should use their talent to help people, better themselves and each other!! 💕
Music is highly subjective, what sounds horrible and stressful to your ears may sound beautiful to someone else. Try to see things from others’ perspective and it will help bridges between yourself and other people. This genre of music is full of facets that a trained ear will find interesting.
This whole album is based on historical facts and people and what they did...during the French inquisition
@@bayusik the people and places are real and the things that they did were true father Picard did horrible things king took some creative licenses with parts but most were true read the casset or cd insert by king himself
Yep, it's based on historical events. Google the "Louviers possessions".
@@bayusik And why you tought that? Abigail has nothing to do with French Inquisition, give me a break hahaha.
The entire Abigail, Them and The eye deserve a complete reaction and analysis. Great conceptual albums the three of them.
Absolutely!! Great albums. Also include Conspiracy!! Great tracks on there!!!
I'll add The Puppet Master to that list
@@TheSarnath666 yup....and Voodoo
Have always loved King Diamond. Great horror writer, and awesome voice, so different from the rest. Great reaction and discussion. Much love&respect!!
King's vocal range is redonculous!!
King diamond reactions get my subscription every time
Dark funerals cover of this is amazing 👌👌
Had no idea they covered it, thank you bro, just checked it on Spotify! 🤘🏻🔥🔥👌🏻
The Trial is connected to a broader story from KDs album The Eye. You woud have spasms if you checked out the entire Abigail or Them/Conspiracy. King is a master when it comes to story writing.
King Diamond is amazing
The Eye is amazing
“Sticking needles into her skin yeah, down in the dungeon blood is everywhere” - King Diamond
This song would have been better listened to with Burn following immediately after, as the 2 essentially serve as two parts of this "chapter" of the album, focusing on Nicolas de la Reymie conducting the trial of Jeanne Dibasson.
The opening and closing tracks are bookends that can stand alone, Two Little Girls sorta serves as an "epilogue" of The Trial and Burn. All the other other tracks tell the second "chapter"telling of Madeleine Bavent and her ordeals with Fathers Pierre David and then Mathurin Picard in the convent at Louviers.
The main parts of the stories told on this album are true, and took place during the French Inquisition, 1450-1670.
Nice to see Vin, you start do some reaction !😂
Such a great album, kd has this special talent to transport you in this story.
great song. great album. great discussion. cheers.
King Diamond pointing out so called Christian being so evil!
Full Abigail 1 and 2 albums review would be cool
I love her 1st reaction: “Wow”!
You should react to "Behind These Walls" of "The Eye" Album too, its one of the best
Love “The Witcher” symbol in the bottom left hand corner 😀 amazing games
One of the greatest metal songs ever composed, nails the creepy and sinister tone of the inquisition or torture.
Honestly this whole album is gold including the instrumental.
The Trial is such a unique King Diamond song, it’s structure is a bit different as it sets up the story. It is uncomfortable, i’m glad to have heard your conversation on the subject.
King Diamond's two prior concept albums had been told from the perspective of the protagonists ; this one is told from the view of a narrator.
The themes of Christian atrocity with the persecution of alleged witches and sexual abuse against nuns are present.
The story starts off with an unnamed character finding a necklace called "The Eye" (The Eye Of The Witch), that allows him/her to see the events the necklace was witness for in the past.
They see an accused witch named Jeanne Dibasson being tortured and burned at the stake (The Trial, Burn).
Next they see two little girls finding the necklace in the ashes at a stake, and what they see when they look in the eye kills them (Two Little Girls).
Finally there is the story of Madeleine Bavent, a nun working in the Louviers convent, who finds the necklace and decides to put it on.
After being raped by Father David, she uses the necklace to kill him by making him look into it (Into The Convent).
Shortly after, the new Chaplain, Father Picard, arrives and starts bringing everyone to communion. He winds up lacing their communion wine with some substance that lets him control their minds, and uses a group of nuns including Madeleine to ritually torture and kill children. In 1642 all are arrested and imprisoned (Father Picard, Behind These Walls, The Meetings, Insanity, 1642 Imprisonment).
A quasi-reprise of the title track closes out the album (The Curse Of The Eye).
The main parts of the stories told on this album are true, and took place during the French Inquisition, 1450-1670.
LOUVIERS
The possessions at Louviers (Normandy, France) took place at the Louviers Convent in 1647. Sister Madeleine Bavent, who was eighteen years old at the time, was the initial possession victim whose testimony started the investigation.
Supposedly, Father Mathurin Picard (nunnery director) and Father Thomas Boulle (vicar at Louviers) had taken the nuns to secret sabbats where they had sexual intecourses with demons, namely the demon Dagon by Bavent's testimony. Similar testimony of the other nuns followed. Picard and Boulle were convicted on the evidence of the possessed nuns. Father Boulle was tortured during the exorcism. Sister Bavent was imprisoned for life, Father Boulle was burnt alive, and the corpse of Father Picard (who was fortunate enough to have died earlier) was exhumed and burned. Upon further investigation it was discovered that the nuns were suffering from the classic symptoms of possession.
Throughout the whole history of Witchcraft there is no history so hideous as that of Madeleine Bavent, Mathurin Picard, and Thomas Boulle. Nowhere have I read so hideous a confession.
The details are so utterly abominable that even the soul of a priest steeped in the fires of the confessional, whom no human aberration can shock or surprise, shudders and sickens at the dark mass of turpitudes which are as tlic stench and vomit of the pit of hell.
In 1616 at Louviers, a busy little old-world town of Normandy situate on the river Eure, some seven-and-twenty miles from Rouen, was founded the convent of S. Louis IX and S. Elizabeth of Hungary, for a community of Regular Tertiaries of the Third Franciscan Order.
Their first director was an old priest named David, shortly to be succeeded by Mathurin Picard, the vicar of Mesnil-Jourdain, whose curate, Thomas Boulle, assisted him, and upon his death in 1842 was installed with full responsibility in his room. By some unhappy fate, it was more than mere chance, without design-all three were adherents of the Manichees, concealing their Satanism under the disguise of orthodox sanctity.
From the commencement they set to work to corrupt the hapless religious whose faithful pastors and guardians they should have been, and instead of lifting their souls to heaven they dragged them down to the nethermost inferno. As early as l634 there were indications that something was seriously amiss. Two or three Sisters were seized with fits of an abnormal nature, now standing rigid in some paralytic trance, now foaming on the ground in an epilepsy and writhing as some boneless contortionist of the circus arena. Matters, however, seem to have been hushed up for a while, although the infamous Picard ran some danger of being exposed. He was, in truth, the Chief Officer and Grand-Master of all the witches and devil-worshippers throughout the district. Having seduced and entirely subjected to his will an unfortunate nun, Madeleine Bavent, he used her as his instrument, his associate, and intermediary. There can be no doubt, I think, that Picard must have possessed extraordinary Hypnotic powers, and Madeleine Bavent is probably not to be accounted morally responsible for the orgy of crime into which she was plunged.
The details are known from the confession which she wrote in prison at the instance of the Abbe de Marets, an Oratorian, who helped and counselled her in those hours of penitence and remorse. Several nights a week she was awakened just before Matins, that is to say about midnight, but one of the nuns, and conducted to the Sabbat. It is clear that Picard had provided himself with false keys so that he could gain admission to any part of the cloister at any hour. She declared that she never used any ointment or recited any spell, but that she was conveyed to the Sabbat by the power of Picard without knowing how she arrived there, obviously in a state of trance.
The exact place where the Sabbat took place she could not identify, but it was presumably in some house not far from the convent. It was a long and narrow room, lighted by flares and the candles upon the Devil's altar which had been erected there. This certainly suggests a cellar. A number of persons dressed as priests were present, and some in grotesque masking habits, half-animal, half-human. She never assisted at any adoration of the demon in the form of a goat, and the rites were seldom followed by a banquet.
The Black Mass of Satan was continually said at the altar. The host appeared to be of a red colour, and communion was given to the worshippers. The liturgy was read from a book of blasphemies, which was Carried in procession. It contained the most hideous maledictions against all things sacred and divine, and seems to have been a manuscript rather than a printed book. There was also a register or roll of the Satanists in which her name had been inscribed by David. This was kept with the utmost care and Madeleine was never told the names of any who were present. She recognised four religious from her own house, Catherine of the Cross, Catherine of S. Genevieve, Elizabeth of the Nativity, and Anne Barre, also Thomas Boulle and several other priests whom she knew only by sight, probably as having served the convent chapel.
Prominent among the assistants were an elderly man with iron-grey hair, who was generally richly dressed in a purple velvet suit, and a matron, said to be Mother Frances of the Cross (in the world Simonne Gangain, a co-foundress of the Louviers convent, who ordinarily resided at Paris. It is impossible to relate certain abominations and unnatural defilements of the Blessed Sacrament which these evil priests practised. The details are frankly too monstrous for reproduction. The wretched woman further related:
"On the Good Friday night of one year Picard and Boulle brought with them four Hosts; of these they put in their own mouths, and the other two into Mother Simonne's mouth and mine; then they exchanged theirs for ours in order to cement for ever the union and connexion between us. One night, after the book of blasphemies had been carried in procession, a little crucifix was brought in and large Hosts were nailed to the hands and feet of the figure of Christ, and each one present stabbed the Hosts with a sharp knife. There fell two or three drops of blood, which were gathered up carefully and preserved with the Hosts to confect a charm. " I cannot but believe," she cried in tones of utter despair, " that this is a renewal of the Crucifixion of Our Lord." On one occasion a priest brought a Host to burn it; and another time a priest brought a chalice half-filled with the Precious Blood, which they poured out over the floor. One Holy Saturday a woman handed over to these men-devils her newly born child.
The babe was crucified on a rough cross, its little hands and feet being fastened to the wood with nails which pierced large Hosts. Two men, who had ventured to the Sabbat out of curiosity, filled with horror at the spectacle refused to take part in the orgies of lust and murder. They were not allowed to leave the house alive. Picard used to delight to subject the miserable Madeleine to the most infamous sexual connexions, to prostitute her publicly before the fiendish assembly, In fine, the pages of de Sade contain nothing fouler than the confessions of this wretched woman; the most cruel and obscene episodes of Justine or Juliette pale before the sworn statement of this demoniac nun.
Mathurin Picard died in 1642, and was buried in the chapel of the Franciscans, near the choir grille. No doubt Boulle, who succeeded him, could not maintain the same magnetic influence over the Sisters as their late director, and the mastermind removed conscience began to make itself heard. Several religious sickened of a strange malady, and were driven almost to madness by their guilt and the pangs of remorse. They uttered piercing cries, accusing themselves of hideous crimes. Fear fell upon them, and before long some twenty inmates of the house were in the last stages of nervous disorder, broken in spirit and body. The thing could not be hidden, and early in 1643 the Bishop of Evreux, Monsignor Francois Pericard, determined to begin a thorough investigation. He was assisted by several Capuchin fathers of great tact and experience. The nuns soon made the most alarming confessions, mortally implicating Madeleine Bavent, who they seem to have regarded as the chief instrument of their undoing, the dead Picard, the living Boulle.
The good Bishop did not delay to promulgate his sentence. Madeleine Bavent was to be degraded from religion and imprisoned for life; the body of Picard was no longer to be suffered to remain in consecrated earth, but to be disinterred and flung with contumely into a ditch, le Puits Cronier, which lay outside the boundaries of the town; Boulle was pronounced worthy of death. This judgement was delivered on 12 March, 163, and before a few months were out Monsignor Pericard heart-broken at the insults offered to the Most Holy Sacrament, had sunk into an untimely grave. Secular justice stepped in, and the accused were transferred to Rouen. Delay followed delay, and procrastination procrastination, until after four years a final condemnation was issued by the supreme courts.
On 21 August, 1647, Thomas Boulle, after having humbly begged pardon of God and the King before the principal door of Rouen Cathedral, was degraded from all ecclesiastical order, and burned alive in the market-square. The corpse of Picard was flung into the same fire. Madeleine Bavent remained in close confinement, and ended her days forgotten in a dungeon. At first she revolted against her doom, and attempted suicide, wounding her throat with a knife she had concealed and thrusting it into her side. She also swallowed glass, and would have starved herself to death. In time a deep resignation succeeded, but there is no further record of her fate.
Some day soon you two will be awakened. You will see things as they are and be able to still have some of your old beliefs and have new ones as well.
Polecam Album The Graveyard :) King Diamond
The Graveyard gets a bad rap, but creepy pedo story and super cool, creepy songs.
C3PO was the Witch of Endor from what I remember.
Haha, I think the Salem witch trials took place in Massachusetts (not England - although most of the people probably emigrated from there to America). :-P
The French inquisition period of history, which was actually a true story of it, and inspired from it. it is described, on the CD/LP
So, are christians people who worship the tale from a book's saga like I worship the Harry Potter book's saga?
Pozdrawiam z Polski :)
Cześć🤘
@@conquistador73 Cześć :) Pozdro z okolic Szczecina.
@@Mariusz79Rocznik Ave! Pozdro from South of Heaven 😀przeciwległy rejon kraju Górny Ślask 🤘
This song is more about child sacrifice which actually did happen
The witch hunt inquisition in Europe in full renaissance and late. To 18 century. In Rome chatolic and protestant. Italy Spain e England in particular Spain inquisition. , much bloodies.
Ever feel like you got more than you paid for?!?
Wookies live on Endor? Not witches. Is Chewbacca a witch?
Sounds like axle at times? Know it’s not.
Any chance you'd react to "Albino Black" by Rexway? It has a good stance on racial stereotyping. I think if you really listen to it you'll enjoy it. I found them because of covers they did of Tool's "Hooker with a Penis," and Andy Prieboy's "Tomorrow Wendy." Both of which you've reacted to. Well I guess it was Concrete Blonde's version of Tomorrow Wendy. But you should also check out Rexways covers of those if you would. They probably won't gain you any followers as few people have ever even heard of Rexway but it'd be a great opportunity to introduce your followers to a new band. Thanks in advance!
ruclips.net/video/jRb3KxJc-sg/видео.html
and fatal portrait ????
First
OMG!!! 🤭😬 Music is NOT a WAR!!! I couldn’t even listen to this song, maybe 10 seconds of it!! Whether it’s about God vs Devil… don’t you think our minds are already stressed 😫 from this world?? This SOUND is just that, a sound…not music…I can’t see any good from this, I would think it just makes people angry inside or better yet more confused!! Just my opinion…
Bands should use their talent to help people, better themselves and each other!! 💕
Good lord woman. Get a grip!
Music is highly subjective, what sounds horrible and stressful to your ears may sound beautiful to someone else. Try to see things from others’ perspective and it will help bridges between yourself and other people. This genre of music is full of facets that a trained ear will find interesting.
I'll bet you listen to country 😂
@@jimmywheless1584 Your right! I shouldn’t judge, I jumped to my opinions and didn’t think of others, my apologies! 🙏🏻🥰
@@kirbyhans5261 I actually listen to a lot of other music, including country! ☺️