RECITAL"GALA ABEND AUS DER WIENER STAATSOPER" Caballé, Gruberova, Nilsson, Cappuccilli, Domingo 1979
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- Опубликовано: 7 фев 2025
- RECITAL GALA ABEND AUS DER WIENER STAATSOPER - WIENER STAATSOPER, WIEN 02.09.1979 YOU
Mezzosoprano: Ruza Baldani
Mezzosoprano: Agnes Baltsa
Soprano : Montserrat Caballé
Soprano : Sona Ghazarian
Soprano : Edita Gruberova
Soprano : Birgit Nilsson
Soprano : Leonie Rysanek
Baritono: Piero Cappuccilli
Tenore: Jose Carreras
Tenore: Gianfranco Cecchele
Tenore: Placido Domingo
Basso: Nicolai Ghiaurov
Tenore: Siegfried Jerusalem
Tenore: Rene Kollo
Basso: Sherill Milnes
Tenore: Yordi Ramiro
Basso: Kurt Rydl
Baritono: Peter Wimberger
Wiener Staatsoper Orchester
Chor Der Wiener Staatsoper
Maestro Del Coro: Helmuth Froschaler
Direttore D’orchestra: Placido Domingo, Miguel-Angel Gomez Martinez, Horst Stein
WIEN 02.09.1979
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Vorrei aggiungere il mio entusiasmo per tutta la magnifica prestazione. Un plauso meritato va al Direttore, specie per la gran fatica nell'ultimo grandioso finale del II Atto di AIDA!!! Tenere insieme cantanti eccezionali, il coro stupendo, e tutta l'orchestra enorme, dà le vertigini💯
These very great singers of the past literally bring a tear to the eye. The singers of my generation (2024) might be good, but they can't compare to the brilliance of these mega-stars from almost half a century ago. OMG, I was blown away. The audience reaction told the tale each and every time a singer finished his or her aria. Bravissimi a tutti. Che bellissime voci!
Hay un grandisimo problema con la modernidad... monumento a la fealdad hasta en lo más bello. Eso porque no se hace para el supremo. Creo que todo florece cuando se ofrece al creador como hacían los grandes maestros en agradecimiento...
Cappuccilli, oh my God! What a diaphragm, what an open throat, what a phrasing, what an artist 🎉❤😢
Спасибо за концерт Всем Мира и Счастья.Музыка внчна
My God, those were singers! No comparison to what we have nowadays....
Das unterschreibe ich !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
That is right...how I miss the Golden Age as you have now seen...minus Luciano Pavarotti and many many more....what a time, indeed.
Agnes Baltsa hatte eine wunderschöne Stimme!!!❤❤❤❤
Prezioso documento!!!!!Una vera gioia ascoltare,tutti insieme,questi artisti leggendari
oui, c'est un mélange d'excellents chenteurs!
Now that is a happy audience!
I was born way too late...sigh....I wish I could have seen and heard this.
I could have well died in awe after Nilsson's Liebestod following that magnificent Horst Stein's Prelude. What a 💎 of a concert.
Caballe very impressive!
I am speechless! Moved to tears! I have seen and heard all of those magnificent voices many times, but never all together like this. What a night! Thank you from a very old lonely man.
... wer diese Sänger kennt
und mit Wonne zuhört ist, glaub ich, wirklich sehr alt und einsam.
Ich bin es auch
(87 Jahre).
Ich wünsche allen Menschen auf Erden ein gutes Jahr 2025 und
FRIEDEN
auf der ganzen Welt,
In diesem Sinn
herzliche Grüße aus
Deutschland,
h.pf.
4.1.2025
❤❤❤❤❤
Nein, damit sind wir nicht einsam, ich bin 94 und bin so dankbar😅, dank Internet diese herrlichen Sängerinnen und Sänger unserer Jugendjahre wieder hören zu können. Das Glück haben unsere Eltern und Großeltern nicht gehabt.
May music keep everyone from any loneliness or despair. These voices were all marvelous and we are grateful for the memories.
No estas solo amigo!!! Yo soy joven, y también estoy "solo". Fuerza, ánimo! Somos muchos que revivimos con el antiguo arte que jamás volverá! Abrazo!!!!!!!
Ich habe auch einige Jahre, (77). Diese Gala ist eigentlich wunderschön. Meine am besten Sängerin sind Caballé und Nilsson. In 1967 habe ich in Wien studiert, und auch bin ich im Staatsoper, im Salzburg Festspiel, und sicherlich in den wunderschöne Museen Wiens. Jetzt wohne ich in Kalifornien, und wenn ich ein Wunsch haben könnte, möchte ich als Freunden mit der zwei Herren, die hier geschrieben haben.
Thank you for this wonderful video. A concert to be heard by the new generation in order to cultivate better ears for the future. Have a great year 2025 everyone. Greetings from Brazil.
Superb concert
Merci beaucoup!
The goldtime of Opera.how wonderful gala from the Vienna
State Opera.how beautiful voices.In nowadays it is imposible to find opera singers like those.Caballe Birgit Nilson Agnes Baltsa Jerusalen etc What a pity.Thank you very much indeed for these program.to have the opportunity to see and heard them again.
My God what a treat for this all-star programme. Caballé and Nilsson being the best of best aside, it's such an incredible performance by young Baltsa and Gruberova!
Superb Concert Today’s singers couldn’t match these it’s 2025 January
Horst Stein, chef sous-estimé dont je n'ai jamais entendu que des merveilles.
Merci pour ce concert. Je n’ai pas pu m’arrêter et je l’ai écouté jusqu’à la fin. Les chanteurs sont en grande voix. C’est du grand opéra.
Merci à vous!
Desde que empezó este concierto no pude parar escuché las tres horas completas pero que tres horas de música y artistas de lo que ya no hay gracias por postear mejor manera de empezar el2025 no hay y había que retroceder 40 y pico de años para disfrutar esta maravilla sonora gracias
Well-deserved ovations for Cappuccilli.
Vielen Dank für die Hochladung, Das macht wirklich viel Spaß mit so vielen Suuuuuuuuperstar....
Was mir auffällt, dass die Stimmen früher viel charaktervoller waren und der Erkennungswert dieser sehr viel leichter war als heute. Der Sänger, der mich am meisten berührt hat und von meiner Seite am schönsten und am ausdrucksvollsten gesungen hat war Herr Cappuccilli. Er sang wirklich von Innen heraus und war EINS mit dem Orchester. Seine Stimmtechnik hat mich sehr imponiert, auch was seine grossartige Atemtechnik angeht. Chapeau!
Foi um dos grandes baritonos
Апофеоз из Аиды это нечто грандиозное. Ничего нет выше и прекраснее такой оперы, такого исполнения. Испытала эстетический катарсис. Огромная благодарность меломана из России
Спасибо!!! Столько знаменитостей в Венской опере!!! Роскошный концерт!!
Thank you!! Isn't it wonderful that Vien Concert was smart enough to capture a broadcast of a piece of those greatest singers at this time that was like no other. Little did we know we were going to experience a time of what would be the Golden Age of the Opera. The memories here bring up such an ache of what I know will never be, again. I watched in 1979, while the father of my children was performing at Lyric Opera of Chicago. This concert reveals who were among the greats that were the cause of 'sold out' opera houses every season. Into the 1960s, 1970s, 1980s, the houses were becoming a common life style. This night, Caballe was recent of her tenor husband's career, suddenly, ended by a heart attack, and here, she was visibly in abdominal discomfort per 2 recent surgeries. She never made public her life medical battles. When wonderful Caballe was on, she was on like no other. 10 surgeries in 10 years that was never to be known, she was one of the greatest of the last Divas of the 20th C. There is so much to say of those in 1979 Vien concert that does bring back wonderful memories of them all. I have to say, I have lived a rich life, because of the opera singers, we came to love so much. But so many are unseen in Vien 1979, too. To those who, now, view the Vien Concert 1979, for the first time, you are correct to realize that today, there are no singers like those of that time. The desert years are here. Thank you for this wonderful New Years celebration night. Best to all for 2025.🌹
Many greatest of the great still with us today as are the spirits passed on
Questa era la leggendaria orchestra dell' opera di Vienna e di conseguenza la filarmonica. Nulla di paragonabile con oggi.
What a beautiful New Year Gift!! Thank you so much, A Happy New Year 2025 🎉✨🌍🌏🌎
I can only agree with you. Happy and healthy new year. ☀️🥂🥀🎉💎
Merci, Bonne Année à vous!
Le bonheur absolu
In queste 3 ore rivivo 50 anni di serate all'opera con questi meravigliosi cantanti che ho ammirato sul palcoscenico. Tutti❤
I saw once Agnes Baltsa and Plácido Domingo singing in the Vienna opera - in Carmen
Unforgettable… very early 1990
Such a valuable document, thank you from the Netherlands . I almost forgot to breath from minute 47 to 56, Agnes Baltsa indeed is phenomenal. But ALL singers deserve enormous applause, being their night or their off-night, it is the Art of Music they serve. There are many flowers in the field, all different, but all impressive .
Just noticed that the famous conductor Miguel-Angel Gomez Martinez (born 1949) and conducting Agnes Baltsa here in 1979 when he was only 30 years, , died recently, 4 th August 2024 at almost 75. Another valuable document here.
これはすごい。貴重な映像をアップしてくれて感謝です。
Bravo, Kollo!
Quelle soirée ! Quelle distribution ! bonheur de revoir ces artistes aimés. Merci de ce partage
merci à vous
Ich hatte gerade drei wundervolle Stunden. Danke fürs Hochladen
dieser Gala. Alle Künstler waren großartig, das Orchester, der Chor , das Publikum… Ich wäre gern dabei gewesen.
merci
Wie oft habe ich diese grandiosen Stimmen und die Wiener Staatsoper zu ihrer gloriosesten Zeit hören und erleben dürfen. Ich war 13 Jahre alt, als ich die schönste Inszenierung des „fliegendenHolländers“ vom Stehplatz auf dem „Paradis“ hörte. 1970! Zauberflöte mit einer ganzen Zoo! Aida mit Pferden und Elefanten. Aber das alles war nur Nebensache. Die goldenen Stimmen… ein wunderbares Orchester, klasse Dirigenten! Herrn Ion Holländer durfte ich auch persönlich kennenlernen, als er Jahre später Elina Garancia mit Marc Chichon nach Ephesos anlässlich der Jahresversammlung der Freunde von Ephesos mitbrachte. Elina, als frische Debütantin damals mit ihren ersten Rollen als Carmen und Charlotte, gab zwei hervorragende Arien zum Besten. Ich war noch Honorarkonsul von Österreich in Izmir! Schönste Erinnerungen. Und heute tut‘s mir das Herz so leid, wenn ich die Philharmoniker so lasch spielen höre, und weder die Oper noch das Ballett sind auch nicht mehr dieselben. Philharmoniker zum Neujahr unter Böhm oder Karajan und zuletzt noch unter Barenboim bewiesen unvergessliche Highlights. Gott sei Dank war das 2. Teil diesjährigen Konzerts unter Maestro Muti war wieder schön. Und die Ausschnitte hier bringen sehr wohl die majestätischen Glanzmomente der Staatsoper. Vielen Dank!!!
Und ich darf den legendären Boskowski gar nicht vergessen.
Концерт-перлина!Я в захваті!Які голоси, які виконавці,яка програма, яка вдячна публіка.Бравіссімо!!!
Thanks so much for this New Year gift.
gift .
Qué preciosidad de regalo de año nuevo: Caballé, Domingo, Carreras y un larguísimo elenco de primeras, primerísimas estrellas del firmamento operístico. Muchísimas gracias gracias, de corazón 🎉🎉🎉
@@eugeniomaslacave409 Carreras walked out that night and did not appear
Que buen programa. Felicitaciones.
Birgit Nilson!!! Diosa del Olimpo que si hay un Dios, un supremo , un inexplicable, seguramente se deleita teniendote como parte de su creacion! GLORIA GLORIA GLORIA POR SIENPRE A LA NILSON!!!!!
Thank you so much ❤ A Happy New Year 2025🎉🎉🎉
I attended the "American Institute of Musical Studies" (Aims) in Graz, Austria the Summer of 1979. Sherrill Milnes and Eleanor Steber were both there. I had three lessons with Steber and it was magical. So to see this recording, recorded in 1979, brings back the quality of singing that is hard pressed to hear today. What a blockbuster of a concert this must have been to attend.
Thank you so much for sharing such beautiful and exciting memories. Merci
Vor drei Wochen war ich wieder einmal in Wien und in der Staatsoper… die Eleganz des Publikums vor 40 Jahren ist genauso eine Sache der Vergangenheit wie die großen Opernstars von damals
I saw this in 1979 on PBS when I was a college student. It was the first time i had ever heard Baltsa, and I remember being Blown Away!
.....and Caballe with her tiny, beautiful Bb in Pace
Thank you for posting this, and for the memories it conjured of my apartment in Plattsburgh NY
😎😎😎
yes , Baltsa is extraordinary , I saw her live six years later this concert and it was a great experience ❤
@@santi7616
I can only imagine how amazing that was!
😎😎😎
@@rugby8-Philadelphia this concert was in 1979, in 1983 she went to New York and got a huge success as Carmen with Carreras and then they both repeat Carmen and Don José in 1986 in Spain and I saw them then , what a memorable performance 🌟🙏✨💯👍😍😉
@@santi7616
How *wonderful* to have seen that!
....would love to have seen her in Gioconda also 😊
Caballé was really extraordinary in La forza del destino by Giuseppe Verdi
Those where the days!!!
Thank you so much 🥹
Грандиозно ,великолепно!! Какие легенды на сцене, какой оркестр и дирижер!! Побывать бы там вживую, в 1979 году.......эти люди творят божественное чудо- настоящую музыку . Золотой фонд человечества! 2025 г...
Diese Aufnahme ist ein Juwel
Many thanks for the upload
Merci à vous!
WOW!!!!!! Thanks so much!!!!!
Absolutely wonderful recording..What a gift..
Happy New Year
❤2025❤
Baltsa makes history here with one of the very best “Non piu mesta”s-as the Vienna audience clearly realizes! Perhaps she reaches a bit for that final note, unnecessarily. And it seems unfortunate that such a flexible and juicy voice went on to sing the big spinto mezzo roles in Verdi’s … rather than more Rossini. But I don’t know the whole story.
Cecchele is so underrated!
A few great Divas, in gorgeous floaty gowns, husbanding their resources towards the end of their careers to give the public a taste of what their greatness was all about.
Vociferous males very much alive in 1979. May they rest 🙏 in peace ❤
Placido is still with us, God bless him!
Thank you for sharing this. What a treat!
Grazie per questo video meraviglioso! ❤
Saluti dall'Italia
Merci à vous!
et Ciao à l'Italia!
Wow 😮😮😮😮😮😮😮
What a cavalcade of great, characteristically unique performers. This lineup would be hard to follow today. I'm grateful to have heard most of them on the stage.
Did you hear Nilsson?
❤❤❤❤❤❤😮😮😮😮😮 Happy new year!
It would be impossible to get a cast as impressive as these singers together for a concert now - and yes I know there are issues of intonation for some , but these are great artists. Sona Ghazarian had a fine career , but was probably the least well known name here at the time, yet she sings the Violetta scena wonderfully. The whole event was rich in great performances.
Great elenco: Caballé, Cappuccilli, Baldani, Cossutta, wow !❤
Cossutta?
@ Chechelle ! Sorry
@@RBP1963 Cecchele .
👌
Wagner Tannhäuser, Prélude Acte II et air d’Élizabeth « Dich Teure Halle », Leonie Rysanek : 01:50
Wagner Lohengrin, Récit du Graal, René Kollo : 08:58
Wagner Die Walküre, Chant d’amour de Siegmund, Siegfried Jerusalem : 16:07
Wagner Tristan und Isolde, Prélude et Mort d’amour, Birgit Nilsson : 20:07
Chef Horst Stein
Rossini La Cenerentola, air d’Angelina « Nacqui all’affanno », Agnes Baltsa : 46:50
Rossini Il Barbiere di Siviglia, air de Basilio « La Calunnia », Nicolaï Ghiaourov : 56:15
Donizetti Lucia di Lammermoor, Scène de la folie, Edita Gruberova : 01:02 :45
Chef Miguel-Angel Gomez Martinez
Verdi La Forza del Destino, ouverture : 01:24
Chef Placido Domingo
ENTRACTE
Verdi La Forza del Destino, air de Leonora, Monserrat Caballé : 01:35:26
Verdi Un Ballo in maschera, air de Renato, Sherill Milnes : 1:44:34
Verdi La Traviata, air de Violetta, Sona Ghazarian, Yordi Ramiro : 1:52:50
Giordano Andrea Chenier, monologue de Gérard, Piero Cappuccilli : 02:04:15
Giordano Andrea Chenier, air de Chenier, Placido Domingo : 02:14:08
Puccini Manon Lescaut, Intermezzo : 02:23:20
Halévy La Juive, air d’Éléazar, Placido Domingo : 02:30
Verdi Aida, finale Acte II, Monserrat Caballé, Ruza Baldani, Gianfranco Cecchele, Piero Cappuccilli, Peter Wimberger, Kurt Rydl : 02:39:05
Chef Miguel-Angel Gomez Martinez
thanks !
¡Gracias!
Thank you!!!
Thank you very much. First entry should read Tannhäuser though
@@kstay4439Oups ! Thank you. It's corrected.
This was the famous concert that caused the rift between Carreras and Domingo. Domingo switched the order around with the excuse that he had to conduct as well and Carreras was apparently only informed at the last moment . As a result Carreras never appeared that night (he walked out and left the theatre ) and Domingo filled in and sang 2 arias
wow , I didn't know 😮
@ the feud continued until Carreras fell ill with Lukemia then apparently there was a reconciliation that culminated with the joint appearance at the 3 tenors concert in Caracalla
@@Yves_Ka I saw both of them at La Scala last 7th December for the opening of La forza del destino , I'm glad they are friends again 👍👍😊
Can you imagine such a night, nowadays ?
No
No
Gruberova per sempre!!!!!!!!
Gruberova is wonderful here , what a great and beautiful voice
Tüm starlar bir arada ❤️❤️
Ooooh! Agnes Baltsa!❤❤❤
❤Blagodarja za vazmojnostta otnovo da chuja tezi kolosi! Ne samo solistite ❤💞. Orkestarat!!!
Blagodarja!
AGNES BALTSA!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Caballe' per sempre!!!!!!
La peor de las cantantes (agudos chillados y graves feos) precisamente es la caballe...salvo para los más fanáticos fans.
@@ManuelGonzalez-fi1kiblah blah blah blah
@@ManuelGonzalez-fi1kide acuerdo contigo, Manuel; agrego el hecho de que la mitad de su carrera se mantuvo calante
@@9na.D ¿Calante?
Creo que no. Su problema era a nivel artístico. Ella era una actriz mediocre, pero calante ...no creo
Ya le digo: agudos chillados en este concierto en su intervención en "Aída" y dicción caprichosa y graves horrísonos en "Forza del destino".
Так и хочется сказать словами Лермонтова:
Да, были люди в наше время,
Не то, что нынешнее племя:
Богатыри - не вы!..
Браво!
Caballe ❤
The days of great voices in Italian opera
Gruberova ❤❤❤
❤❤❤
Rysanek's high notes reverberate off the walls.
🎉🎉🎉peerless
TRACKLIST
September 1st,1979
Orchester der Wiener Staatsoper
Chor der Wiener Staatsoper
Act 1:
Introduction by Marcel Prawy
Richard Wagner, Tannhäuser, "'Dich,Teure Halle"
Leonie Rysanek-Gausmann
Conductor: Horst Stein
Richard Wagner, Lohengrin, "In Fernem Land"
René Kollo
Conductor: Horst Stein
Richard Wagner, Walküre, "Winterstürme..."
Siegfried Jerusalem
Conductor: Horst Stein
Richard Wagner, Tristan und Isolde, Prelude and "Liebestod"
Birgit Nilsson
Conductor: Horst Stein
Act 2:
Introduction by Marcel Prawy
Gioacchino Rossini, Cenerentola, "Non Piu Mesta
Agnes Baltsa
Conductor: Miguel Gomez Martinez
Gioacchino Rossini, Il Barbiere Di Siviglia,"La Calunnia"
Nicolai Ghiaurov
Conductor: Miguel Gomez Martinez
Gaetano Donizetti, Lucia de Lammermoor, Mad scene
Edita Gruberova
Conductor: Miguel Gomez Martinez
Giuseppe Verdi, La Forza del Destino,Overture
Conductor: Placido Domingo
Act 3:
Umberto Giordano, André Chénier, "Nemico Della Patria"
Piero Cappuccilli
Conductor: Miguel Gomez Martinez
Umberto Giordano, André Chénier, "Improvviso"
Placido Domingo
Conductor: Miguel Gomez Martinez
Giacomo Puccini, Manon Lescaut, Intermezzo
Conductor: Miguel Gomez Martinez
Jacques Fromenthal Halévy, La Juive, "Rachel,Quand Du Seigneur"
Placido Domingo
Conductor: Miguel Gomez Martinez
Giuseppe Verdi, Aida, Finale of the 2nd act(Triumphal scene)
Montserrat Caballé
Ruza Baldani
Gianfranco Cecchele
Piero Cappuccilli
Peter Wimberger
Kurt Rydl
Conductor: Miguel Gomez Martinez
Thank you Leon! You quite necessarily completed what M. Dormant started.
카바예, 그루베로바, 닐슨, 카푸칠리, 도밍고 1979
Marcel Prawy war schon eine einmalige Erscheinung…
Rene Kollo, wow.
Oh no, not Kollo at his best.
@@matteid7498 I will take your word for it. I'm not all that familiar with his work. But if this is not his best, then I even that much more impressed.
Tutto perfetto salvo Domingo.
An orchestra of men sounds so much better.
Where’s Carreras? 😲
@@IloElaman he was scheduled to sing the Chenier aria but there had been an argument with Domingo regarding the order and Carreras was so furious he walked out and left the theatre. Domingo sang the aria instead- you can see Gomez- Martinez’ surprise when Domingo comes on stage. Everyone was expecting Carreras
Edita Edita Edita !!!!!!!!!!
extraordinary ❤❤❤
She got the loudest applause ❤❤❤👍💯🌟 Edita gruberova is the best Lucia !!
Sherrill Milnes '"basso" non si può leggere... 😡
E poi manca una "r" al nome... 😮
È ancora con noi e fra poco compirà 90 anni.
Merita il rispetto per la persona e per la grande carriera. 😢
Would someone list what the program is?
@Leonmeyer 7808 has it listed from about 5 days ago. Very helpful!
Haben Sie versucht, dieses Duett mit einem Waschbären zu singen?
The title says Caballé...She's nowhere in the program!!!..
open your eyes : 1:35:47
Y qué pobre miserable aplauso del público a la maravillosa soprano que cantó Violetta
Leider gibt es grossen Applaus häufig nur für den bekannten Namen, nicht aber für die tatsächliche Leistung. Sona Ghazarians Traviata-Arie war großartig, einer der Höhepunkte des Konzerts.
Почему Jose Carreras не пел???
I've seen this video on TV a few times. Never realised he was scheduled to sing if indeed he was?
You have the answer in above comments😊
@@Zuria-ph9mk he was scheduled to sing the Chenier aria but there had been an argument with Domingo regarding the order and Carreras was so furious he walked out and left the theatre. Domingo sang the aria instead- you can see Gomez- Martinez’ surprise when Domingo comes on stage. Everyone was expecting Carreras
Why was Leonie singing so out of tune that night? Almost every note was sharp. Well, I guess only she knew why.
I like her quite a bit, but it wasn’t just that night.
She often or mostly was
That Night? This was harmless 😂
@@draganvidic2039must have been the reason she sang and was loved throughout 35 years at the Met :-)
@@onkelgreifenklau People just got used to ‘Leonie’ pitch. Some didn’t. Georg Solti once protested her appearance in a recording. And by the way Nilsson’s ‘Liebestod’ here is pretty painful too.
Tempi for Aida in the end was 🤮🤮🤮🤮🤮🤮. It was a blasphemy.
Btw, Birgit, Piero, Edita and Montsi 👍, Domingo as a conductor oh please gimme a break 🤮🤮🤮....
@@zelimircabraja7529 Certainly not among the top of the conductors but singers appreciate to be conducted by him because he really breathes with them.
@@zelimircabraja7529 the singers seemed fine with the tempi - I am sure Caballe and Cappuccilli approved- their opinion carries more weight than yours. Regarding Domingo’s conducting- the audience seem to have a different opinion to you