SCHUBERT Piano Sonata No. 4 in A minor (D.537) Score

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  • Опубликовано: 17 окт 2024
  • "The Piano Sonata in A minor, D 537, of Franz Schubert is a sonata for solo piano, composed in March 1817. The first movement is in A minor. The exposition modulates to the submediant, F major, rather than to the usual mediant, C major. The recapitulation begins in the subdominant, D minor, and most of the recapitulation's second group is in A major before a short coda returns to the minor mode for the movement's ending.
    The second movement is in E major, a five-part rondo with an unconventional key scheme as follows: A (E major) → B (C major) → A (F major) → C (D minor) → A (E major). Schubert also composes brief transitions at the ends of each episode--that between the B section and the medial A section features a small amount of the B section's material in F major (the medial A section's key), while that between the C section and the final A section modulates from the C section's D minor up a tone to E minor, and then sits on its dominant for a few measures before the return to the movement's tonic key with the final A section. The movement ends with a short coda that is completely diatonic.
    The final movement is in sonata form without development (the exposition modulates to E major, and the recapitulation then begins in E minor and moves to A major). It ends in the parallel major
    Harald Krebs has noted that Schubert reworked the opening of the second movement of the D. 537 sonata into the opening theme of the finale of the A major piano sonata, D. 959."
    Wikipedia 2020
    Performed by András Schiff
    Allegro ma non troppo - 00:05
    Allegretto quasi andantino - 11:14
    Allegro vivace - 19:33

Комментарии • 40

  • @mase9308
    @mase9308 2 года назад +11

    the second mvm of this piece is probably one of my favourite mvm from Schubert’s sonatas. The entrance in E major is a rather unconventional for this sonata but I will say it’s one of the most simple but powerful entrances like he was trying to console someone. So powerful, that he used the same theme in the 4th mvm of his 20th sonata!! So good :)

    • @angelacitterio
      @angelacitterio Год назад

      La km kk

    • @choiyatlam2552
      @choiyatlam2552 10 месяцев назад

      Why it is so similar to the rondo in d959?

    • @jimrader5299
      @jimrader5299 10 месяцев назад

      i'm glad i finally remembered its sonata number. it always calms me down, so graceful and benign.

  • @letsschubertiad1966
    @letsschubertiad1966 3 года назад +32

    Love the second movement

    • @임채현-o8d
      @임채현-o8d 3 года назад +6

      the opening of the 2nd mvt was re-worked by Schubert in the 4th mvt of D.959 sonata, i recommend you look it up if interested.

    • @choiyatlam2552
      @choiyatlam2552 10 месяцев назад

      @@임채현-o8dSchubert is known to recycle his materials.

  • @chicolofi
    @chicolofi 3 года назад +11

    I love that first movement. So intense.

  • @gerardbegni2806
    @gerardbegni2806 2 года назад +9

    This sonata is a quite typical of an intermediate style which is not still the quite outstanding style of the lest year,as we can hear it in the later A minor sonata, but in which the instrumental original expression of Schubert is definitely acquired. Note that for instance Beethoven did not use A minor in any of his 32 piano sonatas, but with n outstanding genius in string quartet 15. It is quite interesting to compare this sonata with Mozart's sonata in A minor and his outstanding rondo in the same key.

  • @FerranLopezCarrasquerPianist
    @FerranLopezCarrasquerPianist 3 года назад +3

    Great rendition, thanks for sharing, indeed!

  • @jeromus9996
    @jeromus9996 Год назад +2

    20:51 sounds like a section from the first movement of Chopin's First Piano Concerto

  • @asddfgfjhgjhu
    @asddfgfjhgjhu 2 года назад +2

    Моя любимая шубертовская соната!!!

  • @eddiehuss47
    @eddiehuss47 Год назад +1

    This Sonata is easy to play. The other A Major Schubert Opus 120 is much more advanced and difficult to play and better writing.
    I played the easy A Major Sonata in college and even though I do not have a great technique, it was easy to learn and perform. Advanced high school students could certainly play it.

  • @nurrasyid14_
    @nurrasyid14_ 3 года назад +8

    I saw siciliano in the exposition 👀

  • @aymericd.6126
    @aymericd.6126 3 года назад

    Merci Agnès Jaoui et le goût des autres.

  • @yoonseokshim7638
    @yoonseokshim7638 Год назад +3

    11:14

  • @JL.lalaland
    @JL.lalaland Год назад +1

    第二乐章的结尾美得令人想哭

  • @_chopin_
    @_chopin_ 3 года назад +4

    Good

  • @dddasdasd2596
    @dddasdasd2596 3 года назад +3

    I want to ask where is the esposition and the development?

    •  3 года назад +4

      Exposition is from the beginning until 2:02, then it repeats the exposition. After that comes the development section, from 3:56 until 5:36, then comes the recapitulation, where Schubert reintroduces the theme in the key of D minor instead of A minor.

    • @caterscarrots3407
      @caterscarrots3407 3 года назад +1

      @ Yeah. And that reintroduction of the first theme is very common in the development section. Mozart does it in almost all of his sonatas. Beethoven does it though not as often I find Mozart doing it. That said, 2 of his most well known works, Symphony no. 5 and the Pathetique Sonata both do it(Symphony no. 5 reintroduces the motive on a diminished chord and then has the first theme in F minor, Pathetique Sonata reintroduces the introduction material in the dominant minor and then reintroduces the first theme in E minor, a chromatic mediant relationship to both G minor and C minor).

  • @petertyrrell3391
    @petertyrrell3391 3 года назад +1

    The last movement is sectional - it hasn't much to do with sonata form.

  • @therealrealludwigvanbeethoven
    @therealrealludwigvanbeethoven 8 месяцев назад

    18:59

  • @pdr770
    @pdr770 2 года назад

    תכתבו את כל היצירות בכתב סת"ם על עור גם אם זה יהיה איטי היצירות יהיו טובות פי 1,000X. עם אותיות עבריות וניקוד שיבחרו האותיות והניקוד עם סולם לפירוש על ידי שר המוסיקה וחבריו בהתייעצות.

  • @pdr770
    @pdr770 2 года назад

    מוסיקת קודש איטית ושמחה וקדושה ומרגשת של שמחת לידת בן ולידת נכד והדלקת נרות שבת בסונטה סימפוניה איטית לפסנתר לשבת ובית המקדש והכהנים על ידיי מבצע ליטאי חרדי. עם הקשת ניגון אחת יפה בסוף להשם. שתי הנגיעות היפות ב15:15 ובקודם 8 שניות לפני צריכים להיות ארוכים יותר. גם באחרין לשבת. Dreamy.

  • @연습-p9o
    @연습-p9o 3 года назад +2

    0:55
    3:33
    4:12
    4:51
    8:03

  • @petertyrrell3391
    @petertyrrell3391 3 года назад +2

    Allegro non troppo?

  • @chusooni232
    @chusooni232 3 года назад +1

    왕 이걸 찾네

  • @classicalspoilers9497
    @classicalspoilers9497 6 месяцев назад

    part 3

  • @David-tw7wl
    @David-tw7wl 4 года назад +3

    First

  • @aprilh3882
    @aprilh3882 4 года назад +5

    Proof that pieces in sonata form should not be written for their own sake! Not very interesting, unlike his final three masterpieces.

    • @rockweaver
      @rockweaver 3 года назад +12

      I thinks it’s dreamy & elegant & young Schubert was a delight

    • @fatreq
      @fatreq 3 года назад +13

      I disagree completely: first of all, the early Schubert sonatas (while of uneven quality) are extremely interesting in the sense that they reveal more than anything else his compositional development and the problems he had to face to give a convincing formal structure to his instinctive, genial talent. And then, here especially, we have a lot of foreshadowing of things to come: the first appearance, in the second movement, of the incredibly beautiful theme of D 959's Finale; the fatalistic, pre-mahlerian alla marcia section (14:37); magical, unprepared tonal shifts everywhere (the mark of mature Schubert: e.g. 04:50), and so on. So we can forgive a twenty-year-old (!) for a few relatively less inspired sections.

    • @calebhu6383
      @calebhu6383 3 года назад +7

      I think the second movement is great

    • @chicolofi
      @chicolofi 3 года назад +6

      It's one of Schubert's sonatas that I find most beautiful and interesting.

    • @calmunson5022
      @calmunson5022 3 года назад

      Agree. A mish mash of ideas strung together. He'd not mastered counterpoint or harmony at this stage of his development. No crime, but why are we still playing this?

  • @名-w9v
    @名-w9v 2 года назад +1

    19:30

  • @txt1849
    @txt1849 Год назад

    19:34

  • @뚱짱-m6z
    @뚱짱-m6z 2 года назад

    19:34