Holland Baroque - Brandenburg Concerto no. 3 (BWV 1048) (Johann Sebastian Bach)
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- Опубликовано: 16 окт 2024
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Orchestra: Holland Baroque
Johann Sebastian Bach (1685-1750)
Brandenburg Concerto no. 3 (BWV 1048)
Harpsichord: Francesco Corti (musical leader), Tineke Steenbrink
Violin: Cecilia Bernardini, Judith Steenbrink, Dagmar Valentova
Viola: Stefano Rossi, Esther van der Eijk, Antoinette Lohmann
Cello: Judith Maria Blomsterberg, Caroline Kang, Steuart Pincombe
Double bass: Rüdiger Kurz
Recorded at Muziekgebouw aan het IJ, Amsterdam, 23 September, 2014
Cinematography & Editing: Jonas C. Sacks
Camera Operator: Ben de Graaf
Sound Recordist: Jonathan Wigmans
Focus Puller: Tein Brouwer
Sound Mix: C. Jared Sacks
Oh my LORD................ this is HEAVENLY PERFECTION!!!!!! Bravvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvo!!!!!
Who are those 11 thumbs-down from?!?!? This is gorgeous music!
Ik vond het vroeger altijd zo mooi, wachten op die 2 momenten waar het hele slot op draait, zo knap van die Bach, en wat een geweldig tempo. Knap gedaan.
My favorite thing (other than the unfathomable beauty of this piece) is the knowing glances some of the artists share while playing.
it is uniquely human, something we have to preserve.
@@pamelafrancis4476 Right on! Never thought of it that way.
No Oscar for the cameraman, but best-musician awards definitely go to the ensemble.
Great Energy. Great Setting.
Great Performance. Great Music.
un Bach grandiose,un tempo de perfection,haute admiration
That camera swirling around and in between them, first of all how is that done and how does it get to be so smooth? Secondly, doesn't it distract the musicians?
Bravo. Tous sont extraordinaires et Judith et Tineke Steenbrink sont exceptionnelles.
Hermoso. Siempre Bach... gracias
Great!! Perfect for listening, as this is the piece my orchestra is playing currently. In response to complainers who don't like the cameraman, I really don't care about the filming, but I do care about the playing!!
Also, I see remalc esam's comment. Yeaaah... it was quite fast!!!
I have been a huge lover of these two great pieces from the great Bach.
Strangely as it might sound, the very first time I heard both 'tunes' say, was,..... 🤔🤔 (Heck it's been a while)... 7? 8? Years of age (born 1971), on the Wendy Carlos - "Switched On Bach" vinyl LP,5 using the Moog Synthesiser.
Yes. Strange.... But, she was good with what she did, very skilled...
But when I heard the real thing with the appropriate instruments... I, well... Was, switched onto Bach.... Lol.
This and the only other RUclips version of a 'Live performance' so to speak is the Freiburger Baroque (link below) are my favourite renditions of these beauties....
Also... Anyone get the thought, that, maybe this was the 'Rave'/'Club Classics'/'Dance'/'EDM' of its era? Lol
ruclips.net/video/QLj_gMBqHX8/видео.html
Amazing !
Magisch, nicht zu toppen!
Aus einem Guss. Hier wird nicht runtergespielt, wie man es oft hört, sondern hier wird mit ganzer Hingabe der Kunst gehuldigt. Bravo!
Het bewijs dat mensen ook in staat zijn grote schoonheid voort
te brengen. Dat zou je in het platvloerse en niet zelden onaangename dagelijkse leven bijna vergeten.
Bravissimi!! reaally great work of everybody from the sublimus musicans to camera and music recorders and mix it toghether..Hoping of heard of you all soon..Faithfully. Diego Carra
0:02 I. (Allegro)
5:43 II. Adagio
5:54 III. Allegro
BRAVISSIMO !!!!!!!!!!!!!!!!!!!!!!!
Bravissimi! Ma perché 2 clavicembali?
Mooi hoor ik word er rustig van
great performance! Bravo!
La mejor interpretación del 3 de Bach...😍
Excellent!
Great performance; camera work was awesome!
Merci !
Peachtig gespeeld, mooi doorzichtig, vreselijk camerawerk, 1e viool wat te gard!
Well done and beautiful results of my most favourite Brandenburg Concerto nr 3.
I don’t mind the faster tempo in the third movement. Esther van der Eijk (second viola) used to be my colleague in the Radio Symphony Orchestra before she swapped from modern viola to baroque viola. She only plays in baroque instrument orchestras nowadays. I wonder if Cecilia Bernadini (first violin) has Italian roots but she looks absolutely Dutch to me. Stefano Rossi (first viola) is quite likely Italian.
As if all Italians "look Italian."
BRAVO !!
Why so few likes?!
I prefer when they use the 2nd movement of the violin sonata in G major BWV1019
largo as 2nd movement of 3rd Brandenburg concerto.
Interesting! I like to hear the various improvisations on violin or harpsichord.
Nice
mooi lekker snel helder
Love it !! :)
why the different tunning?
Baroque tuning. Semitone below concert.
2:53
Thank you! It's always nice to listen to different interpretations, this one has beautiful tempo, high energy, but I'm not sure I am a fan of the double cembalo, I think it is perhaps a little too prominent for a concert fully dedicated to the violin parts. Also, (just my opinion) for a little while the camera work is fun, then it gets boring and after a minute outright annoying. But I see opinions are divided on this.
indeed . it does not speak very well of this group that they would think this "best" presents their work in the social media age. if it's supposed to be a music video, there are other way of doing it.
the moment a chamber music ensemble tries to be cool or hip, it's all doomed....
Très beau son, dommage qu'il soit un peu rapide.
Translation:
Very nice sound, pity it is a little fast.
Agreed.
Rock and Roll!
Ba-rock and roll! :D
Great performance but i think the photographer don't know the piece very well that he focused on the wrong performer quite often.
Get that camera out of my face, I’m trying to play something you never will
:-D
Great playing, but the camera movement is dizzying.
And nearly pointless.
The camera work made me sea sick. Found it very distracting from the fine playing.
Good playing, but why so quick? Did you have to catch the train?
Remalc Esam it is a bit rushed for my taste too
Agreed.
Played well. Way too fast.
given the acoustics, yes.
Too fast.
the 3rd mvt yes. Showing off.
@@pamelafrancis4476 I don't have time to hear what the music is saying before it moves on.
I heard some intonation problems somewhere in the middle
And I know y they're playing this a semitone lower. It's because in Bach's time, the 'a' was about 430 but now it's 440 on a tuner
Well, aren't you just a special snowflake!
Eliezer Pennywhistler Thanks :D
So what? Are you perfect?