I have a question for you sir. Will you deconstruct any of the following Stones tracks, please? Dandelion (great drumming by Charlie, excellent harpsichord and organ work by Nicky) Child of the Moon (amazing bass by Bill, a nice sax by Brian) No Expectations (obvious reasons) You Got the Silver (Keith’s first solo vocal song and the last song Brian played on - the final song of the original lineup, as such)
From ‘67 - 72 / 73 Nicky Hopkins was very much the unofficial sixth Stone. Whether taking a leading role as on She’s A Rainbow or Sympathy for the Devil; or adding a nice backing, supportive texture as here…He was always terrific.
He would actually be the 7th. Stuart is the 6 th but he was cast aside by Andrew Oldham because he thought Stu did not fit the Stone’s image......which is such crap....
I disagree. 90% of the guitar work you hear on this song is Keith, the only part that is Mick Taylor are the 'hawaiian' parts you hear coming through once in a while, and on the bridge, and on the outro. Most of that driving rhythm you hear is Keith double tracked. Nicky Hopkins yes for this, Mick Taylor no.
what I love about the Taylor era is, Taylor and Keith don't "weave" like Jones and Ron did with Keith; before and after Taylor; instead, Keith and Taylor both play their own version of the song, AT THE SAME DAMN TIME!!!!!! lololol it's weaving, yes, but it's like... BIONIC WEAVING...
Never understood what Keith was saying when he said that about Taylor. Not least because between about 66 and 69, Jones barely seems to play guitar on record at all.
This is excellent thanks! I believe Keith plays both rhythm guitar parts on this tune with Taylor playing the intro harmony part through a Leslie speaker and then the subtle sliding parts that I used to think were backing vocals. A lot of it sounds like electric piano due to the effect. If you listen carefully he is snaking away through the background and can be heard better on the full instrumental version here: ruclips.net/video/JHxwfWyqbI4/видео.html
You mention that Keith used Micawber, but to my ears it sounds like both guitars are in standard tuning. Interesting. Maybe he had a similar Tele that he played in standard tuning? Either way, thanks for the upload. Such a fantastic, and unfortunately, criminally-underrated song.
Exile on Main Street 1972
Drums and Tambourine 00:00
Bass 04:32
Guitars, Piano and Sax 09:04
Vocals and Outro Bleed 13:39
I have a question for you sir. Will you deconstruct any of the following Stones tracks, please?
Dandelion (great drumming by Charlie, excellent harpsichord and organ work by Nicky)
Child of the Moon (amazing bass by Bill, a nice sax by Brian)
No Expectations (obvious reasons)
You Got the Silver (Keith’s first solo vocal song and the last song Brian played on - the final song of the original lineup, as such)
From ‘67 - 72 / 73 Nicky Hopkins was very much the unofficial sixth Stone. Whether taking a leading role as on She’s A Rainbow or Sympathy for the Devil; or adding a nice backing, supportive texture as here…He was always terrific.
He would actually be the 7th. Stuart is the 6 th but he was cast aside by Andrew Oldham because he thought Stu did not fit the Stone’s image......which is such crap....
And again, he'd probably be 8th cause I'd say Bobby keys was 7th
One of the best opening tracks ever
Mick Taylor and Nicky are the true heroes of this song!
Of course Nicky, but not Mick Taylor. Keith Richards plays 2 guitars here, Taylor's barely audible during 11:17, sounding like a kind of organ
I disagree. 90% of the guitar work you hear on this song is Keith, the only part that is Mick Taylor are the 'hawaiian' parts you hear coming through once in a while, and on the bridge, and on the outro. Most of that driving rhythm you hear is Keith double tracked. Nicky Hopkins yes for this, Mick Taylor no.
what I love about the Taylor era is, Taylor and Keith don't "weave" like Jones and Ron did with Keith; before and after Taylor; instead, Keith and Taylor both play their own version of the song, AT THE SAME DAMN TIME!!!!!! lololol it's weaving, yes, but it's like... BIONIC WEAVING...
Never understood what Keith was saying when he said that about Taylor. Not least because between about 66 and 69, Jones barely seems to play guitar on record at all.
The bass on this song is incredible
Incredibly lame
@@davidpanzer6746your mom
1st time hearing just the track i knew there was something cool going on with Bill
Charlie Watts rules. Rest in peace,Legend!
My favorite example of Charlie’s drumming imo. Man is he missed..
Sounds like the horns were following what Bill was doing
Definitely a creative period in all their playing
Mick Jagger❤❤❤❤❤❤❤
This is excellent thanks! I believe Keith plays both rhythm guitar parts on this tune with Taylor playing the intro harmony part through a Leslie speaker and then the subtle sliding parts that I used to think were backing vocals. A lot of it sounds like electric piano due to the effect. If you listen carefully he is snaking away through the background and can be heard better on the full instrumental version here: ruclips.net/video/JHxwfWyqbI4/видео.html
You mention that Keith used Micawber, but to my ears it sounds like both guitars are in standard tuning. Interesting. Maybe he had a similar Tele that he played in standard tuning? Either way, thanks for the upload. Such a fantastic, and unfortunately, criminally-underrated song.
Not underrated by Stones' fans.
I’m on your side, that’s definitely not Micawber. It sounds like a single coil bridge pickup and in standard, so definitely a tele, but not Micawber.
@@chuckfatherofrock3480He's got one called Malcolm. Maybe that's it.
Taylor’s guitar can be clearly be heard during the break .It sounds like a church organ
im still trying to play like a Charlie...
How did you get these tracks? This is spectacular.
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