Pro Drummer Teaches You "Cheats" To Make Your Strong Hand 16th Notes More Funky
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- Опубликовано: 1 окт 2024
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In this lesson we’re going to cover some ways that you can break up the constant lead hand 16th notes with a few “cheats” to make these types of grooves a little easier to play. These examples are designed to give your lead hand a slight break in strategic places without sounding like the constant 16ths are being interrupted.
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Another interesting thing about the RLRR LRRL hi-hat sticking, Joe Porcaro said he learned it from Jeff.
Nice!!! 🙌🏼
Hi Stanton, one gentleman who really killed the hihat pattern at 9.05 min was Phil Gould in the 80ies. I loved "running in the family" so much even though it is very cheesy now...
I remember being absolutely mesmerized by the James Gadson 'When I'm Kissing My Love' groove when I was younger. It's time for me to put the work in and get this together. Very helpful indeed- thanks!
Thank you! I did a lesson on some of the James Gadson beats with Bill withers. Check it out and let me know what you think. 🙌🏼
ruclips.net/video/_9tfMV8g_7E/видео.html
@@stantonmooremusic+0 7:45
Good stuff. I need as many cheat options as I can get, since my pursuit of getting Porcaro 16ths together remains an eternal work in progress. One thing I like to do at the drums is start with one-handed 16ths and then go into as many cheats as I can come up with without stopping - with the goal of getting them all to sound similar to the one-handed version. Then I'll bounce around between all the different versions to see how they feel or if anything messes me up. Hopefully I can find some ways to fool people....
Very cool! 🙌🏼
Super useful! The hand pattern with the 'e's of 1,2,3 & 4 on the snare (at 7:30) also has a Porcaro connection: Jeff used it in his instructional video with a samba bass drum pattern (also accenting the quarter note with an open HH).
Very cool! 🙌🏼
Malaka! This is so cool! I love one handed 16th note grooves (who knew?) and these "tricks" are simply amazing! Besides the fact you can maintain that sequence of 16th notes in faster tempos, these alternate stickings will have you work on your sound too cause you will need to make your ghosts sound just like your HH notes (and vice versa). Btw, video edit and overall sound are top-notch too!! Yes indeed!!
Thank you so much, Malaka!
I thought you might like this one!
I thought of you many times while I was writing it! 🙌🏼🥁👊🏼
Thanks, Stanton. I have never felt comfortable with playing up-tempo straight 16ths on the right hand. These cheats should help a lot!
#33=regular paradiddle+inverted paradiddle. Good songs to practice to: Ramblin Man, Whipping Post (12/8), Blue on Black, Can’t you See(Marshall Tucker).
I do all four of those tunes in a band I play in. I cheat on Whipping Post and go to eights for a while. Can't You See is just plain dumb beat, nice tune though.
I really love your approach to this topic, starting even with the title of the video, because sometimes ppl forget how much of Art is derived thru strictly Craft. You’re showing how much of the creative process is Process. Process doesn’t have to take you away from Art. So often profound Art comes from finding the most elegant practical solutions, and recognizing when the two roads run alongside each other. In this case, you’re starting from the “ultimate” form of something and scaling down to preserve the primary musical functi-*cough* I mean, “Cheat”. But so many of us get caught up in a climbing mentality of developing skills by only building up to them…e.g. approaching these chops as Advanced, as part of Independence studies, and/or coming from Jazz, Afro-Latin, Brazilian, etc. And it’s true that the degree to which these chops have developed in the wider drumming community is wildly impressive. I just think only looking from that POV is a mistake. There are always multiple ways to arrive at the same thing, which you beautifully outline in your examination of #33 here, and you can miss a lot if you’re only looking up all the time. Utility might be the most unheralded hero of drumcraft in the social media era.
Well said and I like the points you make. 🙌🏼
One handed 16th note patterns sound so much funkier than crossover 16th note patterns..
Yes indeed! 🙌🏼
@@stantonmooremusic I'm definitely utilizing some of these techniques👍
@@yourdrummer2034 🙏🏼🥁🙌🏼
OUTSTANDING LESSON! This is so informative and helpful. Thank you.
Glad you’re digging it!!! 🙌🏼
Thank you very much, Mr. Moore!! This lesson is infinitely helpful. Also, thank you for the historical references regarding these concepts. I appreciate your passion.
Thank you for the kind words! 🙌🏼
Hi Stanton, where is the link to purchase the ebook you mention at the end of the video. I do not see it 🤔
Thanks
Here it is! 🙌🏼
www.stantonmooredrumacademy.com/drum-academy-ebook
Lead wrist is like 'wave."
🙌🏼
I’m excited for you to do your stick bag stuff
Thank you! Coming soon! 🙌🏼
😁
@@stantonmooremusic 😁
Hello, this is a major problem for me. I am a left handed person who plays drums right handed. ( compliments of a band teacher, many years ago) i just think about that to this day. I just think how great it would have been if i would have learned to play open handed, or sticked to playing the kit left handed. So much funk and jazz have been difficult for me. But, i still keep working on my right hand . Thanks for a great lesson! I forgot to ad, thatci think I remember James Gadson say he was also left handed. So that gives me hope.
Glad to hear you’re digging the lesson! Thank you for tuning in! 🙌🏼
This is cool stuff, thank you Mr. Moore.
Thanks for tuning in! 🙌🏼
Stanton i think you are right...maybe the most versatile sticking to get out of trouble with crossed grip to come back on the backbeat if you mess up😅😅😅besides the artistic value of it..
🙏🏼 Thanks for tuning in!!! 🙌🏼
Wow! Tons of ideas in one video! Im familiar with the groove and chatter of Stubblefield, and also when playing all 16ths with the lead hand is too much physicality to relax into the groove. So I'll get on these ideas.. Esp like the latinized feels 🤟
Thank you and thanks for tuning in! 🙏🏼🥁🙌🏼
Good old #33, goes by a lot of different names...
Yup! 🙌🏼🥁👊🏼
Very Nice Excellent 🥁🥁🥁
Thank you! 🙌🏼🥁👊🏼
Good stuff.
Stickings and slowly version will be top.
🙏🏼🥁🙌🏼
These are fun grooves to play and develope, as hard as it might be getting started. The best thing that's really helped me to develope my hands for these are flam taps and swiss triplets, displacing and mixing them together to make little phrases.
🙌🏼🥁👊🏼
Hell yeah Steven Colbert lessons
I'm a guitar player but I love to play drum for fun! Love your videos and also your albums! 😎
I love hearing that! Thanks for tuning in. 🙌🏼
@@stantonmooremusic I'm slimming down on those funk sixteenths paradiddle
My daughter first time on drum ... we had a lot of fun! ruclips.net/video/Y8SF84TkEr4/видео.html
Amazingly concise lesson to fill in the holes on something I’ve been working on for years now 🙏
Thank you! 🙏🏼🥁🙌🏼
The beat with the "Super Go-Go" bass drum patter is sweeeeet!
Thank you! 🙏🏼🥁🙌🏼
Great lesson, thank you.
🙌🏼🥁👊🏼
Great points & grooves here 🔥
🙏🏼🥁🙌🏼
Very useful thanks sooo much Stanton
Thanks for tuning in 🙌🏼
Great lesson, thank you!
Thanks for tuning in!
Great lesson! Thanks so much!
Thanks for tuning in! 🙌🏼
Awesome, thanks Stanton!
Thanks for tuning in! 🙌🏼
Really pretty sounding!
Thanks! 🙌🏼
awesome! Very helpful!
Thanks! 🙏🏼🥁🙌🏼
Thank you very much!
🙌🏼🥁🙏🏼