@@jyjjy7That’s not what he was saying. He said he didn’t like the RECORD, not the music itself. If he didn’t like the music, he wouldn’t have liked the non polished cassette versions either, would he? He probably also wouldn’t have chosen to work with Nirvana either. He’s talking about this from the POV of a professional record producer, not a normal music fan. The music is just one layer of what makes up a record. He’s not talking about that layer.
@@jyjjy7 I can't listen to some albums because they're so badly mixed or mastered. Im a producer and mastering engineer and I can't turn off my work/mix ears sometimes.. it's hard. Californication is the worst mastered album I've heard. Its distorted on every track. It's unlistenable to me 😢
RIP, in all honesty ,if album was mixed by Butch , it wouldnt stand chance i. Thats why Andy Wallace was hired, to make it bigger, cleaner , punchier vs garage sounding.
@@AugustusFloop the mixes just have much better drums and bass, that’s the main upside, jucier basslines, territorial pissings is worse than the final mix tho
Albums shouldn't be over processed, but they aren't supposed to sound like demo tapes either. If Nirvana didn't want a cleaner sound, then form your own label and stay in Seattle.
There’s no way Nevermind would have been as big as it was if they didn’t use the Andy Wallace mix. Andy is amazing at mixing, Butch’s sounds good but just not the same.
You can get a taste from the With the Lights Out box set (they're wearing suits on cover). One of the track is Vig's mix of Teen Spirit...absolutely crushes the glitzy, squashed corporate radio sounding version that ended up getting released.
@@phnelson033 i listened to that box set every god damn day going to and from high school. white lace and strange blew my mind .... especially when i found out it was a 60s philly band cover (my hometown)
I just took it to mean that this style of production didn’t appeal to him, not that it was intrinsically bad per se, just that it wasn’t his preferred kind of sound
I think the Devonshire mixes aren't as good. There's some thickness missing in the bottom end, and Kurt's vocals sound more stripped down, which doesn't work as well for songs like Lounge Act.
The aging hipster pretending he didn't like Nevermind because he was too cool to like it. Shocked. Amazing producer, never grew out of being the edgy guy.
Who are you to judge? You don't know the guy, you're just pissy because he doesn't agree with you. I hated grunge when it came out, bunch of whiney, depressing nonsense is what I thought. Took me many many years for it to grow on me. Some people never liked it, that's his deal.
I loved ‘hair metal’ and also loved Nirvana. They came along and wiped out a species that had become a parody of itself. That’s doesn’t mean there wasn’t some great bands, though.
There’s a lot of people who feel that way. It’s not just about the music and songwriting. The sound, recording style and overall final product adds character to the music and that is a major factor for a lot of listeners. In Utero is rough and raw. Nevermind is wrapped in plastic. Two entirely different sounds from the same band.
@@ea11111 I'll allow myself to disagree. They're not two _entirely_ different sounds at all! I know that because I was a kid born long after these were released and I was like "yep, "rape me" and "smells like teen spirit", that's one kind of sound, that's basically one and the same song, actually". You really have to sleep on all this nirvanobilia for decades, splitting hairs, to let minute differences in the sound grow in your head like that. Granted, Nevermind is a bit more disco of the two, but at the end of the day that's just how Nirvana wrote and played music, it wasn't on behest of any of the producers. Steve Albini is a weirdo, he always talks like he's being questioned in court. But he's an eccentric dude with some bizarre opinions, whatever. He fashions rough dub mixes on tape cassettes, he thinks they sound amazing.
albini ...so what .. This is the guy that thinks Robert Plant had an irritating voice. I'm so sick of engineers with Jay and he goes I don't have a shred of talent musically.
Regardless what you might think of Albini (seems the haters are here in force) this man had integrity. He could have made millions by taking more than his fair share of album revenues but he didn't want to take anything more from the artists than a standard fee. He also shut his studio down every evening and made everyone watch the Simpsons. He was a weird and wonderful dude.
There’s been a lot of talk lately about a really rare guitar that Steve Albini owned, that Kurt Cobain ended up using on a bunch of tracks on In Utero. That guitar, the very same guitar, Albini was once this 🤏 close to selling to my cousin in the mid 90’s. His recording studio, Electrical Audio is actually just 5 minutes from my house. Albini put the guitar up for sale, and my cousin knew exactly what it was and how rare it was, without knowing anything about its connection to the Nirvana album. He was ready to pay the asking price in cash. Albini said he hadn’t fully made up his mind about selling it, after he had already advertised the sale and was taking offers. WTF? He told my cousin he’ll call him back, and never did. He just kept the guitar. From that point on, the name Steve Albini would always get a “Fuck that guy” reaction out of my cousin. That guitar today can make anywhere from 5 to 10 million at auction. Crazy to think about.
"Fuck that guy"....? For what? Keeping his guitar? C'mon man, lol, too harsh. That's the way it goes. Why call back, he obviously was battling himself over it and quietly wanted to keep it without someone trying to cajole it away.
@@VanishedPNW I left out some details to make the story short. Here’s what happened. Apparently around 1995 or 96, Steve Albini was considering moving to Seattle. He was starting to sell stuff off, to downsize in anticipation of the move. My cousin was at a record store here in Chicago called Reckless Records, and the guitar in question, a Veleno guitar made completely out of aluminum with a ruby embedded in the headstock, was there in a display case with a for sale sign. The sign had the price, $3,500, and a phone number to call. My cousin knew exactly what it was, and how rare it was. He knew about it because Marc Bolan had one, and he is a huge Marc Bolan and T-Rex fan. Ace Frehley from KISS had one too. He called the phone number and the person who answered wasn’t the person selling the guitar, just someone who was rooting out the serious buyers from the time wasters. My cousin was serious about buying it, had the money in cash. The next day Steve Albini called him back. Albini explained how he was considering moving to Seattle, but hadn’t made up his mind just yet. If he does decide to move, he’ll call my cousin back and sell him the guitar, if he doesn’t move he’s just going to keep it. My cousin was like wtf? This guy had him spinning his wheels for nothing. He put it on display with a for sale sign, had someone on the phone screening out serious buyers, when the guy wasn’t even a serious seller? F-k that guy. Just another famous jerk as far was he was concerned. My cousin told me that story last Christmas, and as soon as he said he almost bought a Veleno guitar from “that guy Steve Albini”, I was all ears. I’m a huge Nirvana fan, and wouldn’t even be a musician if I wasn’t inspired to learn how to play guitar by Kurt Cobain and Nirvana. So, I knew the back story about Steve Albini’s Veleno. When he told me the story last year, he didn’t know about any of that stuff. It actually made the whole story confusing. Why would Steve Albini consider selling it? Albini was a guy who was very disillusioned by the music industry. It was the music that mattered to him, not the tools used to make the music. That stuff held no value to him, or at least not at the time. The fact Kurt used it to record a few tracks probably meant nothing to him back then. The whole thing just blows my mind every time I think about it. My cousin still doesn’t care about all that though. He just wanted the guitar.
Nevermind sounds great. It’s literally the sound of a well-released band playing live in the studio. Same thing with In Utero. This is a taste thing. The only major difference between those records is that Nevermind was actually mixed with precision, and In Utero was just played off the board as it naturally sounded. It’s almost like “not mixed”. Nevermind probably has a more melodic sensibility too, and less “noise” and “distortion” on the guitars and vocals. Both are basically the sound of the band in those moments though. Both are important. Both are equally as stunning. Both are brilliant. Hipsters will always prefer In Utero. It’s just a “thing”. The songwriting on Nevermind is flawless though. I will die on this hill. 😆
Gone too soon. I got the impression that he could be stressed out about making rent on his studio every month. Maybe the pressure contributed to his heart problems. Regardless, we lost a legend.
@@rockboy360 While I can't speak on what Albini was charging all those bands after In Utero, with Nirvana Albini famously took basically just a flat fee for the recording and minimal, if any, points on sales of the album. I would suspect Albini probably charged a fair flat fee with all subsequent bands since he seemed to be consistent and stuck to his views.
@@leathercoatguy Albini was still pretty expensive for the average Joe, but very affordable for bigger artists. He currently charged 900$ per day at Electrical Audio and 1300$ if you took him outside, and he was always busy. He had an amazing studio with holy grail equipment, that place alone has to cost well above a million dollars. The man was rich regardless. He was worth every penny so he deserved it.
Focus on the good things a person left behind, not on them passing on as a loss. Or you'll always be empty, as everyone eventually passes, in their own time.
@@bill9068he’s one of the most prolific names in underground music, not only a pioneer of noise rock in bands he fronted in the 80s & 90s, but he’s produced tons of super acclaimed albums (pixie’s surfer rosa & doolittle, pj harvey’s rid of me, slint’s tweez, to name a few) check out big black!
Oh we're still talking about this guy, the one who wrote in the 80s about how the only thing that turned him on was kiddie porn? The guy who recorded one nirvana album and a shit ton of awful noise garbage? That guy? Cool just making sure
Why get so upset about a guy who disagrees with you. Especially when he does it in such a no-nonsense, humble way. It's like no one is allowed to disagree with you at all.
I'm so disheartened the world lost a treasure of sound engineering
He's also a treasure of musical output of his own. Big Black is one of the all-time greatest bands.
@@morgellon7877you just found out about them didn’t you
@@Truckdriverdivorcee No need for gatekeeping. If it's good, it's good. It doesn't matter that you "discovered" them before everyone else.
@@Truckdriverdivorcee Urghhh... you're just the worst kind of gatekeeper, hipster bastard aren't you
Shellac forever. One of the most important bands
I LOVE the way Steve carefully choose his words when he's telling a story 👌🏻
RIP Steve.
Seems a bit messed up that he cannot judge music properly unless he is a fan of the way it is mixed...
It's almost as careful as how he detailed his love of and attraction to child rape and child porn.
@@jyjjy7That’s not what he was saying. He said he didn’t like the RECORD, not the music itself. If he didn’t like the music, he wouldn’t have liked the non polished cassette versions either, would he? He probably also wouldn’t have chosen to work with Nirvana either.
He’s talking about this from the POV of a professional record producer, not a normal music fan. The music is just one layer of what makes up a record. He’s not talking about that layer.
@@clicheguevara5282 First thing he says in this clip is he didn't like Nirvana
@@jyjjy7 I can't listen to some albums because they're so badly mixed or mastered.
Im a producer and mastering engineer and I can't turn off my work/mix ears sometimes.. it's hard.
Californication is the worst mastered album I've heard. Its distorted on every track. It's unlistenable to me 😢
Rip Steve Albini gone too soon
How did he die?
RIP
RIP, in all honesty ,if album was mixed by Butch , it wouldnt stand chance i. Thats why Andy Wallace was hired, to make it bigger, cleaner , punchier vs garage sounding.
Andy Wallace is badass at what he does. It all depends on what works best for the music.
Yeah the final version sounds all-time great.
I remember he said that Nirvana were R.E.M. With a fuzzbox
I would take that as a huge compliment. R.E.M. were and are great.
@@Weremoogle they are my favourite band and Kurt loved them also
Fair
He's a queef
Kurt said Nirvana was basically a Pixies cover band, which is a better comparison than REM
Andy Wallace did a great job on Nevermind.
Steve was amazing but I would love to hear Andy Wallace mix In Utero too.
@@rockboy360 noooo
Slint knows.
Forever missed. Legend.
How do we get to hear that original mix of Nevermind?
They released it with one of the reissues of nevermind they’re titled “Devonshire mix”
Search Nevermind Devonshire mix
It sounds not as good imo, Steve is a nut. He sure could get the most incredibly intimate sounds. Super tragic he's gone suddenly
“Devonshire Mixes” on Nevermind (Super Deluxe Edition) sound nearly the same… what is he talking about?
@@AugustusFloop the mixes just have much better drums and bass, that’s the main upside, jucier basslines, territorial pissings is worse than the final mix tho
Are those '"cassette dubs" available to listen to?
I believe the cassette dubs he's talking about here is the Devonshire mix of Nevermind. Correct me if I'm wrong though...
The alternate version was released with the 20th anniversary edition of Nevermind
albini is a PDF enjoyer
What do you mean by that
The Peter North of production and audio engineering. RIP.
wtf kinda comparison is that
@@hadrosaurus LOL
What did he mean by that
@@lt3880Google the name. He was famous for one thing in particular...
Producing records, producing semen... same thing, really...
Still doesn't feel real that he's no longer with us. One of the greatest sound engineers. RIP
A sad day in music history we lost a great producer. 😢
No one lives forever here. He left a legacy.
I was at Geffen at the time, everyone there wanted to get a credit so to push their careers, pretty common, The a and R dept destroyed many bands
Nevermind is a better album that In Utero is.
Steve was leaving out that Kurt wanted Andy to do the mix cause he wanted it to sound like a slayer album.
Does anyone have a link of the mix that butch did of nm that he's talking about?
I think Andy Wallace did a great job mixing, tho....
Throwing shade on Andy Wallace. 😅
Not at all.
The legendary producer RIP ❤😢
I heard that cassette dub before it was released. Very raw, definitely not over produced at that point.
I always felt that way too. Of course I paid attention to Nirvana but I didn’t become a fan until Utero.
And I wasn't a fan of Big Black, Rapeman and Shellac until I was exposed to his big projects. Steve knew the deal
LONG LIVE BUTCH VIG! ❤
I was a fan of nirvana after 10 seconds
Albums shouldn't be over processed, but they aren't supposed to sound like demo tapes either. If Nirvana didn't want a cleaner sound, then form your own label and stay in Seattle.
I want to hear the vig tapes
On one of the deluxe versions of NeverMind, they’re called the “Devonshire mix”
Rest in peace Steve.
There’s no way Nevermind would have been as big as it was if they didn’t use the Andy Wallace mix. Andy is amazing at mixing, Butch’s sounds good but just not the same.
Fuk are the cassette dubs available anywhere ??
You can get a taste from the With the Lights Out box set (they're wearing suits on cover). One of the track is Vig's mix of Teen Spirit...absolutely crushes the glitzy, squashed corporate radio sounding version that ended up getting released.
@@phnelson033 i listened to that box set every god damn day going to and from high school. white lace and strange blew my mind .... especially when i found out it was a 60s philly band cover (my hometown)
The music Steve made must be better than nirvana
Tap dance around saying you hate the music lol
Nintendo will finally let Chibi-Robo out of its cage.
I guess he never heard Nirvana live because they sounded great😂
I just took it to mean that this style of production didn’t appeal to him, not that it was intrinsically bad per se, just that it wasn’t his preferred kind of sound
I find it funny that he couldnt hear how amazing the production and the music of nevermind was
When your so cool you can like something and dislike it at the same time
In utreo was more of what Kurt was looking for that that time
SOLI DEO GLORIA
(To The Glory Of God Alone)
Father, Son & Holy Spirit
-Ronnie
I think the Devonshire mixes aren't as good. There's some thickness missing in the bottom end, and Kurt's vocals sound more stripped down, which doesn't work as well for songs like Lounge Act.
I didnt know patton Oswald made music
The aging hipster pretending he didn't like Nevermind because he was too cool to like it. Shocked. Amazing producer, never grew out of being the edgy guy.
I agree. He's full of it.
Who are you to judge? You don't know the guy, you're just pissy because he doesn't agree with you.
I hated grunge when it came out, bunch of whiney, depressing nonsense is what I thought. Took me many many years for it to grow on me. Some people never liked it, that's his deal.
@@dragons_red
Yeah he hated it so much he produced their album.
You need help
Lol finally a comment like this. Totally agree
@@dreamenergyworkspeterladet6622 You think engineers like every album they produce? You're dense af.
Seriously who of us who hated hair metal didn’t automatically love nirvana to death, they were like Thor came out of the clouds upon us 😊
I loved ‘hair metal’ and also loved Nirvana. They came along and wiped out a species that had become a parody of itself.
That’s doesn’t mean there wasn’t some great bands, though.
@@glengamble526totally true plus then nu metal came around haha
@@glengamble526only cuz grunge ‘died’ off tragically:/
Up until then, I was really only into Hip Hop and R&B, Nirvana was my gateway to 80s Hair Metal, 70s Prog Rock, and 90s Nu Metal.
I didn't like nirvana. kurt cobain just ripped off decent musicians like King Buzzo
What a coincidence, Steve, I'm not a fan either. But I'm not a fan of anything they've done.
I wasn't a fan of nirvana either..... Still not a fan 🤷♂️ Steve was a good producer though. Rip Steve🤘
It’s weird that he wasn’t a fan of Nirvana just because he didn’t like how that record was mixed 🤦♂️
There’s a lot of people who feel that way. It’s not just about the music and songwriting. The sound, recording style and overall final product adds character to the music and that is a major factor for a lot of listeners. In Utero is rough and raw. Nevermind is wrapped in plastic. Two entirely different sounds from the same band.
@@ea11111 I'll allow myself to disagree. They're not two _entirely_ different sounds at all! I know that because I was a kid born long after these were released and I was like "yep, "rape me" and "smells like teen spirit", that's one kind of sound, that's basically one and the same song, actually". You really have to sleep on all this nirvanobilia for decades, splitting hairs, to let minute differences in the sound grow in your head like that. Granted, Nevermind is a bit more disco of the two, but at the end of the day that's just how Nirvana wrote and played music, it wasn't on behest of any of the producers. Steve Albini is a weirdo, he always talks like he's being questioned in court. But he's an eccentric dude with some bizarre opinions, whatever. He fashions rough dub mixes on tape cassettes, he thinks they sound amazing.
Ya that makes no sense. It’s the same songs it just would’ve been mixed differently like wtf
@@jd0879Bro the studio is an instrument which affects how the music sounds, even Kurt Cobain didnt like Nevermind’s production sound
I guarantee if your favourite song was mixed differently, there's a good chance you wouldn't like it as much
Yeah, the butch vig versions are the ones on my playlist, rip Steve albini
I have 0 idea what he's actually saying
Either genuine or typical conformist to please one’s peers answer
RIP.
albini ...so what .. This is the guy that thinks Robert Plant had an irritating voice. I'm so sick of engineers with Jay and he goes I don't have a shred of talent musically.
Very intelligently spoken
Regardless what you might think of Albini (seems the haters are here in force) this man had integrity. He could have made millions by taking more than his fair share of album revenues but he didn't want to take anything more from the artists than a standard fee.
He also shut his studio down every evening and made everyone watch the Simpsons. He was a weird and wonderful dude.
There’s been a lot of talk lately about a really rare guitar that Steve Albini owned, that Kurt Cobain ended up using on a bunch of tracks on In Utero. That guitar, the very same guitar, Albini was once this 🤏 close to selling to my cousin in the mid 90’s. His recording studio, Electrical Audio is actually just 5 minutes from my house. Albini put the guitar up for sale, and my cousin knew exactly what it was and how rare it was, without knowing anything about its connection to the Nirvana album. He was ready to pay the asking price in cash. Albini said he hadn’t fully made up his mind about selling it, after he had already advertised the sale and was taking offers. WTF? He told my cousin he’ll call him back, and never did. He just kept the guitar. From that point on, the name Steve Albini would always get a “Fuck that guy” reaction out of my cousin. That guitar today can make anywhere from 5 to 10 million at auction. Crazy to think about.
"Fuck that guy"....? For what? Keeping his guitar? C'mon man, lol, too harsh. That's the way it goes. Why call back, he obviously was battling himself over it and quietly wanted to keep it without someone trying to cajole it away.
@@VanishedPNWI dunno if I would've reacted as harshly but the guy put the guitar up for sale though then withdrew.
@@VanishedPNW I left out some details to make the story short. Here’s what happened.
Apparently around 1995 or 96, Steve Albini was considering moving to Seattle. He was starting to sell stuff off, to downsize in anticipation of the move. My cousin was at a record store here in Chicago called Reckless Records, and the guitar in question, a Veleno guitar made completely out of aluminum with a ruby embedded in the headstock, was there in a display case with a for sale sign. The sign had the price, $3,500, and a phone number to call. My cousin knew exactly what it was, and how rare it was. He knew about it because Marc Bolan had one, and he is a huge Marc Bolan and T-Rex fan. Ace Frehley from KISS had one too. He called the phone number and the person who answered wasn’t the person selling the guitar, just someone who was rooting out the serious buyers from the time wasters. My cousin was serious about buying it, had the money in cash. The next day Steve Albini called him back. Albini explained how he was considering moving to Seattle, but hadn’t made up his mind just yet. If he does decide to move, he’ll call my cousin back and sell him the guitar, if he doesn’t move he’s just going to keep it. My cousin was like wtf? This guy had him spinning his wheels for nothing. He put it on display with a for sale sign, had someone on the phone screening out serious buyers, when the guy wasn’t even a serious seller? F-k that guy. Just another famous jerk as far was he was concerned.
My cousin told me that story last Christmas, and as soon as he said he almost bought a Veleno guitar from “that guy Steve Albini”, I was all ears. I’m a huge Nirvana fan, and wouldn’t even be a musician if I wasn’t inspired to learn how to play guitar by Kurt Cobain and Nirvana. So, I knew the back story about Steve Albini’s Veleno. When he told me the story last year, he didn’t know about any of that stuff. It actually made the whole story confusing. Why would Steve Albini consider selling it? Albini was a guy who was very disillusioned by the music industry. It was the music that mattered to him, not the tools used to make the music. That stuff held no value to him, or at least not at the time. The fact Kurt used it to record a few tracks probably meant nothing to him back then. The whole thing just blows my mind every time I think about it. My cousin still doesn’t care about all that though. He just wanted the guitar.
He apparently didn’t hear BLEACH or anything else for that matter.
Nirvana was average at best....too many other great bands
Hate to say it, but I think Albini was hugely overrated. Just my opinion.
Oh YEAH "Albini"......In Utero was a WAYYYY better album.............NOT!!!!!!!!!!!!!!!!!!!!!
Nevermind sounds great. It’s literally the sound of a well-released band playing live in the studio. Same thing with In Utero. This is a taste thing. The only major difference between those records is that Nevermind was actually mixed with precision, and In Utero was just played off the board as it naturally sounded. It’s almost like “not mixed”. Nevermind probably has a more melodic sensibility too, and less “noise” and “distortion” on the guitars and vocals. Both are basically the sound of the band in those moments though. Both are important. Both are equally as stunning. Both are brilliant. Hipsters will always prefer In Utero. It’s just a “thing”. The songwriting on Nevermind is flawless though. I will die on this hill. 😆
I know what you mean. You don't have to die though... as honorable as it may seem.
Love Steve. But But Butch Vig is currently having a beer and taking a piss just to the left of Albini’s grave.
And butch doesn't even have a history of loving and defending child porn
Steve Albini & Noel Gallagher would've been a pretty cool collab....
What?! Oasis?! Get in your cage.
Noel would have kicked the crap out of him. Albini was a bit of a twat.
@@jeremybartlett1706 Ever heard The Importance of Being Idle???
@@matthewrider6456 nope
@@matthewrider6456 Have you heard that saying
Gone too soon. I got the impression that he could be stressed out about making rent on his studio every month. Maybe the pressure contributed to his heart problems. Regardless, we lost a legend.
He always had clients from all over the world. I really doubt it.
@@rockboy360 While I can't speak on what Albini was charging all those bands after In Utero, with Nirvana Albini famously took basically just a flat fee for the recording and minimal, if any, points on sales of the album. I would suspect Albini probably charged a fair flat fee with all subsequent bands since he seemed to be consistent and stuck to his views.
@@leathercoatguy Albini was still pretty expensive for the average Joe, but very affordable for bigger artists.
He currently charged 900$ per day at Electrical Audio and 1300$ if you took him outside, and he was always busy.
He had an amazing studio with holy grail equipment, that place alone has to cost well above a million dollars. The man was rich regardless.
He was worth every penny so he deserved it.
Focus on the good things a person left behind, not on them passing on as a loss. Or you'll always be empty, as everyone eventually passes, in their own time.
NOT AT FAN EVER STINKS
All these people saying big black is a legendary band probably just heard about them because he died lmao
The Andy Wallace mix is far superior
Who is this guy ??
He produced Nirvana's last album In Utero
@@jeremylatta9038oh so a nobody
@@bill9068hes done lots of 90s alternative bands
@@bill9068he’s one of the most prolific names in underground music, not only a pioneer of noise rock in bands he fronted in the 80s & 90s, but he’s produced tons of super acclaimed albums (pixie’s surfer rosa & doolittle, pj harvey’s rid of me, slint’s tweez, to name a few) check out big black!
@@waterfallings yo thanks I had no clue
RIP socialist
Sad comment. Completely misguided
@@keithferris9574 I enjoyed his music.
Blasfemous!
Sure love to trash the pixies and nirvana.
Nirvana is overrated 🙄 Kurt voice sucks! Only good thing that came out of the band is foo fighters
Foo fighters suck.
Oh we're still talking about this guy, the one who wrote in the 80s about how the only thing that turned him on was kiddie porn? The guy who recorded one nirvana album and a shit ton of awful noise garbage? That guy? Cool just making sure
People will remember him fifty years from now. No one will remember you after you die, no one gives a fuck about what you've done with your life.
@@matthewhill5895I won't be remembered because I'm not a fuckin pedophile
On peut ne pas aimer son travail, mais il était doué dans son domaine et il mérite d'être respecté pour ça ainsi que pour son intégrité totale.
@@matthewhill5895I’m going to remember him after he dies just out of spite for you asshole
Why get so upset about a guy who disagrees with you. Especially when he does it in such a no-nonsense, humble way. It's like no one is allowed to disagree with you at all.
He's a queef😂😂😂😂 what a dope
here is your reminder that Nirvana isnt good and was never good.
Heres your reminder that you aren’t rich, and never were rich
@@Ottophil oh wow you must of really worked hard on that response huh? come back when you’re done projecting your insecurities on me, broke boy
They're like the most boring punk band ever, I don't like anything but territorial pissings
@@rustyshackleford4311 simile, buddy.
Everyone knows Nirvana peaked with Bleach
RIP