Tokyo Scoring Drum Kits Full Walkthrough
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- Опубликовано: 11 ноя 2024
- See and hear Tokyo Scoring Drum Kits in action, from the main kit page and submixer, to the Console mixer, and mapping tab!
🥁 Now available!🥁
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TOKYO SCORING DRUM KITS is the premiere collection of acoustic drum kits (and kit ensemble), recorded and mixed by Japan’s top recording engineer Mitsunori Aizawa at the legendary Sound City Studio. Performed by drum master Ken Higeshiro, these unique and versatile drum sounds can be heard across countless anime openings, battle themes, jazz fusion tracks, and everything in between. With Tokyo Scoring Drum Kits, you can finally add this unmistakable percussive energy to your own music!
TOKYO SCORING DRUM KITS was recorded by Japan's most in-demand recording engineer, Mitsunori Aizawa, in the legendary SoundCity Studio in Tokyo.
Along with these amazing partners, we worked with award-winning composer Masaru Yokoyama and his companies Plugnote & Miraclebus to oversee the entire process and create the finest possible result.
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IMPACT SOUNDWORKS is a leading developer of virtual instruments, sample libraries, and music software tools for composers. Since 2008, our instruments have been used by over 100,000 musicians around the world on Billboard charting albums to major Hollywood blockbusters and AAA video games. Popular instruments include the SHREDDAGE series of virtual guitars, SUPER AUDIO CART retro chiptune sounds, VENTUS and PLECTRA SERIES world instruments, and dozens more.
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I love that you can mix individual drum mic channels without affecting the levels in the console.
Go to know.
This one's been on my radar for some time now and I hope to scoop it up as budget allows. The mix options look great and honestly I just love the vibe.
This is truly outstanding!!! Been wanting this sound for years!!!
Nice set. Really love the Toms, deep and full.
This sounds amazing!
I was gonna link this to you but then i see you are already here
@@AtharvaMohiteMusic Yesss, haven't tried it out yet though.
I will love to see this same technology but with a drum focused on metal genres... will be amazing!
TSDK can absolutely do metal as well, but we do plan to port our Shreddage Drums library to the same engine.
Great! That's what I was thinking, it would be great to rescue the old Shreddage Drums! If I may suggest something, it would be nice if you could create a section to add triggers (one-shot samples or electronic kinda) to the snare and bass drum.@@ImpactSoundworksLLC
Maybe u could also incorporate it to Tokyo Drums, this is something very used in modern styles, rock, pop, etc. and it would be great to have it in the same interface, not having to add it separately.@@ImpactSoundworksLLC
love it
I had no clue this was a whole series, I really hope for a great solo violin at some point cause most others, while good: doesn't have the anime-esque quality I want.
We've already recorded TSSS, with Koichiro Muroya himself playing violin and viola, along with top-tier cello and bass players!
@@ImpactSoundworksLLC What about a... Tokyo Scoring Brass? Will you ever make that?
@@kineticstishi Yes!! We need it! Please @Impact Soundworks LLC take note!
@@davidvierabarreras They confirmed in Vi Control that Tokyo Scoring is a series and that there is a solo strings, brass and woodwinds coming in the future
@@ImpactSoundworksLLC Hey will the future series libraries be in Kontakt 6 or 7? It's great that it is still in version 6 because a lot of us still use that yea because of stability.
Да-а-а! Это вам не "ухти-тухти". Серьёзная махина! Да ещё и весит 71 гб.
most organic vst drums
As far as 'quality sound' is concerned, VSTi drums have reached their peak. The only ones worth investing in are those who offer a large library of midi patterns. In my opinion, EZDrummer cornered the market with EZD3 as far as combining a high quality sound with a large library of midi patterns and fills. The only opportunity for improvement will be CPU usage and latency issues.
exactly, or midi mapping toontrack or addictive drum
If only midi libraries existed as a purchasable thing...
/s
Also, I own a dozen drum libraries. Most are popular for doing something unique. Brush drumming, vintage gear, etc,.
This whole comment is just... Fucking hilariously biased opinion
@@xfwo ...not bias to any particular brand or company. I actually said they're all about the same. Most of the modern drum vsti's pretty-much cover all of the types of genres you might wanna use in your project so there aren't many company's these days who cater to one specific niche. As for "midi libraries existing as a purchasable item"??...each company sells midi add-on packages specific to their vsti drum mapping so you're forced to purchased theirs. Although some of the kick, snare, toms and cymbals might be close to the same the articulations and fills are usually mapped differently across the board so you can't use one in the other.
EZDrummer is just a LITE edition... SUPERIOR DRUMMER 3 is GOD... Also BFD3
yoo thats so tokyo styled haha xD
Can you trigger these drums with a Roland E drum kit? So far I have triggered sounds from Superior Drums and Easy Drummer with much success. Superior Drums and Easy Drummer even have internal settings where you can tailor the drum sounds to the Roland E drum module. For instance, they let you pick from a list of drum modules, and then you click on yours (mine is a Roland TD27) and once you do that, you are 95 percent there/set up, you can then also make changes to settings like cymbal and hihat sensitivity, and then you have a very responsive kit.
But this Tokyo Scoring drums works in Kontakt. Just wondering how responsive it is to be triggered from an external EDrum kit?
For the track by Kaoru "Toni'o" which preset was used?
Hey, I know it's a bit late, but if it still interests you here goes. I don't have that exact patch anymore (as I don't have the alpha version of TSDK anymore) so I can't check, but I remember a few things. As a starting point, I used the Init DW Allround kit in the Full Mixer All Mics patch, except for the Kick, which was the Sonor 22x16.
I tweaked the mic levels a bit:
- Snare: I only used Top 1 and Bottom mics, with the bottom mic being around 10dB lower than the top mic (in terms of level, not the fader placement). The Snare Top 2 mic was muted. I also boosted the snare by around 6dB in the Overhead and Room mics. And shortened the Decay to around 1 sec in the AHD controls.
- Kick: Kick Rear is about 10dB louder than Kick Front (fader placement this time) and I didn't use the third kick mic at all. Also, lowered the kick by 10dB in the OH only.
- Toms: didn't use the Mid tom at all, and I think I lowered all the Toms by roughly 4 dB.
- Room mics, I don't remember exactly how I had levelled them, but I'm pretty sure that the "main" room mic was the Mid, with a bit of the other two mixed in to get the explosiveness of the far mic and the punch of the closer one.
- Cymbal mics: the hat and ride mics were mixed quite low, like -20 or so dB.
- OH mic: whatever the default was
For the mixing... Unfortunately I don't remember what I did anymore, but I do recall that I used pretty much the same trio of effects on all the close mics for the snare, kick and toms; and on the Room mics: transient shaper, EQ, fairly hard; slow attack (30ish ms) fast release (150 ish ms) compression with just a 4:1 ratio (except for the rooms, it was a much higher ratio and fast attack, just absolutely slamming the room mics) and saturation in varying amounts. For the OH it was just EQ and some very light compression with a 2:1 ratio. With EQ, I basically always cleaned up the muddy midrange and the low end and then boosted the highs a bit. Also had a fair amount of plate reverb on the snare and a lot less on the toms and rooms. Then on the drum bus (the "master" in TSDK), I had a parallel compressor at 50% wet set quite hard also. And there's also some processing on the overall master bus in Cubase, with a bunch of compression, brightening EQ and saturation (classic stuff really). So essentially, I basically made my own preset, mostly because I like tinkering with this stuff. The alpha version that I had was a bit different to the actual released version, so I don't know how much this actually helps you though... Hope that it's at least something!
Does it work in Multi output mode?
Are there any dampened snare samples in this library?
No, we did not record any dampened snares for this library.
@@ImpactSoundworksLLC 🤣
hola , hablo desde Argentina y me gustaria saber como hago para asignar distintas salidas a cada uno de los cuerpos de la bateria para poder mezclar individualmente en mi DAW, uso Cubase 12 pro.
Hi guys, do you know Toontrack's EZDrummer3 or Superior Drummer 3? For me, this thing is way to expensive. And has to be used with KONTAKT...
Urgs.
I think it's time to develop your own engine, library host...
too expensive for just another Kontakt drum library
would love to see this as a stand alone VST. Not a fan of Kontakt.
YES!!! I agreed! Not fan of Kontakt for Drum Libraries specially
What do you guys hate about Kontakt?
WAY too expencive for a delayed sample library.. is not even playable live cause of the delay they have , samples are not fixed correct on atack, esseble kit is all a flam cause of time difference.. not worth sorry...
Did you go to the Settings page? You can choose "Lookahead", "Standard" mode with 50ms of latency (but more realistic attacks), or "Zero Latency" mode.
If I try this and it sucks like the Tokyo strings I'm going to be mad
TSS is awesome what do you mean?
???
If you can’t make TSS sound good, it’s not the library that sucks.
@@TrashPandaMusicYT true
@@mitsuki1388 no disrespect