Root on the traverso BWV 1030 | Netherlands Bach Society
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- Опубликовано: 9 сен 2024
- “You can choose between different type of instruments.” Traverso player Marten Root talks about the traverso, the instrument he played on during the recording of Sonata in B minor BWV 1030 for All of Bach.
Recorded for the project All of Bach on 17 October 2015 at Concertgebouw, Amsterdam. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.
For the complete performance of Sonata in B minor BWV 1030 go to • Bach - Flute sonata in...
For the interview with traverso player Marten Root on the Sonata in B minor BWV 1030 go to • Root on Bach Flute son...
For more information on BWV 1030 and this production go to allofbach.com/e...
All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereni....
Marten Root, traverso
Thanks for the English subtitles. Helped me a lot.
Wat mooi uitgelegd!
His playing holds every good thing.🎇🌞
Marten Root is a superb traverso player, particularly with J.S. Bach. He reminds me of a baroque flute player who played with Musica Antiqua Koln in the late 70s through the mid-80s. I last heard a traverso player of his caliber play in a Musica Antiqua Koln performance of Bach's "A Musical Offering" in the early 80s. That, of course, was of an earlier generation of traverso players. I cannot find the flutist's name among Antiqua documentation on the web, though I found a photo of him in one of the ensembles of that time. Their performance of Bach's masterwork can be found on youtube, although the video resolution is poor (but the audio is good).
The flutist Root quotes is Quantz, in case anyone was wondering.
Yeah, the quotation about the alto sound ideal is by Quantz.
Oh I came here to ask about the quote! Thank you!
Whoa. His support drops drastically at the end of notes, making the pitch even flatter than it already is. Yikes.
It must be difficult to be in tune with other instruments.
Yep. One has to adjust to keep the note in tune at different volumes. If you just slack the air, it sounds like in the video. Root definitely knows how to do it right. This was probably intentional.
The pitch doesn't change (at least on the last flute, the one he's obviously been practising on), the lower harmonics fall away giving the impression of the sound 'hollowing', and he does this because he - like many great instrumentalists - seeks to give the impression of a 'voice' rather than just an instrument. Definitely we hear some pitch change in the italian instrument but I think that's because he's still in the 400hz mode. Sound that remains the same until the end is, in essence, unnatural, so I think he tries to avoid this. His whole philosophy towards flute playing is fascinating actually, and you hear it in his other work.
Playing a woodwind is not like playing a mechanic like organ or harpsichord. Congratulations you just heard the nature of a flute instrument.