This is what the FxXx I'm talking bout right here. Ooooh ye a drum machine and synthesiser in one ladies and Gentlemen. Just what I had in mind recently after watching loads of module synth & drum machine vids😮 Wait could this be the one. Your thinking. A whole new standard has been born❤. Wow I love it 😊
A visual masterpiece!,I am a little confused: someone sent me a TRC20 USDT and I have the recovery phrase: [pear flame keen lift shine genuine photo other wire motion pact common] How do I extract them?
first i thought i will save money for fantom x6 because i like old school sounds.. but now when i see this i will probably save money for this one because i think this workstation is as good as yamaha motif series synth which i have already.. the only thing i dislike is more keys.. i think 61 is enough!
I have a Fantom 8. This thing is way over my head. I am self taught player so I am limited. My main instrument is drums. I have had Rolands from the past and I still have my XP 80 but it needs to be repaired. I have also had a couple of Yamahas from the 80s. I don't understand why Roland changed the sequencer and intermediates like myself can't play things in real time from beginning to end of a song on each individual tracks, like the older sequencers used to be. Or am I missing something that I haven't understood yet? None of my songs that I have written has that looping stuff in them, where I would play a portion and loop it for the entire song. I am old school and my songs are written in styles from the 70s and 80s. I really don't understand this keyboard at all. Not to mention there are so many sounds in this thing that it is very overwhelming and so many of the sounds have been tweaked just a little and the programmers barely tweak a sound and call it an entirely new sound. I have watched many of the video tutorials with Ed Diaz, ( great instructor), but unfortunately for people at my level of an intermediate level, or maybe a little above that but certainly not on the pro level, I still don't grasp everything on the videos. My biggest disappointment with this Fantom is the sequencer. I need to be able to record each instrument on a separate track as in the older keyboards and if this will do that, I just can't understand how to do it. I am contemplating on purchasing a multi track recorder like a Tascam. I also just don't fully grasp this scene thing. I'm just not comprehending all of this difference that this keyboard does in comparison to older keyboards. I need help. I need someone that fully understands this entire keyboard and how to operate it and take some instructive lessons from them. I had a Korg Nautilus before I bought this Fantom and I gave that one to my daughter. Even after doing my research and watching as many videos on the Fantom as I could, I am still not as happy with it as I should be. I did consider the new Kurzweil K2700 before I got the Korg Nautilus, but I sorta allowed an older man that plays piano influence me into not considering the Kurzweil K2700. I personally think he was not up on Kurzweil's products of today and maybe he had a bad experience with a Kurzweil in the past. I don't know. I would very much consider selling my Fantom 8 for around $3700. Bottom line: I need someone to help me understand this keyboard better and teach me how to operate it. I can do hit and miss all day and never achieve anything. I know this is long but if anyone out there that knows much more about this keyboard please share some info with me and possibly some sources of how to learn this thing better. Because I am at the point that I want to sell it and start over and do more in depth research about other keyboards that will do what I need a keyboard to do. Thanks for any help and advice. Also if this keyboard is worth keeping and learning and not selling it and getting something else, then please let me know what I can do with it especially the sequencer. I have too many songs waiting to be recorded and I can't afford to go to a studio.
@@sulgypolo I'll try. Basically I don't understand the sequencer. I don't know if I can play each instrument in real time for the entirety of my songs and then go to another track and record another instrument. Older keyboards had the type of sequencers that allowed you to record each instrument on a track, for instance, the piano on one track for the entire song and then the bass on a separate track and so on. I also don't fully understand the scenes and how to utilize them. That's as best as I can rephrase it.
In these looping sequencers, you are meant to make separate loops for each the intro, verse, bridge, chorus, etc. When you want to que up the next section of the song, you select it while you are nearing the end of the current part (intro, chorus, whatever), and you will see the name of the performance blinking to indicate that it is coming up next. If the sequencer is not playing, the change is instant instead and no blinking title. My Juno-DS and JD-Xi are like this, too. Loads of people are bad with technology and get confused with more feature-packed keyboards, that is real normal. From beginners to pros, it happens to folks of all walks of life. No more linear sequencer, which you are used to. Korg still does those, but linear sequencers have fallen out of style. If you want something modern with a linear sequencer, grab a used Roland FA-08 or Fantom-G or Yamaha MOXF8, or any of the following from Korg: M50, M3, Kronos, Kross2, Krome EX, Nautilus, TR-88.
Reminds me of mij ex brother in law back in ‘86. He had a c-64, a Steinberg Pro-16 and a Midi-keyboard. In ‘87 switcht to Atari, Qbase and Roland midi soundbanks mounted in a 19” rack. He also got a Dr Rithm and a Roland drum pad. And his mum and dad and litle sister and brother to do the background choir singing in his songs. It really was a funny happy family. Professionally dad was the chairman of the board of directors of the biggest Dutch insurance multinational. In his 20’s he was a sailor at the Royal Dutch Navy Aircraft carrier Karel Doorman. He played the Clarinet too. Any instrument needs a human touch to come alive. If all is in the right constellation, you can make the heavens sing with these Roland keyboard stuff.
Hello friends from Roland! Hello engineers Roland! What's really missing when saving a scene is saving the tone settings (Cutoff, Resonance, ADSR and all the rest) and effect settings for the tones. Also missing: routing of microphone inputs with audio output and configuration to separate tracks. If you do this, you will become the "King of Synthesizers"! And if there is routing to a separate track of the “SAMPLE section” and conversion of samples, then it will be: “King of Kings”. Thank you.
Those tone settings can be changed in two places. There are the Scene settings and individual Tone settings. Saving a Scene doesn't save Tone settings, but if those changes you list are adjusted in Scene settings instead, they should get saved, unless something is wrong with your keyboard.
@@Jason75913 Yes, unfortunately, the scene settings do not save the Tone settings. Because of this, you have to create many similar tone presets. For example, Elektron devices do not have this problem.
@@IvanBrain JD-Xi also does save full Tone settings per "Scene". If Tone settings cannot be saved apart, lots of people whine, buddy. Cutoff/Atk/Dec/Sus/Rel/Vibrato and other "Offsets" exist per Scene ("Performance" in non-Zen-Core products). So, yes, you can save them. Mod matrix and a small handful of extra parameters like oscillator drift cannot be saved with each Scene (or "Performance" in older gear). Roland has been doing it that way since JV1080 or so. Vibrato tends to be tied to LFO1 in factory patches, so Vibrato Rate in Scene settings tends to mess with LFO1, just so you know. The manuals tend to not explain that, for whatever reason, even though it is useful to know.
Hello folks. How can I record my drums sound with the PC? All tutorials I've seen tell me to download a VST program for drumming sounds and kits, but I want to record my original Roland TD-1KV sound, is that possible? Thanks!
Wait is this real hardware synth? There's been so much fuzz about software expansion and Cloud so i kinda lost hope to see new hardware synth from Roland
The upgrade is: fantom ex software included paying more, the logo change putting EX after Fantom and costs 20% more. Is there any upgrade in the keybed?
EX has the same hardware of Fantom 6/7/8. It's a new "system software & firmware". And yes.... aftertouch isn't as good as should be (Fantom 8EX - PHA50 keybed)....but leaving this aside, this instrument is amazing. Jupiter 8 ACB and vPiano German are really impressive
Where are new instruments in cloud? The only update I have received recently was Galaxias but new instruments Is there anything on horizon or should I. Stop my sub now?
THIS is the technology that is responsible for an entire era of boring and uninspiring middle of the road music and why the 80s sounded so good. Bring back the JP8 and let a new generation of musicians hear the difference true analogue can make.
The masses have never cared whether you use analogue or digital synths. And they will never ever. Also, JP8 has no acoustic sounds or sampled e.pianos, string ensembles, and organs; therefore, mostly worthless performance "instrument" that only 5 people out there might try replacing a Fantom with. C'mon, man!
Got a Fantom for three years and happily sold it. This demo is exactly what the Fantom is about, old and kitsch sounds. Furthermore, the seamless 'demo' of this video is, to my knowledge, really far from reality. The TR on the Fantom is absolutely not flexible and playing with it/doing some real and evolving drums on the flight is everything but possible. Also, the Roland "scenes" model is extremely limited. You can't go from one scene to another without cutting the sound. So it means that If you have several scenes/songs, you can't go from on to the another without a silence. the "song mode" is very basic too. Also, the Fantom is extremely heavy so going from one gig to another with it will be very demanding. I bought the Fantom thinking that it would be the perfect synth/workstation. It is definitely not a workstation and the synth itself was, to me, a kitch ensemble of patches. Don't get me wrong here, I am a fan of Roland products (TR8s!! Jupiter!! etc etc) and Roland has such an important place in contemporary music. It is just that the Fantom was a disappointment to me and it will disappoint producers that are active in techno and house. It is great to do a Toto cover though.
2000 era workstations are way better. Never giving up my Triton Extreme to pay >$4k for a few plug-ins that Roland has puked DRM all over. The state of the keyboard workstation market is sad.
@@biggrime well, I’ll put it this way. I’ve never been motivated to upgrade and it blows away any plug-in I have put it up against. I am using a MOSS board, though, so might not be a fair comparison. My plan from here is to get a Triton rack for the MOSS board and upgrade to the Nautilus, so not a Kronos hater just a Roland DRM hater lol.
@mjrisinsd6836 I gotcha. If people really be honest with themselves. You learn the great you have. Getting the new board and/or is not as appealing. For most people they feel like getting the will give them some kind of edge. Sometimes that's true but really. The triton for example has been used on so many hits. Even though I love the Kronos. I used to own the m3. I never had a triton. Still want one
It's even worse. Google Roland Cloud problems. Basically they gave you a green banana and they expect it ripes yellow at your home. This pos either crashes or, way more often, just makes your licences go disappear. There is also some stupid sh with certain keyboards that you have to connect them to a computer like once a months to keep the downloaded licences. It's such a crap. And it won't get better, just more GALACTIC features get added. Also it won't go away. As promised in their old claim "we design the future" Rolands Black Rainy Cloud is here to stay for being their main cash cow. It's like waking up from a nightmare with an aaaaaaaaaarg! to a dystopia were once inventive Japanese instrument makers became dwarfs, ruled by this guy from China with a German name.
Should have added a multitrack audio recorder for the singer songwrite. Like the fantom G. Untill a multitrack recorder is added, far as i'm concerned this machine is lacking in creativity and the computition will always be there. With added feature of internal audio recording this machine would be absolutly untouchable.
Companies like Roland, Korg, Yamaha, etc. have been repackaging the same core functionality into new form factors for the last 30 years. There is nothing new or innovative here.
Such a bad demo. And clinical cliche result. Not a good way to showoff their top of the range premier workstation. If that's what it sounds like i would not touch it with a ten mile pole
why emulating the iconic synths of the 80s for the 10th time? Just bring out the originals :) you hear the character, but its like a digital zombie: it has the clothes on of the original, but it lacks soul
Crappy and cheap finish and flimsy looks. Doesn’t look pro. The Fantom G and X looks very educated, elegant and pricy. Of course, they were real workstations. This crap is a mere synth 😂
I've both Fantom G8 and new Fantom 8EX. Old FG 8 has some really useful features (ex: RPS, Linear sequence with audio tracks) but.... the new Fantom is an absolute beast.... starting with the sound quality... Cheap finish?? did you play one ? No way.
Think it will take me 10 years to learn the Operating System on this keyboard. Very impressive demo!!!!
Sounds AWESOME! Makes me think of long missed Ridge Racer staff roll ost music! Gonna have to look this producer up!
My new Fantom EX 6 is scheduled for delivery next week!
This is what the FxXx I'm talking bout right here. Ooooh ye a drum machine and synthesiser in one ladies and Gentlemen. Just what I had in mind recently after watching loads of module synth & drum machine vids😮 Wait could this be the one. Your thinking. A whole new standard has been born❤. Wow I love it 😊
Wery wery nice performance on the new Phantom EX - Its a bist of a keyboard ✌✌
When will be roland release a flagship arranger keyboard? We really wait for it!!!
I have this and the Juno X, and together they are as perfect as it gets.♥
2 absolute beauts
That looks cool! But, I hope there are the EXZ Expansions from Roland Axial for that Fantom EX.
Fusion.... Dope 🎹🎹🎹🪘🪘🪘🎵🎵🎵🎵👑💯
Roland Fantom Workstation 2026 will become the goat 🔥🔥🔥
Sounds amazing.... I'm impressed with the quality of the sounds💯
EXcellent. How come this still doesn’t support the Vocal Designer expansion ?
Interesting question here. Has Roland responded yet?
@@Lync1111 no this is a mystery 🤷🏻♂️
It's a life misery, Sir
I hope there are the EXZ Expansions from Roland Cloud and Roland Axial for that Fantom EX.
Oh those summer nights are coming
Any upgrade planned with the jupiter x ?
🎉 grande 🎉🎹🌟🎹👍
Love this!!
A visual masterpiece!,I am a little confused: someone sent me a TRC20 USDT and I have the recovery phrase: [pear flame keen lift shine genuine photo other wire motion pact common] How do I extract them?
first i thought i will save money for fantom x6 because i like old school sounds.. but now when i see this i will probably save money for this one because i think this workstation is as good as yamaha motif series synth which i have already.. the only thing i dislike is more keys.. i think 61 is enough!
Sounds killer. Demo guy is a nice player too!
Missed opportunity to say him 'demo man'
@@lalaj2887 I know Laurence quite well and he’s a lovely chap, and killer musician! He’s the demolition man 🤘
Is it possible to split the keyboard in 2 and retain the bass in left hand while changing sounds in the right hand, without reprograming each sound?
of course yes. You can split 16 zones whole keyboard.
Belle machine hyper complète
wow - that's a performance - sends me back in some good old 4hero times
Nice
Toppp 👏👏 🎹 🔥
Man, does TWRP use this?!
I have a Fantom 8. This thing is way over my head. I am self taught player so I am limited. My main instrument is drums. I have had Rolands from the past and I still have my XP 80 but it needs to be repaired. I have also had a couple of Yamahas from the 80s. I don't understand why Roland changed the sequencer and intermediates like myself can't play things in real time from beginning to end of a song on each individual tracks, like the older sequencers used to be. Or am I missing something that I haven't understood yet? None of my songs that I have written has that looping stuff in them, where I would play a portion and loop it for the entire song. I am old school and my songs are written in styles from the 70s and 80s. I really don't understand this keyboard at all. Not to mention there are so many sounds in this thing that it is very overwhelming and so many of the sounds have been tweaked just a little and the programmers barely tweak a sound and call it an entirely new sound. I have watched many of the video tutorials with Ed Diaz, ( great instructor), but unfortunately for people at my level of an intermediate level, or maybe a little above that but certainly not on the pro level, I still don't grasp everything on the videos. My biggest disappointment with this Fantom is the sequencer. I need to be able to record each instrument on a separate track as in the older keyboards and if this will do that, I just can't understand how to do it. I am contemplating on purchasing a multi track recorder like a Tascam. I also just don't fully grasp this scene thing. I'm just not comprehending all of this difference that this keyboard does in comparison to older keyboards. I need help. I need someone that fully understands this entire keyboard and how to operate it and take some instructive lessons from them. I had a Korg Nautilus before I bought this Fantom and I gave that one to my daughter. Even after doing my research and watching as many videos on the Fantom as I could, I am still not as happy with it as I should be. I did consider the new Kurzweil K2700 before I got the Korg Nautilus, but I sorta allowed an older man that plays piano influence me into not considering the Kurzweil K2700. I personally think he was not up on Kurzweil's products of today and maybe he had a bad experience with a Kurzweil in the past. I don't know. I would very much consider selling my Fantom 8 for around $3700. Bottom line: I need someone to help me understand this keyboard better and teach me how to operate it. I can do hit and miss all day and never achieve anything. I know this is long but if anyone out there that knows much more about this keyboard please share some info with me and possibly some sources of how to learn this thing better. Because I am at the point that I want to sell it and start over and do more in depth research about other keyboards that will do what I need a keyboard to do. Thanks for any help and advice. Also if this keyboard is worth keeping and learning and not selling it and getting something else, then please let me know what I can do with it especially the sequencer. I have too many songs waiting to be recorded and I can't afford to go to a studio.
Say that again please. I get you but. It’s a bit. Simplified can u explain more
@@sulgypolo I'll try. Basically I don't understand the sequencer. I don't know if I can play each instrument in real time for the entirety of my songs and then go to another track and record another instrument. Older keyboards had the type of sequencers that allowed you to record each instrument on a track, for instance, the piano on one track for the entire song and then the bass on a separate track and so on. I also don't fully understand the scenes and how to utilize them. That's as best as I can rephrase it.
In these looping sequencers, you are meant to make separate loops for each the intro, verse, bridge, chorus, etc. When you want to que up the next section of the song, you select it while you are nearing the end of the current part (intro, chorus, whatever), and you will see the name of the performance blinking to indicate that it is coming up next. If the sequencer is not playing, the change is instant instead and no blinking title. My Juno-DS and JD-Xi are like this, too.
Loads of people are bad with technology and get confused with more feature-packed keyboards, that is real normal. From beginners to pros, it happens to folks of all walks of life.
No more linear sequencer, which you are used to. Korg still does those, but linear sequencers have fallen out of style. If you want something modern with a linear sequencer, grab a used Roland FA-08 or Fantom-G or Yamaha MOXF8, or any of the following from Korg: M50, M3, Kronos, Kross2, Krome EX, Nautilus, TR-88.
Reminds me of mij ex brother in law back in ‘86. He had a c-64, a Steinberg Pro-16 and a Midi-keyboard. In ‘87 switcht to Atari, Qbase and Roland midi soundbanks mounted in a 19” rack. He also got a Dr Rithm and a Roland drum pad. And his mum and dad and litle sister and brother to do the background choir singing in his songs. It really was a funny happy family. Professionally dad was the chairman of the board of directors of the biggest Dutch insurance multinational. In his 20’s he was a sailor at the Royal Dutch Navy Aircraft carrier Karel Doorman.
He played the Clarinet too.
Any instrument needs a human touch to come alive.
If all is in the right constellation, you can make the heavens sing with these Roland keyboard stuff.
Very good.
Does this have a scale / key mode for a beginner I would really love to get this
Hello friends from Roland! Hello engineers Roland!
What's really missing when saving a scene is saving the tone settings (Cutoff, Resonance, ADSR and all the rest) and effect settings for the tones.
Also missing: routing of microphone inputs with audio output and configuration to separate tracks.
If you do this, you will become the "King of Synthesizers"!
And if there is routing to a separate track of the “SAMPLE section” and conversion of samples, then it will be: “King of Kings”.
Thank you.
Those tone settings can be changed in two places. There are the Scene settings and individual Tone settings. Saving a Scene doesn't save Tone settings, but if those changes you list are adjusted in Scene settings instead, they should get saved, unless something is wrong with your keyboard.
@@Jason75913 Yes, unfortunately, the scene settings do not save the Tone settings. Because of this, you have to create many similar tone presets.
For example, Elektron devices do not have this problem.
@@IvanBrain JD-Xi also does save full Tone settings per "Scene".
If Tone settings cannot be saved apart, lots of people whine, buddy. Cutoff/Atk/Dec/Sus/Rel/Vibrato and other "Offsets" exist per Scene ("Performance" in non-Zen-Core products). So, yes, you can save them. Mod matrix and a small handful of extra parameters like oscillator drift cannot be saved with each Scene (or "Performance" in older gear). Roland has been doing it that way since JV1080 or so.
Vibrato tends to be tied to LFO1 in factory patches, so Vibrato Rate in Scene settings tends to mess with LFO1, just so you know. The manuals tend to not explain that, for whatever reason, even though it is useful to know.
👏 👏 👏 👏 👏 👏 👏 👏
I am confused, is this a new synth?? Looks like the release couple years ago.
It's the same, only with updated software. 'EX' stands for 'expanded', I guess.
Hello folks. How can I record my drums sound with the PC? All tutorials I've seen tell me to download a VST program for drumming sounds and kits, but I want to record my original Roland TD-1KV sound, is that possible? Thanks!
Lovin mine
Did I just press the DEMO button?
Question : If I have the Roland EX upgrade currently, is the only real difference after touch?
There is no diference. The FANTOM-6 website specs says: semi-weighted keyboard and channel aftertouch
Super!
Kyoto Jazz Massive
Wait is this real hardware synth? There's been so much fuzz about software expansion and Cloud so i kinda lost hope to see new hardware synth from Roland
How is that possible it sounds new?
Nice PortaSound
Think I’ll just stick with my fantom 7 and probably get the ex update cheaper than forking out £4000 for the same keyboard
EX is a paid upgrade for your Fantom
The upgrade is: fantom ex software included paying more, the logo change putting EX after Fantom and costs 20% more.
Is there any upgrade in the keybed?
Hammer action on 88 key model but idk if that's any different then before
hardware is exactly the same
I found the previous Fantom aftertouch next to useless. I wonder if this is improved?
EX has the same hardware of Fantom 6/7/8. It's a new "system software & firmware". And yes.... aftertouch isn't as good as should be (Fantom 8EX - PHA50 keybed)....but leaving this aside, this instrument is amazing. Jupiter 8 ACB and vPiano German are really impressive
I see the Montage M panic is continuing...
Where are new instruments in cloud?
The only update I have received recently was Galaxias but new instruments
Is there anything on horizon or should I. Stop my sub now?
THIS is the technology that is responsible for an entire era of boring and uninspiring middle of the road music and why the 80s sounded so good. Bring back the JP8 and let a new generation of musicians hear the difference true analogue can make.
The masses have never cared whether you use analogue or digital synths. And they will never ever.
Also, JP8 has no acoustic sounds or sampled e.pianos, string ensembles, and organs; therefore, mostly worthless performance "instrument" that only 5 people out there might try replacing a Fantom with.
C'mon, man!
Got a Fantom for three years and happily sold it. This demo is exactly what the Fantom is about, old and kitsch sounds. Furthermore, the seamless 'demo' of this video is, to my knowledge, really far from reality. The TR on the Fantom is absolutely not flexible and playing with it/doing some real and evolving drums on the flight is everything but possible. Also, the Roland "scenes" model is extremely limited. You can't go from one scene to another without cutting the sound. So it means that If you have several scenes/songs, you can't go from on to the another without a silence. the "song mode" is very basic too. Also, the Fantom is extremely heavy so going from one gig to another with it will be very demanding. I bought the Fantom thinking that it would be the perfect synth/workstation. It is definitely not a workstation and the synth itself was, to me, a kitch ensemble of patches. Don't get me wrong here, I am a fan of Roland products (TR8s!! Jupiter!! etc etc) and Roland has such an important place in contemporary music. It is just that the Fantom was a disappointment to me and it will disappoint producers that are active in techno and house. It is great to do a Toto cover though.
Sharp making it do what it do
Is the Fantom discontinued?
no
2000 era workstations are way better. Never giving up my Triton Extreme to pay >$4k for a few plug-ins that Roland has puked DRM all over. The state of the keyboard workstation market is sad.
Would you say the triton is better than kronos?
@@biggrime well, I’ll put it this way. I’ve never been motivated to upgrade and it blows away any plug-in I have put it up against. I am using a MOSS board, though, so might not be a fair comparison. My plan from here is to get a Triton rack for the MOSS board and upgrade to the Nautilus, so not a Kronos hater just a Roland DRM hater lol.
@mjrisinsd6836 I gotcha. If people really be honest with themselves. You learn the great you have. Getting the new board and/or is not as appealing. For most people they feel like getting the will give them some kind of edge. Sometimes that's true but really. The triton for example has been used on so many hits. Even though I love the Kronos. I used to own the m3. I never had a triton. Still want one
YOU THINK THE TRITON IS BETTER THEN THIS?!??😮😮😮😮
It's even worse. Google Roland Cloud problems. Basically they gave you a green banana and they expect it ripes yellow at your home. This pos either crashes or, way more often, just makes your licences go disappear. There is also some stupid sh with certain keyboards that you have to connect them to a computer like once a months to keep the downloaded licences. It's such a crap. And it won't get better, just more GALACTIC features get added. Also it won't go away. As promised in their old claim "we design the future" Rolands Black Rainy Cloud is here to stay for being their main cash cow. It's like waking up from a nightmare with an aaaaaaaaaarg! to a dystopia were once inventive Japanese instrument makers became dwarfs, ruled by this guy from China with a German name.
👉🏼🎹🎇
Back from the dead?
Prices in Europe are insane.... NO NO NO 4199 Euros 4699 euros 4999 euros .... Crazy ! Even M8X is cheaper ..... Insane. Bye bye.....
Meh...I'll wait to see a more in depth review. The 88 key version is priced a bit too high for me ($4,199 USD).
Should have added a multitrack audio recorder for the singer songwrite. Like the fantom G. Untill a multitrack recorder is added, far as i'm concerned this machine is lacking in creativity and the computition will always be there. With added feature of internal audio recording this machine would be absolutly untouchable.
This demo was BEYOND uninspiring. Zero desire to pick this up 👎🏾👎🏾
Companies like Roland, Korg, Yamaha, etc. have been repackaging the same core functionality into new form factors for the last 30 years. There is nothing new or innovative here.
For you.
meh
Such a bad demo. And clinical cliche result. Not a good way to showoff their top of the range premier workstation. If that's what it sounds like i would not touch it with a ten mile pole
ずっと同じようなキーボード出してんな。このローランドっぽいペラい音なのがいいの？
VST音源を弾けるような機械を開発する方が最適解なんじゃないの？
Arturia AstroLab を使用すると、Arturia V Collection および Pigments パッチを実行し、ソフトウェア VST からキーボードにロードできます。 私は V Collection を何年も使っていますが、Pigments は発売当初から使っています。AstroLab は完璧で、サウンドを切り替える際にわずかな遅延しかありません。 AstroLab のことを初めて聞いた日に購入しました。
Keyboard such as these are creativity killers. Nothing original comes from them. OK, if your a stage musician in a band...
why emulating the iconic synths of the 80s for the 10th time? Just bring out the originals :) you hear the character, but its like a digital zombie: it has the clothes on of the original, but it lacks soul
Behringer's doing that, just ignore Roland.
Nothing really new under the sun...I'll pass
Update SH-4D
Crappy and cheap finish and flimsy looks. Doesn’t look pro. The Fantom G and X looks very educated, elegant and pricy. Of course, they were real workstations. This crap is a mere synth 😂
Quit hating. If you can’t afford it buy a cheap Casio.
I've both Fantom G8 and new Fantom 8EX. Old FG 8 has some really useful features (ex: RPS, Linear sequence with audio tracks) but.... the new Fantom is an absolute beast.... starting with the sound quality...
Cheap finish?? did you play one ? No way.
This is one of the most well designed synth ever you must be smoking dope
Nice
Nice