Schumann: Overture, Scherzo and Finale | Freiburger Baroque Orchestra & Pablo Heras Casado
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- Опубликовано: 24 июл 2024
- Who would have imagined hearing the Freiburger Baroque Orchestra play Schumann, a composer of the romantic era? The FBO and conductor Pablo Heras Casado take listeners on a journey from Baroque to Romanticism, and end with a performance of Robert Schumann’s rarely heard Overture, Scherzo and Finale in E major op. 52. The „Overture, Scherzo and Finale“ was deliberately composed by Robert Schumann (1810 - 1856) as a pleasant and uncomplicated piece. But it only became an audience favorite after Schumann's death. Enjoy a unique 2014 recording from Berlin’s Philharmonic: Robert Schumann's work, played on period instruments!
The Freiburg Baroque Orchestra began as a spontaneous idea that has developed into a unique musical success story. On New Year's Eve over 30 years ago, music students in Freiburg decided to start an orchestra dedicated exclusively to historically accurate performances, played on period instruments. The FBO first performed concerts in the Freiburg area in 1987. Today, the orchestra is world-famous. In addition to its own concert series in Freiburg, Stuttgart, and Berlin, the FBO performs in the most important international concert halls and is considered one of the most distinguished early music ensembles worldwide.
00:00 Overture (Andante con moto; Allegro)
06:29 Scherzo (Vivo)
11:26 Finale (Allegro molto vivace)
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This is just the greatest. Can they please do a Schumann symphony cycle????
Without permanent vibrato! What a wonderful sound. The “mainstream orchestras” can take a slice of it.
Pierre Monteux, born 1875 and amply recorded, as well as Arturo Toscanini, born 1867 and amply recorded, demonstrate in their recorded oeuvre that there is no difference between historical use of vibrato and that of modern "mainstream" orchestras. Norrington's assertion to the contrary is fraudulent.
@@nathangottschall2443 In any case, the Freiburg Baroque Orchestra under Pablo Heras Casado plays baroque music in the appropriate style, i.e. without vibrato. And the dig at Roger Norrinton, you'd better leave it. Hardly any of the many freaky fidgets can hold a candle to that.
@@nathangottschall2443 And in case you haven't noticed, even here with Schumann, it's not about vibrato per se, it's about constant vibrato. Few orchestras are able to produce such a fantastic sound as the Freiburg Baroque Orchestra.
Excellent. Bravi tutti, bravo maestro.
amazing musicians
I love it 💓 just I like the Scherzo a little faster but everything else perfect. Great musicians and an amazing sound. 👏👏👏
OUTSTANDING !
the sound is something special worthy of the music.
Mai ascoltato prima Piaciuto molto anche il direttore sia per la figura che per il gesto direttoriale Chie
Chi è '? Grazie per averlo postato 👏👏👏
Amazing 😃
ich liebe dich meine Libe Zum Leben? Kusse ist
Dimenticavo gli stacchi pubblicitari non potrebbero essere inseriti tra i vari momenti del pezzo approfittando delle pause e senza interrompere la musica?
Authentisch!
I keep expecting Pablo to spike a football at the end of each section.
I see no trombones. Why?
where are the trombones?
Trombones are "ad libitum", Schumann wrote this...
Trombones are ad lib in the score
Scherzo too slow ; indication says "vivo", it's more like "morto".
It's right at Schumann's initial metronome mark: dotted quarter = 84. (Though there's apparently a later source from 1845/46 that indicates dotted quarter = 112.)
Ho riletto meglio e mi scuso dirige Pablo HerasCasado