Pierre Monteux, born 1875 and amply recorded, as well as Arturo Toscanini, born 1867 and amply recorded, demonstrate in their recorded oeuvre that there is no difference between historical use of vibrato and that of modern "mainstream" orchestras. Norrington's assertion to the contrary is fraudulent.
@@nathangottschall2443 In any case, the Freiburg Baroque Orchestra under Pablo Heras Casado plays baroque music in the appropriate style, i.e. without vibrato. And the dig at Roger Norrinton, you'd better leave it. Hardly any of the many freaky fidgets can hold a candle to that.
@@nathangottschall2443 And in case you haven't noticed, even here with Schumann, it's not about vibrato per se, it's about constant vibrato. Few orchestras are able to produce such a fantastic sound as the Freiburg Baroque Orchestra.
Schumann indicates that three trombones (alto, tenor, and bass) are *ad libitum* in the Finale (they appear only at the climactic chorale). Given the size of this orchestra and the transparent nature of the orchestration that is revealed, through this superb playing, the choice to do without them seems to work brilliantly.
Dimenticavo gli stacchi pubblicitari non potrebbero essere inseriti tra i vari momenti del pezzo approfittando delle pause e senza interrompere la musica?
It's right at Schumann's initial metronome mark: dotted quarter = 84. (Though there's apparently a later source from 1845/46 that indicates dotted quarter = 112.)
This is just the greatest. Can they please do a Schumann symphony cycle????
Without permanent vibrato! What a wonderful sound. The “mainstream orchestras” can take a slice of it.
Pierre Monteux, born 1875 and amply recorded, as well as Arturo Toscanini, born 1867 and amply recorded, demonstrate in their recorded oeuvre that there is no difference between historical use of vibrato and that of modern "mainstream" orchestras. Norrington's assertion to the contrary is fraudulent.
@@nathangottschall2443 In any case, the Freiburg Baroque Orchestra under Pablo Heras Casado plays baroque music in the appropriate style, i.e. without vibrato. And the dig at Roger Norrinton, you'd better leave it. Hardly any of the many freaky fidgets can hold a candle to that.
@@nathangottschall2443 And in case you haven't noticed, even here with Schumann, it's not about vibrato per se, it's about constant vibrato. Few orchestras are able to produce such a fantastic sound as the Freiburg Baroque Orchestra.
Schumann indicates that three trombones (alto, tenor, and bass) are *ad libitum* in the Finale (they appear only at the climactic chorale). Given the size of this orchestra and the transparent nature of the orchestration that is revealed, through this superb playing, the choice to do without them seems to work brilliantly.
Excellent. Bravi tutti, bravo maestro.
amazing musicians
OUTSTANDING !
I love it 💓 just I like the Scherzo a little faster but everything else perfect. Great musicians and an amazing sound. 👏👏👏
the sound is something special worthy of the music.
Mai ascoltato prima Piaciuto molto anche il direttore sia per la figura che per il gesto direttoriale Chie
Chi è '? Grazie per averlo postato 👏👏👏
Dimenticavo gli stacchi pubblicitari non potrebbero essere inseriti tra i vari momenti del pezzo approfittando delle pause e senza interrompere la musica?
Amazing 😃
ich liebe dich meine Libe Zum Leben? Kusse ist
Authentisch!
I keep expecting Pablo to spike a football at the end of each section.
I see no trombones. Why?
where are the trombones?
Trombones are "ad libitum", Schumann wrote this...
Trombones are ad lib in the score
Scherzo too slow ; indication says "vivo", it's more like "morto".
It's right at Schumann's initial metronome mark: dotted quarter = 84. (Though there's apparently a later source from 1845/46 that indicates dotted quarter = 112.)
Ho riletto meglio e mi scuso dirige Pablo HerasCasado