Why Are Certain Guitar Pedals Always The Same Color?
HTML-код
- Опубликовано: 11 окт 2024
- As a pedal designer and manufacturer, the color of a pedal has always been extremely important to me. There is an undeniable link between how a pedal sounds and what color we think it should be. Is overdrive green or is it yellow? Is compression orange or red? It's a hard choice, and it's one that you have to make. The real question is: can you make the choice? You know what you have to do. Do you have the strength to do it?
Okay, that got really dramatic really quickly. Let’s put things in perspective here. This isn’t life or death, but it is pretty dang important. In this episode, I want to do an experiment, a little game I've created called “Color and Effect.”
Become a patron to see our Patreon exclusive episode on this same topic: / thejhsshow
www.thejhsshow...
www.jhspedals....
/ thejhsshow
Check out the gear in this and past episodes here:
reverb.com/c/j...
Josh's guitar is a 2017 Gibson SG Standard
reverb.com/p/g...
Josh's amp can be found on Sweetwater.com
www.sweetwater...
Gear in this video:
2:54 JHS Charlie Brown V4
reverb.com/p/j...
3:39 Boss DS-1 Distortion
reverb.com/p/b...
5:54 MXR Phase 90
reverb.com/p/m...
6:12 Boss PH-1 Phaser
reverb.com/p/b...
6:28 Line 6 MM4
reverb.com/p/l...
8:50 Keeley Caverns Delay Reverb
reverb.com/p/k...
9:31 Line 6 DL4
reverb.com/p/l...
10:15 MXR Analog Delay
reverb.com/p/m...
12:04 Fuzz Face
12:33 Death by Audio Fuzz War
reverb.com/p/d...
15:15 JHS Pulp N Peel
reverb.com/p/j...
18:17 Boss CE-2
reverb.com/p/b...
18:20 Boss DC-2
reverb.com/p/b...
18:36 Ibanez DSC10
reverb.com/p/i...
Jams in this episode:
4:27 Distortion Jam
7:01 Phaser Jam
10:35 Delay Jam
13:12 Fuzz Jam
16:26 Compressor Jam
19:09 Chorus Jam
Record Time:
Weezer - Blue Album
amzn.to/31Pts2Y
Weezer - Green Album
amzn.to/32LtNTw
Josh’s record player is by U-Turn Audio:
amzn.to/34CRXjr
#jhs #thejhsshow #guitarpedals 
Видеоклипы
![BOLIVIA vs. COLOMBIA [1-0] | RESUMEN | ELIMINATORIAS SUDAMERICANAS | FECHA 9](http://i.ytimg.com/vi/zg15uVWjuf4/mqdefault.jpg)
If a chorus pedal isn’t some shade of blue/violet, I can’t trust it
Tc corona chorus prove your argument
Try a boss CE-1
Mine is like green-ish, so like ok-ish
I feel the same way about orange phasers.
MXR Stereo Chorus. Fight me.
I'll be honest, I realized half way through that I just defaulted to whatever color the most common Boss pedal was. ie. Distortion, orange. Chorus, blue. Starting playing in the late 80s, Boss defined pedals or effects to me I guess.
same here, whatever color Boss pedals are ,thats the color that comes to mind when thinking of an effect
yup, like "reddish -coca cola -christmas"
I could never use boss pedals.. there are many other companies that have art on the pedals.. boss obviously sound good but I'm not inspired when i look at em..maybe I'm crazy
I'm the same, although with some exceptions: Phasers should be orange (MXR Phase 90), Tubey overdrives green (Ibanez TS9) except for the Boss Blues Driver of course. Definately baby blue fir chorus, any other color seems weird! Dark grey Metal pedals or Reverb.
MXR had an orange distortion too. Ibanez screwed it all up with the bright green tube screamer. I thought distortion/orange, overdrive/yellow, chorus/blue, delay should be green I think. MXR Carbon Copy is dark green sparkle (cool!) and the analog delay in the 70s was green. Fuzz, I agree, is silver (or bare metal). EHX has a silver fuzz, so does Boss, and most Fuzz Faces in the round case are silver (I thought)
Seriously, this episode came out the day after i got my indoor color correcting glasses (I am severely colorblind!)....what luck!
Do the glasses help correct the sounds of the pedals too? 🤔
That's awesome dude!
Conspiracy theory: Pedalbot 5000 is actually the bassist.
The 5000 is too smart and sarcastic to be a Bass Player. Come on man.
Please, make a Tears for Fears pedal. Two circuits in one box: “Tears” on footswitch 1 and “Fears” on switch 2. It’s obvious that this should be a thing that exists.
Tears = Vibrato, Fears= Octave Fuzz?
Tears or fears
Tears _or Fears
Octave effect should be marked " head over heels"
Combined Chorus and some low overdrive with Colour.
There are always exceptions but generally...
• ODs/Dist/Fuzz "Warm" colours.
• Modulation "Cool" colours.
• Time/Space Neutral colours.
But as someone that has designed graphics on pedals, the name of the pedal can equally influence the colour.
This episode...!!! Pedalbot 5000, an SG, Josh on drums, the "room" reveal, Nick on guitar! Too cool!
I know a friend who got tired of people asking him about the pedals on his board so he painted them all the same color blue.
Brilliant!!!
Why is talking shop with dudes at gigs the most tiring thing ever?
now if he used the series 3 pedals Josh has done that all for him.
@@ianglencross :)
Wouldn't that make them ask more?
And Nick absolutely NAILED his arguments, agreed with him big time (y)
I was looking for this comment. Totally agreed with him
Nick doesn't know colours!! Fire him immediately!! ;)
@@richjohn2497 plot twist: Nick is daltonic 🤔 or not
@@ahamsoueu er ... possibly? ... but i do not know what that word means in all honesty?... so all i can say is a solid .. maybe....... :)
Agreed. I appreciate the dichotomy in Josh’s opinions but Nick’s choices speak more to the everyday users (like me) mentality. His sincere energy is always a great addition to Josh’s dry comic delivery.
Nice one! It’s clear that our color choices are strongly linked to whichever effect pedal first made a big impression on us! Truth is, often it was a Boss pedal...
on some future episode, hopefully: "So on today´s episode we are gona build a pedalboard with only great PINK pedals. It will be the first episode of the monochromatic pedalboard series."
4:27 Distortion Jam
7:01 Phaser Jam
10:35 Delay Jam
13:12 Fuzz Jam
16:26 Compressor Jam
19:09 Chorus Jam
The production quality today on point
BUT WHERE THAT BASS PEDALS EPISODE
How can I like this twice
JHS secretly hates bass players. I've accused them of this in the past and they denied it. But the evidence speaks for itself.
Josh once said that a good guitare pedal must be good for bass too... but it's a lie.
The only objective idea in the world is that flanger is purple
*PERIOD*
I 100% support this.
Retweet.
Makes sense... Flangers sound like flurple.
Flange is yellow or brown for me
I always think red for flanger, yellow is fuzz, green is overdrive, yellow/orange is distortion, blue is tremolo
Josh on drums!? That's a first (for me at least) COOL
Y’all need to get someone with synesthesia to do this. That would be even cooler
Having been involved in something like this at NAMM a few years ago people with synesthesia don't always agree on colour/sound combos.
With a guitar flanger is pinky purple and reverb feels like a speckled white/pale blue. Those are the only ones I think all 5 agreed on. The majority thought echo felt silver/grey (the more open the EQ is the shinier and sharper it feels) but different sound sources muddy the waters a lot.
To me most distortion effects are mostly in the red/orange/brown spectrum when subtle, but it changes to green,gold or yellow as more is dialled in. Other people saw them as black, dark red or always green and one of the girls said she tasted rust.. So it's a weird thing.
@@Gainn A decent Flanger is definitely deep purple-pink gradient. And tape delay is definitely silver/tungsten. Reverbs are so varied in tone and response that you would have to be more specific. Spring reverbs can be army-green or a silvery-white. Halls are mainly dark grey/brown. Rooms are white/blonde/pine. Plate reverbs are generally a pleasant variety of greys.
I’d volunteer. I mix up colors, notes, letters and all Kinds of other stuff. But I’ve also suffered a lot
Of head trauma.
I pretty much associate all my color/effect connections with the first one's I bought. Chorus... light blue (Boss CE-2). Phaser... green (Boss). Flanger... Purple (Boss). Distortion... Yellow/brownish (MXR Distortion +). Overdrive... Yellow (Boss OD). Delay... White-ish (Boss delays). Pretty much Boss ruled my color/effect associations.
Boss and Line 6 have had a deep impact in our minds regarding how effects should look like and which color we associate them with. The Helix user interface respects the long trayectory of their original pedal effects. And Boss green phasers, violet flangers, light blue choruses, white noise gates, black high gain distortions, grey delays, blue compressors and brown reverbs have been a classic that I hope last forever. I own both the Helix and 15 boss pedals... They are a wonderful combination.
I haven’t even started watching yet, but chorus is either light blue or lavender. This is the objective truth because I say so
Periwinkle
Agree... Chorus couldn't be any other colour
except the Boss CE-1 was kinda grayish
I've always loved the whole colors for effects idea so I loved this video. Mine are like this.
Distortion - Orange. The classic DS-1
Phaser - Alien Green. Phasers have always sounded alien to me.
Delay - White. Same idea as Nick had.
Fuzz - Bare, Copper, or Dark Orange. When I think of Fuzz I think rust.
Compressor - Red. Classic DynaComp
Chorus - Deep Blue. Chorus reminds me of the deep blue ocean.
And for a couple others not mentioned
Reverb - Sky Blue. Big sky.
Flanger - Purple. Not sure why, but purple.
Wah/Filter - Also Purple?
EQ - Yellow
Tremolo - Turquoise
Overdrive - Green
Since you’ve covered the psychology of color with effects, what about exploring the idea of why we’re attracted to pedals and amps that are described by associating them with food qualities? For example, creamy overdrive or syrupy chorus. I think that would be an interesting discussion.
Jhs has an episode about guitar buzz words. And I think it has a little bit of this subject on it
Both associations (musical impressions with certain colors or food) has to do with a general basic ability of humans to a psychological phenomenon called "synesthesia". Reed more about it and you understand the relation.
Greetings,
Andreas (guitarist & psychologist, M. sc.)
@ Is Synesthesia something that everybody has at an extremely small degree except for those with full on sensory hallucinations from it? I thought the food association has something to do with the basic lack of knowledge of musical or audio terminology. So people then use what they know to describe their perception of it. Like an overdrive being chewy or beefy.
I often describe tones like SRV as juicy but know that it has something to do with the bouncy bass response and clear top end (like dropping a big stone into water? I guess that has a similar audio profile). But you're the psychologist so you would know better than me on this!
Frozen cardboard noise gate?
@@jsullivan2112 You are talking about two sides of th same coin. Synesthesia is the sensual process. Conditioning is the learning process. Different neuronal areas. Greetings!
Your channel is hilarious, informative, illuminating and entertaining.... and now I've seen more of your pedal room, it also appears that you are broadcasting from possibly the most incredible guitar FX room in the history of .... well, guitar effects.
Rooms.
Guitar FX rooms.
Can we have a tour of the shelves please guys?
I thought that was the only pedal wall but when the camera panned the whole room...holy macro
No shit, I had the exact same reaction. I was literally stunned. Then to see that there were MORE pedals in the drawers as well?!?!?! It's scary to think how many pedals are in that room alone.
Same here. What the hell?! :D
You probably thought Josh's near breakdowns every time he discusses a pedal he doesn't have were a joke, didn't you?
wyssmaster nah, I always thought they were genuine
My question is, how does Josh manages to purchase all these pedals!
Wow, once i heard distortion my mind went to orange and black too, but mostly because of the governor and the DS-1.
and thats where the similarities ended lol.
phaser: red
delay: silver, or green.
fuzz: Silver (or bare so im with nick on this one)
compression: Blue (boss)
Chorus: Baby blue (Ch-1) completely forgot of the lavender iterations.
This was such a great episode, as someone who obsessively looks at the aesthetics of pedals as a factor for purchase as well as their functions, I thoroughly enjoyed this.
Yo make pedalbot say “Fitter, happier”
Also, I like Nick’s KC hat.
More productive
Growing up in Australia I became accustomed to a particular colour coding for potato chips. Green = chicken, blue = plain/salted, purple = salt 'n' vinegar, brown/orange = bbq, yellow = cheese and onion. But during my travels in Europe and Asia, I've become aware that the colour scheme is not universal. Some countries (i.e. England) have it completely 'backwards' to my experience. That said, the flavour was still the most important part.
Distortion: BLUE
Phaser: BLUE
Delay: BLUE
Fuzz: BLUE
Compression: BLUE
Chorus: BLUE
Agreed
Is your guitar and amp also blue? Da ba de da ba die?
You’re mad man
Haha. I think I have a green overdrive, green compressor, green phaser and green fuzz. But black and blue guitars.
Daba-dee daba-die
To me are: distortion - red, overdrive - green, fuzz - dark metalic, chorus - light blue, booster - white, delay - light metalic, blues driver - blue, high gain distortion - black, phaser - orange, vintage distortion or high gain overdrive - yellow.
Me: kind of a weird episode subject but ok
Also me: delay is NOT green what is wrong with you?
I'm amazed everyone is saying white. To me it's a sky blue vibe.
Yello (yield)
Awesome vid again guys!
Here are my colours:
Distortion = Orange like the DS-1
Phaser = Purple for some reason, based mainly on how it sounds in my head.
Delay = sky blue like the text on a DD-7 or a JHS panther cub
Fuzz = Red like the text on MUFF or the Fuzz face. even more if it has an enamel hammer finish on the case for texture.
Compression = white, white as hell. 'Cos it sounds like nothing, but more nothing than you had before.
Chorus = Kinda yellow like the micro chorus, but mainly the blue of the CE-2
Bonus Rounds:
Reverb = Light green, and I have no idea why. I think its the way it sounds in my head again.
univibe = swirly combination of light blue and Neon purple.
This was fun!
Such a fun episode!!
Here’s mine:
-Black: Distortion
-Orange: Phaser
-White: Delay
-Green: Fuzz
-Blue: Compressor
-Light Blue: Chorus
I am pretty much with you on that list ;-)
Damn im with you just, phaser and fuzz switched!!
Hmmm, black distortion and green fuzz....sounds like a doom metal rig....
Teal blue compression.. Don't you love how they failed using orange twice.
Distortion is yellow
Phaser is light green
Delay is purple
Fuzz is light blue sparkle
Compressor is white
Chorus is light blue or turquoise
And...
Tremolo is dark green
Reverb is brown
Wah wah is black
Overdrive is red
Awesome!! I love this game!
Distortion - Black (Rat)
Phaser - Orange (MXR)
Delay - Dark Green (Line6 Delay / Roland Space Echo)
Fuzz - Sparkly Blue (Hendrix Fuzzface)
Compression - Grey+blue (1176)
Chorus - Light Blue (Boss)
[BONUS!] Overdrive - Green (Tubescreamer)
I tend to see drives like a sunset
RED: distortion
ORANGE: fuzz
YELLOW: overdrive
PURPLE: phaser/univibe (psychedelic)
BLUE: chorus (ocean)
LIGHT BLUE: Flanger (sky)
SILVER: tremolo (like a working on machine)
WHITE: compressor (more feel than color)
BLACK: delay (think space)
BROWN: reverb (like a cave)
I mostly agree,
Reverb must be White - like heaven
Phaser is Pink - like candy
@@omriefrat4877 Man I actually tought phaser on pink and vibe on purple! Very interesting the concept of reverb on white, so maybe shimmer should be gold like heavens gate...
get out of my brain dude
I would love an Opposite Day run of pedals: blue distortion, red delay etc. JHS is the company I trust to make something like that.
The dm-2 is a red delay
Imma get my thoughts out: color and what pedal i would've picked up
Distortion: Black. The first Distortion Box i stumbled across was the Digitech Metal Master back when i started playing guitar
Phaser: Orange. MXR Phase90 duuuuuuuuuuuuuuh xD
Delay: Hwhite. For the clean repeats i get. Also my first Delay was a Boss DD-5
Fuzz: Golden. Lots of Energy and massively radiant like the sun u kno. Analogman Sunface
Compression: Silver. I think of it as a refinement of the guitars sound. Precious in a way. Keeley 4Knob-Comp
Chorus: Blue. Kind of moody sounds, thinking of Nirvanas "Come as you are". MXR Analog Chorus
Extras:
Overdrive: Green. Maxon Od-9
Flange: Purple. Vibey and fun but can get crazy. Boss BF-2
Reverb: Dark Blue. Spacey. Strymon Big Sky
@Nathan Lange using your real name on youtube to comment shit on people who took their time to make a valuable contribution to the comments while using
>
I don't tend to think of effects and colours. A good presentation is necessary in the market place, but I don't care that much about presentation myself. The timbre the pedal brings to the party is everything to me.
@Nathan Lange just delete yourself
Distortion - Orange (DS-1)
Phaser - Orange (Phase 90)
Delay - Dark Green (Carbon Copy) but to me the actual feeling of delay apart from pedals is a light blue for me.
Fuzz - Sliver/Red (Big Muff)
Compressor - Black or Red (All the compression shorts I had for sports were black. Also Dynacomp Red)
Chorus - Blue (Boss Chorus in general)
Now this. This is the Quality content I’m subscribed for
Spent ages on this, so I hope Josh reads it 😁 My (very wine connoisseur sounding) colour perceptions of effects:
Distortion - Brown/Black. Hard to decide, but it's a dark colour to me, but one that's also non- distinct. It's a dark night drinking in the woods.
Phaser/Flange - Orange. I always feel phase evokes the mental image of a sunset to me, and all the bright tints of orange that has.
Delay - Blue. Makes me think of the sky, or vast salt flat deserts. Vast wilderness type terrains. Also outer space to an extent with Neptune etc.
Fuzz - Silver/bare metal. I'd agree with Nick here. Fuzz feels like something very raw and unadorned. Like a chainsaw or a rusty old abandoned factory you go urbexing in.
Compression - White. While compression does indeed colour sounds, I feel its white because it seems neutral, doesn't get in the way. It's an office window vibe to me.
Octave/Pitch Shift - red. Definitely red. Like a tube amp running hot enough to see the tubes inside burning, or a furnace with bright flames.
Reverb - Yellow/Green. Reverb comes across to me as something brights, especially spring reverb, which I would say is yellow in particular. It's like the middle of the day during heat wave in a rural area.
Chorus - Dark blue. I think Chorus always makes me think of being underwater, or hearing a river nearby. It's that trickling sound. Kinda sickly but also nostalgic.
As for a Weezer colour? Pinkerton, I guess. IDK, I'm not really into Weezer much. Anyway, those are my colour perceptions. Would love to know if anyone else feels the same.
Josh playing drums with a scarf on just made me loose it! 🤣
The episode was great!!!
You should do another one where you build a whole pedal board picking a music genre and using only one color for pedals.
As a drummer 1st and a guitarist 2nd, I have to say that Josh is a damn fine drummer. Great swing and groove! Props, Josh!
OD/Distortion/Fuzz: Black
Phaser: Orange
Chorus: green or blue
Flanger: *PURPLE*
Reverb: gray
Delay: white
Compression: red
Tremolo: “baby green”
Delays - green
Modulation - blue
Reverb - orange
Distortion - yellow
Weird stuff - pink
Line6 M9 style 😂
In my oponion
Distortion: Orange (all boss distortion pedals)
Phaser: Green (boss)
Delay: White (all digital delay of boss
Fuzz: Metalic and red (big muff, converge fuzz pedal, univox, fuzzface, boss)
Compressor: i'm not a fan of this pedal but to me is orange
Chorus: Purple (Ibanez, Dimension c, Small clone)
Pedal color plus
Reverb: Blue (Slö, Cathedral, holy grail)
I just got my first 5 pedals and been binge watching these
Bro same he put me on I been on a wild streak since July
@@t1n670 yeah I'm looking into a fuzz and a phaser atm but there's so many other pedals I feel like I need
Yeah it's honestly a super deep world to get into and I'm a cheapo lol, I got the Eno bmf fuzz because it sounded like a pretty solid big muff clone from the demos I've heard and I'm saving up for a zoom ms70 for ALL the modulation needs
@@t1n670 thats dope! I'll have to check that fuzz pedal out lol it might be what I end up buying
For Associations to color of fx.
Distortion: black, deep blue and red.
Phaser: orange (phase 90), black (Eventide Instant Phaser) or silver grey with red and black (Small Stone).
Delay: deep blue (flashback), white (clear repeats. Associations to clear studio tape-like delays), Plum/pink/magenta-ish color (several bbd pedals). Black
Fuzz: purple, red, orange-brown.
Compression: white, black, red, grey (studio racks)
Chorus: light blue/teal/turqoise and lavender/light purple
Bonus - Overdrive: yellow, cream, light brown, sand, light orange, any shade of green (tubescreamer) and deep blue (t-rex alberta)
Black: distortion
Grey: eq
Blue: chorus
Red: compression
Orange: overdrive
Light blue: delay/echo
EQ. Good Call.
What about fuzz???? Flanger is always purple
@@dddd717 One of my flangers is silver and pink, and the other is all black. As far as fuzz goes, whatever color a Big Muff comes in works for me. Though I wish EHX would make a fuzz chorus pedal that gets those "cold" 1980s chorus tones and call it a Smooth Muff.
@@dddd717 Fuzz has it's own color subcategory.
overdrive could also be green (tube screamer)
Distortion: Orange/red
Phaser: Lime Green
Delay: Magenta (?)
Fuzz: Black
Compressor: Dark Blue
Chorus: Light Blue
Distortion: red
Phaser: orange
Delay: green
Fuzz: grey/black
Compression: orange
Chorus: every shade between light blue and light green
I don't consider myself OCD or anything but I like a pedalboard to be varied in color. I'm like this too about song titles. I think it's cool to have maybe two songs back to back that start with, say "s" but I wouldn't want 3 s titles on a set or album.
Anyway, here's a couple of my ideas for expanding the list on just a couple effects not mentioned:
Flanger = Purple
Envelope Filter = Green
Tremolo = Yellow/Gold/Cream
Synth = Multiple colors as long as neon plays a role
Ideal Weezer IS Blue.
Me one year ago: this is a cool Channel but I worried that Josh might run out of topics.
Josh Scott:😂😂😂
This video made me realize I associate effects to whatever colour Boss uses, even though I haven't owned these Boss pedals in 20 years. I use an HXFX now and I changed all the colours to match this scheme:
Distortion - orange (DS-2 Turbo Distortion)
Phaser - green (PH-2 Super Phaser)
Delay - white (DD-3 Digital Delay)
Fuzz - bare metal - literally couldn't have said it better than Nick (also the FZ-3)
Compressor - blue (CS-2 Compression Sustainer)
Chorus - light blue (CE-5 Chorus Ensemble)
i think this would be cooler in reverse show a cooler and you say what effect you think it is
smashallpots yep because then he couldn’t choose the same colors for diff effects.
Probably why you don't have a successful RUclips channel. Or pedal company, for that matter.
Yeti's are definitely line6 multieffect units. Ulines are flange and a bit into chorus.
Igloo is hard clipping distortion only
@@fdfsdfsvsfgsg4888 youre kind of a dick
Like Igloo or Yeti?
brilliant!
distortion: black or orange
phaser: grey or blue
delay: white
fuzz: brown
compression: beige or terracota
chorus: blue
Music is emotion and colors and design triggers emotions.
So you are god damn right I'm going to buy a lot of pedals from EarthQuaker Devices and Walrus Audio
(and JHS, of course)
I wouldn't let presentation stop me from buying a pedal. A great pedal is great regardless of it's presentation.
Compressor: Yellow.
(Diamond Comp) First compressor I ever owned, always on, even as I type this.
Overdrive: Green.
(TS variants) just a classic, can't get it out of my head.
Distortion: Purple.
(DigiTech Grunge) First pedal I ever owned!
Delay: Navy Blue.
(Korg SDD-3000) A delay unit that I spent literal years chasing down. The King of Delay put them on the map.
Reverb: Grey.
(Boss RV) Such a powerhouse; iconic for budget players, IMO.
The more important question: to drum with or without a scarf
it's probably a towel to prevent his stress sweating over how long it's taking him to make the Sovtek episode
Neither, a collar and tie.
I received one of your Black pedals, from my wife, for Christmas.
The JHS Little Black Amp Box to use on a Fender Hot Rod DeVille 2x12.
This is my first JHS device. It was defective... 😂 The output jack is shorted or loose.
No big deal, it is being replaced.
When it works it does a great job. Fender should include it will all of the Hot Rod line of amps.
J: “Are you alright?”
N:“Yeah I almost died”
I didn't know what to expect when started the episode, but it was just a lot of fun!
Mine:
- Distortion: Orange (Yeah, I own a DS-2 and I see it like a red perversion of a yellow raw signal)
- Phaser: Green (or Orange, don't care much)
- Delay: Purple (analog delay fans will get it better)
- Fuzz: Silver (same reasons as the guest's)
- Compressor: None (why would you want one for anybody's god sake?)
- Chorus: Blue (because some cliches simply work)
Distortion: red
Phaser: orange
Delay: blue
Fuzz: bare metal
Compression: red
Chorus: yellow
For me it’s
Overdrive: yellow
Distortion: black
Fuzz: metal
Phaser: orange
Delay: light blue or white
Chorus: blue
Flanger: purple
Damn this was really tough but I think I got my list
Distortion: orange hues for sure, you got me there Josh. Not so much because of boss or anything, I think it's because I have a "Heavy Head" which has a graphic of a man with orange LED's for eyes and he looks insane when they turn out, like the distortion has taken his sight
Delay: silver because it's so pure and I think delay at its core is a very pure effect because it is simply replicating what is already there
Phaser: green because that's the colour of a laser in my mind and that's what I associate phasers with
Fuzz: black, even if there aren't a ton of black pedals I associate with, when I picture fuzz I picture a white background or just the sun itself being blacked out by harsh square waves
Chorus: a calming light blue, like the ocean
Compressor: torn between like a gun metal grey because compressors make me think of some sort of factory machine squashing junk together, and light blue, because my first pedal was a Behringer compressor lol
Interview Devin Townsend about this topic, I would be greatly intrigued what he would have to say!
Great video!
Love it!
Josh, this is great! Just picked up the jhs big muff, and tube screamer!!! Looking forward to my chorus!
This is a fun video!
Sounds a lot like Radiohead’s “fitter happier”.
Red , Orange Distortion (DS1), green for , purple for delay , chorus blue , phaser yellow Ibanez - fun episode guys - Fuzz Grey
The color of distortion = “Dirty” Gold
for me that's overdrive. like a klon gold.
My pedal experience began with an early big muff in the late 70s, but was quickly followed by a Boss PH-1 (which I still have) and other Boss pedals. Although I had some MXR stuff - the Micro-Amp comes to mind - Most of my pedals were Boss, so those are the colours for me. I had the OD-1, so yellow is overdrive, the DS-1, so orange is distortion, the PH-1, so phaser is green (not MXR orange for me, sorry), the BF-2, so flanger is fuschia, and so on.
Yes!
Imagine for a moment that you mistake an antitank mine for a Russian Big Muff!!!
Please EH. paint your Muffs in a standard color.
My list of pedal colors:
Orange - Phaser
Yellow - Distortion
Red - Compressor
Teal Blue - Chorus
Blue - Delay (EH Stereo Memory Man)
Bare metal - Fuzz
White/Grey - Multi FX (Eventide H9/Boss ME series)
Black/Grey - Reverb
Black/White - Boost (EP Booster/Micro Amp)
Holy shit there are pedals on every wall.
I think a lot of it has to do with your first version of the pedal or one you saw.
Distortion - Black/Orange, HM-2
Phaser - Green, PH-2
Delay - Silver/Metallic? DD-2
Fuzz - Red, Fuzz Face
Compression - Blue, Boss CS...
Chorus - Light Blue, CE-2
You didn't do Flanger but mine is Pink, HF-2 & Tremolo Green, Rocktron Surf Tremolo.
Is it possible to get a pdf of Nick's fuzz solo? I'm asking for a friend.
Overdrive: Yellow or Green (depending on what style obviously), Distortion: Red, Phaser: Orange, Delay: White/Grey(or silver indeed), Compressor: Black or blue, Reverb: Grey, blue or black (white or blue LED), Flanger: Purple, Chorus: Blue. I took some out of Boss' category, some of what I have on the floor based on either Led color with the corresponding footswitch or box color. Gonna agree with bare metal for Fuzzes cause Big Muff
Distortion: red
Phaser: orange
Delay: white
Fuzz: gray
Compression: dark blue
Chorus: light blue
And Booster? black?
@@private8686 could be, like the EP booster
Distortion is DS-2 Turbo Distortion orange. First pedal I ever bought.
Phaser is Phase 90 orange. Never had a phaser, but that's what comes to mind.
Delay is Carbon Copy sparkle green. That's not my favorite delay, but it is my favorite delay color.
Fuzz is both metal AND red to me as well. My Little Big Muff has served me well for many years, and is metal with red font.
Compression is olive green. Like the McDSP Retro Limiter plug in that I use on my guitars all the time. (I don't own a compression pedal, but I use the Compressor on my EHX Battalion.)
Chorus is Blue like the Super Chorus, or the LED of modulation button on the Carbon Copy.
My favorite Weezer color is PINKerton. Though blue and green are my other preferred Weezer records.
(Edit: Overdrive is Blues Driver blue.)
Hell yea new video
I think color is more important on an individual level. Say, for instance, when Im about to step on the king of tone and look down at that super dark red...it just instills this incredible level of confidence/inspiration in what’s about to happen. Same goes with any pedal really...ready for some chorus? Ok, let’s go blue and I KNOW this is gonna be amazing.
It really is more important than you’d think. Part of the playing experience is personal expression and when you have “products” at your feet that instill confidence on every level (sound, build quality, appearance, “vibe”) it just inspires you to play “better” and sometimes more creatively. The look and color is a part of that, whether or not we want to admit it.
I’m sorry, I’m just too distracted by Josh’s Tears for Fears tee
Thanks for this inspiring episode, guys!
-Distortion: orange
-Phaser: lime green
-Compression: red
-Reverb: very light blue
-Delay: white
-Fuzz: metallic grey
-Overdrive: lemon yellow
-Octave: dark blue-purple
-Tremolo: rust or amber
-Flanger: plum
I honestly always hoped someone would break away from the happy meal toy theme.
Chorus is blue because it’s watery, over drive is yellow because yellow takes on the color of stuff so easy. For example a yellow marker touches black and then it mixes easy. Yellow is also so light, just like overdrive. Fuzz is silver. I think of big muff and just a metal chassis. The way metal just gets rusty and dirty. Flanger is a dark purple like muk. Flanger is like sludge acid. Phaser is orange like the small stone. It’s like a wave of orange.
Be careful, Josh. When you go “down the rat hole” you can get bitten.
It's rabbit hole. Delete your account.
Distortion - Green and Black(Even though the only distortion pedal I ever saw when I first started playing guitar in the early '90's was a Boss, I guess I think green. I love green about as much as I love black.)
Phaser - Red(TC Electronics Blood Moon - It's the only phaser I could possibly afford.)
Delay - Blue(Memory Man)
Fuzz - Silver or Bare Metal (Big Muff)
Compression - White(I have no idea why.)
Chorus - Blue(Boss. I have an unhealthy love of The Cure and Robert Smith.)
Nice Tears for Fears shirt, Josh.
Octave - Brown Boss OC-2
Comp - Dark Blue Boss CS-2
Fuzz - Grey Univox Super Fuzz
Distortion - Black ProCo RAT
Overdrive - Green Ibanez ts-whatever
Boost - White Mxr Micro Amp
Chorus - Light Blue Boss Super Chorus
Phaser - Orange MXR
Flanger - Purple Boss BF-2
Vibrato - Dark Blue Boss VB-2
Tremolo - Yellow Danelectro Tuna Melt
Delay - Silver/Red/Black EHX memory man
Verb - Dark Grey Boss RV-5/Light Blue strymon big sky
I may have done this before, but:
Distortion: Red (aggressive; also my fave is the Danelectro Fab).
Phaser: Orange (swirl of red and yellow).
Delay: White. I have no idea why.
Fuzz: Unfinished. The original effect.
Compression: I get the orange, but for me, I think brown. Maybe my old Digitech, which I wish I still had.
Chorus: Cool and pale. Backgroundy, like the sky.
And then, ironically, you release a line of pedals that are all white.
Really fun to watch!
I'll share mine:
distortion: black
phaser: orange
delay: white
fuzz: purple/silver
comp: blue
chorus: lavender
Distortion: somewhere between yellow and red
Phaser: some sort of purple. If I had to design a phaser pedal case, it would be a bordeaux/wine red and indigo/blurple twirl.
Delay: white or light grey
Fuzz: as an electronic musician, not a guitarist, I have little associations with fuzz. I think I’d go with either dark red or black. Bare metal is also good.
Compression is pretty colourless to me. If I’d make one, I’d make it sky-blue with very low saturation, so almost grey.
Chorus: lights blue. Could go towards lilac or even pink, but mainly light blue.
Some more:
Reverb: mid-grey
Vibe: this one’s tough, but I think black or dark grey
Flanger: green. This is the only effect that’s green to me, and at the same time it’s one of the most definite ones for me.
Filter/wah: brown
I don't usually comment, but Josh and Nick, you guys were so entertaining and original and funny that I just had to say something! Great, creative job on the topic and video...and greetings from MN!
Fun episode! I'll throw my two cents in, and admit that BOSS pretty much sets what any color SHOULD be.
Distortion: Orange (DS-1)
Phaser: Blue (DOD 201 Phasor), but feel like the correct answer should be orange
Delay: White/Blue; although that BOSS DM-2 plum(?) is iconic, I'm rolling with the DOD Rubberneck and Empress Echosystem.
Fuzz: Silver; I stand with Nick.
Compressor: Blue (CS-2)
Chorus: Blue (CE-2)
I cannot believe I watched 100% of this silly video, and yet smiled throughout the whole thing! Josh and the “inferior human” are always so entertaining. I even learned a couple of things about pedals. Bravo lads. 👍
So much covered in so short time AND jams. Great show!
Distortion - orange (ds1)
Phaser- silver (ehx small stone)
Chorus- blue (boss ce5)
Compressor- silver (keeley 2 knob)
Delay-silver ( ehx memory man)
Fuzz - gold (Analogman sunface)
If I forgot one I blame it on being distracted by pedalbot 5000s attitude, Josh on drums, invisable bass players, and that horrible guitar wart nick left on the strat headstock. He should have to use the vintage strobe tuner for awhile, hard to leave that one stuck to the guitar. 🎸 Judt kidding a little, and I loved the solo part Nick. Keep on jamming.!
Even I'm partly colour blind , talking about the colour for an overdrive-stompbox ,
I prefer the Nobels ODR-1 , I also greatly love the colour of its' sound 😊
The same thing with the Boss PS 6 Harmonist 😊
Distortion-ds1 🍊 or black
Chorus- ce2 blue
Fuzz- muffaleta brown (metal is so close tho... )
Delay- dd3 white all the way
Overdrive- screamer green
Ocatave down- oc3 brown
Octave both- pog red
Loop swithcher- must be black unless you're a caveman, then bare metal is 🙂 👌 👍
Compressor: white (no reason)
Overdrive: light yellow (EHX Soul Food, Boss Super Overdrive)
Distortion: black (ProCo Rat, Marshall Bluesbreaker, EAE Model feT, EHX Tortion, etc)
Fuzz: red (NYC Big Muff, Fuzz Face)
Chorus: purple/lavender (EHX Small Clone, Ibanez CS-9)
Phaser: orange (EHX Small Stone, MXR Phase 90) or red (EQD Grand Orbiter)
Flanger: purple (no reason)
Tremolo: cyan/teal (EHX Pulsar, Boss TR-2)
Digital delay: white (Boss DD-20 and DD-6)
Analog delay: green (MXR Carbon Copy, Roland Space Echo)
Reverb: dark blue (no reason) or black (TCE Trinity, EQD Afterneath & Ghost Echo, EHX Holy Grail & Oceans 11, Boss RV-6, DBA Reverberation Machine & Rooms, etc)
Wah: yellow (no reason)
Pitch shift: red (Whammy, POG, Pitch Fork)
Distortion: Orange (DS1)
Phaser: also Orange (MXR P90)
Delay: White for digital, Burgandy for Analogue, Dark Green for tape (DD series, Ibanez, Space Echo)
Fuzz: Metal (same reason as Nick)
Compression: Blue (Boss)
Chorus: Light purple (Ibanez)
Not in the video but....
Flange: Pink (Boss)
Overdrive: Yellow (kinda Boss, kinda Klon)
Reverb: Blue (Digitech Digiverb)
Tremolo: Blue (kinda Boss, kinda the Blue accent of some Fender amps)
Vibrato: Green
Octave: Brown/Red
Scary, I went the same as Nick on every pedal. That said I think you should do a JHS "50 shreds of green" range of pedals 😉
Great episode! Here’s my list:
Distortion: Gold
Phaser: Orange
Delay: Silver
Fuzz: Black
Compressor: Blue
Chorus: Purple
Distortion is Orange because of the amp the pedal I have is modeled after
Phaser is Purple like Prince
Don't know the color of delay because I've never used it. I wanna say a smokey pink since Looper is Maroon and Delay is kind of like a paler v ersion of a looper. Honestly, I don't know/
Fuzz is also Orange
Compression is once again Orange
Chorus is the creamy off-white of my Roland Acoustic Chorus amp
Distortion - Red my first distortion was the Danelectro T-Bone distortion
Phaser- Orange. MXR did it right in my ears.
Delay- digital, white. Analog, purple.
Fuzz- also red. I also think of the fuzz face
Compression- grey/silver because of Ross compressors
Chorus - Blue. My first ever pedal was the DOD Icebox & it's still on my board today.