Morton Feldman - Piano, violin, viola, cello (1987) (Ives Ensemble)
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- Опубликовано: 29 окт 2017
- Felix Meritis, Amsterdam (The Netherlands)
November 15, 2011
Ives Ensemble:
John Snijders - piano
Josje ter Haar - violin
Ruben Sanderse - viola
Job ter Haar - cello
What weeds stifle the garden of my mind! Let me feed myself my five fortified thoughts every day to rev up my quantum boosting meat muscle. Because reality and my mind are co-determined, like humming birds in tubular buds, I eat my thoughts and the universe grows stronger; but when the universe eats me, I lose my mind, and volcanoes and earthquakes become my thoughts. In fact, I can smell the sound of my thoughts inside eels in the river, and I can taste the sound of my thoughts when they bang like popcorn sweet and spicy. Oh, have you ever been woken up by a sound in your head when you were sleeping? I really do mean inside the head... It is then that one thought sprouts, and another one carrots, and another one crashes and crumples up chicane. Anyway, what I'm trying to say is, thanks for all the music you share, it really is a lovely thing you do for us all. This is my feminine fav. 💕❣️ 🌈
Every variation on “thank you” i type is but a bleak sentence compared to your almost poetic words. But, bleak or not, thank you .
More Morton Feldman please! :) I love your channel.
thanks
Btw., thank you so much for posting!
For score studying purpose: page 17/34 is at 41:04
page 34/34 is at 1:13:31
most underrated youtube channel tbh
Thanks, altough i think it's better to be underrated then overrated
Very successful video. Music is also very fine....
It is like riding a bicycle on the hot skin of the motorway! You're alone between thousands of impersonal cars but you're riding a horse!
You sound like the kind of person I need to know.
This is just perfect! The video fits so well with the music. I have a request - would you have any intention of doing Stockhausen's Natürliche Dauern cycle?
Thanks! I only use non commercial recordings so i’ll have to see if i can find one for the Stockhausen piece. But, thanks for making the suggestion, i know the music but up till now never thought about making a video for it.
Gawgeous. I love your videos and your taste in music. FYI, there is a glitch in the audio at around 16:05.
And a few after that too...
Thanks for that. And sorry about the glitch, i missed it and just listened back to it. I am afraid it's on the recording i used.
Quoting Debussy's "Footprints in the snow" ???? at 49:54
00:30 start of performance
49:09 oy, vey...!
1:00:11 what's that? A Ringtone of 'Crippled Symmetry' ?! *g*
16:06 :(
There is a glitch, it's in the original recording so ... sorry about that
@@notlookingfornewengland That's just a little nothing... Thank you to upload this music!!! Morton cds are so difficult to get, so thank you again!!!
@@ono1dij glad you like It. Feldman’s music is so underappreciated
@@notlookingfornewengland That's right, a genious man, his music and books/articles are wonderful!!!
@@notlookingfornewengland I wouldn't say :) I think he's well known as a great composer...
Sounds outdated. Google AI can make more interesting sound arrangements.
Why do you sometimes praise Feldman's music and other times berate it? Is it the compositions you dislike or the performance of? Is it simply because you are a pyrofangraline? Or, perhaps, as I sense, you are deeply affected by impotomberfield.
@cristianlang6971 Sir, yours is a fascinatingly insightful comment. With the Advent of AI, it makes me wonder whether humans and their "art" can indeed be perfectly replicated. Is all that the great artists do something that can be worked out like a mathematical formula? Or is there something unique about the "human" element within art that transcends logic and code? And if so, what is it? Could AI work out what we are unable to put our finger on in a work of "genius? And even if it manages to perfectly copy (and exceed?) our human creations, does AI always remain somewhat "human" by the very fact that we created it in the first place? In other words, is AI just an extension of our own consciousness?
Anyway, your comment is a brilliant (and human) one and Bach is likely waiting for answers in Schrodinger's box.
Finally, can I ever escape from the prison of my consciousness; and if not, can I find some form of coping mechanism? For now, there is only Feldman's deceptively simple, but endlessly deep, compositions.
@cristianlang6971 Thank you, I'll look into that. My solipsistic tendency is reeking havoc at the moment, the ultimate prison of them all. The drumbeat of winter's approach isn't helping either. Goo-goo willy winkerson and chimpering wry fox peas.