![not looking for New England](/img/default-banner.jpg)
- Видео 183
- Просмотров 819 607
not looking for New England
Нидерланды
Добавлен 17 июл 2016
Homemade movies for interesting music, mostly contemporary classical compositions but some jazz or other things may turn up.
Yannis Kyriakides - The world feels pressure, for 3 voices, bassclarinet and live-electronics (2012)
Neue Vocalsolisten Stuttgart
Gareth Davis - bassclarinet
Yannis Kyriakides - live-electronics
Muzerije Hofzaal, Den Bosch, November 9, 2012
Gareth Davis - bassclarinet
Yannis Kyriakides - live-electronics
Muzerije Hofzaal, Den Bosch, November 9, 2012
Просмотров: 57
Видео
Klaus Lang - Der Pythagoräische Fächer (1995/2013/2018) for organ and big ensemble
Просмотров 160День назад
Remix Ensemble Casa da Música - Peter Rundel Philharmonie, Cologne May 10, 2024
Paolo Castaldi - Left (1971)
Просмотров 126Месяц назад
Emanuele Arciuli - piano Auditorium, Milan, October 22 2007
Michaël Levinas - Concerto pour un piano espace n°1 (1976)
Просмотров 147Месяц назад
Michaël Levinas, piano Ensemble L’Itinéraire, Michel Decoust , 14 mars 1980
Juste Janulyte - The Colour of Water (2017) for saxophone and chamber orchestra
Просмотров 134Месяц назад
WDR Sinfonieorchester - Peter Rundel Marcus Weiss - sax Funkhaus am Wallrafplatz, Cologne, June 22, 2019
Milica Djordjević - Monochrome, light blue darkness (2024) for eight wind instruments
Просмотров 137Месяц назад
Marco Blaauw, Christine Chapman, Mathilde Conley, Rike Huy, Bob Koertshuis, Nathan Plante, Christopher Collings, Laura Vukobratović - trumpet Saalbau, Witten (Germany), May 3, 2024
Usko Meriläinen - Summersounds (1979) for flute and tape
Просмотров 1272 месяца назад
Daphna Itzhaky - flute Nicolaïkerk, Utrecht April 6, 2002
Morton Feldman - Vertical Thoughts 2 (1963) for violin, piano
Просмотров 1952 месяца назад
The Barton Workshop:Marieke Keser - violin, Frank Denyer - piano Theater Kikker, Utrecht April 7, 2005
Aphex Twin - Avril 14th (2001) for piano four hands (Katia & Mariella Labèque)
Просмотров 3002 месяца назад
Katia & Mariella Labèque - Minimalist Dreamhouse Konzerthaus, Dortmund (Germany) November 28, 2015 Katia Labèque - piano Marielle Labèque - piano
Roger Tessier - Un instant ... Et encore un instant pour 12 instruments (1973)
Просмотров 2352 месяца назад
Ensemble L’Itinéraire, olv Boris de Vinogradov Carré Silvia-Monfort, Paris, june 17 1974.
Gavin Bryars - It never rains (2010)
Просмотров 2293 месяца назад
Gavin Bryars ensemble Gavin Bryars - cond., keyboard James Woodrow - guitar Morgan Goff - viola Audrey Riley - cello Ziella Bryars - cello Yuri Bryars - bass Turner Sims Concert Hall, Southampton October 3, 2023 From Bryars website: "It Never Rains is a short piece written in the summer of 2010 that was commissioned by Jim Fox for the Californian label Cold Blue Music and is dedicated to them. ...
Henry Threadgill - Sixfivetwo (2018)
Просмотров 1763 месяца назад
PUBLIQuartet Curtis Stewart - violin Jannina Norpoth - violin, vocals Nick Revel - viola Hamilton Berry - cello Muziekgebouw aan het IJ, Amsterdam, May 6-7, 2023
Klaus Lang - Die hässliche Blume (Version 1 for viola and piano) (2012)
Просмотров 2794 месяца назад
Ensemble Fractales: Gian Ponti - piano Marion Borgel - viola De Link/Het Cenakel, Tilburg, February 27, 2018
Mauricio Kagel - Motetten (2004) für acht violoncelli
Просмотров 2484 месяца назад
Conjunto Iberico - Elia Arizcuren Verkadefabriek, Den Bosch. November 20, 2005
Vladimir Martynov - Spaces of Latent Utterance (2012)
Просмотров 2955 месяцев назад
Ralph van Raat - piano Muziekgebouw aan het IJ, Amsterdam. April 7, 2019
Steve Reich - Jacob's Ladder (2023)
Просмотров 1,6 тыс.6 месяцев назад
Steve Reich - Jacob's Ladder (2023)
Morton Feldman - The King of Denmark (1964)
Просмотров 2956 месяцев назад
Morton Feldman - The King of Denmark (1964)
John Luther Adams - The Wind in High Places (2011) for string quartet
Просмотров 2646 месяцев назад
John Luther Adams - The Wind in High Places (2011) for string quartet
Morton Feldman - For Stockhausen, Cage, Stravinsky and Mary Sprinson (1972) for cello, piano
Просмотров 4127 месяцев назад
Morton Feldman - For Stockhausen, Cage, Stravinsky and Mary Sprinson (1972) for cello, piano
John Luther Adams - The Light Within (2010)
Просмотров 3258 месяцев назад
John Luther Adams - The Light Within (2010)
Gavin Bryars - The Flower of Friendship (2009)
Просмотров 4879 месяцев назад
Gavin Bryars - The Flower of Friendship (2009)
Christian Mason - Invisible Threads (2023)
Просмотров 87010 месяцев назад
Christian Mason - Invisible Threads (2023)
André Jolivet - Incantation « Pour que l’image devienne symbole » (1937)
Просмотров 18410 месяцев назад
André Jolivet - Incantation « Pour que l’image devienne symbole » (1937)
John Cage - The seasons (for orchestra) (1947)
Просмотров 76411 месяцев назад
John Cage - The seasons (for orchestra) (1947)
John Cage - Seven (for ensemble) (1988)
Просмотров 48311 месяцев назад
John Cage - Seven (for ensemble) (1988)
Morton Feldman - The Viola in My Life I - II - III (1970)
Просмотров 1,2 тыс.Год назад
Morton Feldman - The Viola in My Life I - II - III (1970)
Toru Takemitsu - Rain Spell (1982) for flute (also alto flute), clarinet, harp, piano and vibraphone
Просмотров 322Год назад
Toru Takemitsu - Rain Spell (1982) for flute (also alto flute), clarinet, harp, piano and vibraphone
Sehr beklemmende Musik…
Love is the most powerful passion 💘
Wonderful quote from Terry Riley; “What becomes apparent on listening to an amplified well-tuned drone that La Monte has sculpted is a molecular world of sounds whose workings are ordinarily covered up by fancy rhythmic and melodic footwork. As the listener allows himself or herself to be drawn deeper into the sound, he or she becomes more and more astounded at all the elements that are functioning naturally without the aid of normal manipulation or musical performance... We enter with him here into the world of the sonic microcosm, where an interval becomes a landscape, each detail illuminated.”
It seems that we have the same musical tastes. I didn't know Christian Mason and it has been a revelation thanks
I stumbled over this recording by accident myself, really impressive. Glad you like it.
I'm fascinated by your artwork, which seems almost uncannily to mirror the music itself. Any interest in applying your talents to this one? ruclips.net/video/GgF6fFm_fuI/видео.htmlsi=WBN2JjReIjwr9-p1
That’s a very interesting composition. I’d love to make some kind of “video” for it. It might take a while, but yes i am very interested.
As a not unimportant afterthought, would it be possible for you to send me the soundfile?
This sounds like a different piece altogether from the Hildegard Kleeb version that I've been listening to. This is way more energetic.
plebs in the comments🤓: "its just a bunch of dissonance and sparse arrangements that make no sense REEEEEEEE!!!!!!!" based joker-pilled patricians😎: "...you wouldn't get it... "
Great
This reminds me to Cities Skylines OSTs, good.
@not looking for New England you make your accompanying videos yourself, correct? I really love this one. Adds an interesting dimension to the music and is really creatively done. Very nice work.
Yes, all videos on my channel are made by me. Thanks for the compliment. I really appreciate it. The picture i used is my father and me, a long, long time ago on a beach when everybody was happy, and alive.
Woke up at 4 am to listen to this: I’ll be updating my experience. 1:00:33 Damn! At first I was a little sleepy and skeptical but this really is very beautiful. There’s something about the repetitions and the quiet playing that makes me feel like this is some kind of musical “silence”. I feel lonely, really lonely right now. But not in a bad way… First hour done and yet it feels like nothing is moving. For someone who likes maximalists like Mahler this is on a whole new level. 2:00:44 Sun is out already, my thoughts wander from time to time but I try to keep my focus on the music. I cannot describe listening to this as other thing than religious, I don’t know if that was Feldman’s intention. 3:04:24 I find the most difficult thing about listening to this to be that the mind automatically will try to put the music in the background and distract you with other stuff. I suddenly catch myself not paying as much attention as before because I’m listening thinking on this or that. We find repetitions boring, but why? When I strip myself away of that concept I suddenly find every repetition as more powerful than before. 3:40:14 The world around me is starting to move and that’s annoying. All the quietness of the night is now replaced with street noise. Really makes you think about how much sound pollution we live in. Now I’ll have to cope with it and focus even harder to try to ignore everything in the background. 4:00:14 The quartet has reached its most beautiful point until now. The secrets hidden within this massive world of sounds are a testament to the genius of Morton Feldman 5:01:48 Gorgeous… 5:02:44 Heading for the final minutes (structurally this actually sound like he’s heading for the finale after the long adagio). This has been so much better than I first thought, definitely one of my favorite modern pieces (although I will not be listening to it very often…) While it might be true that music is the art of sounds, I think it is even deeper than that. Music is the art of time. But what is time? Is it real? We know that time do passes, but all the measurements we have for it are artificial. We hold pass and future as things that exists when they actually don’t and the present is a sort of Schrödinger cat thing that is and isn’t there at the same time. I think very few pieces explore time the way this quarter by Feldman does, and that’s what makes it a masterpiece. In the long scheme of things, what matters the structure? It’s futile to try to write, say a sonata, with this amount of length, so one can only trust on repetitions to give the piece a sense of cohesion. But then those repetitions force you to look deeper into the music, not into it as a whole in time, but into every single note as an eternal present that is paradoxically also instantaneous. We have it all and yet we don’t, everything is given and taken from us at the same time. When the piece reaches its end, you kind of intuitively know it, and those silences at the end have more weight than any massive finale, those are the most silent of all silences, and therefore also the loudest of silences, the more substantial. And after each silence you expect to hear something else, and you hear it, and then you expect to hear something else again and so on, until you eventually don’t. As Marcus Aurelius sort of said in his meditations “whether you live 30 o 30 thousand years, the moment of your death is still the same as for everyone else” (or something like that). Everything ends, wether it lasts 5 minutes or more than 5 hours. Thanks for posting this quartet and I hope more people will find it as beautiful as I did.
Thanks for writing that. I read "I find the most difficult thing about listening to this to be that the mind automatically will try to put the music in the background and distract you with other stuff." and realized that it says something that i have been thinking for a long time but never was able to really articulate.
ear rape
I'll have to play this piece for the day I have to milk all of our cows. That way I can make sure to squeeze EVERY note out of EVERY utter. The entire piece could become an utterance do a hard day's milking.
Some sequences remind me of ‘In C’ which is funny because Riley has said that piece of his felt like ‘the music of heaven’. Cool to see these themes showing up on Jacob’s Ladder. Thanks for sharing this, been wanting to hear this one. Really, really love your visual as well.
Thanks for that last sentence!
I managed 20 mins.
Thats a really well-recorded version. I am imagining just offscreen to the right there is a bird sitting on the line...
Brilliant
one of my favorite songs
Great to see Richard here!
Richard’s arrival is (or was) long overdue.
Quizás si hubiera probado con una luz verde
Demasiado bello para ser real
Thank you for posting this.
Thanks for finding it, quite a wonderful composition i think.
Qui était Roger Tessier? 1973, L'Itinéraire, c'étais la commencement de la musique spectrale pendant ces années.
The dababy influence is crazy
A song of my youth. From a time before screens and smart devices. I think I still have this song on a minidisc somewhere, that I recorded from a late night radio program. Thank you for uploading.
You’re welcome. Somebody who likes Lambchop and this remix is, when i think about it, my always welcome.
Love this piece. Thank you for posting it.
Glad you like it.
0:23 - 2:50 static, dynamic variation (page 3, line 2) 2:51 - 3:34 pizz., faster horizontal, same dynamics (page 3, line 3) 3:35 - 4:26 arco, static vertical, interrupted by 2 bars sustained notes, dynamic variation (page 5, line 1) 4:29 - 6:26 harmonics, rhythmic variation, same dynamics (page 5, line 2) 6:30 - 7:59 similar characteristics to the part before, Viola plays sul tasto (page 5, line 3) 8:01 - 9:32 similar to before, Va. plays ord., artifical harmonics (page 6, line 1) 9:35
Awesome to know you dig Threadgill!
His music never ‘clicked’ until i saw him perform some years ago. Loved it ever since.
This is only made for music nerds that think they have a music iq but in reality their music will put most people to sleep.
Great.
better than Rothko Chapel and some of (((his))) other garbage. But not much better
excellent background noise for removing files from my computer.
Johann Wolfgang Goethe Das Veilchen Ein Veilchen auf der Wiese stand Gebückt in sich und unbekannt; Es war ein herzigs Veilchen. Da kam eine junge Schäferin, Mit leichtem Schritt und munterm Sinn, Daher, daher, Die Wiese her, und sang. Ach! denkt das Veilchen, wär ich nur Die schönste Blume der Natur, Ach, nur ein kleines Weilchen, Bis mich das Liebchen abgepflückt Und an dem Busen matt gedrückt! Ach nur, ach nur Ein Viertelstündchen lang! Ach! Aber ach! Das Mädchen kam Und nicht in acht das Veilchen nahm, Ertrat das arme Veilchen. Es sank und starb und freut' sich noch: Und sterb ich denn, so sterb ich doch Durch sie, durch sie, Zu ihren Füßen doch.
🌌👍🟥🖐️
I am not very good with icons/emoticons. Must be my age.
Joa, klingt schon n bisschen verstörend...
It is unbelievable how some people treat this piece only by perspective of duration - the least meaningfull value in music! Absolutely out-standing work! I am listening to it for second time and I love it even more. Some people say that 5 and half hours is too much for a human being. Well, in my case hours were lasting like minutes!
Putting Ads in th middle of a Morton Feldman piece should be illegal
no, it should be encouraged. Breaks up the monotony....
Who did the visuals?
All visuals on this/my channel are made by myself.
That alot of people do enjoy this piece makes me ponder on what music is. 🤔
Well, i guess there are worse questions to ask yourself don’t you think?
Composer's notes: "The entire text for the piece is from Genesis 28:12. At first thought, a musical equivalent to a ladder might well be a scale or mode. The messengers (the Hebrew word also means angels) ascending and descending then become notes on that scale or mode. Of course, one sometimes only goes up a few rungs to reach something and then descends, or perhaps climbs higher, pauses, and then descends pausing at each rung on the way down. Finally, it becomes clear that metaphorically any melodic musical movement on a scale or mode is included in this dream of ascending and descending a ladder between heaven and earth. Jacob’s Ladder is in four sections as suggested by the division of the text above. At first these four sections are presented briefly and then each is expanded and developed. Probably as a result of thinking of the ‘notes as messengers’ I ended up with a little more than half the music purely instrumental. The voices return at length, however, in the final section, ascending and descending and, at the end, again, ascending."
thanks so much for posting this
Glad you found it and took the time to say so. Always appreciated.
Why haven't I heard of this until 1 minute ago ? I guess it doesn't matter. I have it now !! Thank You ✌❤
Glad you found it, and glad you like it.
This channel is like a Continuing Education course in contemporary art music for me.
Being a (ex)librarian myself your comment makes me quite happy.
One of my first jobs was in a music library and I think this is a good analogy; this is like a series of gentle suggestions in lesser traveled parts of the music literature...@@notlookingfornewengland
nice work-- I got lost in the flowers and the focus music saved my life
Thanks for looking and listening. And mentioning it. And, a saved life is always important.
Who did the visuals? Fantastic too!
All visuals on my channel are made by me. Glad you liked this one and thanks for taking the time to say it.
I think you're beginning to ramble - 58:40
Ramble?
@@notlookingfornewengland ah, wrong post! - I was listening to this and Samuel Andreyev's listen-along, and I commented on here instead. ruclips.net/video/ejBC_fut2Es/видео.html
no-one would accuse Feldman of rambling! I sat next to him once at the QEH, a London Sinfonietta birthday concert, he was a large chap...
@@spridgejuice Lovely video/idea. Somebody should make a postmodern (or something like that) remix of it.
Masonic Temple !! K Jarrett is of that obedience ?
Llegué aquí porque a Stravinsky le gustaba la música de este compositor, hasta trabó amistad con él, según leo en el libro de Robert Craft
So good
a more glittery glimmering version of a morton feldman piece. is it fair to say mr adams picks up where feldman left off?