Do THIS When Shooting Food
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- Опубликовано: 6 фев 2025
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This is a break down of the cinematography behind a series of food adverts for home meal kit brand Gousto. Shot on the RED V-Raptor, this involved a bunch of high frame rate slow motion action, and this is how we shot it.
The In Depth Cine video explaining shutter angle: • Shutter Angle In Cinem...
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The Internet actually provides very few cinematography resources from real pros doing real work, and you're very good at explaining how you did things simply and concisely. Thank you so much for omitting useless "My man Joey and I then went out for pizza and had lots of laughs" style filler also so typical of RUclips learning content. Subscribed!
Very happy to hear that Robert! Welcome 🙏🏻
Yes yes yes please do more vids like this! I love your normal videos but a few of these sprinkled in would be rather lovely
Scott your breakdowns are addictive, so snappy and informative!
Thanks Luke glad you find them so! :)
loved the video and explaining everything! Super helpful for those learning about lighting and getting the right shots
Glad you found it helpful :)
Yes Please! For the cinematography for the this ad 🙏🏼
Love your breakdowns mate! Can't wait for the next one.
Thanks Dan :) glad you’re enjoying them
Yes please share more cinematography insights!
Great tips especially about the shutter speed and angles, great job and i think now i know hoe to shoot food.
Dropping gems, as usual😁
Def appreciate some more cinematography/lighting breakdowns
Never seen you before, but subscribed within the first 10 seconds of the video. Just knew it was gonna be a quality video/channel
Hero 🦸
Great pro tips, especially with the shutter angle. Shot a few food commercials before and loved them but had the same issue with the faster motion. Defiantly going to put this in play, cheers :)
Glad to hear it's was of value to you!
Yes want to see more cinematography break downs!!
Would love to see your cinematography breakdowns
Another Scott Peters banger
Thanks for sharing BTS on how to light food shots. Please continue adding BTS video of lighting setups. Cheers!
Will do John
ohhh we would absolutely want to hear your cinematography tips and breakdowns.
thank you so much that was really helpful and love to see more specially about lighting on budget
Love it dude!
Yes! More please!
Yes please!
Scott, I too shoot food videos, not as much in the budget range as yours. I understood the lighting techniques and camera parameters you use in your videos perfectly, but I think people are more interested if they can see you ACTUALLY do it on set instead of just talking head and illustration. Because for people who just start out or have little experience in this, they can't understand a single word you say, because it's professional filmmaking lingo AND they have not experienced themselves. How you can achieve that is totally up to you, I ask my student to shoot behind the scenes photos and videos for me all the time. I still pay them but not a huge amount of course.
This is definitely something I'd like to do in the future, I don't always know if I'm going to be making a video about a job until after the fact, but rest assured it's something I'm consciously trying to do more of :)
I agree with you I most times find it difficult to understand just talking heads without visually seeing a break down
Great video, mate. Love your channel.
YESSSS
MAKE MORE VIDEOS LIKE THIS !!! LOVE IT
Check out my latest short 👀 I have a much longer form one ready to publish just waiting for the work to go live 😁
more cinematography breakdowns!! these are great
I’ve added to the latest video! Plan to share more in the future when I’m the DP on a job
Top video! Would be awesome to see how you rigged the RED to boom over the food. Did you build a rig for that?
I honestly can’t remember for this shoot it was so long ago, but there’s so many ways to rig top down shots. Recently on better budgeted shoots I’ve had a slider on a dolly boomed out over the top with the head tilted 90 degrees. But on smaller budgeted jobs I’ve achieved it with scaff poles and risers either side with a either an underslung skater dolly or a clamp and lots of safety chains. And most cost effectively, but least stable and safe I all too frequently k-clamp the camera to a junior boom, again using lots of safety chains and counter weights on the stand and boom arm.
@ScottPetersFilms thank you, I appreciate your comment. Overheads are budget dependant, and risky for gear. I was looking at a crane at some point but I think that would be the wrong setup for the job.
It would be nice to see some behind-the-scenes footage of food videos.
Where can i watch the full video of the ads?
More more more. There is not much on youtube at this level on commercial work. So more break downs.
Check out the rest of the channel :) there’s a bunch more commercial breakdowns 🎥
Hey How did you make the lighting diagram? Do you have any lighting diagram pack to buy?
please keep the lightinng and cinematography explanation
Will do :)
what lens did you use for the sandwich commercial?
Please talk more about ur cinematography ! yes there are a lot of channels but you're unique
Thanks Mirko - kind of you to say mate :)
Hey mate! I need a lens for top shootings and there is important thing, i have to post 16:9 & 9:16 as well. im going to 20mm. Thoughts? I shoot with sony a7cii
The focal length of your lens doesn’t impact what ratios you want to shoot on, it just impacts the style of how you’d shoot something. You can shoot on 100mm and still make it work both those ratios, it just depends on what look you want to achieve.
What camera allowed such high framrates?
RED V-Raptor
Damn, I’m hungry now..😢
could i get the video link to the food ad reference you spoke about? would love to see what their ad looked like
2 questions if you would be so kind sir scott: 1. I like to light from the right and I am happy to see you did in this video too. There is some chat about how keylight should be on the left because...thats how we read? Does it really matter? and 2. The video was nice and warm and the I saw the camera was set to daylight in the video. When do you decide to gel vs setting the WB to something warmer. Thank you and I really love the videos as someone who shoots food
1. That’s made up nonsense - the key light can come from where ever you want it to. The only thing that I try to live by is motivating light in frame, normally for effect and practical lights but could definitely apply ti the key, e.g. there’s a large window on the right, then the light come from the right, there’s a warm hair light, then there’s a warm practical in frame (ideally) but there doesn’t have to be. 2. This was some time ago now but from memory we balanced everything to the practical fairy lights whose colour temperature we couldn’t control, so everything else was gelled around that.
@@ScottPetersFilms Cheers for that. It's one of them things where you hear about it and then you can't unsee it. And that makes total sense regarding the white balance. I appreciate it and look forward to more of these!
Nice 👍
Thanks ✌
@@ScottPetersFilms trying to kick the logarithm in the butt 🦍💨
Man this is all beautiful footage, but it's like you're speaking Greek to me. I'm a chef of 30 years, recently started a channel and am trying to up my game, but this all so intimidating. Do you offer like beginner tutorials or lessons?
Bro what music do you use
Great breakdown! Is it a stylistic choice that you didnt want motion blur on the sausages? I would typically shoot at 180 shutter to keep things looking smooth with the added motion blur. But would you typically shoot at a lower shutter for slow-motion to remove moiton blur so you can freeze the action? Just trying to get my head around if its best to have a bit of motion blur or non at all.
But also, when shooting at 240 or higher for example, your capturing action so fast anyway that motion blur wont be much of an issue? Or does it depend on how fast the object is moving that is being captured I suppose.
look forward to more videos!
Definitely a stylistic choice, for sure, but I would typically shoot at a lower shutter speed for this sort of slow mo yeah. It’s down to your personal preference. I don’t think there’s any rules to anything I just try and replicate things I see that I like, or repeat things I like that I’ve executed before.
❤
1200 w? power aputure 1200 d
Aputure 1200D was the key yeah 👍🏻
*looks at 350w LED was going to use filming a 240fps spec* 😢
😢😢😢
@@ScottPetersFilms kinda works at 4 inches 😂
You don't need to say you're from England, bro ;)
suuuubscribed
Why do individuals opt for videos in which their voice exudes a solemn and commanding tone and pitch?
anybody told you already......that you look like Jesper Kyd's son?
They haven’t but he sounds handsome
@@ScottPetersFilms He's been making handsome music for PC games and movies for 25 years
brand sensibilities? EG Identity?
I like these types of lighting breakdowns, but I think what makes your channel special is that you don't go into that as much. Rather you go into the aspects of prep, production, directing and communication which I honestly don't see any over channel on YT cover
Man this is a great video but the clickbait title leaves a bit of a sour taste