I like the tips about not going too far too fast for too long. I usually practice for 1 to 2 hours, starting with the fiddle and then switching to electric guitar or electric bass or practicing the fiddle last. I'm finding that my guitar playing is getting more inspired. I've been playing the fiddle for about 2 months and improvement is going slowly but it should get better if I don't give up. Thanks for a great video!
Thanks for these videos Nicola, so helpful. Please in a future video can you address other basics like bow changes and especially the first note in a piece.. actually starting off a piece of music is often the hardest part, the very first bar. thank you
The closest you'll ever get to having a virtuoso player in the room giving you a private lesson! Nicola is a natural teacher and so friendly. Wonderful!
Dear Nikki, I’ve been doing the exercise in this video for about a week, and am already seeing a difference in how I hold my violin and in tension in my left hand, something that’s been a real struggle for me. My left hand is relaxing! After 7 1/2 months of squeezing and pressing too hard! I was actually able to move my thumb back and forth on the side of the fingerboard while doing my scales, and my fingers weren’t even pressing too hard. Finally! I do your exercise everyday, at the very beginning of my practice, and I also find it helps me focus on just the one thing. And today it was happening, almost, without me even knowing it! Thank you so much for introducing these basics, through your RUclips channel! I will keep it up, everyday!❤️🎻
Absolutely true!!!!! Nicola is giving priceless advice!!! Shradieck :) :) Look at perfectly straight bow, soft right hand, straight line of the left hand!
Wow Nicola, I love these videos! Having worked with violinists for many years as violin-maker, I get to see the things players struggle with. Your videos will really help :)
Ditto; I finally got my left hand technique right this time. Other explanations, although well-meaning, led to frustrating contradictions in finger position and motion. Now I can go over Schradieck's 1st half-page :p
Thank you so much Nicky for your clarity and approach...even though you are a natural, warm teacher you obviously work very hard in preparing your classes! Thank you for all the trouble you go to....very much appreciated! I come away from your lessons feeling I've just had an audience with the Dalai Lama of the violin! Please, please continue....
I like how she says "trust me"...Ms Benedetti, you are a SOLOIST and also a great teacher (sometimes, this two things doesn't combine) how could anyone not trust you! great class!
Dear Nicky: Thank you very much for sharing your knowledge. Particularly this video on left hand where you mention and show a study of Scradieck. It fills me with hope that my students become aware of how important these "basic" exercises are. The information that I have shared with my students is very similar but, to my regret, I must say that it is not the same thing that they hear from you than from me. Thanks for this series of videos are useful in many ways. Keep going with this project that enriches us with each new video. Thank you.
This is awesome. I had a huge laugh when you named Schradieck #1 as it was pretty fundamental to my own lefthand loosening-up journey and I was expecting something more.... esoteric from the lead in. I don't think there is anything better suited to the task since it requires no thought to remember the finger pattern and we want all our thought to be in what the muscles in the hand are doing. This exact method is new to me, but I will see how my kids like it. Thanks.
I just had my 2nd day lesson with a violin teacher and he gave me this Schradieck Exercise 1. I am already 35. I really hope my finger muscles would bear with me too. :( I've been learning and playing the violin by myself then so I really didn't know the proper techniques. Nicky is one of my favorite violinists and I am so glad I found this. She has a great heart for being a teacher as well. Thank you soooo much Nicky....
I received invaluable knowledge from my beloved teacher who was a disciple of Alberto Lysy, Sandor Vegh and Yehudy Menuhin among others. However, the feeling I have when I transmit this legacy is that some of my students do not believe me. It frustrates me that they do not value the knowledge and see how they lose their time. I try to wait for them to mature, because I see talent, but sometimes my strength drops. I hope that the fact of resubmitting your tutorials awakens in them the necessary curiosity to find the tools that our common passion demands of us: music. Again thanks!
You make me laugh ....I think you have a permanent giggle lurking and it is infectious. Thank you , your lessons are fun .....trying to relax my thumb.....what a pain that is. Xx
Owuu a tons of exercises on the file! Thank you very much for this class! Yesterday I have started do it. Very important to practice them. I must say that you and your team are doing a great job! And thanks for all the advices on this video.
Hey Nicola! I rarely comment on youtube videos, but I wanted to let you know that I trusted your advice and tried to train this exercise. Now, after only about a 1-2 weeks I have to say that it really did magic! My left hand feels like never before: free. Everything is easier, more relaxed. The sound has improved. My vibrato sounds even better. I'm pretty amazed! Thank you so much for your videos: they are really useful! :) Greetings from Switzerland
I found this a while back, just getting to it now. I struggled with tension so much when I was learning, tried all sorts of stuff to solve it, and couldn't figure it out. Thank you! This seems so much more like it. I've only played a minimum for the past years because of this, so it might free me to play more.
How bizarre! I just started playing Schradieck again recently after a few months ( 😔) of not playing it. I mainly use it as a 4th finger strengthening exercise and bow control trying to get the two bars in the one bow but thanks for this video i'm going to incorporate what you have said and try it out later.. good old Schradieck, ye old faithful. Again thanks for the video Keep up the good work 😜😁 😁 🎻
I find that playing a piece or part of it without the bow and with very light finger pressure has helped me to release bad energy and embrace good energy🎻👍👍
It is unbelivable....I haven't heard about this "finger bounce" exercise before, I am practising it for few days now and I already feel the difference! First thing that is improved in a very hearable way are trills (fast trills in Mozart D major concerto were always a problem for me and now they are suddenly better :-0 )
I actually AM doing 3 hours a day! - on fiddle... Another 2-3 on guitar-vocals Mon, Wed, Thurs thru Saturday Tuesday is set aside for refresh of IrishFlute, pennywhistle and dulcimer practice... Actually, watching this video is considered part of my practice time. I attempt to undertake new techniques, watch a 1/2 hour video (3-6/ week) and implementing them into my daily. This hammer on technique I'm also using for my guitar as well...and pull offs.
Im glad i stumbled on your vlog all morning i wanted to practice vibrato but instead gabbed on the you tube. I was taking from a woman who said to keep left hand straight. So i reviewed Yehudis lessons and he does not have a perfectly straight wrist its c shaped! Thanks Nicky and bye!
Very helpful! Thank you for sharing, and I hope you'll do a tutorial for developing the pinky finger and what to do when it seems shorter and feels out of proportion compared to the other fingers.
It’s working. Been doing for a few weeks now. Stepped away from repertoire and slowly introducing the concept to select passages and I stop when tense. I feel so much more free and relaxed and I now recognise how it should feel. Keep this channel going Nicky it’s awesome. Thanks gonna keep going
Been really hot here, not sure I even want to play violin tonight. But I did as you.said and searched out inspiration from a song called Little by Little by Robert Plant. The waltz backround just gets me! So I bid you good evening Nicola, and by the way I have been practicing in the mornings! Maybe latter if it cools down. Sweet dreams Nicola! C E. Usa bye
Hey, I'm loving this series! Please keep doing these videos! Congratulations on the clarity of explanations, the abundance of outside material and for telling the things you also have to be careful about. ;-)
I like your "Ask your mother" - I'm a grand-mother!!! But useful to get into good habits early on. I'm almost one year in (currently 4th finger, 1st postion) but despite long fingers, still struggle stretching to those notes esp on the G and D strings. My fingers don't look like yours moving up the string. You make it look effortless, Nicola, but guess it's all down to practice... and I'm one of those 40 hours a day gang!! Thanks for the video though. Very instructive.
Hi Nicky! From c.e. usa.8 18 24. This morning i played a delightful Strause Waltz. It was not note perfect but very convincing! Im using a special technique of a certain application to the strings. Im using D adarios Prelude, and at first they seemed awkward but after this special technique i am growing to love these steel core strings. I much prefer Evas though! Bye for now.😅
6 24 24 c.e. from usa . I was not going to practice this evening because it's been very hot here and I've not particularly any energy, however I've changed my mind and will take a lesson on WITH Nicky on your other channel but still on you tube.c.e. over and out.😅
When you were demonstrating about bouncing using your four fingers were you doing that making sure each one landed on the right note or done to improve reflex and pressure.
Thank you Nicola, for giving us one more time making this video, showing the talent that GOD gave you, in the execution of this instrument so sublime sound ... If you ever come to Brazil, I'd like the privilege of going to see you. It's the invitation !!! Sorry for some errors. I do not speak English.
Nicky, no idea if you even have time to read and reply to this but please correct me if I’m wrong. So, fingers relaxed, great. Now, before dropping the finger there is a TINY bit of “tension” from the “spring” which pulls the finger back from the knuckle and creates height and “potential weight”. Now, does the “pulling” of the spring of the next finger need to happen right after the previous one is released (when you put the finger on the string) or before I plan on putting the next one ? So very mechanically it would be: create height by pulling finger back a bit from the knuckle, release and drop finger quickly onto the string, immediately pull the other fingers to maintain height. Is this correct? Similarly, when you place any finger on the string and the others bounce back, do they bounce when the explosion of energy from the finger you placed is released? Or is it more of a opposite movement between the finger you drop and the others. Should I think of mostly all the fingers moving and releasing together? God, I hope I’m clear. Thank you. Also, am i overthinking it? Probably yes. Lol, love your videos!
Question concerning the placement of the 4th and 3rd fingers in a descending scale Hello , Here is a question on point where I would like your help. When I do a descending scale or any passage where I have to put the 4th finger before the 3rd finger with a semitone interval, I always have trouble placing the 3rd finger correctly. My question: how to place the 4th and 3rd finger correctly. Should they be placed together? If so, what exercises could help me in this direction. Could you make a video if possible to show how to do it? Thank you Binah
So if I hear you correctly: Practice does not make perfect...Perfect practice makes perfect. Do not practice the wrong technique or else I will be very good at doing it wrong.
Hello, dear Nikolay. My palm moves to the neck of the violin when I reach the higher notes or the fourth finger, and when I return to the lower notes. It returns to the first state, isn't this a bad move?
Does sophisticated ‘ Trampolining’ help? (active finger in slow motion according to sound/tone sought)..(the other fingers and to a lesser extent the rest of the body almost ‘Pretending to join in ‘ in moral support !)
"It's for one reason and one reason only. It's to create bounce. It's to create reflex. It's to create strength. It's to create more height to drop down onto the string with weight." Haha.
To hear her play basic exercises on that incredible instrument is shocking and illuminating.
I like the tips about not going too far too fast for too long. I usually practice for 1 to 2 hours, starting with the fiddle and then switching to electric guitar or electric bass or practicing the fiddle last. I'm finding that my guitar playing is getting more inspired. I've been playing the fiddle for about 2 months and improvement is going slowly but it should get better if I don't give up. Thanks for a great video!
Thanks for these videos Nicola, so helpful. Please in a future video can you address other basics like bow changes and especially the first note in a piece.. actually starting off a piece of music is often the hardest part, the very first bar. thank you
The world needs more musicians like you that share with everyone only the best they have.
I've lost how many that I come to this video. It's very helpful. Thanks a lot!!
The closest you'll ever get to having a virtuoso player in the room giving you a private lesson! Nicola is a natural teacher and so friendly. Wonderful!
All of what you said was needed. Thank you very much.
No matter how far or fast you think you can run it is good sometimes to re-learn how to walk properly. Wonderful video as always. I love your style.
Dear Nikki, I’ve been doing the exercise in this video for about a week, and am already seeing a difference in how I hold my violin and in tension in my left hand, something that’s been a real struggle for me. My left hand is relaxing! After 7 1/2 months of squeezing and pressing too hard! I was actually able to move my thumb back and forth on the side of the fingerboard while doing my scales, and my fingers weren’t even pressing too hard. Finally! I do your exercise everyday, at the very beginning of my practice, and I also find it helps me focus on just the one thing. And today it was happening, almost, without me even knowing it! Thank you so much for introducing these basics, through your RUclips channel! I will keep it up, everyday!❤️🎻
Absolutely true!!!!! Nicola is giving priceless advice!!! Shradieck :) :) Look at perfectly straight bow, soft right hand, straight line of the left hand!
Wow Nicola, I love these videos! Having worked with violinists for many years as violin-maker, I get to see the things players struggle with. Your videos will really help :)
Ditto; I finally got my left hand technique right this time. Other explanations, although well-meaning, led to frustrating contradictions in finger position and motion. Now I can go over Schradieck's 1st half-page :p
Nicola, you are genius! Thank you very much for all tips!
“More time is not more”. That’s deep. Thanks for your insight!
you are so generous with your talent, knowledge and wisdom! Thank you
This is the best violin tutorial channel. Your comments and advises are very motivating.
Thank you so much Nicky for your clarity and approach...even though you are a natural, warm teacher you obviously work very hard in preparing your classes! Thank you for all the trouble you go to....very much appreciated! I come away from your lessons feeling I've just had an audience with the Dalai Lama of the violin! Please, please continue....
Your videos are the greatest of all!!
And with your smile and simplicity it's a real pleasure
Thanks
Thank you very much for sharing with us another video for violin improvement !!!
This is gold Nicola! Esp. this connection with the mind that you explain so great. Thanks!
Nicola, you are amazing! I will do the same exercises every day!
Thanks a bunch, Nikki, for sharing this with us 🙏
I like how she says "trust me"...Ms Benedetti, you are a SOLOIST and also a great teacher (sometimes, this two things doesn't combine) how could anyone not trust you! great class!
Such good videos...Thanks Nicola.
Nicky, thank you for sharing your talent and knowledge of the violin!
thank you Nicolas! you are very inspiring
Dear Nicky:
Thank you very much for sharing your knowledge. Particularly this video on left hand where you mention and show a study of Scradieck. It fills me with hope that my students become aware of how important these "basic" exercises are. The information that I have shared with my students is very similar but, to my regret, I must say that it is not the same thing that they hear from you than from me. Thanks for this series of videos are useful in many ways. Keep going with this project that enriches us with each new video. Thank you.
This is awesome. I had a huge laugh when you named Schradieck #1 as it was pretty fundamental to my own lefthand loosening-up journey and I was expecting something more.... esoteric from the lead in. I don't think there is anything better suited to the task since it requires no thought to remember the finger pattern and we want all our thought to be in what the muscles in the hand are doing. This exact method is new to me, but I will see how my kids like it. Thanks.
I just had my 2nd day lesson with a violin teacher and he gave me this Schradieck Exercise 1. I am already 35. I really hope my finger muscles would bear with me too. :( I've been learning and playing the violin by myself then so I really didn't know the proper techniques. Nicky is one of my favorite violinists and I am so glad I found this. She has a great heart for being a teacher as well. Thank you soooo much Nicky....
I received invaluable knowledge from my beloved teacher who was a disciple of Alberto Lysy, Sandor Vegh and Yehudy Menuhin among others. However, the feeling I have when I transmit this legacy is that some of my students do not believe me. It frustrates me that they do not value the knowledge and see how they lose their time. I try to wait for them to mature, because I see talent, but sometimes my strength drops. I hope that the fact of resubmitting your tutorials awakens in them the necessary curiosity to find the tools that our common passion demands of us: music. Again thanks!
"It frustrates me that they do not value the knowledge and see how they lose their time." Exactly! Facing that type of problem all the time.
Thanks for sharing, Nicky. :)
You make me laugh ....I think you have a permanent giggle lurking and it is infectious. Thank you , your lessons are fun .....trying to relax my thumb.....what a pain that is. Xx
Most of the time it's my warming-up! Its almost meditation for me.
you are the Bee's Knee's :-) It's a joy to follow your teachings thank you.
Thank you! This is precious! Its so important to have someone like you sharing this kind of knowledge! Millions of thanks!
Wow you are really great at teaching! I like the way you explain, it's calm and clear. THANKS!
Owuu a tons of exercises on the file! Thank you very much for this class! Yesterday I have started do it. Very important to practice them. I must say that you and your team are doing a great job! And thanks for all the advices on this video.
As a guitarist (and teacher), this works great for me as well, both the physical aspects and the philosophy/mindset. Pure gold, thanks Nicky!
Hey Nicola! I rarely comment on youtube videos, but I wanted to let you know that I trusted your advice and tried to train this exercise. Now, after only about a 1-2 weeks I have to say that it really did magic! My left hand feels like never before: free. Everything is easier, more relaxed. The sound has improved. My vibrato sounds even better. I'm pretty amazed! Thank you so much for your videos: they are really useful! :)
Greetings from Switzerland
I found this a while back, just getting to it now.
I struggled with tension so much when I was learning, tried all sorts of stuff to solve it, and couldn't figure it out.
Thank you! This seems so much more like it.
I've only played a minimum for the past years because of this, so it might free me to play more.
How bizarre!
I just started playing Schradieck again recently after a few months ( 😔) of not playing it. I mainly use it as a 4th finger strengthening exercise and bow control trying to get the two bars in the one bow but thanks for this video i'm going to incorporate what you have said and try it out later.. good old Schradieck, ye old faithful.
Again thanks for the video
Keep up the good work 😜😁 😁 🎻
Bellissima lezione! Another great lesson! One to share with pupils (especially adults). Grazie, Nicola, sei grande! F
Dear Nicola! What a great channel and such a great advice!!! I subscribed! Like!
Millions of thanks!!!
These are great videos, Nicky!
I find that playing a piece or part of it without the bow and with very light finger pressure has helped me to release bad energy and embrace good energy🎻👍👍
It is unbelivable....I haven't heard about this "finger bounce" exercise before, I am practising it for few days now and I already feel the difference! First thing that is improved in a very hearable way are trills (fast trills in Mozart D major concerto were always a problem for me and now they are suddenly better :-0 )
I actually AM doing 3 hours a day! - on fiddle...
Another 2-3 on guitar-vocals
Mon, Wed, Thurs thru Saturday
Tuesday is set aside for refresh of IrishFlute, pennywhistle and dulcimer practice...
Actually, watching this video is considered part of my practice time.
I attempt to undertake new techniques, watch a 1/2 hour video (3-6/ week) and implementing them into my daily.
This hammer on technique I'm also using for my guitar as well...and pull offs.
Very grateful for his tutorial videos (of guide), infinitely grateful, greetings ...
Im glad i stumbled on your vlog all morning i wanted to practice vibrato but instead gabbed on the you tube. I was taking from a woman who said to keep left hand straight. So i reviewed Yehudis lessons and he does not have a perfectly straight wrist its c shaped! Thanks Nicky and bye!
Very helpful! Thank you for sharing, and I hope you'll do a tutorial for developing the pinky finger and what to do when it seems shorter and feels out of proportion compared to the other fingers.
This is Gold! Cheers Nicky
Love you and your course😘
This is a brilliant & wonderful lesson. Thank you
It’s working. Been doing for a few weeks now. Stepped away from repertoire and slowly introducing the concept to select passages and I stop when tense. I feel so much more free and relaxed and I now recognise how it should feel. Keep this channel going Nicky it’s awesome. Thanks gonna keep going
Been really hot here, not sure I even want to play violin tonight. But I did as you.said and searched out inspiration from a song called Little by Little by Robert Plant. The waltz backround just gets me! So I bid you good evening Nicola, and by the way I have been practicing in the mornings! Maybe latter if it cools down. Sweet dreams Nicola! C
E. Usa bye
Hey, I'm loving this series! Please keep doing these videos! Congratulations on the clarity of explanations, the abundance of outside material and for telling the things you also have to be careful about. ;-)
Thanks, you really are helping me with all your work (:
I like your "Ask your mother" - I'm a grand-mother!!! But useful to get into good habits early on. I'm almost one year in (currently 4th finger, 1st postion) but despite long fingers, still struggle stretching to those notes esp on the G and D strings. My fingers don't look like yours moving up the string. You make it look effortless, Nicola, but guess it's all down to practice... and I'm one of those 40 hours a day gang!! Thanks for the video though. Very instructive.
Thank you , more is no more !.
keep it up! great work it's helping me a lot
awesome thank you
great material
Thank you!!!!!!!!!
Thank you for posting! :)
Hi Nicky! From c.e. usa.8 18 24. This morning i played a delightful Strause Waltz. It was not note perfect but very convincing! Im using a special technique of a certain application to the strings. Im using D adarios Prelude, and at first they seemed awkward but after this special technique i am growing to love these steel core strings. I much prefer Evas though! Bye for now.😅
Thank you so much for that... Amazing tips
Thank you for the lesson Nicky
6 24 24 c.e. from usa . I was not going to practice this evening because it's been very hot here and I've not particularly any energy, however I've changed my mind and will take a lesson on WITH Nicky on your other channel but still on you tube.c.e. over and out.😅
Thank you so much for this!
This video is great thanks Nicky!!!!!
Thank you beautiful Nicky...!!!😍😍😍
Grazie infinite! È possibile avere i sottotitoli in italiano come gli altri tuoi video?Sarebbe fantastico...
Grazie ancora complimenti!
I loooooove Schradieck exercises and I loooove "with Nicky " vids great tips, aaggh I do like to practice a lot, but intelligent practice is better
Yes!!!
wow thank you so much
Thanks!
When you were demonstrating about bouncing using your four fingers were you doing that making sure each one landed on the right note or done to improve reflex and pressure.
Thank you Nicola, for giving us one more time making this video, showing the talent that GOD gave you, in the execution of this instrument so sublime sound ...
If you ever come to Brazil, I'd like the privilege of going to see you.
It's the invitation !!!
Sorry for some errors. I do not speak English.
The book, Peak, by Ericsson and Pool, describes what you taught here as very important to improve performance. Thankyou
top tips and class
Thank youuuu!!
Thank you 👍♥️♥️
Nicky, no idea if you even have time to read and reply to this but please correct me if I’m wrong. So, fingers relaxed, great. Now, before dropping the finger there is a TINY bit of “tension” from the “spring” which pulls the finger back from the knuckle and creates height and “potential weight”. Now, does the “pulling” of the spring of the next finger need to happen right after the previous one is released (when you put the finger on the string) or before I plan on putting the next one ? So very mechanically it would be: create height by pulling finger back a bit from the knuckle, release and drop finger quickly onto the string, immediately pull the other fingers to maintain height. Is this correct? Similarly, when you place any finger on the string and the others bounce back, do they bounce when the explosion of energy from the finger you placed is released? Or is it more of a opposite movement between the finger you drop and the others. Should I think of mostly all the fingers moving and releasing together? God, I hope I’m clear. Thank you. Also, am i overthinking it? Probably yes. Lol, love your videos!
Question concerning the placement of the 4th and 3rd fingers in a descending scale
Hello ,
Here is a question on point where I would like your help.
When I do a descending scale or any passage where I have to put the 4th finger before the 3rd finger with a semitone interval, I always have trouble placing the 3rd finger correctly.
My question: how to place the 4th and 3rd finger correctly. Should they be placed together? If so, what exercises could help me in this direction.
Could you make a video if possible to show how to do it?
Thank you
Binah
Hi Nicola you are one of the best Friends of Scotland 💗❤️ Robin
I'm in your home country right now! 😍 Scotland is so beautiful! 🙏🏼
Grazie davvero
So good
So if I hear you correctly: Practice does not make perfect...Perfect practice makes perfect. Do not practice the wrong technique or else I will be very good at doing it wrong.
My teacher recommended this for me
Love you❤️❤️❤️❤️
Do you Nicola Benedetti recommend glucosamine confronting or Co q 10 to help muscles or joints of left hand?
I love Schradieck. But, then again, I also Viet Grilled Dog and Rice🎻👍👍
Can this be applied to the first Sevcick as well? I've not been playing for a decade now...
Please please please release a book with your favourite pieces in.
Hello, dear Nikolay. My palm moves to the neck of the violin when I reach the higher notes or the fourth finger, and when I return to the lower notes. It returns to the first state, isn't this a bad move?
Does sophisticated ‘ Trampolining’ help? (active finger in slow motion according to sound/tone sought)..(the other fingers and to a lesser extent the rest of the body almost ‘Pretending to join in ‘ in moral support !)
"It's for one reason and one reason only. It's to create bounce. It's to create reflex. It's to create strength. It's to create more height to drop down onto the string with weight." Haha.
🫣 (I do the same! 🤭😅)
Just watched your video. I’m an advanced beginner of violin , can you teach me.?
Yehudi Menuhin used to say that "it's not how you put your fingers down, it's how you lift them off which matters."
Olá tudo bem? exercice Very good. Não conseguir inserir o tradutor para português neste vídeo.
Gutemberg.