Nice work mate. I find I get a lot of grain in the shadows thats hard to remove when I put a Canon rec 709 lut on.. any tips to remove this grain? or is that a sign I am under exposing?
How do I put a LUT directly in my R6 to have an idea of what the clip will look like before I do color grade on Davinci ? I have a friend who do this with his Sony Fx3
That option is not available on the R6 unfortunately, you can put your own LUT if you use an external monitor though, or use the Canon LUT called View Assist in the Canon log settings
Hey, bro i have i Canon R7, im doing vlogs, i have i big problem with the C log 3, i cant color graded and it looks very white, can you give me i good sittings for best video. One thing when i but the Iso to 800 it looks very bad
Hey bro! Yeah it’s normal that with Clog3 everything you shoot will be unsaturated, because you have to color grade Clog3. If you can’t color grade, I advice you to use the Standard color profile instead of Clog3, hope this helps :) !
02:25 How did you record the screen with parameters like aperture, iso? I know how to turn it on, but I don't know how to add it to the movie. I read all the comments so as not to waste your precious time, but I didn't find the answer :)
@@autre1234 Hey no problem you could have asked me the question, I’m glad to help, I used the hdmi from the camera to connect to my macbook pro, then used Quicktime to screen record my screen on my MacBook :)
This is awesome! Thank you so much. I had one method that used more of the histogram, but it did risk people's skintones sometimes. But I didn't like skin tones at 55% like Canon recommends. I definitely will try 75%, Thank you!
@@YoussefHallouly in that case it doesn't matter which ISO you use so long as you try to maintain it as low as possible and in accordance to the tips with the zebras?
@@juanlashyeah for clog3 800 is the base Iso, so I try to stay at 800 most of the time, when I need to crank the iso i will either use 1600 , 3200, 6400 etc. This is not tested completely but I feel like there are less noise at these iso
@@YoussefHallouly gotcha, thank you for the info! I personally use Sony cameras but I landed a job where they'll give me equipment and from what I saw most of it will be Canon, it's better to be knowledgable in both brands imo
Good question! the view assist makes the image looks like it’s overexposed and it’s confusing to me when I look at my screen, even though I know it’s not overexposed cause I keep an eye on the histogram all the time, so I simply turn it off, that’s just my preference. The for watching :)
Can you help me connect the Zebra to the R6? Says is not available due to the configuration of the associated function. MF peak settings. Thank you very much in advance.
Just wondering, but in the case of of your indoor test where you had a very, very dark background and a dark shadow on the side of your face wouldn't it have been best to overexpose by a few stops and then bring up the shadows in post to fill that all out? Even if you wanted it dark, wouldn't overexposing at least help you retain details in those shadows instead of it blending into the ISO noise?
Hey there! Well, if I were to expose more, I would have to darken the side of my face that is already well-lit in post-production. I don't like doing that because it can make the skin look artificial or plastic-like. Additionally, I chose to have a dark background, and I don't think there is much noise in the shot. The ISO was set to 800, which is the minimum for Clog3.
It can be cleaner to expose as bright as possible and thrn bring it down in post to thr desired levels. This retains more color information and allows cleaner shadows.
@@Lathrop_MediaYou’re right, this can be done and I do it also, when on the go or filming travel videos for example, when I don’t want to expose my skin tone "perfectly" and it can give a good result. But for my liking , exposing the way I explain give me a better result but again this is subjective
@YoussefHallouly it's worth testing, for sure. Many people are surprised by how hot you can expose c log 3. Just have to watch highlight clipping but there is more color information when overexposed a bit, ettr is almost always best. Happy creating!
@YoussefHallouly also, this works in resolve with the hdr wheels, other software might not handle this as well. I tried color grading in premiere and it was so different I couldn't work the footage in the same ways at all - so that will make a big difference. Davinci is the key.
hello friend congratulations for the video. I noticed that you turned off the c log preview wizard. you find it easier that way. A big hug from my friend from Brazil. who uses a canon R 7
@@YoussefHallouly I also realized that , so I simply ignored this warning , in the photometer always sweating exposing a little more , I 'm going to do a test on my channel pt BR .ABS ruclips.net/channel/UCiB2cuh6L2-MnIC4t0JPS3Q
@@YoussefHallouly you can build a 1 or 2 stop reduction lut to view overexposed footage on an external monitor in order to exposure brightly as have more flexibility in post.
in the video where you showed you display screen of the r6, on both sides there arent any icons which is neat. but when I see mine the screen is super cluttered. It is only when all the icons are displayed, the histogram appears. is there a way to turn off the icons/elements on the left and right while having a histogram active? thanks!
Hi Julia! If you press on the INFO button on your camera you should see those icons go away, also in the video I was recording, so those icons are gone once you are recording. But yeah press the INFO button once or twice and you should see those icons leave. Hope that helps :)
I’d like to release one of my own soon, cause I never use anyone else’s, I was not satisfied with the ones that I tried, Anyways thanks for your comment and stay tuned 😊
solid video. simple and to the point. I'm on an original EOSR which does NOT have zebras and I'm wondering if you have any suggestion for skin tone exposure using RGB/Histogram?
Thanks! Well good question I don't have an original EOSR but I guess you can use Histogram and expose to the right without over exposing. You can then bring the highlights of the skin tones down in post but it might not be as accurate as the method i'm showing in this video. Thanks for your comment :)
@@YoussefHallouly what if i take a b roll of a person and its taken indoor? Should i still focus with zebra or should i just focus with ev stop and histogram?
When the main focus is b-roll and not the subject, even if there is a subject in the shot, I won’t use zebras, I will only rely on histogram and ev stops
Thank for great content. I followed your steps, but unable to open the CLOG3 in Windows 10. When CLOG3 is off, no problem playing. But with CLOG3 ON, no luck. Someone suggested I needed HEVC codec, which I purchased on Microsoft Store for $1.29 Canadian. Still no luck. Wondering if you have some magical suggestion...
Yes your lucky I had the same problem on Windows 10. You need to download MPV media player to open 10Bit files on Windows 10. The website is mpv.io, there you go :) Oh and it's free!
@@YoussefHallouly WOW! Just like that! It magically plays in Windows 10 perfect. Thank you you just made my day. Now second problem remains: Davinci Resolve 18 considers it as an audio file… another magical trick in your pocket? Please? Someone told me I need to buy Davinci Resolve… spending hundreds of dollars will really solve it?
Hey Frédéric! Oui bien sur je peux essayer de faire une vidéo sur le sujet , mais une réponse rapide serait, tu dois avoir une source de lumière dans une situation de basse lumière. Si tu n'a pas de source de lumière, augmente tes ISO de ta caméra, mais ca va introduire beaucoup de "Noise" dans l'image.
Hey man! The test I conducted on my skin tone resulted at 70%, which I deemed to be ideal. However, it may vary for individuals with different skin tones.
usually for darker skin tones you’d what to use a lower IRE value such as 60% (example) but you should test around and find out what works better for you
Hello Youssef! Merci pour ta video. Ta gagné un nouvel abonné! Dis moi, jai lu dans les commentaire que tu na jamais de Noise a 800 iso en Clog3, Meme dans les Shadows ? Jai tourné aujourdhui indoors, une scene dentretiens pole emploi? Et le manteau noir accroché au porte manteau noir en baclkground est vachement Noisy. Alors que tout le reste de la piece est bien eclairée. Est ce que ça veut simplement dire que ça manquait de light sur ce manteau noir? Je suis resté a 800, en Clog3, 4kDFine, et jai fermé jusqua 7,6 pour exposer correctement le visage. Cest dire que niveau light j'etais bien quoi, mais donc pas assez pour ce manteau juste derriere ? Un peu technique/precise comme question mais si jamais ta des reponses je suis preneur haha ! Merci a toi
Salut Daniel, en fait, j’ai peut-être un peu de noise quand même parfois même à 800 iso mais c’est très minime et presque pas visible. Ce que je fais en post c’est que je "crush" les shadows, comme ca le noise apparait beaucoup moins. Aussi j’ai remarqué que si tu lève les midtones en post, le bruit va réapparaître, alors je les descend aussi. J’espère que ca répond un peu à ton questionnement! Au plaisir et merci pour ton abonnement :) A plus!
@@YoussefHallouly oui, ça confirmes ce que je me disait. Soitbun peu de noise si les infos sur cet endroit sont importante, soit je les sacrifies et harmonise dans les shadows en "crushant" pour enlever noise et lisser 👌 Merci pour ta reponse :)!
Hey there, thanks for asking, it's a LUT that I created myself, If you're curious check my other video I made on my channel I go through the full process of creating your own LUT.
I got it dude! I was underexposing, I thouhgt goign over 6400 ISO on R6 was the reason. But actually its not. I t can go even further!@@YoussefHallouly
Great tutorial! But with these exact settings on my R7 I have to massively overexpose to see zebras on the face, no clue what I’m doing wrong, perhaps more light and lower ISO?
Yes probably you don’t have enough light power, try to increase light power on your face and keep the ISO at 800, cause that’s the native ISO for Clog3, you will get less noise and more dynamic range.
@@nowhereland_2 thanks! For night shooting I recommend zebra 1 (70+-5%) on your subject, whatever the subject is. Remember to have good lighting thought cause increasing the ISO will introduce some noise
Bonjour ! Déjà je tiens à dire que la vidéo est très bien. Les informations sont pertinentes et la vibe est très agréable. Je regarde des tutos depuis 3 semaines et je fais des test avec mon R6 mais je n'arrive pas à percevoir le gain de plage dynamique. Est ce que tu vois vraiment une différence sur la latitude proposée par le Log dans des scènes très contrastées ? J'ai vraiment fais pleins de tests mais je suis frustrè de ne pas percevoir un réel gain en post prod. J'ai l'impression de juste partir d'un profil standard et de devoir retrouver ses couleurs de base, sans obtenir d'informations supplémentaires dans les hautes lumières... Je ne sais pas ce que je fais de mal et si je fais même les choses mal
Salut, oui je vois vraiment la différence entre le log et un profil genre standard, beaucoup plus de latitude dans les highlights et aussi dans le color grading, par exemple en fin de semaine j’ai filmer en standard et je ne suis pas capable de voir les nuages dans le ciel tellement les highlights sont "blown out" par contre, je suis capable de garder les highlights en log! Merci pour ton commentaire, j’espère que ça t’a aider un peu!
@@YoussefHallouly Ok merci pour ta réponse ! Je vais continuer à m'entrainer, je pense que je n'expose pas assez bien In camera, et je me base sur le fait que le Log ressmble au Raw et que je peux récupérer les informations en post prod. En fait il faut exposer parfaitement dès le début, et sans ta vidéo je ne me serais pas posé la question. Merci !
@@YoussefHallouly Bonsoir, je profite de ce début de conversation. Je m'interroge sur le le réglage de l'iso en c log 3. J'ai un R6 mark II et normalement l'iso natif du boîter est de 800. Puis je filmer en 1600, 3200,6400 iso si la pièce est trop sombre ? J'ai compris que 800 iso offrait la meilleur plage de dynamique mais si je reste en 800 iso dans une pièce sombre et que j'ai plusieurs sujets à filmer (dans le cadre d'une live session), je risque d'avoir beaucoup de bruit non ? Cordialement Alexandre
Год назад+1
Excellent, merci. Question. Zebra 1 ou Zebra 2? La difference entre les deux pour utilisation? ce sont 2 settings differents?
Salut! Zebra 1 à 70% je l’utilise pour bien exposer les faces des gens, zebra 2 95% je l’utilise pour exposer les broll pour être sur que rien n’est over exposed.
Год назад+1
@@YoussefHallouly oui, caj'avais compris, mais comment tu switch de un a l'autre (je pourrais faire un search sur internet mais ca peut aider d'autres gens ici 🙂 ). Il y a une commande? un piton?
@ Ah ok, désolé j’avais mal compris ta question, en fait dans le menu t’a le choix d’afficher les deux en même temps sinon un a la fois, et tu dois simplement retourner dans le menu pour l’activer/désactiver
Год назад+1
@@YoussefHallouly trop simple 🙂, besoin d'un autre café. Merci. Continue!! interessant tes capsules
You can try with the higher base iso 3200 and go down to 800. I think a mix of zebra and false colour is always good. You really want to overexpose as much as you can.
@@Corruptlol187 Does the R& have dual base ISO for clog3? I thought it only had one base ISO for each profile (I think it's 100 for the standard ones, ISO 400 for Clog1 and ISO 800 for Clog3).
@@Webrisernl that’s the base iso for Clog3, you will get the most dynamic range at 800 iso, if you lower or increase from that base iso you will loose dynamic range
The best video on this topic
Thanks so much!
Nice work mate. I find I get a lot of grain in the shadows thats hard to remove when I put a Canon rec 709 lut on.. any tips to remove this grain? or is that a sign I am under exposing?
You might be under exposing but again that lut from Canon , I never use it , so maybe that’s the cause of it ..
Hey man, what transition is that in the beginning? the "R6" transition. Please help.
Hey man! That’s a plugin I got it from Motion Vfx
Thanks bro!@@YoussefHallouly your work is really good. You deserve so much more followers, please don't give up and keep creating.
@@AlwynUysOh man! Thanks a lot I appreciate! And I will! :)
Very simple!
No ad, nothing to show off or to impress.
Just straight to the point!
Thank you!
My pleasure! Thanks for watching :)
When shooting CLOG3, shouldn't skin tones be at around 55 IRE?
@@badman3d for me I found that the way I expose the best
How do I put a LUT directly in my R6 to have an idea of what the clip will look like before I do color grade on Davinci ? I have a friend who do this with his Sony Fx3
That option is not available on the R6 unfortunately, you can put your own LUT if you use an external monitor though, or use the Canon LUT called View Assist in the Canon log settings
@@YoussefHallouly Thank you for your answer
Great content, very useful, the right duration. Congrats!
Thanks! ❤
Hey, bro i have i Canon R7, im doing vlogs, i have i big problem with the C log 3, i cant color graded and it looks very white, can you give me i good sittings for best video.
One thing when i but the Iso to 800 it looks very bad
Hey bro! Yeah it’s normal that with Clog3 everything you shoot will be unsaturated, because you have to color grade Clog3. If you can’t color grade, I advice you to use the Standard color profile instead of Clog3, hope this helps :) !
02:25 How did you record the screen with parameters like aperture, iso? I know how to turn it on, but I don't know how to add it to the movie.
I read all the comments so as not to waste your precious time, but I didn't find the answer :)
@@autre1234 Hey no problem you could have asked me the question, I’m glad to help, I used the hdmi from the camera to connect to my macbook pro, then used Quicktime to screen record my screen on my MacBook :)
@@YoussefHallouly Thanks for the answer, smart solution :) I also asked ChatGPT, but it didn't come up with it :)
haha no problem :)
Hello :( I have the Canon R7 and i don't have the option "Canon Log setting" what should i do?
Hello! It’s in the red menu, page 3 you should see it
This is awesome! Thank you so much.
I had one method that used more of the histogram, but it did risk people's skintones sometimes.
But I didn't like skin tones at 55% like Canon recommends. I definitely will try 75%, Thank you!
You’re welcome! Yeah I figured if it works out perfectly for me it must work out for others too :)
I think I can hear you quebec accent
Haha oui oui 😅
Unable to import clog3 file into premier pro is there any solution ?
I’m not sure sorry I use Final Cut Pro!
Simple and to the point. Great video! You gained a sub
Thanks man!
And another!
do Canon cameras have Dual Native ISO like Sony cameras?
Some do, but not the R6 :(
@@YoussefHallouly in that case it doesn't matter which ISO you use so long as you try to maintain it as low as possible and in accordance to the tips with the zebras?
@@juanlashyeah for clog3 800 is the base Iso, so I try to stay at 800 most of the time, when I need to crank the iso i will either use 1600 , 3200, 6400 etc. This is not tested completely but I feel like there are less noise at these iso
@@YoussefHallouly gotcha, thank you for the info! I personally use Sony cameras but I landed a job where they'll give me equipment and from what I saw most of it will be Canon, it's better to be knowledgable in both brands imo
that’s true! I should learn some of the features sony offers 😅.
Thanks for info 🙌🏼. You have one of the cleanest log footage, C-log 3 is too noisy in the dark
It's a pleasure! Glad it helped :)
Nice video. One question. Why not keep the view assist on and then you can just eyeball/histogram the exposure without needing zebras?
Good question! the view assist makes the image looks like it’s overexposed and it’s confusing to me when I look at my screen, even though I know it’s not overexposed cause I keep an eye on the histogram all the time, so I simply turn it off, that’s just my preference. The for watching :)
Can you help me connect the Zebra to the R6? Says is not available due to the configuration of the associated function. MF peak settings. Thank you very much in advance.
Yeah I think you have to disable that setting first, I think it’s in the pink menu (AF menu), page 2, MF peaking settings, turn that off
Just wondering, but in the case of of your indoor test where you had a very, very dark background and a dark shadow on the side of your face wouldn't it have been best to overexpose by a few stops and then bring up the shadows in post to fill that all out? Even if you wanted it dark, wouldn't overexposing at least help you retain details in those shadows instead of it blending into the ISO noise?
Hey there! Well, if I were to expose more, I would have to darken the side of my face that is already well-lit in post-production. I don't like doing that because it can make the skin look artificial or plastic-like. Additionally, I chose to have a dark background, and I don't think there is much noise in the shot. The ISO was set to 800, which is the minimum for Clog3.
It can be cleaner to expose as bright as possible and thrn bring it down in post to thr desired levels. This retains more color information and allows cleaner shadows.
For some situation yes, but you don’t want to overexpose skin tones too much cause when you bring down overexposed skin tone , it looks weird
@@YoussefHallouly not really! I have been several stops over and as long as you don't clip, you are good!
@@Lathrop_MediaYou’re right, this can be done and I do it also, when on the go or filming travel videos for example, when I don’t want to expose my skin tone "perfectly" and it can give a good result. But for my liking , exposing the way I explain give me a better result but again this is subjective
@YoussefHallouly it's worth testing, for sure. Many people are surprised by how hot you can expose c log 3. Just have to watch highlight clipping but there is more color information when overexposed a bit, ettr is almost always best. Happy creating!
@YoussefHallouly also, this works in resolve with the hdr wheels, other software might not handle this as well. I tried color grading in premiere and it was so different I couldn't work the footage in the same ways at all - so that will make a big difference. Davinci is the key.
why does the clog histogram have the gray to the left side? Mine is doing that now and didn't used to do that
That’s a good question, i’m not sure actually, I know it doesn’t do that in regular video profiles, only in log
Very informative, thanks a lot for sharing!
Glad it was helpful! Thanks for watching!
I dont have the option of "Canon Log Settings" in the menu and my firmware is up to date. WHat should i do?
That's weird do you see it greyed out or it's just not there? Which camera do you have?
hello friend congratulations for the video. I noticed that you turned off the c log preview wizard. you find it easier that way. A big hug from my friend from Brazil. who uses a canon R 7
Yeah but I recently tried to keep it on and it’s working ok.. it’s just that it makes the highlights looks like they are blown out.
@@YoussefHallouly I also realized that , so I simply ignored this warning , in the photometer always sweating exposing a little more , I 'm going to do a test on my channel pt BR .ABS ruclips.net/channel/UCiB2cuh6L2-MnIC4t0JPS3Q
@@YoussefHallouly you can build a 1 or 2 stop reduction lut to view overexposed footage on an external monitor in order to exposure brightly as have more flexibility in post.
Are you using an ND filter for the footage outdoors ?
Yeah I was using the freewell variable nd filter 2-5 stops
Brilliant! Su succinct and easy to understand. Subscribed!
Thank you so much ! :)
What about clog off, what will that do?
Then you won’t be filming in 10bit, only 8bit , that wont give you much room to play with color grade in post and reduce the dynamic range
@@YoussefHallouly will it still look fine though?
Yeah sure but I never use this mode, I only use Clog3@@royaltykidstv
in the video where you showed you display screen of the r6, on both sides there arent any icons which is neat. but when I see mine the screen is super cluttered. It is only when all the icons are displayed, the histogram appears. is there a way to turn off the icons/elements on the left and right while having a histogram active? thanks!
Hi Julia! If you press on the INFO button on your camera you should see those icons go away, also in the video I was recording, so those icons are gone once you are recording. But yeah press the INFO button once or twice and you should see those icons leave. Hope that helps :)
Great video, clear and effective. Do you have any suggestions for LUTs for CLOG3 to use with an external monitor ?
I’d like to release one of my own soon, cause I never use anyone else’s, I was not satisfied with the ones that I tried, Anyways thanks for your comment and stay tuned 😊
the official canon converter to rec709 + cranking the saturation looks okay for me
Could you pls share in what scenario the zebra needs to raise up to higher and when to lower? Thanks man
Hi! I use 70% for talking heads and 95% when shooting Broll
Yeah Youssef, nice video bro. So pleasant face and voice. Keep it rocking mate.
Hey that’s so nice of you, thanks and I will :)
solid video. simple and to the point. I'm on an original EOSR which does NOT have zebras and I'm wondering if you have any suggestion for skin tone exposure using RGB/Histogram?
Thanks! Well good question I don't have an original EOSR but I guess you can use Histogram and expose to the right without over exposing. You can then bring the highlights of the skin tones down in post but it might not be as accurate as the method i'm showing in this video. Thanks for your comment :)
same percentage for all skin tone types?
I must say, I haven’t tested on all skin tone types, so I can’t really say
Really appreciate! Got yourself a new sub! 🙌
Oh yeah! Thanks my man :)
dude took me forever to understand you made it so simple!
Awesome thanks man! 😃
My R6ii is running firmware 1.3.0. I can’t see the histogram display? Great videos. Thank you for making them.
Really that’s weird I have the R6ii also and same firmware and I can see the histogram
@@YoussefHallouly I’m going to keep trying.
I finally found out that by pushing the INFO button repeatedly the camera will scroll through what's available, including the Histogram!!!!!
Ohh yeah the info page of course, glad you found :)
So, if we want to focus on skin tone, can we skip the EV stop and histogram and just focus on the zebra markings?
and why u skip the ev stop when taking a b-roll??
Yes that’s correct, that’s what I do for skin tones
For b-roll i use the histogram and ev stop but mostly I will use the histogram and try to expose to the right
@@YoussefHallouly what if i take a b roll of a person and its taken indoor? Should i still focus with zebra or should i just focus with ev stop and histogram?
When the main focus is b-roll and not the subject, even if there is a subject in the shot, I won’t use zebras, I will only rely on histogram and ev stops
Helo! what kind of lut did You use to color grade clog3 image to normal in final cut? may be you can send it to me?
Hi there, It’s my own lut, I’m going to make it available on my website.. stay tuned!
@@YoussefHallouly that’s great idea
Thank for great content. I followed your steps, but unable to open the CLOG3 in Windows 10. When CLOG3 is off, no problem playing. But with CLOG3 ON, no luck. Someone suggested I needed HEVC codec, which I purchased on Microsoft Store for $1.29 Canadian. Still no luck. Wondering if you have some magical suggestion...
Yes your lucky I had the same problem on Windows 10. You need to download MPV media player to open 10Bit files on Windows 10. The website is mpv.io, there you go :) Oh and it's free!
Check out this video that explains how to download it : ruclips.net/video/Obf3j1bALY8/видео.html&ab_channel=MattWhoisMattJohnson
@@YoussefHallouly WOW! Just like that! It magically plays in Windows 10 perfect. Thank you you just made my day. Now second problem remains: Davinci Resolve 18 considers it as an audio file… another magical trick in your pocket? Please? Someone told me I need to buy Davinci Resolve… spending hundreds of dollars will really solve it?
Yes, I think it's the 10-bit h.265 format that is causing the issue. I bought Studio because of this exact limitation on the free version.
Good stuff! Is it possible to Have advises about how to expose in low ligth situations inside? (For be roll and for persons)?
Hey Frédéric! Oui bien sur je peux essayer de faire une vidéo sur le sujet , mais une réponse rapide serait, tu dois avoir une source de lumière dans une situation de basse lumière. Si tu n'a pas de source de lumière, augmente tes ISO de ta caméra, mais ca va introduire beaucoup de "Noise" dans l'image.
@@YoussefHallouly merci
@@fefe64 Bienvenue!
Bro thankyou just simple and that’s it
Happy I could help :)
How did you get 70% for your skin tone? What about about folks with darker skin tones
Hey man! The test I conducted on my skin tone resulted at 70%, which I deemed to be ideal. However, it may vary for individuals with different skin tones.
usually for darker skin tones you’d what to use a lower IRE value such as 60% (example) but you should test around and find out what works better for you
Hello Youssef!
Merci pour ta video.
Ta gagné un nouvel abonné!
Dis moi, jai lu dans les commentaire que tu na jamais de Noise a 800 iso en Clog3,
Meme dans les Shadows ? Jai tourné aujourdhui indoors, une scene dentretiens pole emploi? Et le manteau noir accroché au porte manteau noir en baclkground est vachement Noisy.
Alors que tout le reste de la piece est bien eclairée.
Est ce que ça veut simplement dire que ça manquait de light sur ce manteau noir?
Je suis resté a 800, en Clog3, 4kDFine, et jai fermé jusqua 7,6 pour exposer correctement le visage. Cest dire que niveau light j'etais bien quoi, mais donc pas assez pour ce manteau juste derriere ?
Un peu technique/precise comme question mais si jamais ta des reponses je suis preneur haha !
Merci a toi
Salut Daniel, en fait, j’ai peut-être un peu de noise quand même parfois même à 800 iso mais c’est très minime et presque pas visible. Ce que je fais en post c’est que je "crush" les shadows, comme ca le noise apparait beaucoup moins. Aussi j’ai remarqué que si tu lève les midtones en post, le bruit va réapparaître, alors je les descend aussi. J’espère que ca répond un peu à ton questionnement! Au plaisir et merci pour ton abonnement :) A plus!
@@YoussefHallouly oui, ça confirmes ce que je me disait. Soitbun peu de noise si les infos sur cet endroit sont importante, soit je les sacrifies et harmonise dans les shadows en "crushant" pour enlever noise et lisser 👌
Merci pour ta reponse :)!
The best video on this topic ❤
Thank you!
very helpful, thank you!
Glad it was helpful!
What lens were you using ? Was it ultra wide ?
I was using the Rf24-105 F4L lens, I think i filmed at 24mm :)
Excellent Video
Thank you very much!
Looks awesome. What LUT are you using for the indoor final look?
Hey there, thanks for asking, it's a LUT that I created myself, If you're curious check my other video I made on my channel I go through the full process of creating your own LUT.
@@YoussefHallouly awesome thank you!
my CLOG video is super noisy. what do i do?
Clog or Clog3 ? For Clog3 have you tried following what I say in the video?
I got it dude! I was underexposing, I thouhgt goign over 6400 ISO on R6 was the reason. But actually its not. I t can go even further!@@YoussefHallouly
Tks Mr. Youssef! Nice video!
Thanks for the comment and it’s a pleasure! :)
Great tutorial! But with these exact settings on my R7 I have to massively overexpose to see zebras on the face, no clue what I’m doing wrong, perhaps more light and lower ISO?
Yes probably you don’t have enough light power, try to increase light power on your face and keep the ISO at 800, cause that’s the native ISO for Clog3, you will get less noise and more dynamic range.
@@YoussefHallouly amazing, I’ll try that, thank you so much!
@@LeValLife Pleasure my friend :)
@@YoussefHalloulythanks for this great video! What do you recommend for night shooting?
@@nowhereland_2 thanks! For night shooting I recommend zebra 1 (70+-5%) on your subject, whatever the subject is. Remember to have good lighting thought cause increasing the ISO will introduce some noise
Thanks for this video! I will try it now with these settings and see how it goes!
You're welcome my friend! Let me know how it goes : )
Thanks, really helps.
Glad it helped!
Pure gold man
Thanks man! 😊
Enfin, qqn à suivre du Québec!!
Oh yeah! Merci pour ton follow! :)
thank you.
You're welcome!
how will you use zebra 1 and zebra 2? or are they automatically mixed together.
You can choose to display only zebra 1 or only zebra 2 or both at the same time, but both at the same time is confusing on a small screen
Good stuff. 👍👍
Thanks :)
Bonjour ! Déjà je tiens à dire que la vidéo est très bien. Les informations sont pertinentes et la vibe est très agréable. Je regarde des tutos depuis 3 semaines et je fais des test avec mon R6 mais je n'arrive pas à percevoir le gain de plage dynamique. Est ce que tu vois vraiment une différence sur la latitude proposée par le Log dans des scènes très contrastées ? J'ai vraiment fais pleins de tests mais je suis frustrè de ne pas percevoir un réel gain en post prod. J'ai l'impression de juste partir d'un profil standard et de devoir retrouver ses couleurs de base, sans obtenir d'informations supplémentaires dans les hautes lumières... Je ne sais pas ce que je fais de mal et si je fais même les choses mal
Salut, oui je vois vraiment la différence entre le log et un profil genre standard, beaucoup plus de latitude dans les highlights et aussi dans le color grading, par exemple en fin de semaine j’ai filmer en standard et je ne suis pas capable de voir les nuages dans le ciel tellement les highlights sont "blown out" par contre, je suis capable de garder les highlights en log! Merci pour ton commentaire, j’espère que ça t’a aider un peu!
@@YoussefHallouly Ok merci pour ta réponse ! Je vais continuer à m'entrainer, je pense que je n'expose pas assez bien In camera, et je me base sur le fait que le Log ressmble au Raw et que je peux récupérer les informations en post prod. En fait il faut exposer parfaitement dès le début, et sans ta vidéo je ne me serais pas posé la question. Merci !
Cool @@IAF1900 n'hésite pas si t'a d'autres questions j'ai fait pleins de test aussi, je pourrais t'aider si jamais!
@@YoussefHallouly Ah nickel merci beaucoup ! Je reviendrai vers toi si c'est le cas alors ;)
@@YoussefHallouly Bonsoir, je profite de ce début de conversation. Je m'interroge sur le le réglage de l'iso en c log 3. J'ai un R6 mark II et normalement l'iso natif du boîter est de 800. Puis je filmer en 1600, 3200,6400 iso si la pièce est trop sombre ? J'ai compris que 800 iso offrait la meilleur plage de dynamique mais si je reste en 800 iso dans une pièce sombre et que j'ai plusieurs sujets à filmer (dans le cadre d'une live session), je risque d'avoir beaucoup de bruit non ?
Cordialement Alexandre
Excellent, merci. Question. Zebra 1 ou Zebra 2? La difference entre les deux pour utilisation? ce sont 2 settings differents?
Salut! Zebra 1 à 70% je l’utilise pour bien exposer les faces des gens, zebra 2 95% je l’utilise pour exposer les broll pour être sur que rien n’est over exposed.
@@YoussefHallouly oui, caj'avais compris, mais comment tu switch de un a l'autre (je pourrais faire un search sur internet mais ca peut aider d'autres gens ici 🙂 ). Il y a une commande? un piton?
@ Ah ok, désolé j’avais mal compris ta question, en fait dans le menu t’a le choix d’afficher les deux en même temps sinon un a la fois, et tu dois simplement retourner dans le menu pour l’activer/désactiver
@@YoussefHallouly trop simple 🙂, besoin d'un autre café. Merci. Continue!! interessant tes capsules
@ Merci! :)
Great video, I followed all your advice to the T and still getting noise in the shadows 😡
Oh no! Maybe you need to add more light and keep the ISO down, close to 800
You can try with the higher base iso 3200 and go down to 800.
I think a mix of zebra and false colour is always good.
You really want to overexpose as much as you can.
@@Corruptlol187 Yes correct!
Je viens de découvrir la chaîne un réel plaisir, question quel est le micro utilisé dans la vidéo ?
@@Corruptlol187 Does the R& have dual base ISO for clog3? I thought it only had one base ISO for each profile (I think it's 100 for the standard ones, ISO 400 for Clog1 and ISO 800 for Clog3).
Does clog3 also be record on 800 iso?
Yes i try to keep my ISO at 800, but I’m not scared to crank it up a little
@@YoussefHallouly but a lower iso will give you less noise right? So I don't understand why 800 iso is recommend?
@@Webrisernl that’s the base iso for Clog3, you will get the most dynamic range at 800 iso, if you lower or increase from that base iso you will loose dynamic range
@@Webrisernl but in terms of noise, I never tested iso lower than 800, because I never get any noise at 800 anyways :)
@@YoussefHallouly thanks.. so what is better hdr or low noise from lower iso 😀
I just used a lightmeter.
Nice video. You don't need a wind screen if you're filming inside.
Thanks! It's to protect the plosives from my voice :)