Your'e maybe the only one who really deliver a straight simple information without bull**** and help figuring techniques out mate!! If i'm working on electronic music and making projects on 138-140BPM, but I want to take songs to remix, lets say a pop song which is 128BPM or so... What would be the best way to align it? Usually I wud put the original song BPM into my AudioWarp section in the sampler and with musical-mode it would sync but never 100%, there will be always gaps or so... What would be the best way to handle this? Thank you very much mate! Great Videos!
@@LanewoodStudios Thanks mate! Yep it does give me a new way of dealing with it. I wonder If the pop song i want to use on my trance track is like 128BPM, Do I use musical mode? I mean if I put 128BPM into the AudioWarp section and press Musical-Mode the song woud be at my 140BPM beat, but the song woud be faster than the original. is it another way to do it?
Hi Maarten. Thanks for this. I am keeping up my Cubase subscription but am currently mainly using/ learning Studio One. I am pretty sure this is right, but what 12 now offers as your video describes, is what others call slip editing. Correct?
Well Cubase also offers something they call slip editing and that is moving the audio inside an event. I think the whole audiowarp thing is more comparable to something they call elastic audio in protools. I do not know what it is called in other daws.
Hi cubase 10,5 considers some song well in some parts, but in the other parts shoot too high and lose the right movement. Are there any improvements in tempo detection in 12 compared to 10,5?
It has to do with the application that your file types are associated with. On my PC the installation of Cubase 12 set this correctly. All cpr files are now associated with Cubase 12. If you need to now correct it manually, this explains how: www.computerhope.com/issues/ch000572.htm
My favourite in Cubase 12 is the midi remote; how ever, I had it set up fine in CB11 for the Korg NanoKontrol2 for CC11-CC1-CC21-CC16 on the sliders; but in CB12 Pro, I cannot seem to alter the script for it within CB12 Pro,. I set the NanoKontrol2 for cubase by holding down the buttons before putting in the USB cable. I then fire up CB12 Pro, and it sets to default. Do I have to do something else to the NanoKontrol2 before opening CB12 Pro,? or am I missing something. I wish some one would just cover this topic fully. 🥴
@@LanewoodStudios Thank you for your reply. I have followed most videos on the matter, and I just can't change the CC numbers in Cubase. Do I set the Nanokontrol for Cubase, or just a factory reset to let Cubase do it's thing. Maybe some one else will read this and reply. I just want to change the CC numbers to CC11-CC1-CC21-CC16 on the sliders 🙃
Ok yes, I sometimes have to change them manually as well before using them (e.g. to create waro markers). Do you have better experiences with hitpoints in other DAWs?
@@LanewoodStudios yeah, even sometimes when its really obvious; like the transient is right there - look - right THERE - hitpoint: hmm. is it over here? NO THERE - hmm.. .over here? ..... :D no i havent really compared it with any other daw tbh. its just really annoying when for no apparent reason, the hitpoint is not at the transient location - nor is it close to a beat either. And the two settings avaliable to change that; those two sliders - are pretty much useless.
I am disappointed that the integration with Melodyne is not improving much, if they implemented like Studio One, all tempo operations would be a much better as Melodyne has far better auto detection of tempo then Cubase or Nuendo..
@@LanewoodStudios : Vari Audio can do much more than the small Melodyne Essential, which is included in S1... Another advantage of the Vari Audio integration in the Cubase´s audio editor is that you are completely independent from third-party manufacturers - so no update conflicts on the part of Celemony or the operating system. It is ideal that VA continues to expand, very good development in the right direction. Fact: Vari Audio doesn't sound any worse than Melodyne, especially in normal editing range. And via the ARA interface you can also use the really big expensive Melodyne Studio in Cubase.
You don´t need Melodyne when you have Cubase. If you have to straighten your audio recording all day, you better practice singing and learn your instrument.
![Chino Pacas - Smith (ft. Junior H & Fuerza Regida) [Video Visualizador Oficial]](http://i.ytimg.com/vi/BVK6k56X30Y/mqdefault.jpg)
Thank you Marten, Great tips
listen to your voice is like listen to a beautiful story.
Thanks 😎😁
Damm... phase coherent multitrack audiowarp... that's a game changer for editing drums
Yes it is!
Extremely helpful, thank you very much!
You’re welcome!
This is a very useful video. Thanks for making it! If you maximize the main project window you can save some space at the very top.
Thanks for the tip!
I will probably still be sleeping when this airs but as always I look forward to catching it on the replay. Thank you Maarten.
It’ll be there for you whenever you feel like it Peter 😁.
@@LanewoodStudios The beauty of YT. Allows one to teleport to almost any place at any given time. Wonderful. Have a great evening.
@@PeterBatah you too! Rehearsing tonight over here so that’ll be just fine 😁.
Excellent video, very helpful indeed. Thanks for posting.🍷🍷
You are welcome. Glad is was useful 😁.
Thanks!
Wow, thanks very much! My very first Super Thanks! 😀😎
this is very useful thanks!
🙏
thanks, great and clear explanation.
👍🙏
Great video. Thank you very much.
You are welcome!
Please do video where you import a live drum track that is in a different tempo to the project, thank you very much
awesome!
👍
Your'e maybe the only one who really deliver a straight simple information without bull**** and help figuring techniques out mate!!
If i'm working on electronic music and making projects on 138-140BPM, but I want to take songs to remix, lets say a pop song which is 128BPM or so... What would be the best way to align it?
Usually I wud put the original song BPM into my AudioWarp section in the sampler and with musical-mode it would sync but never 100%, there will be always gaps or so... What would be the best way to handle this?
Thank you very much mate! Great Videos!
Thanks! If you are talking about matching a full song (stereo file) to a certain tempo, this video may give you some clues on how I'd do that.
@@LanewoodStudios Thanks mate! Yep it does give me a new way of dealing with it.
I wonder If the pop song i want to use on my trance track is like 128BPM, Do I use musical mode?
I mean if I put 128BPM into the AudioWarp section and press Musical-Mode the song woud be at my 140BPM beat, but the song woud be faster than the original. is it another way to do it?
Very useful video! Thanks!
You are welcome and thanks for commenting!
Amazing, .... thanx
Glad you liked it!
Hi Maarten. Thanks for this. I am keeping up my Cubase subscription but am currently mainly using/ learning Studio One. I am pretty sure this is right, but what 12 now offers as your video describes, is what others call slip editing. Correct?
Well Cubase also offers something they call slip editing and that is moving the audio inside an event. I think the whole audiowarp thing is more comparable to something they call elastic audio in protools. I do not know what it is called in other daws.
Buuuut WAIT!!!! What about "Tempo Detection"?! Did that get any easier with Cubase 12? If so, could you please show us the new process? :-)
I think the automatic tempo detection still works the same as I showed in my other video. ruclips.net/video/WfkA604PfwU/видео.html
hi what do you using to screen record Cubase 12 Pro? as in how are you routing audio from Cubase? and
Hi, I use OBS and I have a video on exactly what you are asking 😉. ruclips.net/video/SzQf94FYJME/видео.html
Hi cubase 10,5 considers some song well in some parts, but in the other parts shoot too high and lose the right movement. Are there any improvements in tempo detection in 12 compared to 10,5?
Hello. Cubase Pro 12 saved project files open up in Cubase Pro 11. What can I do? I am using Windows Thank you
It has to do with the application that your file types are associated with. On my PC the installation of Cubase 12 set this correctly. All cpr files are now associated with Cubase 12. If you need to now correct it manually, this explains how: www.computerhope.com/issues/ch000572.htm
My favourite in Cubase 12 is the midi remote; how ever, I had it set up fine in CB11 for the Korg NanoKontrol2 for CC11-CC1-CC21-CC16 on the sliders; but in CB12 Pro, I cannot seem to alter the script for it within CB12 Pro,. I set the NanoKontrol2 for cubase by holding down the buttons before putting in the USB cable. I then fire up CB12 Pro, and it sets to default. Do I have to do something else to the NanoKontrol2 before opening CB12 Pro,? or am I missing something. I wish some one would just cover this topic fully. 🥴
Sorry for the late reply but I don’t have any experience with the
midi remote yet. I did see a lot of other videos about it though.
@@LanewoodStudios Thank you for your reply. I have followed most videos on the matter, and I just can't change the CC numbers in Cubase. Do I set the Nanokontrol for Cubase, or just a factory reset to let Cubase do it's thing. Maybe some one else will read this and reply. I just want to change the CC numbers to CC11-CC1-CC21-CC16 on the sliders 🙃
What is your favourite Cubase 12 feature?
Midi Remote 👍 and not needing the USB Key.
@@MarcoPolux 👍
All I need is a better hitpoint detection :p
Ok yes, I sometimes have to change them manually as well before using them (e.g. to create waro markers). Do you have better experiences with hitpoints in other DAWs?
@@LanewoodStudios yeah, even sometimes when its really obvious; like the transient is right there - look - right THERE - hitpoint: hmm. is it over here? NO THERE - hmm.. .over here? ..... :D no i havent really compared it with any other daw tbh. its just really annoying when for no apparent reason, the hitpoint is not at the transient location - nor is it close to a beat either. And the two settings avaliable to change that; those two sliders - are pretty much useless.
I am disappointed that the integration with Melodyne is not improving much, if they implemented like Studio One, all tempo operations would be a much better as Melodyne has far better auto detection of tempo then Cubase or Nuendo..
I'm not a Melodyne user myself or a Studio One user. Is there some kind of special integration?
@@LanewoodStudios : Vari Audio can do much more than the small Melodyne Essential, which is included in S1... Another advantage of the Vari Audio integration in the Cubase´s audio editor is that you are completely independent from third-party manufacturers - so no update conflicts on the part of Celemony or the operating system. It is ideal that VA continues to expand, very good development in the right direction. Fact: Vari Audio doesn't sound any worse than Melodyne, especially in normal editing range. And via the ARA interface you can also use the really big expensive Melodyne Studio in Cubase.
You don´t need Melodyne when you have Cubase.
If you have to straighten your audio recording all day, you better practice singing and learn your instrument.
@@LanewoodStudios yes, the Ara integration is deeper, cord and tempo is exchange via ARA.
@@Byron101_ I know, I have the studio. However, VA does not come close to Melodyne studio in functionality.
Sorry ,you’ve just started with drums
Yes :)