HOW TO MIX A POP PUNK SONG
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- Опубликовано: 18 сен 2024
- Here how to mix a Pop Punk Song!
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Learn how to mix a pop punk song with this comprehensive tutorial! Discover the basics of getting a punchy drum, bass, and guitar sound, and making your vocals sound thick and exciting. Plus, you'll learn how to add the perfect effects to your mix for a modern and professional sound. Whether you're a seasoned producer or just getting started, this video has everything you need to know to create the perfect pop punk mix!
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![How To Write A POP PUNK SONG [Weird Times Breakdown]](http://i.ytimg.com/vi/N0EdJYPykOw/mqdefault.jpg)
PRO TIP: The guitar bus should have a sufficient amount of 500-600 Hz, as stacking guitars that are (usually) scooped (in this genre) you can end up with a real deficiency of weighty mids. =)
This is awesome. Can't wait to check out more videos on your channel.
Also, I don't understand why people bash presets. Granted, I don't think they're useful for compressors or EQs. But for a lot of other plugins they can be a great jumping off point. You can always tweak it so it fits your song better.
I discovered you with this video. Super nice tips for a great tune ! Tank you, Andy, you do fabulous pop punk work.
Thank you so much! I'm super glad you dig it :)
This stuff is incredible man! Thanks for sharing this!
Thanks for the vid. This is great everything definitely sounds enema era blink. It’s very much mark and toms amp choices.
Glad you approve!
Excellent vid/song homie! Love that you explain along the way, although I’m only 1/4 of the way in. Question though, you kindaaa went over the “getting clips gained properly” part a bit quickly. This kinda intrigues me a bit, how can you tell if you have your guitar levels the same?
For example, I go to record the rhythm guitar. Then the next day I record the other rhythm guitar track, but with a different amp. How can I ensure that I have the gain/dB as close as possible without just using my ears? Is there somewhere that tells you the input “volume” per se? I probably explained that like shit, if it doesn’t make sense then carry on haha you’re awesome dude.
mmmmmmmm... That is very nice. You are SO underrated. We need to start advertising you more or something.
More promo? More promo!!!
Loved this! Thank you so much
My pleasure! Hope it helps your mixes!
Great song!
Thank you so much!!!
Came here for the mixing, stayed for the music, a Pop Punk song about Invader Zim? Yes please
Ahhh a fellow Zim fan! Stoked you're here!!!
nice
🤙
no blasting here! I use EZD3, EZBass and love the pop punk packs! Great points though, can spend more time on the actual tracks!
oh and im also a studio one user as well. will be subscribing for sure!
I haven't used EZ bass, but I imagine it sounds awesome based on Toontracks other stuff. If it works for you, then it's the best choice 🤙
@@anndynegative if I had a bass, I’m sure I’d lay the tracks down with my Line 6 Helix, but for a “one” man show I love how easy it is to lay down tracks. Do you use a faderport for workflow?
can you make a video on how to tune a Floyd ride Bridge?
I've never used a Floyd Rose unfortunately
please make a vocal mixing tutorial pop punk in FL Studio
I'm considering getting the Blasting Room VST. That's the studio owned by Descendents drummer. Alkaline Trio, Hot Water Music, Rise Against and a bunch of others recorded there, so their drum sound must be good.
I hadn't heard of this! I'm totally gunna check it out
For the next video can you make a video on lead notes or techniques?
Do you mean like reading sheet music? Or writing leads on guitar?
Both
Or like one string solo notes or something
@@joelmartino4607 oh ok I see. I'll add it to the list of things to cover!
Awesome 😎
anyone know what guitar vet he's using for all the guitars?
It's Ampire the built in amp sim in Studio One
@@anndynegative Thanks Dude :D
No problem! It's available as a VST for other DAWs as well. Cost 70$ or so I believe
Mixing and mastering are weaknesses of mine, so I’m checking multiple videos for ideas. I overestimate bass frequencies and make all my guitars sound like 90’s black metal it seems.
If you make black metal, then is that even a problem??? 🤣
@@anndynegative Haha! Not at all! But that was years back! Never know though. It could return just to cover up my mixing issues!
Getting a sub to check the low end is a good idea if you can afford it, but def check in some decent studio headphones. They usually represent the subs pretty well - Well enough to identify problems. If you’re not already doing it, I would high pass those guitars too. I usually do it around 80-100hz (6db/Oct) and then possibly take out some of the 40-80 hz with a bell that the HPF missed. I’m not big on one size fits all solutions but high-passing everything except bass/kick to is a good practice to make room for the bass and kick. Lots of audible and inaudible low end buildup on pretty much every instrument.
I read in the Toontrack forum from a moderator that we are seeing the Black Box because we are loading an EZX in SD3. Can't confirm; never owned EZDrummer. However, someone else mentioned they see a Black Box in the Progressive SDX in SD3 so IDK.
Hmm interesting, I'll look into that further. The Pop Punk one is an EZX so maybe I can hunt down the parameters
@@anndynegative that would be fun. Like you, I am ok with editing presets for now but also would like to see what's in the mysterious boxes... it's probably disappointing, ha (as you kinda mentioned).
I’m confused, I have ezdrummer 2 and SD3, I thought the pop punk was only available for ez drummer!? I have it but not for SD!?
EZ Drummer is kind of just a "limited" version of Superior 3. All the EZXs for EZ Drummer will load into SP3 and you'll have more control over everything!
@@anndynegative ah that’s amazing! I shall be having fun with the pop punk pack in SD! Great vid as ever my dude
@@philcodeca thanks na bunch! Have fun!!!
Random Question: First of all, this video is extremely helpful and has assisted my own Pop-Punk mixes/masters immensely - so THANK YOU. I too have a very sibilant voice. Not so much S's and T's (although I can have trouble with those), but particularly C's and K's. I tend to really go hard on those subconsciously, especially if I'm singing in a Tom Delonge-esque upper register. Are there mixing tricks to reign those in, and/or better mic techniques I can implement: so I don't sound like an amateur? Hahaha
High pitch vocals can get really abrasive. A De-Esser or multiband compressor to reign in the high end will work wonders
@@MyBiPolarBearMax Thank you!!
@@SeanLearyMusic no problem 👍. Spent years in a band with a sibilant, unconsciously abrasive in the high registers singer. Its usually somewhere in the 2.5-5K range and a dynamic compressor is unnoticeable except bringing down the sharpness (thats all a de-esser is)
Brandon got this exactly. A DeEsser can help a lot, or a dynamic EQ like the TDR Nova can duck the harsh frequencies when they build up!
@@anndynegative thanks! :)
Can I ask a dumb question but do you have overdrive/highgain on the guitars while you record before reamping or are they clean and then you add what you want?
Not a dumb question! I'm recording the guitar DIs clean and adding overdrive through the plugins
@@anndynegative thanks heaps for the reply and clearing that up for me
Something tells me......this is a weird channel
Accurate
What’s up bro I was wondering how you do your hare
How do you go about setting your bpm?
Honestly I kinda get a feel just playing the idea, and then I adjust the tempo by 3-5 BPM until I get it to feel right. It's almost entirely a gut instinct.
you should play the song first so everyone knows what you are talking about when trying to explain. otherwise people are left trying to understand why you used that and if it makes sense using instead of listening to what you are saying