Cinematography Tips | 2 Camera Interview ( Ursa G2 & Pocket 6k Pro)
HTML-код
- Опубликовано: 11 июл 2024
- How to Shoot a 2 Camera Cinematic Interview. Using the Blackmagic Ursa Mini Pro G2 & Blackmagic Pocket 6k Pro. Lit using the Intellytech Mega Lite Cloth - Falcon Eyes & Nanite Forza 500.
Falcon Eyes: amzn.to/3HYwtRM
Mega Lite Cloth: www.bhphotovideo.com/c/produc...
Forza 500: amzn.to/3QX0Xro
Ursa G2: amzn.to/3OMCenR
Pocket 6k Pro: amzn.to/3Ny6iCB
Color Grade using my LUTS: vaeqmhzw.sellfy.store/p/creat...
Leave a comment below of any videos or tutorials you’d like me to make!
MusicBed Playlist!: www.musicbed.com/playlists/gi...
Cinematography & Filmmaking Discord Chat: / discord
Instagram Photo Grid Template: sellfy.com/vaeqmhzw/p/instagr...
My Instagram: / carlostigs
Check out East Waves (use the code “Carlo” at checkout for 20% off): eastwavesco.com/
My Gear: (Amazon Links: The links in this description may be affiliate links that allow me to earn a small commission (at no extra cost to you) that keep this channel going. Thanks for your support!)
My Favorite Cinema Camera: amzn.to/3juSknb
Cinema Camera Partner in Crime: amzn.to/3g07RLG
Lens Upgrade :) amzn.to/3yZwkIR
Solid Affordable Tripod: amzn.to/3wk1dFL
Beast Key Light: amzn.to/2UeAQDW
Favorite Lens: amzn.to/2S9bQcK
Second Favorite Lens: amzn.to/2Gnyzzb
Portable RGB Lights: amzn.to/2KjJvjs & amzn.to/2LY8IAo
Nifty Fifty: amzn.to/30nqaCK
Super Unique Lens: amzn.to/3478MTY
Diffusion Filter For Lens: amzn.to/2HEqK8F
My RUclips Lighting Kit: amzn.to/2EPXsTI
Easy-to-use Neg/Bounce Board: amzn.to/3otfrkj
Affordable LED: amzn.to/3qqFc6l
Really Cool Light Attachment: amzn.to/3jhakBl
My Fav LAV Mic: amzn.to/30KukVJ
Affordable On-Camera Mic (Mirrorless/DSLR): amzn.to/3iJsxpO
Better On-Camera Mic (Mirrorless/DSLR): amzn.to/30LigU2
V-Mount Battery: amzn.to/2S9Zb9t
Slim V-Mount Battery: amzn.to/2GcKOyH
C-Fast Card: amzn.to/2GhroIF
My Monitor: amzn.to/30loPwy
My Hazer: amzn.to/2Ib8LHm
Diffusion Fabric: amzn.to/3nvZoCo
Diffusion Fabric (Muslin): amzn.to/2GGAJKx
¼ Spigot: amzn.to/3fYzG75
Small Rig Cinema Camera Kit: amzn.to/3cKLNCf
My Decent Tripod: amzn.to/2HJZJ3T
Easy to use C-stand: amzn.to/34JadIK
My Travel Hard Drive: amzn.to/2GiTUcW
My Editing Storage Solution: amzn.to/3dAQtMr
My Safety Storage Solution: amzn.to/3yeppe0 
Кино
Lighting with "intention" is a good take-away. A cam vs B cam suggestions are helpful too. Thanks Carlo.
I learned a ton from this, thank you for putting this information out there. I truly appreciate it!
Thank you!
Solid tips and great work, brother! Especially the behind the scenes stuff. So much detail -- keep em coming! ✌🏽
Please make more videos like this, really learning how to break out my average cinematography. Always waiting for a new teaching video, keep it up, love from Iceland :3
I appreciate it, will do!
As always very valuable,thanks Carlo!
appreciate it mate - showing details of lighting levels etc very helpful - thanks for your help
Great info!!! Thanks for sharing.
Soooo helpful and precise. Thanks for sharing your knowledge the way you do - I really appreciate it. Oh, and it looks great 🙌
You are so welcome!
Such a great video Gian,thank you brother!
love your videos
Thanks, I would love more of these.
More to come!
Love this man. You produce some beautiful images
Thanks bro
This was incredibly succinct and practical. Thanks for sharing! Can't wait to use these tips on my next interview shoots and see how things improve.
Glad it was helpful!
All the lighting goodness 😍
Yes sir!
Nice video man!
Great tips. A couple of things I would also add that I personally do in interviews. I shoot 4k and wider than I think I need to because:
1. I have more flexibility in post to digitally zoom in and out or crop
2. Sometimes the subject shifts forwards or sideways in the chair, completely throwing the rule of thirds out
I also hate external light, especially during longer interviews. Clouds passing the sun messes with my exposure and white balance, and becomes a nightmare in post.
I look forward to watching more of your videos.
Great notes!!
Andrew, you are right about shooting wide. I had an interview where the interviewee was sweating profusely under his arms. We caught it about a third of the way through the interview, and his shirt really showed the perspiration. The ability to crop during post was a life safer.
The constant opportunity for learning is what makes this work so enjoyable for me. Wooww..!! 😃
This was great. Thank You.
Thank you :)
Good tips overall and especially on keeping angle of the B-cam slightly down. I've only just entered the realm of 2-cam shoots so I'm going to try this on the next one. Cheers!
Awesome!
i just discover your channel, so interesting. thanks for sharing
Great lighting breakdown!
Thank you!!
great tips and fantastic vid!
Thanks!
Very informative. Great job.
Thanks!
gotta be intentional! valuable video bro👊🏾
Thanks man!
Grazie, ottimo tutorial, la passione che ci hai messo arriva anche a chi non capisce la lingua. Ma forse potresti avere un pò di sangue italiano. Mi auguro in seguito di vederne altri di questo tipo e in diverse situazioni. Grazie ancora, buona vita.
Good Info...
damn the Intellytech Lite Cloth is niceeeee
It’s my favorite
Great stuff!!! How does someone who's new go about getting client interviews?
9:25 Looks like a cat just fell from the ceiling lol
Oh my god hahaha I just rewatched hahaha
How in the world you only have 4k subscribers 🤔🤔🤔
Cool video. That lighting looks really nice. I could never figure out how to get rid of the chroma noise on my blackmagic cameras... The main reason I sold mine. Have you ever had that issue?
Not that I can remember. What did you switch to?
@@carlostigs I switched to Sigma FPs, which have a very nice clean image but are much harder to use than the Blackmagic cameras. The color grading workflow is very strange and I don't know if Sigma really thought the whole thing through, but I'm getting good results with ACES.
This has been very helpful. Is there a rule of thumb about camera placement? Should they be a certain distance away from each other?
There’s no set rules but typically I like it to be within 3-5 feet
I've heard 30 degrees is a good "normal" point
I'm just curious, since I clicked with the title saying 2 camera URSA G2 and Pocket 6K Pro. On the slates you put Gen 5. I'm assuming you shot Gen 4 Color Science on the G2 and then since it was BRAW changed it to Gen 5 in Resolve in post? Am I right? I mainly ask because I was curious to see if you were going to give tips for matching the cameras for ProRes since I do have clients that ask for that and at the moment I just shoot BRAW, convert the UMPG2 to Gen 5 with Resolve and then export the ProRes for the client.
Would love for Blackmagic to finally update the UMPG2 Firmware. But that's unlikely as we're approaching the 3 year mark and no firmware updates since August 25, 2019.
I skipped around the video to see if what I was searching for was mentioned. So apologies if I missed you saying this anywhere.
That’s actually a good point that I didn’t even mention. Yes, I typically shoot b raw but if I have to shoot pro res and Ursa is gen 4 a lot of matching really has to do with a bit of a bump in contrast, sat and a little balance but you can still match it easily
What is you setting for this 2 camera for combine
how do u keep your subjects in focus man?
window nd gel bro
Hey dude hmu. Looking for a DP >:]
DM me on Instagram @carlostigs
boy has been hitting the gym! 🦾🦾