Emil Gilels - Schumann: Piano Concerto & Arabesque - USSR State Symphony Orch. - V. Verbitsky (1976)
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- Опубликовано: 19 янв 2018
- ROBERT SCHUMANN
Piano Concerto in A minor, Op. 54
00:54 I. Allegro affettuoso
18:23 II. Intermezzo: Andantino grazioso
23:10 III. Allegro vivace
Encore:
37:03 Arabesque, Op. 18
EMIL GILELS, piano
USSR State Symphony Orchestra
VLADIMIR VERBITSKY, conductor
Filmed at the Great Hall of the Moscow Conservatory, 15 February 1976 
Видеоклипы
А я была на этом концерте. Какое туше! Даже подходила в перерыве к Эмилю Григорьевичу, т.к дружила с его племянницей.
Завидую Вам. Я тоже жил в то время. Только по прошествии времени после его ухода понимаешь масштаб этого грандиозного явления.в музыке, каким был гениальный Мастер Эмиль Григорьевич Гилельс. Целая Эпоха. Немного обидно, что при жизни он был немного недооценён, чуть-чуть в тени другого гения Святослава Рихтера, которого по умолчанию считали первым. И тогда и особенно сейчас я так не считал и не считаю. Они оба Первые, несмотря на их различия. Гилельс - мой кумир и любимый пианист. Волшебник звука с абсолютным вкусом.
The fabled golden tone of Gilels, unique.
What a wonderful discovery I made when I clicked on this video. Thank you for uploading it.
MAGNIFICOOOOOOOOOOOOOOOOOOOO !!!!!!
I wish, he was still here!
Robert Schumann und Emil Gilels: Im seligen Bann eines romantischen Schönklangs, der unvermindert heute noch anhält...
There are so many wonderful interpretations of Schumann and he had the most unique 2nd mov I've ever heard. Unique, wonderful and brilliant. What a joy to listen.
great, great artistry... such touch and passion.
Brilliant rendition of one of my very favorite piano works. Thank you
One of the best ever.
This is fantastic....thank you !!
初来日のギレリス氏の演奏会の感激が懐かしく思い出されますまだ、日比谷公会堂でした、
え～？！
聴きに行かれたのですか！！
羨ましすぎます！！!!ヽ(ﾟдﾟヽ)(ﾉﾟдﾟ)ﾉ!!
A very good tempo for the first movement.
Поющая душа, поющие руки, без пафоса, естесственно - поэтому и гениально! Браво!
Sin palabras......sublime !!!!
The best version so far!👏👏👏👏👏👏👏👏😍
Check out Pletnev's
@@jeanjoubert3074 I will👍🏻👍🏻👍🏻
Dino Lipatti is the one to hear.
wunderbar, sensibel und fließend - Danke
Schade er kann dasz lesen nicht.
Bravo bravo bravo genial grandiose fantastic pianist
What a majestic sound and rendition
Beautiful Arabesque !
Superbe, insurmontable!!!! toujours Gilels!!!!
Listening to this performance of the concerto, I kept thinking "this is REALLY slow". This led me to compare the timing of the 1st movement with other recordings I have of the work. Indeed, of the 27 recordings below, nobody takes it as slowly as Gilels (17:08), even surpassing his own Salzburg Festival recording. Bolet 15:50
Hess 14:54
Rubinstein (1947 14:51 (1957) 15:21 (1956) 16:26
Moravec 15:25
Maria João Pires 15:20
Kempff (1958) 15:22
Serkin 14:20
Corset 16:30
Novaes 15:47
Brendel (1996)15:11 (2018) 15:15
Lisiecki 14:17
Istomin 15:51
Richter 14:07
Gilles (Salzburg 1975) 16:56
Van Cliburn 15:15
Anda 15:32
Kempff (1973) 15:43
Lipatti (1948)14:23 (1950) 15:32
Giesekiing 14:41
Haskel 14:00
Arrau 16:09 (1977) (1981) 16:30
Fleisher 14:51
Argerich 14:55
Lulu 14:35
Cortot 15:03
Frager 14:39
Janis 14:34
Davvero esagerato...ma non dipenderà in parte anche dal direttore ??
@@mariarosanovello7803 Presumo che quando un artista famoso si esibisce, è l'artista famoso a prendere questa decisione. C'è una famosa esecuzione dell'Op.15 di Brahms in cui il direttore, Bernstein, annuncia al pubblico di non essere d'accordo con il ritmo molto lento del solista, Glenn Gould.
@@billinrio Grazie mille di questa precisazione...
A slower tempo always allows the listener more time to hear and experience all the harmonies, counterpoint and other intricacies of any piece. Although I must confess I wouldn't take it any slower!
You’re missing the forest for the trees.
His Op 18 Arabeske was just magnificent
こんなシューマン聴いたこと無い…！
なんという人だギレリスという人は！
こんな人がなんでいるの？
もっと長生きしてほしかった！
生きていた頃にコンサート行きたかったなぁ( ´;ﾟ;∀;ﾟ;)
Quand le piano russe aborde Schumann, on n'a plus qu'à bien en profiter... La prise de vue en plongée est très intéressante.
!
Nice
1.25x for first movement
Yes!
I thought only Katia Buniatihvili had anything really Schumanesque to say in this music . I waswrong . YOu'd think that this music belongs to Argerich as often as she has played it but I don't remember her in this so special. Maybe I'm deaf .Leonskaya?Alicia? Arrau. Hess,Bolet.I need to relisten to all of them !
小和弦 3:47