This is so great, thank you for doing these interviews. My band was lucky enough to have Tony mix one of our singles "Confetti". All done via phone calls from NZ to LA so it's cool to watch this and learn more about Tony's workflow.
Thank You for another kick ass show lots of detail. You can really record great music with a SM57. its all about positioning and good ears on your head.. Tony is a true pro!! would be great to see a show on inexpensive gear. or budget recording projects that made the air wave. that is something we all can learn from. again Thank you for another class. Viva!! The University of Pensado's
Valhalla, but they're a lot better when it comes to reverbs. I love their Shimmer plug-in, but the new Vintage Verb plug-in is the best reverb plug-in I've ever seen.
The DOD Punkifier was a low end Distortion box from the 90s, kind of an Army green color. Digitech stopped making the DOD line, but began making some of it's pedals under the Digitech name years later. Those DODs had some great sounds, but the footswitches always seem to break.
What does he mean with Neve, or Neef or Nief, Im dutch so I donr know how to write it cause I dont know what it is, Can somebody tell me wat it is, He is saying it at 11:48, THANX!!!!
what bands are they talking about at 47.30 ?? i figured "wire" is one of them but the other one is "krass" or ... ?? sry im no native speaker so it´s kinda hard to understand .... keep up this amazing shows !!
They're two weird punk bands on the complete opposite ends of the spectrum. Crass records are noisy, weird and unlistenable whereas Wire inspired art-school students all over the world. Just very unorthodox and interesting records. They're not even necessarily "good", it's just different and you literally go "...things can sound like that?" which is very important if you want to stay ahead as an engineer.
Tony Hoffer talks about growing up listening to The Beatles, Led Zeppelin, The Cure, and Depeche Mode as his influences... with exception to Depeche Mode I don't hear any of these influences in his production. Unfortunately, I think he is annihilating songs with electronica by too much synth and quantizing which loses the human element and ultimately makes the songs forgettable.
Such a in depth conversation. This videos get more important for me every day. Thanks
I really dig this guy. Everything he has done something with is in my collection of music.
So incredible to hear "carried away" dissected like that
all videos of yours are very important for me ...! thanks for sharing experienses God Bless ...!
Wow! ITL was a real eye-opener! Gonna try to follow that idea. TONY, MAN some great things to try now.... Woooo!!!!
He produced Belle & Sebastian's The Life Pursuit, probably a top 5 album EVER MADE
thanks to our man Tony!! Great new insights!
This is so great, thank you for doing these interviews. My band was lucky enough to have Tony mix one of our singles "Confetti". All done via phone calls from NZ to LA so it's cool to watch this and learn more about Tony's workflow.
Where can I listen to your music?
@@nonamenonamenoname228 ruclips.net/video/wPIuzSCtZGI/видео.html
I love this incredible show ...
Thank You for another kick ass show lots of detail. You can really record great music with a SM57. its all about positioning and good ears on your head.. Tony is a true pro!! would be great to see a show on inexpensive gear. or budget recording projects that made the air wave. that is something we all can learn from. again Thank you for another class. Viva!! The University of Pensado's
Awesome, ...love the 57 on acoustic too
Valhalla, but they're a lot better when it comes to reverbs. I love their Shimmer plug-in, but the new Vintage Verb plug-in is the best reverb plug-in I've ever seen.
Lord of the mix, great!
They really balance each other out in the best way possible..
Tony Hoffer is the man.
Oh awesome thanks heaps :) I'll check it out.
bob clearmountain oneday? GREAT AGAIN MAN!
Enjoyed it, thank you very much :)
The DOD Punkifier was a low end Distortion box from the 90s, kind of an Army green color. Digitech stopped making the DOD line, but began making some of it's pedals under the Digitech name years later. Those DODs had some great sounds, but the footswitches always seem to break.
love "95% of the time it's a 57" too good.
What does he mean with Neve, or Neef or Nief, Im dutch so I donr know how to write it cause I dont know what it is, Can somebody tell me wat it is, He is saying it at 11:48, THANX!!!!
what bands are they talking about at 47.30 ?? i figured "wire" is one of them but the other one is "krass" or ... ?? sry im no native speaker so it´s kinda hard to understand ....
keep up this amazing shows !!
21:00 interesting remark that slipped dave's attention : "that actually not an acoustic guitar , thats an electric guitar we put a mike on"
Sorry for calling you Dave, I forgot you were shooting during this time.
What was the delay plugin mentioned at 37:59? It sounded sort of like bah holla?
Valhalla Reverb & Free Delay
thx!
Valhalla plugins. Good stuff!
GREAAAAAAATTT!!! :D :D
When you've got higher end equipment; this is where lower end gear really shines - ala a57
Valhalla Freq Echo it's free and great !
DAVE!!!!! Hendrix used a fuzz face! C'MON MAN :p
At 38:00min what free reverb plug in does he mention?
I dont use overheads !? hahahahaah
sm 57...wow...
Come on, don't be so narrow-minded.
It exists in every single field. Don't deny that just because you don't know about it.
gREAT shOw lIKE tONY a lOT.
They're two weird punk bands on the complete opposite ends of the spectrum. Crass records are noisy, weird and unlistenable whereas Wire inspired art-school students all over the world. Just very unorthodox and interesting records. They're not even necessarily "good", it's just different and you literally go "...things can sound like that?" which is very important if you want to stay ahead as an engineer.
Tony Hoffer talks about growing up listening to The Beatles, Led Zeppelin, The Cure, and Depeche Mode as his influences... with exception to Depeche Mode I don't hear any of these influences in his production. Unfortunately, I think he is annihilating songs with electronica by too much synth and quantizing which loses the human element and ultimately makes the songs forgettable.