If particularly his sound in this interpretation is for you the best of all the others, then it would be perhaps usefull to visit an ear specialist. The comparison between the SOUND of your hero and DFO leaves no margin of doubt in any case, especially in videos, as this concert or the 3-4 minutes of Khatchaturian (ruclips.net/video/ghe1RNb5m9s/видео.html), where -as in this video- your hero simply executes technically, if not harshly, while DFO flies and sings over a whole orchestra! Hear your hero in Mendelson's concerto, where he is sometimes fairly heard. This why he avoids expressivities: not out of timidness or classicism, but because he cannot open up his voice, without squealling. How to sweaten without flesh in your sound? Who is going to hear you? Of course I fully respect a possible answer that this is a matter of taste; Let me simply suggest the fact that not any second one is misjudged. This was the prevailing view in periods of decadence (e.g. 1920-1940), when the negative heroes (e.g. Nosferatu, in our example the absolute lack of sweetness in a lean and sometimes harsh sound) were very popular. Anyway everybody agrees that this is a magnificent interpretation (actually the best of all, perhaps of any possible), under the batton of the real maestro, the king DFO.
Dear '1 analyst', please, accept my apology. The first sentence ("If particularly ... specialist") of my previous "reply" is definitely not mine. This is of course obvious from the first place, since afterwards I write explicitely that "I fully respect" your taste. It is most possible that the first sentence had been copy-pasted elsewhere, BUT NOT BY ME. Apart from this I had not yet decided to send the (rest of the) comment, but, unluckily, I pressed the enter button. Therefore, please, consider my whole "reply" (not only the forged 1st sentence) as never sent. Accept, please, once more my apology for any inconvenience, as well as my deepest respect not only for your musical preferences, but for your vast musical knowledge (on violinists, interpretations etc.) Anyway, it's more than sure that we speak of the Everest of the violin, no matter if even Everest might have different peaks. Sincerely yours
Es una interpretación de Excelencia , poder escuchar la Obra Maestra y ver ejecutar al Legendario VIolinista David , Oistrakh , Leonid Kogan , juntos a sus hijos . BRAVO
Che "signori violini" per il nostro Vivaldi!!! Sono italiana come Vivaldi e ne sono orgogliosa. Grazie ai solisti, all'Orchestra e al Direttore e, soprattutto, a Ivan per il video che ce li ha mostrati tutti. :o).
Violetta Valéry sono d'accordo su quello che hai detto, però oggi quest'abitudine di suonare Vivaldi sta piano piano scomparendo, io l'ho eseguita con l'orchestra del mio conservatorio senza tutti quei vibrati che non hanno senso sulla musica barocca.
Genial interpretación de Vivaldi, extraordinarios músicos. Lástima que no haya mayor información sobre el video: fecha, lugar, etc. Gracias por subir está magistral pieza musical.
Terrific! I grew up listening this opus in a vinyl disc of my father and i've never could imaginate that someday i'll watch the same version! Amazing! Thank you so much Ivan for share it !
MAGiSTRALES Maestros Concertistas de Violín ; ejecutan la Obra Maestra con una entrega absoluta ; interpretando con un brillante explendor la maravillosa Composición .
Although a "heavy" romanticized interpretation (as one would expect given the players, and the period of time) this none-the-less is a fine performance, engaging, and done with real thought for the music. It is very superior to the other more recent clip featuring four modern "giants" of the violin. This was the first piece of Baroque music I fell in love with. Thank you for posting this!
An incredible historical document. The two greatest Russian violinists ever, and their sons! The video resolution is sad, but the sound gets through. I've heard the two Oistrachs live, but of course neither of the Kogans given their restrictions to Russia.
My understanding (secondary sources of course) is that the elder Kogan wasn't allowed to leave Russia because he was involved in some way with the state security apparatus. As compensation, Russia let him use the two finest violins they had. The elder Oistrakh, for comparison, had to make do with a 2nd-tier Strad in case he decamped with it, as so many Russian musicians did then.
Исполнители концерта для скрипок творят мистерию. Скрипка вообще сложный для исполнения инструмент, потому что, помимо отсутствия ладов и необходимости в связи с этим сложно тренировать моторику пальцев и слух, есть еще и трудности с преодолением, если можно так выразиться, слишком большой душевности скрипки. С одной стороны инструмент созвучен восприятию человека, а с другой, этим самым он уводит от сути, которая связана с преодолением душевной страсти по материи, с преодолением слабостей, которыми наполнен человек. Ведь часто именно душе приписывают истоки человеческой слабости и пагубных страстей. Мне кажется, что Вивальди, как человек глубоко верующий, в этом лаконичном и накалённом произведении выразил стремление человека к преодолению такой слабости. В концерте слышится и тоска по новому человеку, который бы смог превозмочь, и сила, с которой композитор протягивает руку гибнущему человечеству.
Su di loro ho poco da dire, oggi questo modo di suonare Vivaldi si sta lentamente perdendo perché stiamo eseguendo musica Barocca senza vibrati e con molta più leggerezza dell'arco. Io l'ho eseguito da solista e ho usato l'arco barocco senza tutto questo vibrare che non ci sta a fare niente su Vivaldi.
Questa sí che è una grande esecuzione della musica vivaldiana! Altro che gli strumenti cosiddetti “originali” che sono la rovina della musica barocca.Così la musica è viva e spumeggiante. Con gli strumenti originali si trasforma in un mortorio e in una lagna insopportabile!!
Yes, yet another "arrangement" without attribution. As a cellist and writer I've always found this "habit" of the senior Bach's tiresome. These days we would call it plagarism!
Это уникальная запись концерта дошедшего до настоящего времени.Звездный состав.Браво!Брависсимо!!!🌿🕊️🌿🕊️🌿🕊️🌿🕊️🌿🕊️🌿
Господи, какое чудо!...
...согласен....
and yet, years later this music will still be heared and people will enjoy it as much as yesterday, today and tomorrow. long live to vivaldi
as a person who lives in the year 2020, I second this
This is heaven ... Always loved Leonid Kogan a great but very underrated player, ur no.1
If particularly his sound in this interpretation is for you the best of all the others, then it would be perhaps usefull to visit an ear specialist. The comparison between the SOUND of your hero and DFO leaves no margin of doubt in any case, especially in videos, as this concert or the 3-4 minutes of Khatchaturian (ruclips.net/video/ghe1RNb5m9s/видео.html), where -as in this video- your hero simply executes technically, if not harshly, while DFO flies and sings over a whole orchestra! Hear your hero in Mendelson's concerto, where he is sometimes fairly heard. This why he avoids expressivities: not out of timidness or classicism, but because he cannot open up his voice, without squealling. How to sweaten without flesh in your sound? Who is going to hear you? Of course I fully respect a possible answer that this is a matter of taste; Let me simply suggest the fact that not any second one is misjudged. This was the prevailing view in periods of decadence (e.g. 1920-1940), when the negative heroes (e.g. Nosferatu, in our example the absolute lack of sweetness in a lean and sometimes harsh sound) were very popular. Anyway everybody agrees that this is a magnificent interpretation (actually the best of all, perhaps of any possible), under the batton of the real maestro, the king DFO.
Dear '1 analyst', please, accept my apology. The first sentence ("If particularly ... specialist") of my previous "reply" is definitely not mine. This is of course obvious from the first place, since afterwards I write explicitely that "I fully respect" your taste. It is most possible that the first sentence had been copy-pasted elsewhere, BUT NOT BY ME. Apart from this I had not yet decided to send the (rest of the) comment, but, unluckily, I pressed the enter button. Therefore, please, consider my whole "reply" (not only the forged 1st sentence) as never sent. Accept, please, once more my apology for any inconvenience, as well as my deepest respect not only for your musical preferences, but for your vast musical knowledge (on violinists, interpretations etc.) Anyway, it's more than sure that we speak of the Everest of the violin, no matter if even Everest might have different peaks.
Sincerely yours
Favorite version by far! Thank you!
Es una interpretación de Excelencia , poder escuchar la Obra Maestra y ver ejecutar al Legendario VIolinista David , Oistrakh , Leonid Kogan , juntos a sus hijos . BRAVO
And David Oistrakh plays with his son. DAMN!!
Memorable encuentro de EXCEPCIONALES VIOLINISTAS .
Awesome! 4 great names coming together is such a monumental thing. I can't tell you how much I appreciate this.
The four violin concertos are awesome!!
Che "signori violini" per il nostro Vivaldi!!! Sono italiana come Vivaldi e ne sono orgogliosa. Grazie ai solisti, all'Orchestra e al Direttore e, soprattutto, a Ivan per il video che ce li ha mostrati tutti. :o).
Violetta Valéry sono d'accordo su quello che hai detto, però oggi quest'abitudine di suonare Vivaldi sta piano piano scomparendo, io l'ho eseguita con l'orchestra del mio conservatorio senza tutti quei vibrati che non hanno senso sulla musica barocca.
Genial interpretación de Vivaldi, extraordinarios músicos. Lástima que no haya mayor información sobre el video: fecha, lugar, etc. Gracias por subir está magistral pieza musical.
Gran Sala del Conservatorio de Moscú. Director - M.Terian. Aproximadamente año 1967-1968
Обожаю этот концерт именно в таком исполнении. Спасибо за его публикацию! Космическое сочетание: Леонид Коган- душа, Ойстрах - филигранная техника.
Terrific!
I grew up listening this opus in a vinyl disc of my father and i've never could imaginate that someday i'll watch the same version!
Amazing!
Thank you so much Ivan for share it !
Magnificent 🌟🌟🌟🌟🌟
Four greats... fantastic!
это шедевр , браво Леня жару дает Ося не отстает.
MAGiSTRALES Maestros Concertistas de Violín ; ejecutan la Obra Maestra con una entrega absoluta ; interpretando con un brillante explendor la maravillosa Composición .
This is the best!!!♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡
What on earth at 0:31-0:33? No! 1 second robbed of the greatest performance ever!
Какой прекрасный ансамбль! И звук великолепен. Ощущение счастья. Филигранная техника ассоциируется с плетением тонкого кружева.
wow!!! Many thanks for this video. This is the definitive interpretation that belongs to the World heritage.
mcpushkin absolutely!
Although a "heavy" romanticized interpretation (as one would expect given the players, and the period of time) this none-the-less is a fine performance, engaging, and done with real thought for the music. It is very superior to the other more recent clip featuring four modern "giants" of the violin.
This was the first piece of Baroque music I fell in love with. Thank you for posting this!
An incredible historical document. The two greatest Russian violinists ever, and their sons! The video resolution is sad, but the sound gets through. I've heard the two Oistrachs live, but of course neither of the Kogans given their restrictions to Russia.
They are Jewish by heritage
My understanding (secondary sources of course) is that the elder Kogan wasn't allowed to leave Russia because he was involved in some way with the state security apparatus. As compensation, Russia let him use the two finest violins they had. The elder Oistrakh, for comparison, had to make do with a 2nd-tier Strad in case he decamped with it, as so many Russian musicians did then.
Jewish by Matralineage.
Superb!. A version with slightly better video quality is here: ruclips.net/video/dv7lG1UqOmA/видео.html
AMAZING A MASTER PIECE.
sempre stupendi
EXTRAORDINARIOS MUSICOS. GENIALES EN SU INTERPRETACION. VIVALDI LO MEJOR DEL BARROCO. GRACIAS!!!!!!!!!
Danke!
Essa gravação tem janeiro.
Espetacular gostei.
Perfect!
magnificooo :) lo mejor :)
Давид Ойстрах и Леонид Коган с сыновьями 🌺❤️🌺❤️🌺❤️🌺❤️🌺❤️🌺❤️🌺
EPIC
MERAVIGLIOSO
IT'S BAAAAAAAAAAAACK!!!!!!!!!! YESSSS - MY FAVORITE RUclips VIDEO
their quality is certain, but what is funny is theirs medals in the concert! :^D
TY
my god, such a wonderful sound :D I love oistrack :D
Good Cadenza
Awesome music...isn't it?
@JupiterIV
According to vivaldi its b minor,J.S. Bach made an arrangment for 4 harpsichords in A minor
Even though it is old it was played perfectly.
1966....
👏👏👏👏👏👏👏👏👏👏👏
When was this miracle?
Leonid Kogan deveria fazer o 1° violino afinal ele tem o mesmo nivel do David Oistrakh as vezes até o supera
David Oistrarakh has the biggest name and is unsurpassed to this day. Need I say more?
Vivaldi w najlepszym wydaniu...
Не понял, а что это за мужик в конце с сенсорным телефоном фоткает?
this is in B minor, not D minor...
sarah7cktc its in A minor...
No. Ha ragione Sarah. È in B minor. La trascrizione di Bach per 4 clavicembali è in A minor.
Исполнители концерта для скрипок творят мистерию. Скрипка вообще сложный для исполнения инструмент, потому что, помимо отсутствия ладов и необходимости в связи с этим сложно тренировать моторику пальцев и слух, есть еще и трудности с преодолением, если можно так выразиться, слишком большой душевности скрипки. С одной стороны инструмент созвучен восприятию человека, а с другой, этим самым он уводит от сути, которая связана с преодолением душевной страсти по материи, с преодолением слабостей, которыми наполнен человек. Ведь часто именно душе приписывают истоки человеческой слабости и пагубных страстей.
Мне кажется, что Вивальди, как человек глубоко верующий, в этом лаконичном и накалённом произведении выразил стремление человека к преодолению такой слабости. В концерте слышится и тоска по новому человеку, который бы смог превозмочь, и сила, с которой композитор протягивает руку гибнущему человечеству.
When and where this was recorded?
1966. 100th Anniversary of the Moscow Conservatory.
What year !! What year is this???
What year is this
Su di loro ho poco da dire, oggi questo modo di suonare Vivaldi si sta lentamente perdendo perché stiamo eseguendo musica Barocca senza vibrati e con molta più leggerezza dell'arco.
Io l'ho eseguito da solista e ho usato l'arco barocco senza tutto questo vibrare che non ci sta a fare niente su Vivaldi.
Can you really prove that? Even if you could, playing has advanced since Vivaldi wrote this masterwork. I'm sure he would approve.
b minor not d minor
" Музыкант играл на скрипке.
А я по небу летел.."
Lovely memento. Only one fiddler is given a closeup, "King David". The conductor is amusingly bad with his grotesquely oversized, too-late gestures.
Кто умудряется дизлайки ставить?
Benjamin Ford Some idiots! ...but don't you worry about them...they will pass...
Questa sí che è una grande esecuzione della musica vivaldiana! Altro che gli strumenti cosiddetti “originali” che sono la rovina della musica barocca.Così la musica è viva e spumeggiante. Con gli strumenti originali si trasforma in un mortorio e in una lagna insopportabile!!
Yes, yet another "arrangement" without attribution. As a cellist and writer I've always found this "habit" of the senior Bach's tiresome. These days we would call it plagarism!
Jeffrey Mendenhall That jewish "composer" was simply a thief !!! Period.