How I Bounce in a DAWless Recording (with the Tascam DP-03SD)
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- Опубликовано: 21 сен 2024
- In which I bounce my session (7 instruments across 8 mono tracks) into 1 stereo track (really, 2 mono tracks). Because there's more work to do, and I'm ready to do it.
Aaron's Channel: / @aaronmcdonald9168
Featuring:
Tascam DP-03SD
Kali LP-6 monitors
#songwriter #songaday #songadaymay #originalsong #originalmusic #recording #dawless
Listen to my original music at:
jordanseal.ban...
/ jordanseal
Sounds great but you should've of put your camera over your DP-03SD to show us how you are bouncing your process on that song!
Bouncing seems scary. Sort of crossing the linne to the point of no return. So I figure, I’ve got eight tracks. That’s it. So let’s find the Magic in the limitation. So my first twelwe songs Will be free from bouncing. Nailed the bass lines to all twelwe songs this week. Next up is some cajon. I’ll remember your words: ”Do things that makes you want to make things.” Looking forward to your next video.
Yes! I like that approach: I think you’ll respond to that constraint with creative ideas!
(PS, love to hear that you’re using the cajon. IMO, it’s the perfect compact percussion instrument for home recording.)
Get a Boss BR and duplicate the tracks into multiple virtual tracks and bounce as many times as you want. There are 8 tracks of V tracks, so track 1 is actually 8 tracks, track 2 is actually 8 tracks, and so on.
I used to have one of those Tascams, I thought they have V tracks?
I've got a problem bouncing 2 tracks together. I keep losing volume on the finished product. Is this normal for bouncing? Had you encountered it?
I think it's all about panning your source tracks. I can't remember off the top of my head, but in some cases I think the source tracks should be panned left. I'm not really sure, I have to research on it before I do any bouncing.
I'm from the Tascam 4 track cassette days where you would lose quality with the more bounces you would do. With these digital machines, any bouncing should sound as crystal clear as the original. I now own a DP-24 and I watched a guy on RUclips bounce one track 24 times across the board for an experiment and the last track after 20 some bounces sounded exactly the same as the original. Good luck and look into the panning during bouncing. Hope this helps. ✌
@@Haze763 thanks dude. I ended up panning bounced tracks - first track left second track right. Seemed to sort it👌
@@nomo3013 Hey man, I just checked the DP-03 manual. If you're bouncing to a mono track, your source tracks need to be panned LEFT. This should be highlighted as an IMPORTANT function in the manual, but it's almost like it's not a big deal and looked over.
If your bouncing to 2 tracks for stereo, you can pan source tracks anywhere. Your lowest # destination track will be your left side, and higher destination # track will be right. Say you're moving 6 drum tracks to a stereo set up on tracks 7 and 8, you can pan 1-6 any which way. Like keeping your snare and kick track straight up centered, then have toms and cymbals panned to your liking. After your bounce, you'll have a stereo drum set on 7-8.
Just remember if you're bouncing down to one track, to pan all your source tracks to the LEFT.
What? I can't hear you!
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