Léon Boëllmann - Première Suite ("Suite Gothique") op. 25 - Complete recording (HD quality)
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- Опубликовано: 8 сен 2024
- Introduction/Choral - Menuet Gothique - Prière à Notre Dame - Toccata
Fabian Schwarzkopf (Leipzig), organ
recorded: 26. 07. 2012
Buchholz-Organ (1841), St. Nikolai, Stralsund
![[Bass Boosted] Léon Boëllmann - Suite Gothique (played by Willibald Guggenmos)](/img/1.gif)
unbelivebal the sound of this wounderful german romantic organ is so fantastic! and the french masterpiece from leon boellmann (composer) works so fine on this organ. the nice and slow way of presenting this suite is so fine, outstanding and marvellous! really great interpretation of this fantastic organ work. thank you for presenting this video!
fantastic....forever thanks to the young organist Fabian......seems,he would like
to slow it down to enjoy the full power of that work...
So wonderful organ, you could understand their powerful capabilities, the introducción sounds so wider, I fill like the lions roar while the angels cry at the beginning of new hope.
Anders als man es anderswo hört, es ist enorm wie das Tempo den Charakter und die Gewichtung unterstreicht und den Ausdruck verstärkt. Außerordentlich gut gemacht, es regt mit jedem Ton zum Nachdenken an und wirkt an keiner Stelle oberflächlich oder seelenlos. Der Tiefgang tut gut und paßt.
A sonic spectacular, organ in full voice, an insightful reading, thanks for the HD audio which provides full immersion in the work.
awesome!
Wonderful
Thank you SO MUCH for providing this in HD! It is awfully hard to find classical masterpieces like this online that don't sound like total garbage. So, thank you!
🙌 love it
Beautifully Done 😊, very nice and slow
Very original, innovative interpretation of the piece. Priere seems to be too slow, but in fact it isn't. It reveals us meditative dimension of this movement, more meditative, than other performers could imagine. It sounds almost like Messiaen.
Simpelweg; heel mooi ! De negatieve kritiek slaat nergens op hoor. Bedankt Fabian.
Schöne Idee, die Suite gothique auf einer Buchholz zu spielen! Der knarzige Klang steht der Musik gut, und dann diese herrlich düsteren Pedalzungen. Die langsamen Tempi hauen bei diesem interessanten, schwarzen Sound auch sehr gut hin; im Prière begreift man, wozu so ein Buchholz-Schwellkasten gut ist. Wie spielt sich denn die Traktur so einer rekonstruierten Buchholzin?
@vleermuisje 2: ik vind de vertaalslag die je hier op dit orgel moet maken anders lang niet slecht gedaan! Zeer te betreuren dat deze zeer talentvolle jonge organist ongeveer een half jaar na deze opname op 29jarige leeftijd naar zijn Schepper is teruggekeerd..
Dit werk is speciaal geschikt voor Aristide Cavaillé Coll orgels, de beste orgelbouwer aller tijden.
Voorbeelden hoe deze muziek moet worden gespeeld op de juiste orgels zijn er van o.a. Sophie - Véronique Cauchefer - Choplin, Daniël Roth, Pierre Pincemaille en Ben van Oosten.
+ Jhr. Humphrey. I like this tempo. Playing is very good.(commentaar Vleermuis is not good.)
13:34 ops 😅
Priere a Notre Dame too slow, I'm sorry, this seems like a neverending story. Playing the organ is like singing all the notes that Boëlmann had in mind when he wrote this Suite Gotique. Imagine a random text e.g. Kyrie Eleison on this notes, I should have lungs like a wale to perform this! I appreciate any performance from any organist in this piece, but this could be "piu mosso"!
Sandy Wijnands I agree with you..I love this piece of music so very much but I found the inro way too slow. The minuet was spot on for tempo, but as you say, the Priere was far too slow and as I have often heard, the toccata was a tad too fast. I'm not Disrespecting the organist in any way, it's just my personal opinion.
Boellmann has written "Tres lent" for this piece. So why shouldnt he play it slow? I like this dreamy interpretation very much! Imagine it like a communion....
Dry halls (without much reverberation) can allow performers to take their tempos much faster than wet halls without the sound getting muddied.
Leider, leider, leider...;-( vermisse ihn und seine Musik
Er wird Dir nicht mehr antworten können. Dieser junge talentierte Mann ist am 16. Februar 2013 verstorben.
Way too slow!
Meh... Any much faster and it would all start to run together. You have to take into account the acoustics of the hall.
Mein Gott, war er krank?
What a huge loss....