That tone is just so resonant and bright, yet it still retains that gorgeous baritone darkness. And Te Kanawa's comments and recommendations about breathing were absolutely spot-on of course - a solid breath support will only make this man's voice and singing even better.
he is not "definitely or definitely not" anything. Few people are. Maybe he develops a lower passaggio turn, maybe he goes the other way. Voices can do far more than most care to admit.
Here is a voice with great promise. As for Kiri, she's really disappointing in masterclasses. All very generalised stuff that any decent coach could do. Have a look at the wonderful masterclasses given by Callas, Cheryl Studer, Joan Hammond and Richard Bonynge and you will see what I mean.
Kiri is right about self absorbed conductors. They're almost as bad as modern(ist) stage director. This guy s speaking voice is very deep... I wonder if he s actually a tenor or a baritone.
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Molto bravo Nathan. La sua voce è chiara e accattivante. Quest'aria del sommo Puccini gli calza alla perfezione.
That tone is just so resonant and bright, yet it still retains that gorgeous baritone darkness. And Te Kanawa's comments and recommendations about breathing were absolutely spot-on of course - a solid breath support will only make this man's voice and singing even better.
Wow! Dame Kiri Te Kanawa was a music stand!!! What a humble Dame!
Dame Kiri is most gracious with her guidance. Nathan has a lovely voice. Do hope we hear him on the international stage in the near future.
I've known this aria quite well since I was 15 or 16 years old, but I don't think I've ever enjoyed it as much as in this rendition! Bravo!
I can’t wait to hear this guy in a few years. Sounds great now and it’s going to just get better
Cantar piano é mais difícil, mas importantíssimo. O barítono possui uma voz fenomenal.
She is doing a great job!!!!!!!!!!!!!!
Kiri is right about the breathing and support. This is key to singing and sustaining properly.
Such a beautiful voice!
His vibrato regulated with the breath support!:)
No; this is an aria for baritone
Beautiful voice, not sure if he's a tenor, though.
Bernard Tan This is a baritone aria
@@jamesmcparland6400 What I meant was re others' comments about him sounding like a tenor. I think he has a nice lyric baritone voice.
Thank you 😊
Wonderful voice, but definitely not a tenor. Beautiful full lyric baritone.
That should explain why he sang a baritone aria.
he is not "definitely or definitely not" anything. Few people are. Maybe he develops a lower passaggio turn, maybe he goes the other way. Voices can do far more than most care to admit.
Tenor, without a doubt.
No, baritone without passaggio
@@user-hs5vq6hp3y all voices have a passaggio...
@@user-hs5vq6hp3y What nonsense are you spewing? All voices have a passaggio.
What’s the name of this singer please?
this is NOT a baritone, he is just another failed Tenor like me and many others with lyric/spinto tenor voice
Liric bariton. Bravo!
Tenor. And potentially a very good one...
Tenor
Yeah. Pretty much a low tenor. Possibly a heldentenor.
mm it’s a little low for tenor. It’s more of a Baritone/Lyric Baritone piece
Cameron Haywood yes This pice is for liryc baritone but he sound like tenor and and he is truly tenor;)
@@camadamdam6939 Right but his voice sounds like he could transition into a heldentenor
Questo Amor is a baritone aria.
Beautiful tenor voice. Why a bass-barytone aria????
Here is a voice with great promise. As for Kiri, she's really disappointing in masterclasses. All very generalised stuff that any decent coach could do. Have a look at the wonderful masterclasses given by Callas, Cheryl Studer, Joan Hammond and Richard Bonynge and you will see what I mean.
I think her note towards the end of the video about how he tends to breath is spot on.
From the sound of it, that’s the only advice he needed. Simply gorgeous.
Kiri is right about self absorbed conductors.
They're almost as bad as modern(ist) stage director.
This guy s speaking voice is very deep... I wonder if he s actually a tenor or a baritone.