I’m obsessed. Before finding this recording, I was never satisfied, felt like there was always something missing in the playing. When I first listened to this I felt like Zimerman hit all the right notes (ha). His command of color, timing, and tone is so perfectly Ravelian (his tone at the start, and the glissandos following, perfect). I can’t stop listening.
Did you listen to the Arturo Benedetti Michelangeli recording I think it is also with London Symphony Orchestra? I had a record of it and loved it very much, a great recording.
ツィマーマンの的確な奏法解釈と楽譜でラヴェルの音響効果としての意図が伝わってきました。ありがとうございます！ Through Zimmerman's precise interpretation and the score, we better understand Ravel's acoustic intention. Thank you!
Incredible! Just as I was ravished by the sound of this beautiful concerto come the ads. In the middle of a note. Who's going to watch this travesty? Give it a miss guys. There re other versions of this wonderful piece without the plethora of ads.
Many great recordings of this great concerto. But this one remains my favorite. Not that the others are bad - some really, really great ones among them! Fray, Michelangeli, Aimard - but Zimerman + Boulez ... just perfect!
4 года назад+21
great, at least one person who makes a score video! thank you, i enjoy looking at a score while listening. you made my day!
I wouldn't have expected Zimerman to have sufficient snark for the outer movements. The pensive adagio movement I knew he would ace, but in the end he doesn't have a bad moment anywhere in the concerto. Maestro Boulez is lockstep with him all the way. Sparkling!
a masterpiece from ravel all the way to the end one of the greatest piano concertos it goes right up with beethoven and rachmaninoff every movement is amazing in its own way but you can always tell it was written by the same man
Très instructif, en plus d'être magnifique. Et quelle interprétation ! L'une de mes préférées avec celle de Martha Argerich dirigée par Emmanuel Krivine, qui n'a rien à voir d'ailleurs ;)
As a composer just from reading the score while listening, I thought it would be unplayable, never thought the bassoon could handle such speed. But I suppose it is an extremely difficult bassoon part :-)
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00:23 - I. Allegramente
09:02 - II. Adagio assai
18:25 - III. Presto
This concerto shows very well why Ravel is one of the most import composers of the 20th century.
I’m obsessed. Before finding this recording, I was never satisfied, felt like there was always something missing in the playing. When I first listened to this I felt like Zimerman hit all the right notes (ha). His command of color, timing, and tone is so perfectly Ravelian (his tone at the start, and the glissandos following, perfect). I can’t stop listening.
What a perfect description. My thoughts exactly
Did you listen to the Arturo Benedetti Michelangeli recording I think it is also with London Symphony Orchestra? I had a record of it and loved it very much, a great recording.
ツィマーマンの的確な奏法解釈と楽譜でラヴェルの音響効果としての意図が伝わってきました。ありがとうございます！
Through Zimmerman's precise interpretation and the score, we better understand Ravel's acoustic intention. Thank you!
you sir did an awesome job. Boulez and Zimmerman, in score format... this is the best
man that lyrical passage of the begginig of the 1st movement is terrific!
Incredible! Just as I was ravished by the sound of this beautiful concerto come the ads. In the middle of a note. Who's going to watch this travesty? Give it a miss guys. There re other versions of this wonderful piece without the plethora of ads.
Many great recordings of this great concerto. But this one remains my favorite. Not that the others are bad - some really, really great ones among them! Fray, Michelangeli, Aimard - but Zimerman + Boulez ... just perfect!
great, at least one person who makes a score video! thank you, i enjoy looking at a score while listening. you made my day!
thank you, I really like these videos with sheet music! ♥🙏
I wouldn't have expected Zimerman to have sufficient snark for the outer movements. The pensive adagio movement I knew he would ace, but in the end he doesn't have a bad moment anywhere in the concerto. Maestro Boulez is lockstep with him all the way. Sparkling!
I just saw Jean-Yves Thibaudet play this with the Orchestre Suisse-Romande in Geneva. He was dressed head to toe in Westwood!
a masterpiece from ravel all the way to the end
one of the greatest piano concertos it goes right up with beethoven and rachmaninoff
every movement is amazing in its own way but you can always tell it was written by the same man
Zimmerman is incredible… I love his piano performance. P. Boulez did a great work in the orchestration as well.
Oh man what a great recording
Indeed
Damned be Google for putting ads into this piece of art
Motivo 1 (Rítmico y folklórico) 0:23
Motivo 2 (Folklore español) 1:03
Motivo 3 (Corriente Americano) 1:23
Motivo 4 (Melodía contrastante y expresiva) 2:12
grandious!
Très instructif, en plus d'être magnifique. Et quelle interprétation ! L'une de mes préférées avec celle de Martha Argerich dirigée par Emmanuel Krivine, qui n'a rien à voir d'ailleurs ;)
12:03 is absolutely magical!
It is like it is when God responds to your thoughts or your tears.............
Best piano concerto ever
Totally agree. Absolute perfecion in every note!
I think this is the 🐐 of music, especially mvt. 2!
Cool
17:13 ..................... ............................ .................................
Esto es como la ingravidez ha de sonar🤩🪂🛸🛰️😍
Good song
What is Frusta?
Whip, sometimes referred to as Slapstick
the bassoon part got me like o_o
Lol I’m scared to play it
@@nyancs7098 which, the semis in mvt 3 or the super high stuff in the first?
@@somebody9033 my alt high e fingering just doesn’t work lol and the semiquavers just look silly
As a composer just from reading the score while listening, I thought it would be unplayable, never thought the bassoon could handle such speed. But I suppose it is an extremely difficult bassoon part :-)
@@nilsfrederking62 I play the bassoon and we NEED interesting parts - a good bassonist can just play as complicated stuff as flutes and clarinets ;)
4:21 8:30 18:37
7:25
My favorite point 😍❤
20:23 내가 가장 좋아하는 바순 솔로
17:57 who is playing that??? Are those overtones from the Bassoon?
French horn above bassoon
@@JuliaCCCPbut French horn isn’t playing anything at that moment
Bruh what clarinet player hurt this man
Did Ravel actually named the Concerto "G Major'"? Apart from the beginning, this is not very used... The 2nd mov. is a bit E major
It was either that or calling it the Both-Hands Concerto 🙃
its a pretty standard naming convention i think
4:11
8:25