Beautiful performance. Ottensamer's sound is the epitome of the German clarinet sound - dark, rich, smooth. One can imagine one is listening to the legendary Mühlfeld himself. Contemporary descriptions of his playing could easily be describing Ottensamer. Gabetta and Lazic are also world class chamber musicians and contribute equally to the overall brilliance and beauty of the performance. One of the greatest performances of this piece recorded in recent years.
Allegro Exposition 0:10 Theme 1 in Am 0:36 Movement in the piano part 0:52 piano plays elaboration of T1 1:12 Introducing T2, with crochet-quaver rhythm in cello 1:27 piano and cello T2 in C major 2:08 Link, with falling chromatic notes 2:15 piano with T3 in E minor 2:48 T1 again, with chords leading into the... Development 3:00 F# minor T1 elaboration 3:28 Contrapuntal material, maybe development of T2 material 3:58 link section into... Recapitulation 4:09 Restatement of T1 material by piano, with crochet-quaver pattern in the other two instruments 4:35 clarinet and cello play beautiful T1 fragments 5:00 T2 melody in F major 5:34 chromatic descending notes in piano, linking to T3 5:40 T3 on cello and clarinet in A minor 6:04 T3 in A major! on piano 6:21 chromatic descending and link to coda Coda (Poco meno allegro) 6:55 T2 material restated one final time 7:08 a scale in the piano signals the ending
Came to know this work when I was about 20 and it made a deep impact on me, maybe because it is so dedicated to the clarinet and to close play. I feel Brahms got very personal in his clarinet works. I am now 59 ...
One can hear the harmonious majestic symmetry in the trio. The three performers are virtuosos. It is a pleasure to hear for the first time pianist Dejan Lazić. Fabulous sensitive pianist. Brahms composition is so peaceful it feels one's mind close to the celestial imagination.
Toutes ces perles que nous ont léguées ces grands artistes ! Ce sont des cadeaux. Oui, je crois qu'il faut les prendre comme de merveilleux cadeaux. Au-delà de la médiocrité, la haine, la vulgarité, la bêtise, il y a le beau, le sublime. Certes, ils avaient du talent, du génie même, mais sans amour et générosité, toutes ces oeuvres seraient oubliées. Ce trio me fait songer au vol d'un oiseau dans le ciel : léger, simple, libre, évident. Toutefois en arrière plan, il y a quelque chose de mélancolique. Une plaie pas vraiment cicatrisée. Quelque chose que l'on essaie de cacher, mais qui est malgré tout, toujours présent en nous.
REFLECTIVE, SENSUAL. ROMANTIC MUSIC. VERY CALMING makes one think of the past and prepare for the future with quiet confidence and happiness. however, is melancholy at times. some of the greatest music ever written...........
sol gabetta et ses amis nous offrent une belle interprétation de ce trio si difficile comme souvent chez brahms ,, les équilibres l'alchimie , les transferts chromatiques si difficiles à trouver font que certains trouvent le visage de sol trop grave ,sans sourire , alors qu'elle est en pleine concentration ,, entièrement projetée vers les méandres d'une oeuvre somptueuse ,, le violoncelle sonne irrésistiblement ,, merci sol ,, merci aux musiciens ,, merci pour le partage
Extremely fine cello playing, among all the wonderful things about this performance. Was lucky to hear Sol Gabetta perform Haydn concerto in DC and she treated that like chamber music too.
The musical tone in Brahms Clarinet Trios has the symmetry and beauty of a melancholic mood, as stated by Mr G. Begni. It stirs emotions, suspenseful, gripping melancholic and historical. It reflects Brahms sad and lonely life.
Faithful performance of what the Master wanted to tell us. The merit of "MAIM" - MUSIC AS iNTENDED BY THE MASTER" (as Furtwaengler, Karajan ua showed and played) is somehow rare these days. And this is a correct and wonderful performance. Golden seal.
Faithful in spirit and clear in technique. The "Master" of composition gives us the musical score along with our knowledge of period stylistic traits. It is now up to us (modern performers and instruments) to bring it to our interpretation. After the pages are finished, the "Master" of composition must relinquish all artistic suggestions to the "Masters" of performance. These performers do just that and are "Masters" of personal interpretation and ensemble agreement. A few things were very modernized and I can't say I agree with them: The higher pitch and the equally tempered piano sort of spoil the artistic enrichment; but with what they had available (including the live set-up restrictions of the audio, they did as fine as we could have expected.
This trio uses r the same combination than the trio op. 11 of Beethoven, but the clarinet us used in a much more melancholic mood, though its low register. The voice of the cello adds a tone of its own to that mood. This is indeed an autumn song, the automn of Brahms' life, who had decided to stop composing but was pushed to go on when he discovered all the capacities of the clarinet with a virtuoso.
His late clarinetcompositions are his very "TOP compositions" in chambermusic because of his love for clarinetplayer Richard Mühlfeld. The piano- and celloparties are "a one and only" love declaration to the clarinet in music history, read Richard Mühlfeld: His "Fraulein klarinet"!
No, Church-goers are true atheists, they believe in Satan=Yaweh, but Brahms knows his own God intimately, just listen to Martzy Brahms Violin concerto, you will understand personally
i have several versions of this master Works and this is very good...really..Very good
8 лет назад+2
Cette version est pour moi un modèle absolu d'interprétation par chacun des 3 musiciens - le ton est juste, la fusion parfaite: Un pur régal! Je suis plus particulièrement subjugué par la justesse d'interprétation de Sol Gabetta qui soutient à la perfection le chant de la clarinette et du piano.
Bellissima esecuzione di questo tardo capolavoro cameristico brahmsiano, a cui ha sempre un po' dato ombra il suo più fratello più grande e più celebre, il Quintetto op. 115 per clarinetto e archi. I tre bravissimi artisti eseguono con rigore rispettoso della partitura ma anche con una partecipazione viva e appassionata.
This piece has such a mysterious atmosphere. It's the perfect tone setter for a noir scene of a man standing under a street lamp wearing a fedora hat with lit smoking pipe in the early hours of a cold winters morning.
I feel like if Brahms had lived in America he would have written this in New England. I always think of the bare trees and feeling at such a strange time in my life while in New England.
Интересно: основная, "заветная" тема первой части, ради которой всё затевалось - это не главная партия и не побочная, а ласковая заключительная. Именно на ней строится кода и применяется "шубертовская улыбка": тема в миноре (a-moll) - и немедленно в мажоре (A-dur).
la magie de la clarinette ,, un instrument central dans la musique de chambre de brahms , seul mozart usait de cet instrument avec le génie dont si peu sont capables , cf le concerto pour clarinette des derniers mois de la vie mozart ,, un testament musical en somme ,, rares furent les grands compositeurs qui utilisèrent la clarinette comme une architecture centrale de leur partition et on peut le regretter ,, hormis brahms et mozart je ne vois guère d'équivalence ,, si des auditeurs pouvaient m'indiquer des compositeurs qui érigèrent la clarinette classique comme un moteur de leur géniale création j'attends humblement vos conseils ,, peut être devrais je mieux étudier chostakovitch bartok dont la prédilection pour cet instrument fut indéniable ,, merci
So his Bb clarinet is not like a standard French clarinet? I see an additional left hand key above the A right? Thanks 🙏🏻 🙏🏻 As a side does anyone know what some of the comment people are smoking to come up with some of this stuff! OMG!
Does the clarinetist use a Legere reed? That's rare. It may be the recording, of course, but his tone sounds a bit thin....light and French.....but thin. I'm wondering if that could be the result of using a Legere rather than a cane reed? In my experience, Legere reeds are stable but greatly limit the color palette of the sound one can produce.
playnick clarinet mouthpiece (austrian version),as he is using an Austrian clarinet,would not suit you if you are using a french boehm clarinet anyway..
Her er igjen forandringer på presentasjonen av utøvere og musikk,Hvorfor? Det var jo utmerket som det har vært lenge. Her mangler alle opplysninger som dere før hadde. Det blir desverre likt…Spotify!!!!
@@welldarn5063 I agree with you. There was actually a test done and Clarinet and Trombone are basically even in decibels. I'm not saying that clarinet sounds good when played as loud as possible like that but I definitely agree that the clarinet has a large dynamic range. Although I do believe that Andreas was playing just as Brahms intended for it to be played and I like his interpretation much more than most.
@@leajarvelainen5654 clarinet trio cause clarinet is the principal voice.it was written for clarinet and...piano e cello. As it was first lady as in opera. Do you see?
I love this!! (with understanding reservation). The Oehler system clarinet is masterfully played and shows its superior tuning capabilities when in ensemble here with the exceptional cellist. The problem here (besides A-440 and higher being "out-of-tune" with nature) is that the piano spoils the whole thing (not the pianist) by using the false sounding Equal Temperament system. Artist like Andreas and Sol should insist on a "genuine master" tuner - they have earned it!
clarinetto con suono bello ma monotono, senza vita, senza colori, senza espressione...come una bellissima donna che però non ti dice niente non ha anima.... Grande Sol Gabetta...almeno per me è così...
sono d'accordissimo, molto bravo, molto bello il suono, molto perfetta l'intonazione. ma tutto lì. rispetto a Sol Gabetta fa una misera figura - di clarinettisti migliori ce ne sono. è un po' la maledizione della loro scuola, molto estetizzante: tutto concentrato sulla "perfezione"
@@gianlucaturconi6165 un clarino sarebbe una tromba, un clarinetto uno strumento ad ancia semplice battente :) e no: ascolta Anthony Pay o Lorenzo Coppola (per restare solo nell'ambito della musica classica) e sentirai che differenza
why does always someone has to be better than another..? is it so difficult for you to see everyone as a unique person..? life and music is not a 'zero game'...!!
I admire the composer greatly and think he was great. But I grew to detest all the music he wrote for clarinet. This musician proved his mettle but Brahms is like icy wind over me.
If I would have been at the concert, I would spend the whole time thinking what kind of disagreement they had before going on stage. Such romantic music beeing played with such visible anger? (SG) You can hear it even without looking at the video. Nice passion and everything but next time better play back to back.
Hmm... why does the sound recording come across as muffled? All the highs frequencies sound so dull. And does Sol always look so stern when she is playing? A little more lightness in expression would do her good. And Andreas is a fine example that sometimes life isn't fair. His looks alone would win him all the ladies, but then he is also a genius at his instrument. So what should we average males do in comptetion with him, other than concede total defeat? ;)
The recording sounds muffled because the mics are behind the clarinet and cello. I get that they wanted to get the piano, but the overall placement of the mics are not correct. Bit of a shame as these three played a beautifully executed performance. (and if there are mics in front of them, then they are simply to far away and I don't think there are any in front of them.) (hint: they can actually place the mics lower to the ground and out of video view point, just need to make sure they are sitting on a little piece of carpet. Believe me, you'll be surprised how well it works)
Has anyone noticed the clarinettist and the pianist smiling, grinning, a-chuckling and a-chortling? Thought not. The cellist is actually the "smiliest" of the 3. As if it mattered.
Das ist wundervoll musiziert. Die Klarinette bzw. der Klarinettist Andreas Ottensamer spielt ihre/seine eigenen Möglichkeiten wunderbar aus, die Klangfarbe, die große dynamische Bandbreite, die Möglichkeiten der Tonentwicklung, die an die Stelle eines vordergründigen Vibratos rückt. Gerade diese Kombination mit dem warmen und modulationsfähigen Ton von Sol Gabetta machte diese Einspielung aus. Großartig!
As a clarinetist I can tell you that we avoid vibrato. It is something that generally sounds bad on the instrument and is bad for our technique. We make up for it with beautiful, clear tone, and other musicality. Imagine telling a pianist to play with wide vibrato. It's just not something we do.
@@welldarn5063 which is ironic, because the piece was written for clarinetist Richard Muhlfeld. And he was known to use lots of vibrato. Much like a violinist, which was his first instrument.
"dUlL cLaRiNeTiSt" as in the principal clarinetist of the Berlin Philharmonic, who has his own record deal with DG, as well as collaborations with Yuja Wang? Ottensamer is who Leister hands the torch off to.
Beautiful performance. Ottensamer's sound is the epitome of the German clarinet sound - dark, rich, smooth. One can imagine one is listening to the legendary Mühlfeld himself. Contemporary descriptions of his playing could easily be describing Ottensamer. Gabetta and Lazic are also world class chamber musicians and contribute equally to the overall brilliance and beauty of the performance. One of the greatest performances of this piece recorded in recent years.
Austrian Sound.
@@robinhood463 Wiener Schule Agogik, Taktgruppen fein auageostet, MAKELLOS,, aber gemütsvoll erlebt
Großer Dank aus Wien!
This has become one of my favourite works by Brahms.
Allegro
Exposition
0:10 Theme 1 in Am
0:36 Movement in the piano part
0:52 piano plays elaboration of T1
1:12 Introducing T2, with crochet-quaver rhythm in cello
1:27 piano and cello T2 in C major
2:08 Link, with falling chromatic notes
2:15 piano with T3 in E minor
2:48 T1 again, with chords leading into the...
Development
3:00 F# minor T1 elaboration
3:28 Contrapuntal material, maybe development of T2 material
3:58 link section into...
Recapitulation
4:09 Restatement of T1 material by piano, with crochet-quaver pattern in the other two instruments
4:35 clarinet and cello play beautiful T1 fragments
5:00 T2 melody in F major
5:34 chromatic descending notes in piano, linking to T3
5:40 T3 on cello and clarinet in A minor
6:04 T3 in A major! on piano
6:21 chromatic descending and link to coda
Coda (Poco meno allegro)
6:55 T2 material restated one final time
7:08 a scale in the piano signals the ending
One of the better comments on YT! ❤
You are hero in harmony:+
Came to know this work when I was about 20 and it made a deep impact on me, maybe because it is so dedicated to the clarinet and to close play. I feel Brahms got very personal in his clarinet works. I am now 59 ...
One can hear the harmonious majestic symmetry in the trio. The three performers are virtuosos. It is a pleasure to hear for the first time pianist Dejan Lazić. Fabulous sensitive pianist. Brahms composition is so peaceful it feels one's mind close to the celestial imagination.
Toutes ces perles que nous ont léguées ces grands artistes ! Ce sont des cadeaux. Oui, je crois qu'il faut les prendre comme de merveilleux cadeaux. Au-delà de la médiocrité, la haine, la vulgarité, la bêtise, il y a le beau, le sublime. Certes, ils avaient du talent, du génie même, mais sans amour et générosité, toutes ces oeuvres seraient oubliées.
Ce trio me fait songer au vol d'un oiseau dans le ciel : léger, simple, libre, évident. Toutefois en arrière plan, il y a quelque chose de mélancolique. Une plaie pas vraiment cicatrisée. Quelque chose que l'on essaie de cacher, mais qui est malgré tout, toujours présent en nous.
I would have never thought to pair the clarinet and the cello together but it works beautifully
My three favorite classical instruments all in the same place. Awesome!
Beautiful!!!!! Thanks a lot Sol, Andreas and Dejan.
I haven't relished in the silence between movements so much in a while. That really goes to show how great the performance is.
With RUclips i get ads between the movements
What is there not to like about this? Marvellous composer...marvellous musicmaking...so tasteful and assured...enjoy!
REFLECTIVE, SENSUAL. ROMANTIC MUSIC. VERY CALMING makes one think of the past and prepare for the future with quiet confidence and happiness. however, is melancholy at times. some of the greatest music ever written...........
sol gabetta et ses amis nous offrent une belle interprétation de ce trio si difficile comme souvent chez brahms ,, les équilibres l'alchimie , les transferts chromatiques si difficiles à trouver font que certains trouvent le visage de sol trop grave ,sans sourire , alors qu'elle est en pleine concentration ,, entièrement projetée vers les méandres d'une oeuvre somptueuse ,, le violoncelle sonne irrésistiblement ,, merci sol ,, merci aux musiciens ,, merci pour le partage
Splendid! Such beautiful resonance coming from every instrument
Extremely fine cello playing, among all the wonderful things about this performance. Was lucky to hear Sol Gabetta perform Haydn concerto in DC and she treated that like chamber music too.
The musical tone in Brahms Clarinet Trios has the symmetry and beauty of a melancholic mood, as stated by Mr G. Begni. It stirs emotions, suspenseful, gripping melancholic and historical. It reflects Brahms sad and lonely life.
Yeah, I really enjoy this piece's deepness, emotions e smooth contrasts
infinite subtlety and nuance
Faithful performance of what the Master wanted to tell us. The merit of "MAIM" - MUSIC AS iNTENDED BY THE MASTER" (as Furtwaengler, Karajan ua showed and played) is somehow rare these days. And this is a correct and wonderful performance. Golden seal.
Faithful in spirit and clear in technique. The "Master" of composition gives us the musical score along with our knowledge of period stylistic traits. It is now up to us (modern performers and instruments) to bring it to our interpretation. After the pages are finished, the "Master" of composition must relinquish all artistic suggestions to the "Masters" of performance. These performers do just that and are "Masters" of personal interpretation and ensemble agreement. A few things were very modernized and I can't say I agree with them: The higher pitch and the equally tempered piano sort of spoil the artistic enrichment; but with what they had available (including the live set-up restrictions of the audio, they did as fine as we could have expected.
Wonderfully executed! Thank you for sharing what I thought was a very well thought out performance, lots of dynamic and emotional contrasts!
Прекрасное исполнение Брамса! Браво!
綺麗な音色〜♡*゜高音もキンキンなってないし、低音も力強いし、タンギングもめっちゃ上手すぎです！こんな音が出せれるように頑張ります！本当に素敵です。練習練習♩♩♩
This trio uses r the same combination than the trio op. 11 of Beethoven, but the clarinet us used in a much more melancholic mood, though its low register. The voice of the cello adds a tone of its own to that mood. This is indeed an autumn song, the automn of Brahms' life, who had decided to stop composing but was pushed to go on when he discovered all the capacities of the clarinet with a virtuoso.
Excellent interpretation!!!!!!! Bravissimo!!!!!!!!
His late clarinetcompositions are his very "TOP compositions" in chambermusic because of his love for clarinetplayer Richard Mühlfeld. The piano- and celloparties are "a one and only" love declaration to the clarinet in music history, read Richard Mühlfeld: His "Fraulein klarinet"!
This type of information is appreciated
My complete admiration!
Todo romantismo de Brahms é transmitido nessa brilhante interpretação!
Brahms all your music was and is music of God........yes Brahms.......i see your smile in the heaven........
brahms was an atheist
@@longlivelife3173 I don't think he was. Moreover, atheists and their music can reflect God as well.
No, Church-goers are true atheists, they believe in Satan=Yaweh, but Brahms knows his own God intimately, just listen to Martzy Brahms Violin concerto, you will understand personally
Hi Andreas, Sol, and Dejan..., do you know I love you...!!!??? You are perfect, fantastic, adorable..., and much more!
Sol Gabetta yessss proud of Argentina.
こんなに華やかに演奏されたこの曲を聴いたことがありません、名演だとおもいます！
👍 bonne interprétation pour le magnifique clarinette trio de Brahms
お父様と息子さんたちが秋田市のホテルで演奏されたときには同世代の吹奏楽で知られる山王中の生徒さんが聴きに来てました。
山王中生徒さんはプロ顔負けの技術を持ってますがウィーンの貴公子らは外見とおりの高貴な響きの芽が感じられましたが順調に伸びて来ましたね。
特にオケに入団されてから著しく成長感じます！
Habe SG vor Jahren in Bamberg gehoert, grossartig!
Ich lebe in SG (Singapur) 😂
John Cheng never been to S!
i have several versions of this master Works and this is very good...really..Very good
Cette version est pour moi un modèle absolu d'interprétation par chacun des 3 musiciens - le ton est juste, la fusion parfaite: Un pur régal! Je suis plus particulièrement subjugué par la justesse d'interprétation de Sol Gabetta qui soutient à la perfection le chant de la clarinette et du piano.
masterful playing. thank you so much for this.
Bellísimo.!!! Felicitaciones al Trío y saludos desde Patagonia Argentina Fernando Hidalgo 3ro
Splendido!
Brahms SUPERLATIVO!!!!!
Bellissima esecuzione di questo tardo capolavoro cameristico brahmsiano, a cui ha sempre un po' dato ombra il suo più fratello più grande e più celebre, il Quintetto op. 115 per clarinetto e archi. I tre bravissimi artisti eseguono con rigore rispettoso della partitura ma anche con una partecipazione viva e appassionata.
Marina Caracciolo
This piece has such a mysterious atmosphere. It's the perfect tone setter for a noir scene of a man standing under a street lamp wearing a fedora hat with lit smoking pipe in the early hours of a cold winters morning.
Impressionant!
너무 아름다워요 오텐잠머 클리리넷도 넘 좋네요
De toute beauté !
Thanks fron Brasil
참 좋습니다.
Fantastic ❤Tream ❤
Good morning.
It's so fantastic performance and music.
So much thanks 🎉
.
140724
Bravissimi complimenti
Ottensamer is a GOD
Ikr! How do I become him?
fantastic!!!
I feel like if Brahms had lived in America he would have written this in New England. I always think of the bare trees and feeling at such a strange time in my life while in New England.
So sweet....
I'll get the score of IMSLP and dragoon the chamber music group I'm part of to let us have a crack it this coming rehearsal !
I will do likewise, but unfortunately I don't have a chamber group, so I will have to resort to playing this alone on the piano.
How would it be like
Dude standing in the shadows in the back is the assistant page turner, ready to step up in case she is unable to continue.
Genial !!! Gracias
Awesome...
I Like this song 👏🏻👏🏻👏🏻
Song?
It's a piece
Love you All
Hell of a strong cello player! Wow.. i prefer that 1st movmt a touch slower.. some very fine playing though.. :-)
Интересно: основная, "заветная" тема первой части, ради которой всё затевалось - это не главная партия и не побочная, а ласковая заключительная.
Именно на ней строится кода и применяется "шубертовская улыбка": тема в миноре (a-moll) - и немедленно в мажоре (A-dur).
exelente,,,bravo!!!!!
Jorge Elias hfjvhhjckkxjcsgncjcbvnncxhhcjfjcjjcjjdjdjcj
Jdhfhhchhcjchivgujfjofighghfdidijdjjfhfjdkjdifjfhahvvjvjifificif
Jorge Elias
?/
????????
Inexpressibly sweet.
Sol es el verdadero orgullo argentino, no Messi...
Jawohl.
la magie de la clarinette ,, un instrument central dans la musique de chambre de brahms , seul mozart usait de cet instrument avec le génie dont si peu sont capables , cf le concerto pour clarinette des derniers mois de la vie mozart ,, un testament musical en somme ,, rares furent les grands compositeurs qui utilisèrent la clarinette comme une architecture centrale de leur partition et on peut le regretter ,, hormis brahms et mozart je ne vois guère d'équivalence ,, si des auditeurs pouvaient m'indiquer des compositeurs qui érigèrent la clarinette classique comme un moteur de leur géniale création j'attends humblement vos conseils ,, peut être devrais je mieux étudier chostakovitch bartok dont la prédilection pour cet instrument fut indéniable ,, merci
Mozart, Von Weber, Spohr, Schumann, Brahms, Saint-Saens, Debussy, Prokofiev, Stravinsky, Chostakovitch, Copland et Boulez ............... Voilà les grands-maîtres !
So his Bb clarinet is not like a standard French clarinet? I see an additional left hand key above the A right? Thanks 🙏🏻 🙏🏻
As a side does anyone know what some of the comment people are smoking to come up with some of this stuff! OMG!
His clarinet uses the German system. Not the boehm system you are accustomed to
His clarinet uses the German system. Not the boehm system you are accustomed to
Wow didn’t realize there were two!! Thanks 🙏🏻
The Brahms Trio is for A clarinet and the German and Austrian clarinetists play the German system. Andreas Ottensamer is Austrian.
@@derblindesanchez7250 Austrians don't use Austrian system in Austria?
It seems that I like one thing from music channels, and it's people talking about music composers I've never heard.
Same with me!
Does the clarinetist use a Legere reed? That's rare. It may be the recording, of course, but his tone sounds a bit thin....light and French.....but thin. I'm wondering if that could be the result of using a Legere rather than a cane reed? In my experience, Legere reeds are stable but greatly limit the color palette of the sound one can produce.
What kind of mouthpiece is Andreas using?
a clarinet mouthpiece
:-/
Play Easy B2 Mouthpiece :) German system
barbara stanley No, it's an oboe mouthpiece! xD
He is not using a mouthpiece
playnick clarinet mouthpiece (austrian version),as he is using an Austrian clarinet,would not suit you if you are using a french boehm clarinet anyway..
Heaven..
Sooooo geeeewwwd!!
good and smazing
What clarinet does he use??
Jun Kamiya he uses a German system clarinet not sure what brand tho
TheExtraordinaryMusician thank you
...a black one.
He means...... to what kind.
He uses a german system with a Viennese bore made by Johanna and Otto Kronthaler.
Her er igjen forandringer på presentasjonen av utøvere og musikk,Hvorfor? Det var jo utmerket som det har vært lenge. Her mangler alle opplysninger som dere før hadde. Det blir desverre likt…Spotify!!!!
Very good, but without the poignant feeling of the legendary Kell-Pini-Kentner.
I like him wearing this suits...¨̮ꢆ
Va bene cosi la pubblicità: tra un movimento e l'altro!
sublimi!
El 7 de mayo de 1833 nació Johannes Brahms, conocido como "el último romántico". Fue íntimo amigo de esa gran compositora que fue Clara Schumann.
This is such a beautiful recording
Sounds great other than almost not hearing the clarinet at all.
Clarinet is a soft instrument.. It's meant to sound that way
@@euomu disagree. It's dynamic can go from a whisper to a roar. That's what makes a clarinet unique from most other woodwinds
@@welldarn5063 I agree with you. There was actually a test done and Clarinet and Trombone are basically even in decibels. I'm not saying that clarinet sounds good when played as loud as possible like that but I definitely agree that the clarinet has a large dynamic range. Although I do believe that Andreas was playing just as Brahms intended for it to be played and I like his interpretation much more than most.
@@IsaacW. I really like his interpretation, too.
I wonder why Brahms called it a Clarinet trio in A minor? There is only 1 clarinet. Was it a typo?
It is correctly called a clarinet trio because the third instrument in the peace is a clarinet (not a violin).
Lea Järveläinen If the third instrument was an Oboe, would the piece be called Oboe trio? Thanks
Peter Liem, if a trio or quartet has an instrument other than strings, it gets a special mention.
Frugal Lentigo thanks for the explanation. Convention is the word, I guess.
@@leajarvelainen5654 clarinet trio cause clarinet is the principal voice.it was written for clarinet and...piano e cello. As it was first lady as in opera. Do you see?
I thought a clarinet trio was three clarinets :P
Jerry Kitich
But seriously (😜) there is a "Trio for 3 B flat Clarinets" by the English composer Arnold Cooke.
Yea, and a piano trio has three pianos of course.
Clarinets sound terrible en masse. If is meant to be a lonesome, sad, and mournful instrument.
Only in high school music contests!
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I love this!! (with understanding reservation). The Oehler system clarinet is masterfully played and shows its superior tuning capabilities when in ensemble here with the exceptional cellist. The problem here (besides A-440 and higher being "out-of-tune" with nature) is that the piano spoils the whole thing (not the pianist) by using the false sounding Equal Temperament system. Artist like Andreas and Sol should insist on a "genuine master" tuner - they have earned it!
clarinetto con suono bello ma monotono, senza vita, senza colori, senza espressione...come una bellissima donna che però non ti dice niente non ha anima.... Grande Sol Gabetta...almeno per me è così...
non concordo. suono belissimo pieno de sutilezas. Isso é brahms. Equilibrio
Certo: un clarino rimane un clarino....
It is a perfect brahms peformance. Just play like that who is a hight peformance level. It easy to him.
sono d'accordissimo, molto bravo, molto bello il suono, molto perfetta l'intonazione. ma tutto lì. rispetto a Sol Gabetta fa una misera figura - di clarinettisti migliori ce ne sono. è un po' la maledizione della loro scuola, molto estetizzante: tutto concentrato sulla "perfezione"
@@gianlucaturconi6165 un clarino sarebbe una tromba, un clarinetto uno strumento ad ancia semplice battente :) e no: ascolta Anthony Pay o Lorenzo Coppola (per restare solo nell'ambito della musica classica) e sentirai che differenza
legere reed….
The best
Yes the best
Exemplarische Aufführung!!!!!!!!!!!!!!!!!!!!!!!!!1
Conclusion: Brahms is greater than Beethoven.
why does always someone has to be better than another..?
is it so difficult for you to see everyone as a unique person..?
life and music is not a 'zero game'...!!
Brahms would have ripped your head off if you dared to say that in his presence.
ok... i dare....the question is:
would you dare to listen to it?
Oh.. di plevron, my comment was directed at Eron.
Commenting on youtube was easier when the person you were replying to was marked automatically.
yet.. the question remains..
I admire the composer greatly and think he was great. But I grew to detest all the music he wrote for clarinet. This musician proved his mettle but Brahms is like icy wind over me.
If I would have been at the concert, I would spend the whole time thinking what kind of disagreement they had before going on stage. Such romantic music beeing played with such visible anger? (SG) You can hear it even without looking at the video. Nice passion and everything but next time better play back to back.
What the actual fuck are you talking about????
@@robertholliston psychology and body language.
@@grelusradu Well, sorry: I only know the music, and the performance is beautiful and deeply felt.
@@robertholliston don't get me wrong,it's not bad, by any means. What can I say, you can find worse.
@@grelusradu Understood and you're absolutely right! :-)
Hmm... why does the sound recording come across as muffled? All the highs frequencies sound so dull.
And does Sol always look so stern when she is playing? A little more lightness in expression would do her good.
And Andreas is a fine example that sometimes life isn't fair. His looks alone would win him all the ladies, but then he is also a genius at his instrument. So what should we average males do in comptetion with him, other than concede total defeat? ;)
basically you're telling the woman to smile... which is obviously relevant to musical performance...
The recording sounds muffled because the mics are behind the clarinet and cello. I get that they wanted to get the piano, but the overall placement of the mics are not correct. Bit of a shame as these three played a beautifully executed performance. (and if there are mics in front of them, then they are simply to far away and I don't think there are any in front of them.) (hint: they can actually place the mics lower to the ground and out of video view point, just need to make sure they are sitting on a little piece of carpet. Believe me, you'll be surprised how well it works)
Has anyone noticed the clarinettist and the pianist smiling, grinning, a-chuckling and a-chortling? Thought not. The cellist is actually the "smiliest" of the 3. As if it mattered.
ich finde,sie spielt auch ein bißchen wie sie guckt...Sie passt nicht zu den andern beiden.
Lmao I love that last bit xD
The carinetist makes a terrible mistake in the beginning: He doesn't play the crotchet triplet, he changes the figures!
it's traditionally ok both ways.
@@thisistefan0503 Hmmmmmmmmmmmmmmm
Omg what an idiot! Performance ruined entirely.
Yes!! And, the page turner is a terrible distraction!!
A little Mozart our Roman..🤣🤣
The cellist plays constantly with vibrato(either wide or mostly narrow) , the clarinetist almost constantly without vibrato. I do not feel the music
Das ist wundervoll musiziert. Die Klarinette bzw. der Klarinettist Andreas Ottensamer spielt ihre/seine eigenen Möglichkeiten wunderbar aus, die Klangfarbe, die große dynamische Bandbreite, die Möglichkeiten der Tonentwicklung, die an die Stelle eines vordergründigen Vibratos rückt. Gerade diese Kombination mit dem warmen und modulationsfähigen Ton von Sol Gabetta machte diese Einspielung aus. Großartig!
As a clarinetist I can tell you that we avoid vibrato. It is something that generally sounds bad on the instrument and is bad for our technique. We make up for it with beautiful, clear tone, and other musicality. Imagine telling a pianist to play with wide vibrato. It's just not something we do.
@@IsaacW. some clarinetists do, but I agree that you just don't play Brahms with vibrato, the idea of it is just hilarious
@@welldarn5063 which is ironic, because the piece was written for clarinetist Richard Muhlfeld. And he was known to use lots of vibrato. Much like a violinist, which was his first instrument.
@@fernie51296 interesting! I knew he was a violinist, but I didn't know he carried vibrato over to the clarinet!
Great cello, ok pianist, dull clarinetist
"dUlL cLaRiNeTiSt" as in the principal clarinetist of the Berlin Philharmonic, who has his own record deal with DG, as well as collaborations with Yuja Wang? Ottensamer is who Leister hands the torch off to.
dull ears detected
One second of That clarinetist is worth gazillion times more than your whole life time stfu😂😂😂😂
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Que romântico, lindo demais...