Это видео недоступно.
Сожалеем об этом.
NIKKOR Z MC 105mm f/2.8 VR S & Z MC 50mm f/2.8: Shooting Macro Food Photography
HTML-код
- Опубликовано: 1 авг 2024
- The #CreateYourLight journey returns, this time to explore creative collaborations between experts from different fields! For each theme, we invite two photographers from different areas of expertise to explore their crafts under one genre. We begin with Donna Crous and Aurélie Gonin, who explore food photography together. Both head to Tenerife to find out what magic they might create when using the brand new NIKKOR Z MC 105mm f/2.8 VR S & NIKKOR Z MC 50mm f/2.8! What happens when you bring two completely different creative styles together to explore food photography? Watch this video to find out. Donna Crous is an award-winning blogger and food photographer, and Aurélie Gonin is an action sports videographer, producer, editor, and director.
Find out more about our new #mirrorlesslenses:
NIKKOR Z MC 105mm f/2.8 VR S bit.ly/z105mmf28vrs
NIKKOR Z MC 50mm f/2.8 bit.ly/z50mmf28
I'm a big fan of Donna Crous' food photography. Her portfolio is amazing.
When you understand what they say , and I'm not talking about the technical issues.
Not a Nikon shooter but enjoyed watching this. Thanks
Thank you for watching!
I'm so excited for these new lens and also can't wait for the two pancake to come out! Well done Nikon
Thanks for the tips! Good job ladies!!!
beautiful video and honestly amazing explanations that make things like focus stacking more approachable. Thanks guys!
Thanks for watching. We're glad you found it helpful!
Fun and informative video! And thanks for making it clear all still life does NOT require tethering.
This was a brilliant 👏instructor video of the merits of these lenses
What a masterclass! Great ideas and so appreciate the explanation of your process and thoughts! Thanks so much! I just ordered the 105 and can't wait to get it and try out your suggestions.
Love to see this type of experience, there are so many uses for a camera and showing a different view of something always makes a subject interesting, great content on this vid.
Tuned in to see some info or thoughts on the new 105 f/2.8 Z lens that I just received from my pre-order, and was pleased to discover that this is a very full-featured video that provides incredible information on the Z camera bodies also, and great shooting tips and tricks. Well done!
Fantastic video. I already have a pre-order in to replace my 105VR, but now also have a bunch of new ideas to try,
Nice!
Great video. Have preordered it. Can`t wait!
We're excited for you!
Hello what a nice little video.
will be switching over to this lens when i can and give my brother sigma f mount one.
really enjoyed this video - thanks 👍🏻
Thanks, Phillip! Glad to hear it.
Very interesting video, thank you. I’m looking forward to switching 😀👍
Great to hear, Garry! We look forward to hearing what you think.
Very nice video and interaction! I like the huge focus on so many details (which is showing in the end results btw!!)
One question though: why do you need the level on top, since the Z7 already has a built-in level?
I ditched mine to limit the amount of stuff in my bag...
Still waiting impatiently for my mc105mm been 3 months. Went and bought the mc50mm 2 days ago and loving it
Hallo ihr beiden, ein sehr interessantes Video und sehr schön erklärt. Vielen Dank
This is fantastic, what type of Nikon are you using? Also, what is your tripod? I love the idea of creating motion in stills. Thank you!
Can you help me to choose between 6ii and 7ii. I see you used 7ii, why? I’m a food and product photographer and anytime food and product videographer. I’m not yet had any orderers for big print. Else I shoot portraits anytime.. Which one of them made for me? :-)
D750 & AF 105 2.8D Micro still in use. No need to change ;-)
What if without stacking and also tripod?
I have Z6II, Z 24-200mm. I have some problems using "interval timer shooting". My setting is A, auto ISO up to 51200, over 1000 photos. I have a random issue, (it happens once in a while, not always). The first 10 to 20 photos are overexposed (completely white) then it shows exposure back to normal gradually. Have you experienced anything like that? Thank you.
Hi, in order for us to better assist you with this issue, can you contact our customer support team at the following link, please? www.nikonimgsupport.com/eu/BV_contact_information
They will troubleshoot the problem with you.
Is focus shift shooting possible with flash?
Hi Mikko, It's possible. Just bear in mind that the interval between shots should be longer than the time needed for the flash to charge. Let us know if you have other questions.
What software to use to assemble the stacked images? Also how to deal with focus breathing? I tested 7 macro lenses from Nikon and others, they all focus breath. Thank you.
Hello David.
In regards to your query, we are sorry to say that that we are unable to advise you on a particular software in order to achieve focus stacking as Nikon’s current software suite do not feature this operation.
Our recommendation on this matter, is that you consider reaching out to our dealer network in this regard, as our dealer will also work with third party supplier how may be able to supply you with a software program capable of accomplishing what you are looking for.
Physical stores: www.nikon.co.uk/en_GB/where_to_buy/where_to_buy.page
Online stores: www.nikon.co.uk/en_GB/where_to_buy/online_retailers.page
We apologise for not being able to provide you with a more concrete reply in this regard.
ruclips.net/video/F3Dz34MMjQ0/видео.html
I learned from this.
You're introducing a new macro lens and are showing us footage with a 24-70 on a Z50 (see at 15:03)... ;-)
1st Comment
Hey Nikon, where are the Z tele lenses?
Z lenses solve a sensor problem in that sensors "hate" light at another angle than 90 degrees (which it is at the optical axis). Following the image diagonal to the corners, the angle of incidence deviates more from perpendicular and this messes with image forming. Nikon and Leica initially solved this, years ago, by staying at "cropped" use of lenses. Leica then went full frame with an anti-aliasing filter that behaves like a Fresnel lens with its rings cut up in individual lens rods over each photosite in the sensor: these tiny lenses, or glass fibers if you like, "look" at the lens in changing angles - and this design is an average between Leitz/Leica's older (excellent) lens designs. Leica's approach is a compromise, though and newer lenses in other brands adapt their design to solve the problem.
Zeiss with Sony developed a 35mm lens for the 35mm full frame Sony compact (fixed prime) where the retrofocus design is taken to an extreme and the last element almost touches the sensor like a condenser lens, trying to get all light perpendicular on the sensor across the image circle.
Part of the dispersion problem is two layers of filtering over the sensor: the - usually Bayer - filters that turn the colorblind sensor into seeing monochrome colors and the low pass or anti-aliasing filter. A monochrome Leica does not need both filter layers, I guess and in that sens neither the Fresnel fibers - it also doesn't need in-camera raw processing, nor in post. And could generate a 16 bit TIFF file. Your 14-bits raw file loses at least 5 of the 14 bits in raw processing.
The dispersion problem increases when focal lengths get shorter. Or, vice versa, classic telephoto lenses require less of a solution. The Z lenses we now have, all address the dispersion problem and IMO the big telephoto lenses need this problem-solving less. And, Nikon still selling loads of D850 cameras for long lenses and sports or bird photography may slow the development of very long Z lenses or impact priority setting in R&D.
I would not go back from my Z 1.8S primes to to my recent F gold ring 1.4G primes - optics are much better. At the same time, a Nikon 600mm on an FTZ adapter works perfectly well - in all respects. If Nikon come up with long Z/S lenses, they will solve other problems to "modern" requirements. People want lighter, potentially smaller, faster, more silent, less focus breathing, sharper, less chromatic aberration, less glare, better sun stars - and more things that each pose a problem to the others.
And all that, will not make your sports or bird shots better, let alone more artistic. Note to self: hanging out in YT keeps you out of the studio.
you all look like sisters!
Please Nikon Z 24-105 F4 S Macro 💁♂️
I like using a Nikon tilt-shift lens to accomplish the same thing with one exposure. The tilt feature does it.
Sort of interesting but how patronising???
Lens with VR but they only shoot with tripod. LOL
Too much useless babbling. Bad explanations for things that are quite simple.