"A Witcher may forget to eat to drink to breathe even, but a Witcher never forgets to care for his sword". Especially as Tod made such a beauty. Edited to the correct quote
@@tods_workshop Have seen when it came out, subscribed since your 1000lbs crossbow-vids. I had worked in in a (big) theater, at a short film projekt and also done some medival/viking-reenactment as hobby, so there is a lot i can relate.
@@tods_workshop About the backscabbard, Tod... have you seen already seen Shad's backscabbard? What do you think of it? ruclips.net/video/0EWi2DnDoaI/видео.html
@@mariobenedicto3582 You could probably make Geralt's back scabbard more functional (for the steel sword at least), if you stole the magnet idea from Shad's design. If it's strong enough you'd also avoid the need for the band it has, which would make it easier to sheathe into.
It's always nice to hear people explicitly say without any prompting that a bigshot actor like Henry is a polite person. It's just heartwarming to know a person who could very easily be a scumbag is actually a sweetheart.
@@thomastheisman1751 the good old school of fame, be polite, careful and unintrusive, you're an actor not an omniscient being around which world revolves with a mission to fix everything and everyone. It's a real shame that nowadays this approach is so rare, that we feel the need to endlessly praise people who represent it
I really liked how realistic the swords were in Witcher, makes sense now that i know you made them. I hope more movies and shows start using realistic swords like this.
I didn't know Tod made the swords for the Witcher, that is so cool. and did I hear that season two is being filmed! You can clearly see the difference with the silver, Tod you almost blinded us there :P
@@tods_workshop the detail on the swords is amazing. And I whole heatedly agree with using actual silver plating for the silver sword. Some people may look at it as an unnecessary expense but for show with as much CGI as the witcher has in it. Having a legitimate prop to properly do light reflection and color tones is a godsend for any visual effects artist. You're helping those poor overworked souls more than you'll ever know I guarantee!
Now, I fully understand what they mean when they say “the real sword” or “the real chain” (being opposed to the rubber versions), but each time they said it, I had to stifle the thought, ‘oh! that’s the *real* chain that the *real* Geralt of Rivia used!’ Like I’m watching Forgotten Weapons or something.
As someone who studied Theatre Design at uni, I truly appreciate the level of effort you have put into balancing all requirements of realism and the practical needs of filming, staging, and safety. I think I will watch the series now, just because of this video. Knowing the amount of care that went into the production makes the show much more interesting to me.
There's certainly a match there. Other than Henry's most likely overloaded agenda getting in the way, we'd have two (three) extremely talented and humble-hearted fellows here.
Wonderful stuff, Tod! Tremendously interesting to hear the what and why explained behind film props, and the masses of research that go into this. It's very easy for the public to criticize the look of a prop, but it isn't at all easy for a prop to fit the bill on all accounts. Excellent work!
This seems like a really good scabbard for pulling out the blade thanks to the hinge mechanism, but awful at putting it back, which is probably why we didn't see it in a show.
@@SneakyBadAssOG yeah. Whilst it is doable it would look incredibly clumsy, which is fine from a practical point but not a production point - you don't really care how long it can take to put your weapon away as you're probably safe when doing it.
@@stephen9894 i guess even if you were in safe situation, like anything that takes a long time to do; putting it away in real life would eventually become a pain in the arse. I expect eventually once the novelty had worn off you would be thinking why am I bothering when I could just use a normal one.
@@Straightfromthehorsesmouth Oh yeah. I just mean if it takes like 20 seconds to do instead of the regular 5 but the rest of it is more convenient then you would consider it. If it is taking around 5 minutes to put your sword away then you're just not going to carry it like that except on rare occasions.
About the weapons being similar, I imagine it would be the case in real life too: you would probably always want to have your next weapon as similar as possible in balance and profile to the old one. A very interesting point.
Nick was really interesting, to hear another side of how weapons are deployed in film making opened my eyes to how much thought and skill goes into a convincing chop chop. Many thanks guys
Nick Jeffries: If you chop enough pieces off I'm sure it will get close to killing it. King Arthur: Who are you, who are so knowledge in the ways of science?
you can really tell how much these guys where dedicated to making the props both as high quality as possible but in making them as workable for film as possible.
@@tods_workshop Well, doesn't this mean this design is not functionally practical? If it's not usable after a few uses by actors with rubber and blunt swords how short would it serve a soldier let alone a witcher?
Great video, wonderful creations. I love the philosophy of making them real weapons. just like your other reproductions. "This is just from a history that never existed" Brilliant.
I think this is possibly one of my favourite videos in the genre of "discussion of fantasy weapons". Because there's simply no "scoffing at the designs". I know in part it's because you designed them, but it's also the line (that I'll have to paraphrase) "these are designs from a different history". The effort put in to make these weapons feel realistic or at least fitting within a setting is admirable. Fantastic video, thank you!
The collapsible rod method is good for another reason, it gives resistance and feed back to the actor doing the stabbing. The less the actor has to work on imagining the physical aspects of their work, the more they can concentrate on character work. Todd any chance you can get them to stop cutting through plate like it was cheese? (I kid) Glad to see more of the world is seeing the quality in your work we've all come to enjoy.
Tod, I have been watching for sometime and was always a major fan of The Witcher series. To find out those two things have been connected all of the sudden was such a great surprise, no wonder all the weaponry in the show was so practical and realistic.
Holy sh*t i had no idea! Lets watch Edit: yea, I just watched it and I must say that the backscabbard design is pretty genius with this hinge attached to it. Great work gentlemen
Amazing! I'm a huge fan of the show and to see the attention to detail that you put in is stunning. Also nice to see that historical armourer was in charge of creating the weapons rather than someone with absolutely no idea of their uses.
@@yarugatyger1603 Betcha a surprise, that Geralt's name is inspired by a Soviet-era translation of an Irish legend about Gearóid Iarla (Earl Gerald mac Geralt).
This channel continues to be pretty much the first thing I will click on whenever anything new is up. *checks date* Or whenever the algorithm gets around to it. Regardless, always something interesting to see.
It was really clear that they gave a good second thought to all the props and damn it payed of. The Aesthetic was great, the only thing to question was the casting but who cares really, great outfits and swords are a big +
Of course they had such a talented artist like yourself on such a great show. Thank you for these videos but also on the work you do on all these great shows
Wonderful content, a great peek behind the curtain ... I didn't know Tod had made the swords for The Witcher and am delighted to have the chance to see all this. Thanks so much for sharing!
Even just within the world of the Witcher, it makes perfect sense to have your two swords as physically similar as possible to make your technique consistent with both. A nice and very logical touch.
Bravo Tod!! Take a (lockdown) bow for the work. Now I am inspired to go back and re-watch the show knowing you created Geralt's tools of the trade. Thanks also to Nick for his insights into the movie making world.
Geralt only kills monsters with his swords, it's just that some of them come in human form. Also, kinda surprised that Tod did the show's swords. Pleasantly so.
Todd, you have such interesting content normally. This view to your work on props, really just adds to how enjoyable your content is. Thanks so much for all your content, and for sharing visibility to the the props you made for The Witcher.
NO WAY I did not realize you made that equipment, I actually just watched series 1 last month!!! I'm listening through the 105 hours of audio books right now too.
Damn! I didn't know you've made the props. That's really awesome! Amazing work. I remember telling my wife while watching, that the swords look functional, good blend of fantasy and realism. And also that back scabbard. I still remember writing to Lauren on Twitter, asking her to make the scabbard functional. She replied that it will be, but you know ... things may change. But DAMN!
When I noticed that the blades in the witcher series looked more grounded in reality (and had neat unmentioned world building like the amulet from blaviken being worked into the crossguard) I wondered if Tod had something to do with it
This is some incredible content Tod. It’s a dream come true to hear more about thinking behind the scenes of the Witcher series. Can’t wait to learn more!
Henry hosts a video where he goes through the choreography of the fight scene in episode one. In it he talks about the "half sword" prop and how the blade is CGI. Cool to see the actual item. Also quite brilliant to have the two swords have the same profile and balance. Future proofing at it's finest.
Great designed swords! Loved it! I loved the fact that you addressed the reason behind the sword tips and length. It makes so much sense. My only complaint is that the scabbards function and look (with the fact that there is only 1 scabbard hanging from his back). At the end of the scabbard I can see a belt attachment to hold it in place. That is the thing I don’t like. I remember there is a scene where Geralt get down on his knee and we can see the scabbard bends with his arch and exposes the swords blade. It looks not good. There is a functional backscabbard design which Shadiversity came up with and I think that can be appliabled effectively for Geralts iconic TWO SWORDS ON HIS BACK look. Also based on that idea maybe there is a functional design for not one but two scabbards together. (I just think that one scabbard can be used to guide the sword to the other scabbard. Maybe?) Sorry for the long comment. Again I loved the designs.
Thank you both, this was very interesting. I love seeing the craft side of the film production, the focus is always on the actors and the directors but there is a whole industry supporting them which is usually not even shown in "behind the scenes". Thank you for this cool glimpse.
This is a really fantastic overview of some of the challenges of prop design, and how you work within them to make something that looks both good and functional. Thanks for showing it to us.
You know, that bit about the silver being worn off in the lake and rust lines from the water showing through would have been a great bit to add to the show. Showing Geraldt having to actually repair and maintain his weapon after an intense fight like that would have been a great bit of realism to have there and was a real opportunity for Henry Cavil to flex his grumpy muscles. "Godman wizard sends me off to the swamp to hunt monsters and all I have to show for it is a rusty sword"!
The Nilfgaard armour has started to make a modicum of sense to me seeing it up close the second time around. It looks like leather was hastily wrapped over ¿steel? armour (probably as to make the armour black, not for armour value). With how rapidly Nilfgaard's army is expanding during the show, this would make sense. *Except for how much leather is needed for such an endeavour.* A bit of pre-industrial mass production.
@@HellYeahCorp The leather armor sort of exists in history. The crumpled ridges provide extra protection. The amount of leather wasn't a problem. Armies need to eat and armies would often travel with live stock since live stock can make food out of grass and a living cow doesn't spoil... Eat the cow, make armor from the skin. The armor looked bad though and really didn't make all that sense given the context, so I'm glad it's gone in season 2.
WOOT! well done Todd, and thank you for making that series better in your own way :) "Reality" IS important to make fantasy (or any fiction) realistic I'm a bit of a writer, alt history with scifi or fantasy touches, so I try to make parts about historical items as plausible as possible ADORED the games since #1 and the books...and the TV series, can't wait for series #2! Big feather in your cap, IMHO and worth our respect :)
I love these insights into the movie-making and weapon-making process. My wife, on the other hand, feels that this takes away a little of the “magic” of the film.
I've just watched this for the second time and I hope that should you return to this you will include Cavill for his perspective as the actual user of the items.
That's cool that you helped make the Witcher swords! It's actually not too especially hard to make a functional back scabbard, though; Shadiversity made a much nicer one in his backyard 😉. That being said, it was interesting to see how much ingenuity went into yours! I'd just love to see a full scabbard covering the whole sword with the slit in the side like Shad's 😉. Well, covered in leather, of course 😅.
nice video! btw, Tod you should really think of making a collab with Alec Steele now that hes back in GB again! i bet he´d love to get some insights on medieval Weapons and crafts
I actually didn't know Tod did the witcher swords. Awesome show and tell.
He did say it once in a earlier video
Me neither 🤯
Yeah same here- I love the witcher series though- games and the show. it's all great. and I think they have done a great job on the show
Ya, I was this old when I found out
The Netflix tv-series is absolutely terrible in general but at least some of the fighting scenes are really good.
There better be a Tod Cameo in the next witcher. Working a forge in the background or something like that
Some crossbow man in the Background XD or a smith in the rear of a scene doing his business.
@@Trollvolk credit him as a longbowman, but he has a cross bow
Someone should write a mail to cdpr
With a lockdown longbow!
@@RaphYkun Brilliant! :D
"A Witcher may forget to eat to drink to breathe even, but a Witcher never forgets to care for his sword". Especially as Tod made such a beauty. Edited to the correct quote
Amazing work! I am hoping for a Shad response to the back scabbard.
As an interrested person in cinema and history. this is the 'behind the scene' content i want to watch.
Awesome work and thanks for sharing this!
Thanks and check this out as well ruclips.net/video/mF1VFlCnLQ4/видео.html
@@tods_workshop Have seen when it came out, subscribed since your 1000lbs crossbow-vids.
I had worked in in a (big) theater, at a short film projekt and also done some medival/viking-reenactment as hobby, so there is a lot i can relate.
Fascinating! Thanks for sharing.
In what context?
Thanks Matt; appreciated and hopefully more to come
Always great to get an inside view into what happens behind the scene's.
Also, love your work Matt!
@@tods_workshop About the backscabbard, Tod... have you seen already seen Shad's backscabbard? What do you think of it?
ruclips.net/video/0EWi2DnDoaI/видео.html
@@mariobenedicto3582 You could probably make Geralt's back scabbard more functional (for the steel sword at least), if you stole the magnet idea from Shad's design. If it's strong enough you'd also avoid the need for the band it has, which would make it easier to sheathe into.
It's always nice to hear people explicitly say without any prompting that a bigshot actor like Henry is a polite person. It's just heartwarming to know a person who could very easily be a scumbag is actually a sweetheart.
Based off everything I've seen of him, Henry Cavil just seems like a nice, down to earth guy.
I've never seen anything bad about him.
Being a sweetheart and being polite are two different things, you can be very rude sweetheart and a polite peace of shit ;)
@@thomastheisman1751 the good old school of fame, be polite, careful and unintrusive, you're an actor not an omniscient being around which world revolves with a mission to fix everything and everyone. It's a real shame that nowadays this approach is so rare, that we feel the need to endlessly praise people who represent it
I don't doubt them, but if you want future gigs, it's pretty much the only way forward.
I really liked how realistic the swords were in Witcher, makes sense now that i know you made them. I hope more movies and shows start using realistic swords like this.
Thanks and so do I - its good for business
I didn't know Tod made the swords for the Witcher, that is so cool. and did I hear that season two is being filmed!
You can clearly see the difference with the silver, Tod you almost blinded us there :P
Yes Tod accidentally slipped and told us some time ago that he was making the weapons for season 2 before season 2 had been announced.
Actually I thought I had and had to check, but the news was already out there but it had me worried for a moment
@@tods_workshop the detail on the swords is amazing. And I whole heatedly agree with using actual silver plating for the silver sword. Some people may look at it as an unnecessary expense but for show with as much CGI as the witcher has in it. Having a legitimate prop to properly do light reflection and color tones is a godsend for any visual effects artist. You're helping those poor overworked souls more than you'll ever know I guarantee!
I thought the title meant you recreated swords from the Witcher, I didn’t know you were the guy who actually did them. Congrats and well done!
Absolutely Amazing, Tod!
I really want to see Tod in a bit part as a village smith....
Thanks and that would be fun, but no one knocking down my door yet
Hey, if there was a petition to put Ian McCallum in a bond movie I'm sure we can do one to put Tod in the witcher :)
@@raics101 it was about Ian in a Wick movie
@@Seelenschmiede So it was, thanks.
I had a suspicion Tod made these props as I'm pretty sure I saw one of his folding knives in the show
You did
What episode?
I'll be damned props for recognising
@@Visitingwombat lol...props
Now, I fully understand what they mean when they say “the real sword” or “the real chain” (being opposed to the rubber versions), but each time they said it, I had to stifle the thought, ‘oh! that’s the *real* chain that the *real* Geralt of Rivia used!’ Like I’m watching Forgotten Weapons or something.
"The Youth of Rivia"
I can't help but imagine an early 90s tv show in the vein of Beverly Hills, 92010. :))
This guy has a fantastic accent to be talking about witcher-ing with.
witchow worwd
As someone who studied Theatre Design at uni, I truly appreciate the level of effort you have put into balancing all requirements of realism and the practical needs of filming, staging, and safety. I think I will watch the series now, just because of this video. Knowing the amount of care that went into the production makes the show much more interesting to me.
Thanks and I hope you enjoy it - stick with it, it can be construing to get into but once you are at about episode 4 it all starts to fall into place
I would very much like to see more of this behind the scenes prop talk. Please keep going, very interesting!
There may be more coming.....
I had no idea you were the smith that made those swords Tod, fantastic work as always.
I would really like a "collab" with you and Henry Cavill, I would not be surprised if he does that.
There's certainly a match there. Other than Henry's most likely overloaded agenda getting in the way, we'd have two (three) extremely talented and humble-hearted fellows here.
I saw the daggers, I instantly thought *bottle opener*
Blade stopper at day, bottle opener at night! It is daggerman!
Wonderful stuff, Tod! Tremendously interesting to hear the what and why explained behind film props, and the masses of research that go into this. It's very easy for the public to criticize the look of a prop, but it isn't at all easy for a prop to fit the bill on all accounts. Excellent work!
Thank you and very well said.
Waiting for Shad to compare this back scabbard design to his own ...
Ya, that would be cool to see!
This seems like a really good scabbard for pulling out the blade thanks to the hinge mechanism, but awful at putting it back, which is probably why we didn't see it in a show.
@@SneakyBadAssOG yeah. Whilst it is doable it would look incredibly clumsy, which is fine from a practical point but not a production point - you don't really care how long it can take to put your weapon away as you're probably safe when doing it.
@@stephen9894 i guess even if you were in safe situation, like anything that takes a long time to do; putting it away in real life would eventually become a pain in the arse. I expect eventually once the novelty had worn off you would be thinking why am I bothering when I could just use a normal one.
@@Straightfromthehorsesmouth Oh yeah. I just mean if it takes like 20 seconds to do instead of the regular 5 but the rest of it is more convenient then you would consider it. If it is taking around 5 minutes to put your sword away then you're just not going to carry it like that except on rare occasions.
About the weapons being similar, I imagine it would be the case in real life too: you would probably always want to have your next weapon as similar as possible in balance and profile to the old one. A very interesting point.
I‘ll be honest this kind of blew my mind
Nick was really interesting, to hear another side of how weapons are deployed in film making opened my eyes to how much thought and skill goes into a convincing chop chop. Many thanks guys
Nick Jeffries: If you chop enough pieces off I'm sure it will get close to killing it.
King Arthur: Who are you, who are so knowledge in the ways of science?
you can really tell how much these guys where dedicated to making the props both as high quality as possible but in making them as workable for film as possible.
These swords are masterpieces Tod as always, you can definitely see why they look so perfect in the show!
Awesome insight! Would have liked to see the backscabbard in action though...
Yes please!
That one was too beaten up and not sure any of them survived season 1 intact , but we will try
@@tods_workshop Demo with the man himself? Henry would probably make a few of your followers faint just by showing up. Would be amazing!
@@arthanor9631 let's take it slowly at first. What happens on this channel is a revolution and she is unfolding just right.
@@tods_workshop Well, doesn't this mean this design is not functionally practical? If it's not usable after a few uses by actors with rubber and blunt swords how short would it serve a soldier let alone a witcher?
Great video, wonderful creations. I love the philosophy of making them real weapons. just like your other reproductions. "This is just from a history that never existed" Brilliant.
Thank you and that is genuinely what we try on do.
Fantastic work ....no wonder why the swords in the show look so good.
Mr. Panthro, you're my favourite Thundercat already, but now my admiration increases by knowing you created the Witcher's weapons.
Well this answers a few things that Shadiversity brought up in his Witcher armor/weapon review. Can’t wait to see more!
Cheers tod, really enjoyed that, very interesting to learn how things are done on sets, and how problems are solved
Thanks
I think this is possibly one of my favourite videos in the genre of "discussion of fantasy weapons". Because there's simply no "scoffing at the designs". I know in part it's because you designed them, but it's also the line (that I'll have to paraphrase) "these are designs from a different history". The effort put in to make these weapons feel realistic or at least fitting within a setting is admirable. Fantastic video, thank you!
Thank you and that is very kind and I really do feel that to be 'real' they need to be considered as real items and then something good comes out
@@tods_workshop I agree with that wholeheartedly
I really like the discussion going on here. You can hear the passion in their work.
The collapsible rod method is good for another reason, it gives resistance and feed back to the actor doing the stabbing. The less the actor has to work on imagining the physical aspects of their work, the more they can concentrate on character work.
Todd any chance you can get them to stop cutting through plate like it was cheese? (I kid)
Glad to see more of the world is seeing the quality in your work we've all come to enjoy.
Thanks for the comment and yes that is another reason
Oh hell yes! this is absolutely amazing. And damn that dudes voice
Great video! Also got my Dirk I ordered from you today and it is spectacular! Keep it up
Thank you
I am genuinely surprised and simultaneously proud as the effort had clearly paid off!
Very cool that Tod is part of this very good production. Looking forward to see more of his work on the show.
Tod, I have been watching for sometime and was always a major fan of The Witcher series. To find out those two things have been connected all of the sudden was such a great surprise, no wonder all the weaponry in the show was so practical and realistic.
Holy sh*t i had no idea! Lets watch
Edit: yea, I just watched it and I must say that the backscabbard design is pretty genius with this hinge attached to it. Great work gentlemen
Amazing! I'm a huge fan of the show and to see the attention to detail that you put in is stunning. Also nice to see that historical armourer was in charge of creating the weapons rather than someone with absolutely no idea of their uses.
Tod has the permission to say Jerald's name any way he likes.
RyanRyzzo lol
Geralt is correct as he says it. You have been saying it wrongly, the setting of this show is like Eastern European, and that's how we say it.
He pronounces it correctly, it's just not as you'd say it in English but it's pretty accurate for the region that Geralt actually comes from.
@@yarugatyger1603 Betcha a surprise, that Geralt's name is inspired by a Soviet-era translation of an Irish legend about Gearóid Iarla (Earl Gerald mac Geralt).
His friends call him Geraldo.
Behind his back.
Quietly.
When he's a long way away.
This channel continues to be pretty much the first thing I will click on whenever anything new is up.
*checks date*
Or whenever the algorithm gets around to it. Regardless, always something interesting to see.
I KNEW IT! I had a hunch you had a hand in those pieces.
Fabián Riquelme liar, liar pants on fire! How could you just "know", eh?
It was really clear that they gave a good second thought to all the props and damn it payed of. The Aesthetic was great, the only thing to question was the casting but who cares really, great outfits and swords are a big +
Of course they had such a talented artist like yourself on such a great show. Thank you for these videos but also on the work you do on all these great shows
So, when are we getting Henry on the show?
Fantasic work (and video)! I can't wait to see more of your creations in Season 2!!
Wonderful content, a great peek behind the curtain ... I didn't know Tod had made the swords for The Witcher and am delighted to have the chance to see all this. Thanks so much for sharing!
Even just within the world of the Witcher, it makes perfect sense to have your two swords as physically similar as possible to make your technique consistent with both. A nice and very logical touch.
I like the bit about the chopped off swords, and how they are used. Quite clever. Very sensible.
Both swords are for monsters
The silver and the steel
WOW.... Love this inside look into what goes on behind the scenes in a major production like the Witcher series.. I am a HUGE Witcher fan!..
Bravo Tod!! Take a (lockdown) bow for the work. Now I am inspired to go back and re-watch the show knowing you created Geralt's tools of the trade. Thanks also to Nick for his insights into the movie making world.
This is really cool! Didn't know Tod made all that! I gotta say though, whenever someone mentions back scabbards, I just think of Shad's design :)
This was an interesting watch. I thank you both for the presentation (and Netflix, for allowing its production)
Geralt only kills monsters with his swords, it's just that some of them come in human form.
Also, kinda surprised that Tod did the show's swords. Pleasantly so.
Mad respect that they got Tod to make the blades, and mad respect to Tod for making them as he does.
Todd, you have such interesting content normally. This view to your work on props, really just adds to how enjoyable your content is. Thanks so much for all your content, and for sharing visibility to the the props you made for The Witcher.
This is the best Witcher adverticement I've seen so far. Great stuff!
Loving the left-right audio mix!
NO WAY I did not realize you made that equipment, I actually just watched series 1 last month!!! I'm listening through the 105 hours of audio books right now too.
I’m so glad that in real lift Henry is a great guy, it just makes me appreciate the series more.
Tod looked so excited taking about this. Very good. Ty
Damn! I didn't know you've made the props. That's really awesome! Amazing work. I remember telling my wife while watching, that the swords look functional, good blend of fantasy and realism. And also that back scabbard. I still remember writing to Lauren on Twitter, asking her to make the scabbard functional. She replied that it will be, but you know ... things may change. But DAMN!
(talking about the back scabbard) "They're very hard to make functional."
Shadiversitiy: *mad australian laughter*
When I noticed that the blades in the witcher series looked more grounded in reality (and had neat unmentioned world building like the amulet from blaviken being worked into the crossguard) I wondered if Tod had something to do with it
This is some incredible content Tod. It’s a dream come true to hear more about thinking behind the scenes of the Witcher series. Can’t wait to learn more!
Henry hosts a video where he goes through the choreography of the fight scene in episode one. In it he talks about the "half sword" prop and how the blade is CGI. Cool to see the actual item.
Also quite brilliant to have the two swords have the same profile and balance. Future proofing at it's finest.
Great designed swords! Loved it!
I loved the fact that you addressed the reason behind the sword tips and length. It makes so much sense.
My only complaint is that the scabbards function and look (with the fact that there is only 1 scabbard hanging from his back). At the end of the scabbard I can see a belt attachment to hold it in place. That is the thing I don’t like.
I remember there is a scene where Geralt get down on his knee and we can see the scabbard bends with his arch and exposes the swords blade. It looks not good.
There is a functional backscabbard design which Shadiversity came up with and I think that can be appliabled effectively for Geralts iconic TWO SWORDS ON HIS BACK look.
Also based on that idea maybe there is a functional design for not one but two scabbards together. (I just think that one scabbard can be used to guide the sword to the other scabbard. Maybe?)
Sorry for the long comment. Again I loved the designs.
Late to catching this, amazed at the amount of work behind scenes. Fascinating.
Thank you both, this was very interesting. I love seeing the craft side of the film production, the focus is always on the actors and the directors but there is a whole industry supporting them which is usually not even shown in "behind the scenes". Thank you for this cool glimpse.
This is a really fantastic overview of some of the challenges of prop design, and how you work within them to make something that looks both good and functional. Thanks for showing it to us.
Appreciate ALL your videos Tod, but this one was a pleasant surprise!
This is why I love this channel!! Great video as always Tod 👍👍
Fantastic. Super interesting stuff. Would love more of these Tod. Thanks for sharing
More to come hopefully!
You know, that bit about the silver being worn off in the lake and rust lines from the water showing through would have been a great bit to add to the show. Showing Geraldt having to actually repair and maintain his weapon after an intense fight like that would have been a great bit of realism to have there and was a real opportunity for Henry Cavil to flex his grumpy muscles. "Godman wizard sends me off to the swamp to hunt monsters and all I have to show for it is a rusty sword"!
That explains why I loved the weapons so much. They're made by one of my favorite makers!!
A lovely show and tell of previous work done by your hands, very well done!
Just started watching the TV series and wondered if it was you who made their swords and stuff. Amazing work Tod.
If only they had also put you to work on the nilfgaard armors
what you dont think recycled tires make good armor?
The Nilfgaard armour has started to make a modicum of sense to me seeing it up close the second time around. It looks like leather was hastily wrapped over ¿steel? armour (probably as to make the armour black, not for armour value). With how rapidly Nilfgaard's army is expanding during the show, this would make sense. *Except for how much leather is needed for such an endeavour.* A bit of pre-industrial mass production.
@@HellYeahCorp And it looks like a p*nis...
@@janmikule582 That's pareidolia.
@@HellYeahCorp The leather armor sort of exists in history. The crumpled ridges provide extra protection. The amount of leather wasn't a problem. Armies need to eat and armies would often travel with live stock since live stock can make food out of grass and a living cow doesn't spoil... Eat the cow, make armor from the skin.
The armor looked bad though and really didn't make all that sense given the context, so I'm glad it's gone in season 2.
A genuinely interesting insight into the world of film/TV production. Thanks for sharing!
I like the Design of the silversword. Especially the Blade Design its very nice! The sleek part near the Crossguard is really cool!
WOOT! well done Todd, and thank you for making that series better in your own way :)
"Reality" IS important to make fantasy (or any fiction) realistic
I'm a bit of a writer, alt history with scifi or fantasy touches, so I try to make parts about historical items as plausible as possible
ADORED the games since #1 and the books...and the TV series, can't wait for series #2!
Big feather in your cap, IMHO and worth our respect :)
I love this channel so much, it always brightens my day!
I love these insights into the movie-making and weapon-making process. My wife, on the other hand, feels that this takes away a little of the “magic” of the film.
This is awesome stuff. Thanks for the video, gents!
The witcher is gonna visit Tod's workshop to buy a sword in season 2 episode 3
I have a new appreciation for the hardware on the Witcher, and I really enjoy all of your demos. Thanks for the distraction during these odd times
Todd, you keep getting better and better! Greatful you share your work.
Thanks-appreciated
As a blacksmith and filmmaker this is the type of content I want to see more often
Oh man, I had no idea you were responsible for the show’s swords. That’s so awesome!
Fantastic work and fantastic video.
Really great video, lots of interesting insight into behind the camera stuff.
Fascinating. I can't wait for series 2. I'll be looking out for your hand work.
I've just watched this for the second time and I hope that should you return to this you will include Cavill for his perspective as the actual user of the items.
Shad from Shadiversity has a fairly neat back scabbard that works pretty well. Worth checking it out.
Great little expo, they looked great in the end production, and there
I’m sure I saw some Tod Cutler daggers in the Witcher as well
That's cool that you helped make the Witcher swords! It's actually not too especially hard to make a functional back scabbard, though; Shadiversity made a much nicer one in his backyard 😉. That being said, it was interesting to see how much ingenuity went into yours! I'd just love to see a full scabbard covering the whole sword with the slit in the side like Shad's 😉. Well, covered in leather, of course 😅.
nice video! btw, Tod you should really think of making a collab with Alec Steele now that hes back in GB again! i bet he´d love to get some insights on medieval Weapons and crafts