Good job Mozart got as far as this with the Great Mass or we wouldn’t have this beautiful exuberant music. Just love Anne Sofie Von Otter’s performance.
Which of Zubin Mehta's many orchestras? and what venue? Such wonderful bite, sinew, and drive to the accompaniment, and OH 1:42 -- not to mention around 3:20... oh heck, the whole thing! She's so, SO good, wow. Her face is beautifully expressive as she sings too, and such a nice nod to Mehta at end.
Her vowel consistency has long been her signature. From top to bottom, there is never a break in the melismas and the pure "ah." She is one of those "singers' singers." Similar to Goerne or Barbara Bonney. She never relied on flash.
I have always thought that Anne Sofie von Otter was not a mezzo but a soprano voice; and to be more precise, a second soprano (or, in the french baroque terminology, a "bas-dessus"). In the partition, this aria is destined to a "Sopran II" and it suits very well to Mrs. Otter but it is obvious that her high register sounds easier than the low register. The choice she made to sing the mezzo repertoire allowed her to save her voice for a long career.
@@draganvidic2039 I meant that her tonality is versatile , mezzo soprano, being in between soprano & alto, the latter is the lowest register, while the former is highest. I hope i don't sound patronizing. Thanks for asking.
Oui c est entendu et admis c est une merveilleuse cantatrice. Mais n oublions pas Mozart et cette superbissime écriture. Cet aria existait déjà, si je ne me trompe dans Davidde Penitente, inachevé je crois,dont il a tiré cette oeuvre magnifique
She is a superb singer, but the heavy vibrato and the rather heavy tone is better suited to music of a later period! Sometimes we find that a very young girl with a thin and half-trained voice, sings the sweetness & lightness & subtle gradations in a better way. Opera singers trained on hyper-dramatic Verdi and Puccini, are not always the best interpreters of Mozart. young girl
Anne Sophie Von Otter makes me proud to exist in this world.
Definitely one of my favorites.
That is just so very beautiful.....she is so natural in her singing....
Her voice is so rich, colorful and beautiful! Just WoW... ❤️
Good job Mozart got as far as this with the Great Mass or we wouldn’t have this beautiful exuberant music. Just love Anne Sofie Von Otter’s performance.
Which of Zubin Mehta's many orchestras? and what venue? Such wonderful bite, sinew, and drive to the accompaniment, and OH 1:42 -- not to mention around 3:20... oh heck, the whole thing! She's so, SO good, wow. Her face is beautifully expressive as she sings too, and such a nice nod to Mehta at end.
Extraordinary! My sincerest compliments to the beautiful lady!
Wonderful! Love her joyous interpretation as well. 😀
Merveilleux! Merci Anne Sofie!
Her vowel consistency has long been her signature. From top to bottom, there is never a break in the melismas and the pure "ah." She is one of those "singers' singers." Similar to Goerne or Barbara Bonney. She never relied on flash.
extraordinaire , quelle voix !!
Superb. The joy shows!
Hola! Hermosa interpretación...! Me recuerda la de Victoria de los Ángeles...
Los genios nunca morirán quedarán en el recuerdo de la humanidad su estrella jamás se apagará Mozart ((( Sami )))**
Genialidades muchas inolvidables muy pocas los genios nunca morirán quedarán en el recuerdo de la humanidad ((( Sami )))**🇲🇽
Nous Te louons, Seigneur, d’avoir béni Anna Maria Pertl et toute sa descendance.
¡Brillante!
Esta aria es terriblemente difícil.
Y aquí se muestra cómo debe cantarse.
Brillo total.
I am so happy to see her come back on 27 August in “Autumn Sonata” during the Baltic Sea Festival at Stockholm Berwaldhallen.
I have always thought that Anne Sofie von Otter was not a mezzo but a soprano voice; and to be more precise, a second soprano (or, in the french baroque terminology, a "bas-dessus"). In the partition, this aria is destined to a "Sopran II" and it suits very well to Mrs. Otter but it is obvious that her high register sounds easier than the low register. The choice she made to sing the mezzo repertoire allowed her to save her voice for a long career.
Magnifique 😢
Crystal clear.
BOSSED IT.
The unusual voice of Mezzo, I like her .
sublime
Superlativa...
Gorgeous
wow!
She registers as soprano, mezzo soprano and alto, how do you like that?
Jorge Schneider
What do you mean?
She is a lyric mezzo.
@@draganvidic2039 I meant that her tonality is versatile , mezzo soprano, being in between soprano & alto, the latter is the lowest register, while the former is highest. I hope i don't sound patronizing. Thanks for asking.
Jorge Schneider That’s correct
Oui c est entendu et admis c est une merveilleuse cantatrice.
Mais n oublions pas Mozart et cette superbissime écriture.
Cet aria existait déjà, si je ne me trompe dans Davidde Penitente, inachevé je crois,dont il a tiré cette oeuvre magnifique
Sous la direction de Zubin Mehta .
Dea!!!!
How can you not love this woman? Speaking as a man of course!
Can't and dare not imagine how Cecilia Bartoli will look like when singing this piece. LOLS.
OMG - gargling singing does not suit this music
첫소절의 당당 함!!! 너무 멋지지 않는가
She is a superb singer, but the heavy vibrato and the rather heavy tone is better suited to music of a later period! Sometimes we find that a very young girl with a thin and half-trained voice, sings the sweetness & lightness & subtle gradations in a better way. Opera singers trained on hyper-dramatic Verdi and Puccini, are not always the best interpreters of Mozart.
young girl
I think she is a undeveloped dramatic soprano rather than a mezzo. 😮