Beautiful ! Miss von Otter, excellent as usual. The arrangement for the string quartet and piano could not be better, it is marvelous. Bravissimo ! Thanks for sharing this jewel.
Didn't expect to enjoy so much a chamber-music version of this song, but truly it was ravishing. What exquisite musicians. One almost forgets the singer........ Unbelievable, especially because "live".
I miss Korngold’s orchestra, but the arrangement works better that I expected and, perhaps, allows one to concentrate more on the voice, which is, of course, exquisite. I just love how she apparently effortlessly rises to the high note at the start of the third line of each verse, hitting it spot-on, unlike some singers that I have heard in this.
J ai eu la grande chance de jouer cet opera au chatelet . Malgré la difficulté de la partition, qui s approche de R.Strauss, j'en garde un souvenir incommensurable😊
I first heard this piece in the anthology film Aria and loved it as the images shift from two lovers in a room to scenes outside as a light snowfall covers the statues and buildings.
Beautiful arrangement, pure vocals, but it misses that moment of painful remembrance "Es habt eine Strophe", this is just a recital performance. I expected more😮
Excellent. Just the right hyper-Freudian mixture of regret, enmeshment in fantasy, romantic extremity, and hopeless longing to retrieve the dead from the embrace of the grave. A tragic yet enflaming love song that crosses the barriers of sanity and derangement, and life and death. It is indeed extraordinary that Korngold, whose domestic and political life seemed so banal and bourgeois, had such access to our subterranean collective psyche, especially to our more female-centred, female-adoring and mother-preoccupied processes. Or perhaps not. Love andrea
The ensemble players were simply DIVINE, but it was rather stupid to have the singer standing there like a mere prop while the most beautiful and most dramatically expressive climax of the aria went completely unsung. What a forced tragedy!
Beautiful ! Miss von Otter, excellent as usual. The arrangement for the string quartet and piano could not be better, it is marvelous. Bravissimo ! Thanks for sharing this jewel.
Simply beautiful. One of my favorite Lieder.
Lovely . A wonderful mezzo. This recording is now more than 20 years old ! How time flies
Yes, indeed!
A lovely long thread of pure gold……divine.
Nur wunderschön. So eine leichte, schöne und elegante Höhe.
Beautiful ❤
Didn't expect to enjoy so much a chamber-music version of this song, but truly it was ravishing. What exquisite musicians. One almost forgets the singer........ Unbelievable, especially because "live".
No one does it like Anne Sophie…
a great Intonation 😍👌
I miss Korngold’s orchestra, but the arrangement works better that I expected and, perhaps, allows one to concentrate more on the voice, which is, of course, exquisite. I just love how she apparently effortlessly rises to the high note at the start of the third line of each verse, hitting it spot-on, unlike some singers that I have heard in this.
J ai eu la grande chance de jouer cet opera au chatelet . Malgré la difficulté de la partition, qui s approche de R.Strauss, j'en garde un souvenir incommensurable😊
I first heard this piece in the anthology film Aria and loved it as the images shift from two lovers in a room to scenes outside as a light snowfall covers the statues and buildings.
So schlicht ohne großes Orchester und deshalb so schön gesungen,❤❤
КРАСИВАЯ женщина Красивое исполнение 👏👏👏
Que versão magnífica! Perfeita harmonia entre todos os instrumentos e a voz.
The arrangement works beautifully, and the singing is lovely... but why does she leave out the whole middle of the aria?
She is my Muse🎉🎉🎉🎉🎉
Lindíssimo
Beautiful arrangement, pure vocals, but it misses that moment of painful remembrance "Es habt eine Strophe", this is just a recital performance. I expected more😮
Excellent. Just the right hyper-Freudian mixture of regret, enmeshment in fantasy, romantic extremity, and hopeless longing to retrieve the dead from the embrace of the grave.
A tragic yet enflaming love song that crosses the barriers of sanity and derangement, and life and death.
It is indeed extraordinary that Korngold, whose domestic and political life seemed so banal and bourgeois, had such access to our subterranean collective psyche, especially to our more female-centred, female-adoring and mother-preoccupied processes. Or perhaps not.
Love andrea
The ensemble players were simply DIVINE, but it was rather stupid to have the singer standing there like a mere prop while the most beautiful and most dramatically expressive climax of the aria went completely unsung. What a forced tragedy!