Maybe one day. If I have enough subscribers that I think people will care. Fun fact about me, though is that I don't have a grad degree in music. My masters is in English & Comparative Literature!
Thanks again, Jeremy! Some years ago i noticed Richard Tee using 2nd inversion triads in some of his RH comps. The one that stood out was the vi walking down chromatically to the vii (in the G mixolydian context you have here it would be Em Ebm Dm triads in second inversion - so the top notes go from I down to vii). A tiny morsel of what you have presented here, but the chromatic movement reminds me of a rhythm guitar part and i find that fun (but of course not "modal" at all unless you're Arnold Schoenberg ;-^).
You are such an incredible pianist. Your logic, rhythm, time and many, many years of practice are better than being a genius. Don't let the subscriber count stop you from continuing to provide all levels of pianists with some of the most important lessons they never knew they / we needed. Appreciate the excellent work. A lifelong student from Australia. Thanks mate
Aw, wow, what a nice note! What's funny is that I think my subscriber count is great! I'm honestly shocked that anybody at all is interested about what I have to say about this nerdy stuff. Thanks, Protocol!
You really do a great job of this. I'm not quite to the level I need to be to get the most out of these videos but I do pick up a few things here and there that helps. Plus, even if the subject goes over my head I just like hearing you play. You have such a depth of knowledge it's a real education to listen.
Hey Jeremy! Many thanks for another fantastic lesson. Great tip about the blue notes from G on the C chord! And I'm delighted to see we share a similar taste in literature - Infinite Jest in particular is such a fantastic piece of work!
You're definitely my favourite but this one was harder to follow than usual because you vamp so fast and the notation just shows a complex cluster chord for 0.1 of a second! XD
Hi Maria! Thanks for the nice comment. I can't think of a place where topic is covered in my books. I'll definitely include it if there is a Jazz Piano Fundamentals, Book 3!
Hi Jeremy--Super helpful as always! Question about how to potentially apply this to 2-handed comping for All Blues. Seems like the 2nd inversion triad is equivalent to the top 3-notes (RH) of a So What voicing. So for All Blues, does it work to add the two 4ths in LH to create the full 2H So What voicing? Sounds ok when I do that, but on original recording, doesn't quite sound like Bill Evans is doing that--trying to figure out what he's doing--a mix of So What, Quartal, or most likely some variations/mix? Thanks for any guidance/thoughts!
Haha...Brothers Karamazow😂❤
That one took me a long time to write... 😂😂 😂
@@JeremySiskind hahaha! But it's finally done!😂🤣
I've always been fascinated by your book collection. Perhaps a tour of it one day?
Maybe one day. If I have enough subscribers that I think people will care. Fun fact about me, though is that I don't have a grad degree in music. My masters is in English & Comparative Literature!
Thanks again, Jeremy! Some years ago i noticed Richard Tee using 2nd inversion triads in some of his RH comps. The one that stood out was the vi walking down chromatically to the vii (in the G mixolydian context you have here it would be Em Ebm Dm triads in second inversion - so the top notes go from I down to vii). A tiny morsel of what you have presented here, but the chromatic movement reminds me of a rhythm guitar part and i find that fun (but of course not "modal" at all unless you're Arnold Schoenberg ;-^).
I want to see you live at blues alley. That would be EVERYONEs cup of tea
I've only played at Blues Alley once, but I'd love to come back. Hopefully someday!
This topic is too much fun!
Nice! I'm glad you dug it - yes, there's a lot to experiment with!
You are such an incredible pianist. Your logic, rhythm, time and many, many years of practice are better than being a genius.
Don't let the subscriber count stop you from continuing to provide all levels of pianists with some of the most important lessons they never knew they / we needed.
Appreciate the excellent work.
A lifelong student from Australia.
Thanks mate
Aw, wow, what a nice note! What's funny is that I think my subscriber count is great! I'm honestly shocked that anybody at all is interested about what I have to say about this nerdy stuff. Thanks, Protocol!
Man, that's sooooooo cooooool!!!! Thanks a lot
This so fantastic. Thank you!
"Our favorite youtube jazz person" 😄 thanks a lot for one more of your great, to the point lessons!
favorite youtube *AND NOT ONLY* jazz person!!
@@alexandros_haralabidis Aw shucks! Haha, I don't know what I was thinking regarding this video intro! 😂
Absolutely Fantastic lesson! Big breakthrough for me. Mucho Thanxo.🌹🌹🌹🌹😎
Oooh, I love breakthroughs! Enjoy, Brenda! Break on through to the other side!
You really do a great job of this. I'm not quite to the level I need to be to get the most out of these videos but I do pick up a few things here and there that helps. Plus, even if the subject goes over my head I just like hearing you play. You have such a depth of knowledge it's a real education to listen.
Hey Jeremy! Many thanks for another fantastic lesson. Great tip about the blue notes from G on the C chord! And I'm delighted to see we share a similar taste in literature - Infinite Jest in particular is such a fantastic piece of work!
Cliffy! Yes, I'm a big DFW fan. I want to reread Infinite Jest but, wow, what a time commitment. He was a true genius!
@@JeremySiskind Without a doubt!
Wow , great lesson. Love those sounds❤❤❤
Thanks very much, John! Thanks for watching my videos!
🙏🙏🙏
Glad you liked it, Ms. Marcow! Happy experimenting!
So much great info in each of your videos Thanks
Awesome. I'm so glad you enjoyed it!
You're definitely my favourite but this one was harder to follow than usual because you vamp so fast and the notation just shows a complex cluster chord for 0.1 of a second! XD
Thank you for this! I'm thoroughly enjoying your classes and you're such a gifted teacher/musician.
I'm honored! Thank you so much!
I love ur videos! Is there a chapter on this topic in one of your books? Happy holidays!
Hi Maria! Thanks for the nice comment. I can't think of a place where topic is covered in my books. I'll definitely include it if there is a Jazz Piano Fundamentals, Book 3!
That was funny book joke in the beginning haha😂
Thank you so much! ❤
Thanks so much, Electric Mouse!
Hi Jeremy--Super helpful as always! Question about how to potentially apply this to 2-handed comping for All Blues. Seems like the 2nd inversion triad is equivalent to the top 3-notes (RH) of a So What voicing. So for All Blues, does it work to add the two 4ths in LH to create the full 2H So What voicing? Sounds ok when I do that, but on original recording, doesn't quite sound like Bill Evans is doing that--trying to figure out what he's doing--a mix of So What, Quartal, or most likely some variations/mix? Thanks for any guidance/thoughts!
It's Ok to lie about being a genius.
Kanye West lies about being a genius all the time.
Haha, not touching that one, Bob. 😉
Lol😅