Atomos Recorders: Why do I Use Them?
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- Опубликовано: 17 окт 2024
- Will an Atomos Ninja Inferno or Shogun make your video footage look 10 times better? Probably not, but I have found that the Atomos recorders are great tools which make getting better footage easier, more efficient, and in some cases you really can get better footage. In this episode we cover how Atomos recorders help filmmakers.
Links to Gear Discussed and Used to Record This Session:
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Atomos Ninja Inferno (UHD up to 60 fps, HDMI input, HDR)
Amazon: geni.us/dkj1cQr
B&H: bhpho.to/2v7qjMa
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Atomos Shogun Inferno (UHD up to 60 fps, HDMI and SDI inputs, HDR)
Amazon: geni.us/8lITyu
B&H: bhpho.to/2uN7zz8
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Atomos Shogun Flame (UHD up to 30 fps, HDMI and SDI inputs, HDR)
Amazon: geni.us/N9Wc
B&H: bhpho.to/2v7fHgA
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Atomos Ninja Flame (UHD up to 30 fps, HDMI input, HDR)
Amazon: geni.us/YN8b51F
B&H: bhpho.to/2uMYZR2
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Atomos Ninja II (HD up to 30 fps, HDMI input)
Amazon: geni.us/U8g7G
B&H: bhpho.to/2kBjz0S
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G-Technology SSD Drive with Atomos Master Caddy (made for the latest gen Atomos recorders)
Amazon: geni.us/GDySUSh
B&H: bhpho.to/2vww1VV
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Panasonic GH5 Camera
Amazon: geni.us/Efb6r
B&H: bhpho.to/2oIdG7o
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Panasonic 12-35mm f/2.8 OIS Lens
Amazon: geni.us/NbS3jK4
B&H: bhpho.to/2qLWz1Q
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Olympus 45mm f/1.8 Lens
Amazon: geni.us/ZBKI
B&H: bhpho.to/2jJDVEw
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Copyright 2017 by Curtis Judd
Ethics statement: Some of the links above are Amazon.com, B&H Photo, or other affiliate links.
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The quick summary at the beginning is GREAT . I usually stick around, because I lean much .... But I wish more RUclipsrs did such synopsis. √
Thanks!
Agreed!
agreed!
I couldn't agree more. Excellent.
@@curtisjudd LOVED THE SUMMARY in the beginning thank you
Really appreciate the "summary-up-front" format, Curtis. It's really helpful and I wish everyone would use that format for review videos.
+10x.film thanks, I appreciate the feedback!
That's a cool rubber band trick for panning @ 8:46
Haha, yes, learned that from +RayOrtega a few years back. My pans have been a lot smoother ever since.
Yes, I noticed that and thought it was genius.
I remember that trick too a few years back. It was meant for people that couldn't afford a fluid head but I also use that on my fluid head and it works like an insurance policy for smooth pans. However, I use two rubber bands because it's happened where the single one broke on my. That eliminated the issue.
@@matrixate To pan smoothly without rubber bands then forget the pan handle and grab the base of the head and turn from there. Low to medium friction settings it works great with long lens shots.
That rubber band trick has been around since the 1700's
Hi, Curtis! Do you plug microphone to the atomos? I used to record my audio externally but after shooting a short where I had to manually sync about 70 clips, I decided to to find more practical way to record audio synced with the video. I got Ninja V recently and now a bit disappointed with audio synchronization.It allows to set delay by frames, but I see that my camera creates about 1,6 frame delay, when on atomos I can choose only 1 or 2.
I usually record audio separately and sync in post for my personal video projects. At work we record directly into the ATOMOS recorders and don't seem to have sync issues. Sync isn't detectable by most people until it is off by 3 frames, generally. 2 is near impossible to detect for most people. 0.6 shouldn't be an issue.
I have a question: Canons new cameras can't shoot video in 24 fps - (e.g. the new 90D) Despite that, is an external recorder able to record in 24 fps?
Unfortunately no. The camera defines the frame rate.
Curtis, what is the handle you are using? What is your Atomos attached to? Who makes that handle? I want something similar to throw on my Canon 1Dx mark ii, so I have a flexible way to manipulate my Shogun Inferno.
Hi Serge, that's the Varavon Zeus Uni camera cage: ruclips.net/video/cAwCMkiiKd0/видео.html
You'll want to check to the specs to make sure it can expand enough to fit around the 1Dx mkII.
Curtis Judd thank you sir
Hello Curtis,
Great job, as usual.
Quick question: I am deciding between a professional camcorder or my Sony a6500 with an Atomos Shogun 7. The purpose is to record long conferences, lectures, events, that could create heat in the equipment.
What option do you recommend me?
Thanks in advance. 🙏
Hi Jorge, I haven't worked with the a6500 but I know several of the other a5xxx and a6xxx have had issues with overheating when shooting video. I don't know whether that's just when recording with the camera and whether the Shogun 7 would solve that problem or not. Probably best to check with other a6500 owners who have experience shooting long-form video. I think the practical choice would probably be a pro camcorder which is made for things like that.
Curtis Judd Agree! Thanks a lot.
Curtis,
As always your videos provide amazing quality and useful information to me. I know may be asking a bit much, but I think someone with your expertise could really assist me in making a decision.
I have $5000 that is budgeted for the rest of 2017 for film equipment. Currently a7rii is my A-Cam and Rx10ii us my B-Cam. I mainly shoot Interviews, short form Doc, for my own channel and run & run in 4K. I'm deciding between an Ursa Mini 4.6k and an FS5. (Why you ask? I'm looking to push into higher budget work and need the pose value of a larger camera.) As I know you do a lot of work in this area have you found that shooting with smaller Mirrorless Cameras GH5 etc, DSLRs limits you or your potential clientele? I apologize if this is too much to ask.
Hi Noir Et Blanc Vie, Not too much to ask at all. To some extent yes, but only for cases where the potential askers don't know anything else about you or your work. It isn't a complete make or break kind of factor for getting jobs. In my experience, getting jobs has a lot more to do with gaining the confidence of clients and fellow filmmakers and word of mouth. Mostly relationships.
That being said, I'm quite happy with my kit which includes a GH5 and Ursa Mini Pro. I will say that shooting in raw is something I rarely do, even with the Ursa simply because for paid jobs, it usually isn't necessary and adds a fair bit of time to the post workflow. The ProRes footage, on the other hand, makes my post workflow very smooth and quick. I don't believe that is possible on the FS5 without an external recorder.
The only experience I have with the FS5 was editing some FS5 long GOP HD footage in Final Cut Pro about 18 months ago. FCPX and that codec didn't work very well together back then - lots of funky torn frames which meant I couldn't always cut where I wanted/needed. I don't know if either party has made changes to fix that but it was a rather frustrating experience. I only mention that in case you use a similar workflow and not to discourage you from buying an FS5. There are lots of happy FS5 owners out there. :)
Good luck!
Wow Curtis, thank you so so much for your thoughts. I think I'll go with the 4.6k as my workflow is very similar to yours, I shoot ProRes to my Atomos and Vid Assist 4k and well an all in one solution like the 4.6k will be great. Now I just need an extra $1000 for all the accessories LOL.
Hey Curtis, it's fairly intuitive so I'm pretty sure I know the answer but..The Atomos Ninja inferno isn't compatible with a Canon 5d Mark III correct? I'm not thinking of buying one for a dslr I'm just messing around with a friend's ninja inferno and I tried hooking up my 5d mark III and it's not working but I wanted to double check to see if I'm doing something wrong..
Hey Nathan, I haven't worked with the 5DIII personally, but according to the ATOMOS support site, it does have a clean HDMI output: www.atomos.com/cameras There may still be some limitations. I'd contact their support for details on that. Best wishes!
Hey Curtis, do you feel the ninja assasin is the best option for gh4? Do you know anything comparable for less money? FYI we did go with the beachtek off your previous comments and videos, so thank you!
Thanks again!
Hi, good to hear from you again. The Ninja Inferno is the one I would consider optimized for GH4/GH5. You’re not paying extra for the SDI inputs but get the ability to record up to 60 FPS.
Curtis Judd thanks for the reply! I looked a little but didn’t find a whole lot, what would be the primary difference between the inferno and the assassin?
Thanks!
Hi, I think the assassin is one of their discontinued recorders. Probably best at this point to go with the Ninja Inferno which records as higher framerates and comes in at the same price that the assassin used to sell for (if I recall correctly).
Curtis Judd thanks as always!!
I love Atomos recorders and it changed my content so much, it just looks so professional.
All these years later, we still use them at work.
@@curtisjudd great to know thanks !
Subscribed for how fast and concise you are. Hard to find on RUclips or anywhere else really
Thanks Baustin
Very helpful video thank you quick question I think I know the answer , if I purchase a shogun inferno that can record 4k60FPS - can I hook it up to a Sony A73 that only supports up to 4k 30 but record 4K60 from the Atomos?
Hi Tishawn, no, it needs a feed from the camera in 60p to record 60p.
@@curtisjudd thank you for responding so quickly! I figured I appreciate it!! I thought I could cheat the system lol thanks!
Hey Curtis! I pared my gh5 to the atomos ninja inferno. Also bought a Sandisk ultra II 480 and a HDMI 2.0b. Unfortunately the monitor cannot rec. at the advertised 10bit-4K-60fps nor are there any options for 1080p slow mo (120-240fps). Their customer support offered very little to no help unfortunately, so I thought about asking you based on your experience. Also would it be possible to use a speedy nvme drive (through a SATA enclosure, in the SSD caddy)? thank you for reading this. Cheers!
Hi Michalis, if the monitor cannot record at the advertised frame rate, it sounds like a defect. Probably time for an exchange. I generally stick with the approved drives since I don't want to increase the risk of losing footage so I haven't tried any NVME drives. I'm sorry things have been rough :( Best wishes on a resolution!
I have two questions :
1.in 6:49 DavinciResolve is showing real time with what's on Shotgun Inferno. How did you make connection between computer and Shotgun Inferno?
2. Do I need additional bigger sleeve between SSD (already in small sleeve) and G-Technology G-DOCK ev Solo Enclosure 2TB . I have SSD Toshiba 850 Pro 1TB .Any other suggestions?
(I just got Shotgun Inferno .)
Hi stivep1, I used the Blackmagic design Ultrastudio Mini Monitor which is a thunderbolt to SDI/HDMI output box: bhpho.to/2HXCuiW
I'm not sure I understand your second question. I mount my standard SSD drives in the included ATOMOS caddies. I think you need to take your drives out of existing enclosures to put them in the ATOMOS caddy. Good luck!
ad1. I'm buying Mini Monitor.Thanks -
In 6:49 on the display inside DavinciResolve I see synchronized View if that what's on your Inferno o the right. Where in Resolve I need to be so I can see the same view? Is there any better interface you know about?
ad2. I have my SSD in Atomos caddy. Do I need to place this caddy into another bigger caddy so than it be placed in www.bhphotovideo.com/c/product/1192970-REG/g_technology_0g04547_g_dock_ev_solo_enclosure.html or
I directly slide it in. ?
1) Go to DaVinci Resolve->Preferences->Video and Audio IO. You can select the Mini Monitor here and it should display to the ATOMOS.
2) I don't know what the G-Dock requires but I would guess that it has its own caddy system. I simply use the USB sled that came with my ATOMOS recorder which is compatible with the ATOMOS caddies.
Hi Curtis. So if you record Vlog footage through something like ProRes 4444 or HQ, how much more latitude in grading will that give you in post? I know that's a "how long is a piece of string" question, but would you say you're able to do heavy post work with a GH5 and an external ProRes recorder like this? What I love about my Ursa Mini is that I can go bananas in post and the image doesn't break apart. I'm interested in a GH5 with one of these (or BM 4k assist), but am unsure how far I can push things when needed. Thanks!
Hi Douglass, The ProRes codecs and the GH5's internal codec (currently 150Mbps) do the same in terms of color subsampling and bit depth. In my practical, subjective opinion, I'm not seeing a lot of difference there. The main difference seems to be relate more to movement in the frame and artifacting as a result of that movement. And as noted, I find the ProRes footage some much more pleasant to work with from the standpoint that it plays back quite smoothly.
From my subjective point of view, I noticed that a bigger factor in getting more color volume, which gives you more latitude to grade in post, is to ensure that your exposure is spot-on. Color volume is essentially the product of getting your exposure optimized for the log profile and capturing more color information (in this case 4:2:2, 10-bit). A big part of the reason I find the newest Atomos recorders helpful is that they have the tools to help me fine-tune the exposure to optimize color volume.
So it isn't just a matter of the codec giving us more room in post, but a combination of the codec and exposure optimizing tools which give us that additional latitude.
Now all that said, I still don't find that the GH5 and Ninja Inferno produce footage in the same league as my Ursa Mini Pro in terms of post latitude. But I do think that the combination Panasonic/Atomos is quite good for the size and money.
Thanks Curtis. I agree, nailing exposure is key. Especially for skin tones. These days when I grade, I barely touch my skin tones (apart from temperature shifting) and treat everything else around it. Over/under expose skin tones in camera, and no codec will make it easy to recover the subtleties of the flesh tones that make up a great image. Even raw.
Sounds like ProRes is just a smoother codec to work with in post (especially on Apple systems). The GH5 really does look like a great all-round second camera, but I must say I'm not in love with the sharpness of the sensor and the robotic motion-cadence. The Sony a7x series have some great points, but overall I find the image looks a bit too muddy and is subject to banding all to easily. All this is a long-winded way of me saying I'm still waiting for a great 4k DSLR to hit the market.
Totally agree on that! Same in the $4000 to $10000 space, though we're seeing a lot more options there and they're getting pretty good, but only for pro-level owner/operators.
I just got a new Atomos Ninja V and I was able to record and playback on Ninja and was able to hear the audio, so I took the Sony ssd disk out from the Atomos and plugged it on my Mac and tried to play the mov file and was not able to hear the sound, do you know what could have caused that.. Is there a way I should record in Atomos ? Thanks for your assistance
Hi Pradeep, if the sound is recorded to channels 2 or higher, it won't necessarily play back unless you import the file into a video editing app or DAW. If that doesn't solve it, may be best to contact ATOMOS support. Best wishes!
Hey Curtis, great video.
Do you still think the Ninja 2 is worth buying? They are so cheap now and I am trying to find a way to lose the recording limit and (mainly) eliminate overheating on my a6000. I have read (and thanks for confirming) it isn't anything great as a monitor but just as an external recorder do you still think it would be worth buying?
Sure, I think so.
I bought one for my D800 several months ago for the same recording limit situations (I record oral histories). It's been great! It is a crappy monitor visually but the finished video is excellent. I use the Prores LT codec with a Windows PC running Adobe Premiere CS6 and edits very smoothly.
Hi Curtis, I use the GH5 now in 2021 and perhaps soon the GH6. I use a high powered i9 editing station PC. Will pro res also play well on that? When I use the use 10 bit intra at 400 or the 10 bit Long-GOP my machines struggles big time. Trying to decide whether to get just the monitor or monitor/recorder. I've studied with Doug Jensen and I'm heading into the world of stock footage as I took his course. Considering the GH5 now shoots in 400 10bit 422 intra I'm wondering what is best. I'm a quality pixel peeping nut. I never buy anything ever without your reviews.
I don't know the status of ProRes playback on PCs and I think it depends on the editing app you use. I thought I heard that the PC version of Premiere Pro added back full ProRes support a couple of years ago, so should be good on that front. Also depends on the PC and the video card. Laptops will generally have a harder time than a similarly spec'd desktop.
Hey Curtis! This video prompted me to grab a Ninja Flame... Do you find these recorders to be loud... Mine always has a low fan hum that is audible in a quiet room.
Hey Peter, yes, there is definitely a fan that can be heard though I haven’t had any issues with my mics picking it up at typical working distances (5-6 feet away).
Curtis Judd thanks! Was worried I got dud :-)
Thank you for an awesome review. Quick question: I have the Shogun inferno, with Panasonic EVA1 Camera, and also a Canon C 300 Mark II. Can i record 10bit-4K-60fps on the shogun? What about 1080p slow mo (120-240fps)...is there a way to record on the SSD drive, and get the same quality, and record in Pro Res? Or do I have to record internally using the cards ..on the EVA1?
Hi Ron, thanks. Yes, UHD or 4K DCI 60p to ProRes or DNxHR. Also, as a bonus, you can record raw from your C300II up to 4K DCI 30p. You can see all of the specs here: www.atomos.com/shogun-inferno
Thanks, oh yes, it's right there. Duh!! LOL Thank you. Great vidoes.
You can record Canon c300mkll raw dng but you cannot playback Video which suck, not sure other camera is like that or just the Canon.
Thanks, good to know. That'd be a tough way to work without playback.
Is there an SD version of this device that can record from composite video sources? I saw the ClearClick ones on amazon but I want something a little more professional. Maybe an HD one but can record from analog sources. I don't care about 4k.
There isn't from ATOMOS as far as I'm aware. Not sure about other manufacturers. Sorry about that.
great video! I also try to connect my shogun inferno trough a black magic studio mini monitor but with no succes? how did you do that ? greetings from Amsterdam
Hi Daniel, I used an SDI cable (BNC to BNC rated for 4K). It only works with certain apps, which you probably already knew. In this case I used Resolve.
Curtis Judd today i purchased a sdi cable bnc to bnc from the brand Shape. Didnt work for me 😩😩😩
Curtis Judd also on resolve
I'm sorry. I'm not sure how to fix that but definitely suggest contacting BMD and Atomos support. Best wishes!
Hi Curtis. We have the 30 minutes limitation with the gh4 here in Europe. Will the addition of the atomos overcome that issue?
Hi Alejandro, the ATOMOS will record for as long as you have power and drive space. You'll just need to keep the camera from going to sleep.
@@curtisjudd thank you very much. You are doing a great job with your channel.
I'm looking for a monitor for the DJI Ronin. I use a Canon 5D Mark 3 and I wanted to know if a Atomos would be a good choice? I want a small monitor. I dont really mind recording through the Atomos. I just want to be able to watch what im doing when filming with my 5D. I'm looking for a monitor thats under 7 inches in length.
+Filmer the SmallHD focus or one of their other small monitors are worth considering. Here’s also a less robust but much less expensive 5” monitor we reviewed: ruclips.net/video/Cel8qLVSD7Q/видео.html
hi, i have video camera i.e sony FDR AX 100 , can you suggest me which model of atomos best for my camera , so i can shoot 4k in 60p . thanks
Hi Ajay, the ATOMOS Ninja V is able to record 4k UHD 60p if the Sony outputs that via its HDMI output port: bhpho.to/2GXbUoH
Hi,
I have the Fz2000 and I'm looking to buy the Ninja Inferno. The camera says it has 10bit 422 HDMI output, which is nice. But won't the 100mbps just break the image anyway since that's a lot of compression? Or is the Ninja Inferno recording some kind of clean uncompressed signal?
Thank you for the video. It cleared some things up for me. :)
Hi, the HDMI output isn't encoded into a codec when it comes out of the camera so you can use any of the high bitrate codecs in the Ninja. In short, you're good, just crank up to the biggest codec you find makes a difference on the Ninja. Good luck!
Thank you so much Curtis. Panasonic, nor any of the retailers, could give me any information on this. They said "maybe...I...I think so?". Again, thank you so much.
Hi, would it do any justice having a Ninja Blade on a c100 markii? I'll be picking up a ninja blade for $350 tomorrow night but I just don't want to be making a mistake.
Yes, you can record to ProRes which I prefer working with in post
Are you still using yours? I'm hearing that they clip the low and the highlights when recording through HDMI as it does not record the full video signal. Would you still recommend this as the best 4k recorder?
Hi, yes, I still use ATOMOS recorders regularly. I haven't had issues with the cutting out part of the video signal. The main thing I do not like about them is that their fans are louder than I'd like which can get into your sound if doing a close shot.
Hi Curtis, what's a great video. Thank you for the video. I use Sony A7r3 as the my main camera. Is the Atomos Ninja Inferno suit to me, or you have a better choice, base on your experience? Thanks a lot!
Hi James, yes, the Ninja Inferno is a great fit for the A7RIII. Good luck!
VERY thorough and insightful. Thanks!!
Thanks!
Awesome video curtis! Just curious- at 1:15 and 8:55, is the anton battery powering everything there? How exactly do you have it all rigged up? Also, what cage did you get for the shogun?
Thanks! :D
+Wingroll just the camera in this case. I still need to find an adapter to make it work with the Ninja Inferno.
oh nice! what adapters did you use for connecting it to the gh5?
It is a hodge podge of components:
Zacuto Zwiss Plate V2: bhpho.to/2v130RZ
Anton Bauer Battery Plate: bhpho.to/2vkKJBG
Switronix P-Tap to GH dummy battery: bhpho.to/2v19mRr
Ah I see! thanks for the info Curtis!
I'm not in a position to move to 4K at this time and have been considering getting a Ninja Star. I didn't know if you've used one, but my impression is that it's basically a Ninja 2 without a screen. Do you happen to know if that would be accurate?
would you suggest buying an atomos e.g. ninja v external recorder for an improvement in image quality for the a7iii? or would you rather just buy an atomos shinobi external monitor only?
Hi Valentine, it depends on your workflow. If you edit on a Mac, the fact that you can record to ProRes can make editing easier. But I'm not sure you'll see a massive improvement in video quality since I believe the Sony A7iii only outputs 8 bit 4:2:0 via its HDMI port. It is really more about the file formats (ProRes) and exposure tools and larger screen.
Great video Curtis. Thanks for creating this. I have a canon c100 and I was wondering if you know where the control resides when an atomos is connected to it? Which setting overrides the other? Once I connect a shogun for example: Which has control over the exposure, frame rate, etc? Is the Atomos controlling everything or do I still need to adjust settings in the camera? How can I learn about which device controls which setting?
Hi Sean, the camera always retains control of all of its settings. The Atomos recorders are smart enough to adapt to the frame rate and resolution that is sent from the camera via HDMI. So the camera continues to control exposure and frame rate and everything else. The Atomos just lets you bring up scopes to help you make the best possible settings on the camera.
Hello there, Curt!
Once again I find the courage to bother you with one of my questions (actually two in this case).
I searched the web but found no answer to my particular situation, and I figured only you can answer something like this:
I work with the GH5S and the Atomos Shogun Inferno. a lav mic goes straight to the camera, while a boom mic goes to the Atomos through the breakout cables, and here are the two problems...
In the files recorded on the Atomos, I dont get any audio signal from the lav on the cam. I can hear the lav when in standby using the headphone jack on the Atomos, but once I hit the record button its like no audio is coming through the HDMI 2.0 (bought from Atomos) cable. Already imported on Premiere and Audition to see if the audio was in any other track but didnt find anything. Am I doing something wrong? How should I configure it to record audio sent via HDMI?
And the second one (most important) I mainly rely on the boom mic connected via breakout cable to the Atomos, and then I find the common issue of out-of-sync sound, which is supposed to be easily solved using the "delay frames" feature on the Atomos... The problem is, no matter how many frames I set on the delay feature, there is no change in the out-of-sync problem what so ever, nothing moves forwards nor backwards and I have to sync it in post (with no reference audio because of the no-recording-audio-via-HDMI problem)... It seems like the feature for delaying frames works for everybody else but me, so again, what am I doing wrong? do you think my Atomos is defective?
Curt, I cant thank you enough for so many times you've taken the time to listen(read) and help me out, I hope you have the time again this time.
Your'e the greatest and always will be.
Thank you so much.
Warmly.
Hi BLACK ROOSTER PICTURES, Thanks for the question. 1) There is an audio setup page where you have to arm which HDMI audio tracks to record. You'll want to make sure the one with the lav mic is armed/set to record. 2) You stumped me on this one. You may need to contact ATOMOS if you're not getting any change when you apply an offset. Best wishes!
@@curtisjudd Hey Curt! Thanks a lot for taking the time to help me out.
When you say "arm", does it mean to touch and activate the red lid REC button on the track that is getting de audio signal? I actually do that, and I think I also have tried with the "embed analog audio" on and off... I don't want to think it is a hardware problem, I'm offshore so returning the item would be a real bad idea for me :(
Thanks again for help you give me, you're the greatest.
@@blackroosterpictures7829 That's right. So if you've tried that and it isn't recording camera audio on the ATOMOS, I'm afraid I'm not sure what's happening. Might be best to contact ATOMOS support. Sorry I couldn't help more and I wish you all the best!
Are these Atomos recorders compatible with some old DSLRs, for instance, Canon T3i? I think this might be a good and affordable solution in order to extend the video capabilities of this camera, but I have my doubts about if it actually works.
Thanks in advance.
Hi Óscar, I don't have a T3i on hand to confirm, but my understanding is that many of the older Canon DSLRs do not output full HD and don't output a clean feed. Probably best to check the camera compatibility page at www.atomos.com/cameras or you might contact ATOMOS support to confirm. Best wishes!
One of the Most complete reviews I've seen about the Atomos recorders, congrats! I would just like seeing more info about the flame and the 5" recorder and their differences comparing them to the Blackmagic recorder as well. Thanks
Thanks Nicolas! Thanks for the feedback. I'll see if I can get my hands on those for review.
I'm just looking to record the video from my ATEM Mini. Atomos seems like a great solution, but probably overkill However, there seems to be few alternatives to HDMI recorders. Do you have some suggestions?
@@LearnLightAndSoundSessions That's so helpful! Thank you!!!!!!!!
Are there any software solutions that could run on a spare laptop or PC?
@@DougPipersr Great question, I didn't consider the option so I haven't researched it. May be worth some time to see. Best wishes!
Hi Doug, Funny you should ask - I'm using an old ATOMOS Ninja 2 to record from my ATEM Mini. It has a rather poor screen so I use its HDMI output to feed video to another, higher quality monitor. But it does NOT have a fan like all the newer recorders which I appreciate so that I don't create more noise in the audio. I considered an Odyssey 7Q+ but that's a lot of money for the job since the ATEM is only HD. I also looked at Blackmagic's Video Assist monitor/recorders which look good. And Finally, there are also Blackmagic DeckLinks but they're also overkill and expensive for what I was trying to do. I haven't found any other, simple, sub $500 options, unfortunately. But a used Ninja 2 or even Ninja Star would do the job nicely.
@@curtisjudd Well I found an Atomos Ninja 7" Flame on eBay for just under $450 including 2 big batteries. Hopefully, that will work ....seems like it should. However, I really wish there was a software solution for a spare PC.
Since the Sony A7 cameras only output 8bit 4:2:2 is there any reason getting anything other than the ninja flame in terms of recording quality? Thanks
Going with one of the higher spec'd Atomos recorders may give you more years of service for when the Sony cameras can do more (and higher frame rates, etc).
the Sony records 4:2:0 internally, so you have more colour info if you use the external recording with a Sony. its still 8bit but its 4:2:2 instead of 4:2:0. so definitely a good reason
Yes, true. The extra color info is not generally a night and day sort of difference but can help when keying or color grading.
This may be a stupid question, but... can the GH5 currently send a 400 mbps signal to an Atomos recorder? Or will that require the upcoming GH5 patch?
Hi Brian, not a bad question at all. The GH5 sends an HDMI signal. I'm not sure what the bitrate is in HDMI terms but then the recorder encodes the signal at high bitrates (depending on the codec/level you configure). So I have to assume that it is the equivalent of about 400Mbps.
Hey Curtis, trying to get a feel for how many gig/sec this will take up on the ssd as I record 10 bit 4:2:2 with ProRes. Can you share? Thx!
Hi Jeff, going from memory, as I don't have it here with me at the moment, I think I get about an hour of ProRes HQ on a 240GB drive when recording UHD 4K at 23.976 fps.
@@curtisjudd Thx! Just rented the Ninja V with my EOS-R. Getting about 3gigs/min when shooting in ProRes422. Crazy.
Great video! I have a question .I always shoot on 24p and I'm not interested for the 50p. On my GH5 i can record 4K DCI on 4:2:2 10-bit at ALL-Intra codec. Is this codec inferior to ProRes or same ? And if is the same (my opinion is that is the same) what the need to spend 1295$ to buy atomos shogun inferno when smallHD FOCUS costs just 500$ and makes the same job?
Hi Vasilis, there are other factors as well. ProRes is a much better codec for editing - it plays back much more smoothly without needing to transcode. Also, there are several very useful exposure tools in the Atomos, also affordable SSD storage. A much larger and brighter screen is also very useful. Not everyone needs an Atomos recorder, but they provide a lot of value beyond just image quality of the codec.
Hello Curtis, is the shogun inferno overkill for a GH5? Thank you!
Not strictly required for the GH5 but it is potentially future proof in case you work with a camera that has SDI outputs in the future.
Thank you very much :)
Great video once again! I actually had no idea you could use an Atomos recorder as a grading monitor with Resolve. How does this work? I suppose you just connect the Mac to it via HDMI out, but then what? What do you need to do in OS X display settings and/or Resolve? It would be great if you could shed some light into how it's done.
I have a Ninja Blade, and if I were to calibrate it with an i1Display Pro, do you think the screen on it would be good enough to be used like this?
If you could make a video about this topic, would be awesome!
Yes, will cover that in an upcoming episode. It does require a Thunderbolt hardware monitoring converter from Blackmagic Design or similar. I use the BMD Ultrastudio Mini Monitor: bhpho.to/2v8EWz6 Strangely, it only works via SDI. Couldn't get the HDMI to work but I think that's a Blackmagic issue, not an Atomos issue. More to come.
Hi Curtis, did you test the Blackmagic Video Assist? I would love to have your input on that one. Thanks!
Hi Charles, I haven't yet but hopefully soon.
Hi. Ive searched everywhere but i cant get the answer. Do this products support input 4k and record 1080p prores. This means 4k footage downscaled to 1080p. Im using samsung nx1 and planing to buy two of this unit. My concern for 1080p downscaled is because of easy delivery for my editor, sharp and more detail footage from 4k downscaled.
No, it records the signal sent to it, does NOT downscale. Downscaling must be done by the camera or in post.
Curtis Judd thanks for the reply. I got a reply from Atomos. Yes it does not downscale.
Thanks for the review. Do you find the the calibration with the iOne Display Pro was effective? I'm debating over the cost of the expensive cable that Atomos sells that is required to calibrate with.
Regarding the case, yep, its a bit lightweight, but that helps cuts down on the overall weight of the product. I use a SmallRig 1788 cage for mine, as I've read that the plastic around 1/4x20 screw mount can crack. It doesn't add a lot of weight, but does offer some additional protection as well as lots of mounting points (1/4x20, 3/8" and Nato rails).
Hi Dave, the calibration seemed effective enough to ensure the colors are in the right ballpark so I can make decent decisions while shooting. On the other hand, the monitor wasn’t far off out of the box. Hard to say whether it is worth the expense of the cable. I’d probably test without first to see if you’re happy with how well the footage does in post where you can assess whether your copy is preventing you from getting the results you need.
All my camera monitors are somewhat off from the results I have in post, and I'm not certain that my Shogun Inferno is actually more accurate than my cameras. The contrast is somewhat lifted in the shadows compared to my cameras and when working in post. The lifted shadows helps see detail, but skews my perception of the image. Lowering the brightness doesn't really help, as the entire contrast moves with it and by the time the shadows look accurate the highlights are flat and lack detail. I guess what I should do is hook up the Inferno to my computer via my BlackMagic DeckLink card and see how that compares.
Good call. When I talked with some of the ATOMOS guys at NAB earlier this year, they seemed to soften on the suggestion that these monitors are up to the task of color/contrast critical grading work. My sense is that the color is decent but that the calibration process is not the same as you would expect on color critical grading monitors.
I didn't mean to imply that I'm not happy with the image quality of my Shogun Inferno, but rather to see if calibrating it will make it more accurate. I think its a great piece of kit and don't have much to complain about.
FWIW, if you were to ask a professional colorist, most would cringe at the idea of using the Inferno for critical color grading in favor of an expensive Flanders Scientific monitor. That said, I think we're quite fortunate with the monitors that are available to use for shooting, compared to what was available 5 or 6 years ago.
Hi Curtis ! Nice to hear your thoughts ! What do you think to pair Atomos device with Sony A7Riii ? Cheers
Hi Ben! I don’t have a Sony A7Riii to test it here, but my friend shoots with an A7Sii and ATOMOS Shogun Inferno with great results.
I've been following your channel for a while, learned a lot and have bought products after watching. Thanks for all you do. However, I've been seeing you post a lot about the Sound Design MixPre recorders. So I got one thinking it would work for me since I use a similar setup. Using the GH5, Ninja Inferno and MixPre, do you get HDMI passthrough to trigger the MixPre? I can't seem to make it work. The people at Sound Design have been super helpful, but Atomos, not so much.
Hi Conrad, Thanks for contacting me. The issue when using all three devices together is that the ATOMOS recorder does not pass through the HDMI start/stop signals. So we lose the auto start stop capability on the MixPre. Usually I record sound separately so this is not a major issue. And in most of the remainder of the cases, I feed the audio from the MixPre to camera so that it gets recorded to the ATOMOS. Hopefully that makes sense?
@@curtisjudd That totally makes sense. I'm experimenting with it. Just ordered an HDMI splitter to see if that will do it. Either way, it will get recorded to the camera and the MixPre. Thanks again for all you do! I've learned so much!
@Johnathon Frumdehood Johnathan, cool it pal. If my test footage sucks to badly, where is your test footage for us to review? Your tone is not helping here. Your opinions are totally valid but let's not stoop to personal attacks, please.
Loved this video and your explanations, I've always wondered why I would get one of these but when you pointed out the stress that movement puts on a codec as you showed us the waterfall I was sold on the concept of using external recorders.
Thank you!
👍
Dear Curtis, great review! Thank you again! I just saw another review about Sony Alpha 7 and Atomos Shogun and they were telling that you will get a different - much less quality signal - if you start the recording via the Shogun record button. They they you have to start the record on the Sony Alpha 7 to get the high quality signal.... which sounds strange to me....... Do you have any recommendations? Thank you!
Hi Till, I’m not familiar with the recent Sony alpha line. You might try their tech support for clarification on how the HDMI signal changes when you press record from the camera.
I was wondering about audio on the Ninja Inferno. I saw your audio review of the Shogun that you did, but I haven't seen anyone do a review on the Ninja Inferno's audio yet and was wondering if you thought it was a good option rather than using my H4n Pro with Rode NTG4+? Thanks!
+Adam Rickman hi Adam, unfortunately the review unit did not come with the mic breakout cable so I was not able to test the Ninja's preamps. I would except about the same performance as the original Shogun which was decent sound but not particularly clean. I still use external audio recorders.
Curtis Judd I was going to assume that. Thanks so much for your reply and help!
Another great, informative video as usual.
I have a question though: If you go straight from the SSD drive in ProRes 422 to the timeline, where is your backup? Don't you need an independent copy because otherwise you'll have to use the camera disk, correct?
+Red Dog Video good point. You can edit directly from the SSD you use in the recorder but usually I offload to either another external SSD when I’m mobile or to a raid unit when I’m at my edit room. I’d only edit from the recording SSD in a pinch and make backup copies of the footage first.
I have V-Loc Batteries for LED lighting so am curious what you're using to power the display and camera on your rig at 1:24. I've seen the Lanpart but it's $$$.
That's my frankenstein rig with includes the Zacuto DSLR base plate (which they no longer make), the Zacuto Zwiss plate II, and the Indi-Pro Tools d-tap to GH5 dummy battery adapter.
Zwiss Plate V2: bhpho.to/2Aa5I91 (will also need a battery plate for V-lock - in my case I have the Anton Bauer plate)
Indi-Pro Tools Adapter: bhpho.to/2zyzWGm
Curtis Judd thanks!
Thanks for pointing out the reasoning behind purchasing one, and not just the specs. Very helpful. I did notice that Atomos is great with their web site and which SSD and even cameras are supported. I was impressed to see that my Olympus personal camera was supported haha (although it makes sense, because it's clean HDMI) - oh and youre right. Those codecs are amazing for editing and totally avoids having to transcode.
Thanks Dave. Yes, their site is actually quite useful and easy to get around. I appreciate that about them. Good to hear on the Olympus support! It'll be awesome to see that ProRes or DNxHR footage from the Oly!
I appreciate your creating the content in the beginning for people on the go like myself.
👍
Hi Curtis, can I ask what the internal sound recording quality is like vs mix pre3 - still trying to decide which route to go - option1: mix pre3 and a basic monitor. I find the a6300 screen quite tiny and of course it doesn't turn 180 for self recording. Open to suggestions on the basic monitor. Option 2: just get one of these ninja inferno and use the onboard sound.
I want to make a semi permanent setup at home with mkh50 mic I previously asked you about. Many thanks again, learning alot from you videos!
Hi Luke, sadly, I did not get to test the audio inputs on this while it was on loan, the breakout cable was not part of the kit, unfortunately. My guess is that it will not compare to a MixPre, but will be pretty decent when working with a condenser microphone that does not need a lot of gain. SmallHD makes nice monitors worth considering.
Curtis Judd Curtis Judd Thanks for the info - the small HD and Atomos only have $100 between them and seem to be a lot more features with Atomos. I was thinking of Atomos ninja flame paired with my a6300 and mix pre 3 but perhaps it’s overkill? I’m making video courses and RUclips vids. Seems otherwise the “inferno” model and no mix pre as it has the Xlr option and the flame doesn’t...
Yes, both are good options with tradeoffs. The Atomos recorders burn through batteries. I find that I like to power them with big cine batteries (Sony V-lock or Anton Bauer) so that adds a lot of expense. Another downside is the fan in the Atomos recorders which means you need to keep the monitor away from the microphone. That's where the SmallHD has an advantage - no fan and much better on small batteries. I'm not trying to suggest you go one way or the other, but wanted you to know about the less obvious up and down sides to each. Good luck!
Curtis Judd Thank you , wish I read your reply beforehand - A friend picked me up the ninja flame so didn’t get to see it beforehand. Nice intuitive interface but boy was surprised that they didn’t include any of the tiny screws to fix the ssd into the caddy nor was there a cable to connect the ssd to laptop... and yes it’s very plasticy. Shame as I’m sure the production cost of a little metal and these other bits is next to nothing!
Hi again, just wondered if theres a beginners tutorial on how to set the settings on these - seems like you need to have some serious knowledge to get good results... Thank you
its me again, with another awkward question :) I am using 2 Fuji XT3 but only 1 Ninja v so if I export to Ninja to get Pro Res compression I have to use H265 on the camera. I know your not a Fuji man but how does the theory sound or is it best to use H265 on both camera and Ninja as a backup?
Hi Laurence, not sure I follow the question. I guess I would record to ProRes on one camera using the Ninja and H.265 on the other camera.
No, you have the idea :) The compression will be different? in the fact that ProRes has better quality and smaller files (How does that compare with H265? ) but will there be a technical color issue? OR would you recommend using h265 on both cameras to avoid any color problems. OR buy another Ninja V ! Or am I over thinking the whole thing?
While writing I bought the FeiyuTech AK4500 which is a WOW and soooo much better than A2000 which I sold this to finance AK4500.
So clever, but my Fuji with grip ( same ad Canon 1D or Nikon D4/5 or one one the Sony/Panansonic with grips) will not allow me to use their follow focus system. The clogs won't reach the lens band or any Samyang T lens. I spoke to FT who basically said, Tough!
They are great at making quality gear but hopeless at customer service. I had to design my own modification which isn't right. Might do a video to show. Oh and I don't thing they are going to do any software for Fuji to control video start/ photo shutter or anything to do with Fuji which is a real disappointment. Does everyone have to have a Sony/Panasonic or Canon?
@@laurencegrant2882 I'd recommend you shoot the same scene with the two cameras, one recording to the Ninja V the other to H.265 in camera and compare them on your computer. By the way, ProRes will probably be LARGER file sizes, not smaller. However, ProRes usually plays back more smoothly.
@@curtisjudd oh ProRes larger? :( but H265 are smaller.) I have a fairly new iMac to help with the processing (8gb video ram) and still ended up upgrading the 16gb by adding another 32gb. Use Proxy but alway 'frightened' on the importing time :( Do you still think its always best to use Ninja/Prores with 4k but stay with h265 on both camera in 1080 (if I don't intend to 'zoom' in?
@@laurencegrant2882 ProRes are usually larger files but require less processing to play back. H.265 are smaller files but take more processing to play back. For editing, usually ProRes is easier to work with and drops fewer frames, as long as you have the storage space and speed to support it. Try the ProRes workflow and see how you like it. I still shoot mostly ProRes on my Pocket 4K and Pocket 6K cameras.
How are you using it as an external monitor, just hooking it up to your graphics card via HDMI?
I've read that there is an issue with Sony cameras and S-Log over HDMI which is putting me off at the moment (no problems with SDI). That along with fan noise and I'd also like to see them put an actual 10bit panel in them instead of 8+2 FRC panels.
Useful vid as usual though Curtis, appreciate the time you put into this and also answering a lot of the comments you get.
Hi Jon, I'm feeding the signal from Resolve with the Blackmagic Ultrastudio Mini Monitor: bhpho.to/2v8EWz6 I used the SDI feed to my Shogun. Since the original Shogun's panel is only 8 bit, it isn't something I rely on too heavily but I am thinking of adding the Shogun Inferno or Sumo for that. (incidentally, the HDMI feed from the Ultrastudio to the Shogun and Ninja Inferno didn't work but I think that's a Blackmagic Design issue).
I'm curious about the 8+2 FRC vs true 10 bit issue. Bram Desmot from Flanders Scientific said that 8+2 FRC is just as good as true 10 bit. I'd like to learn more about that.
Yeah, it seems hard to find information regarding 8+2FRC and 10bit. One of my current monitors I've had for a couple of years is 8+2 though I'm pretty it won't support HDR content or any of the HDR standards. It doesn't have HDMI 2 either. Speaking of which the price of the Atomos HDMI 2 cables and also the calibration cable are a bit steep!
Mr Judd:
Great review on the recorders. I have been shooting with a canon xf405. It does record 4K 8 bit on sd cards, but has the option of using the sdi port to output 4:2:2 10bit. What im scratching my head about is will there be a difference. There is no log option, just MP4 or HAVC. Will I see a difference between 8 bit and the ten bit, with the log option?
Hi Bill, you will see a tiny difference in a few situations. Many people test this by shooting skies and looking for banding. But one thing some people get confused about is thinking that 10-bit will extend the dynamic range of their camera (it will not).
@Johnathon Frumdehood Panasonic GH5 and GH5S? It is my understanding that they will deliver 4:2:2 10-bit via their HDMI outputs.
I Have a GH5... I'm interested in filming wildlife.. I find my footage quite jerky when filming birds flapping their wings or bobbing their heads when feeding.. Would the Atomos Ninja Inferno give me smoother video?? or could it just be the shutter speed I'm using?? Usually double the frame rate...
+Paul Dunham possibly, there are a number of factors to getting smooth footage. 4k in general tends to have more stuttering types of movement in my experience. 60 FPS with the shutter at 180 degrees (120th of a second) can look smoother. All-I codecs can sometimes help as well. In short, a Ninja or Shogun might help but I'd borrow or rent first to confirm.
Good stuff! Which recorder one would you recommend for Sony A7s2/a6500 - not interested in HDR
The Ninja Inferno would be a good choice, even if you don't plan to use the HDR features. Both of these cameras capture what could be considered an HDR range.
Hi Curtis, thanks for your review.
If I plug a rode mic on my GH5 and want to record with a Ninja Inferno, will I get my mic sound on my recorded files ?
+ChipsLab yes, any audio passes through to the Atomos recorder.
Got more questions Curtis. I recorded HLG shots on the Ninja Inferno with GH5. In FCPX, do we need to choose Wide Gamut for our project and Library ?
Thanks again
Hi Curtis, great video as usual.
I want to ask you: how would you connect F4 + GH5 + Atomos to sync the audio?
I know you could sync TC GH5 + Atomos with HDMI, but then it seems you haven't an TC out from Atomos to F4... only IN.
So I tried to output F4 TC to Atomos and this is fine (my choice as these two are the first rec choice). But I would love also to have the same TC into the GH5 as a backup recording video.
Any ideas on this? Or other sync possibilities for TC on all 3 units?
Hi! I don't believe there's a way to get TC on all three without adding some additional devices. They're just not made for that, unfortunately.
If you wanted to invest in external timecode generators like the Ambient NanoLockits or Tentacle Sync, you could feed one into the GH5 audio track (which would also be recorded on the Atomos) and one into the F4. But then you'd have to convert the audio timecode to metadata timecode with an app which can do that (DaVinci Resolve, Tentacle Sync Studio, etc.) Here's a recent piece on the NanoLockits (if you haven't already seen it): ruclips.net/video/KpJql4ojm50/видео.html
Or you could just slate and/or use Pluraleyes. ;-)
Yes, but at that point, I could just use the F4 TC out and record it into the GH5 as an audio track and then through HDMI I will get also on Atomos... Should it work?
No, unfortunately, the GH5 will not recognize the timecode as anything other than as an audio track. However, that timecode sent to the GH5 would be recorded on the audio track of the Atomos video clip and you could then take that file into DaVinci Resolve which can read audio timecode and then sync to the audio clip. Good idea.
I tried doing this: F4 TCout to Atomos with a BNC doubler, the other BNCout from Atomos to F4 line4 (as a normal audio Input, using BNC to XLR cable). Then correct levels to -6dB and put the F4 SubOut with Mic levels to GH5 input 3,5mm (routing track 1-3 on left track and track 4 on right track, Mic levels -12dB). BTW, I tried also to record directly on the GH5 right track with a BNC adapter but the levels was too high, so clipped, that's the reason I tried to mix into F4...
Well, it records fine on Gh5 and Atomos all the same 25fps, BUT when I import them in Resolve I get the GH5 clip with its audio TC (on right track) and if I click "Update Timecode from audio track-LTC" it doesn't make anything: the clip TC remains the original GH5...
Why not? Could you try this config or something similar?
Hi, I believe that Resolve will look for timecode on the left track, not on the right.
Oh my goodness, I just spotted a really neat thing you did in this video. Panning shots with a rubberband?! I can't believe I've never thought about that. I've been holding my breath and straining myself over trying to get the smoothest panning shots for my B-rolls.
👍🏻
Hi,
I have a question. Why they give me some plastic master caddies? Are these plastic caddies only for protection?
Yes, and to help them lock in a bit more securely than just the drive would on its own.
Hi Chris, enjoy your vids. My ninja flame is flickering whilst recording. is this just an issue with mine? or common on the atomos products
+David Paul Anthony hey David, I haven't experienced that on the Shogun or Ninja. Sounds like it might be your copy. Hopefully the Atomos guys can take care of that for you. Best wishes
Hello Curtis Judd, which SSD Card do you use for the Monitor?
With the Ninja Inferno, I used the G-Technology Master Caddy SSD: amzn.to/2vwv9jU
I use the 4k version of the Blackmagic Design Video Assist. Would there be any advantage of getting an Atomos?
Hi RustyTube, I haven't used the Video Assist before so I can't say for sure, but I suspect there are a few differences: The biggest difference is the HDR screen on the current generation ATOMOS gear. My experience with other BMD products is that the physical build is probably better on the Video Assist.
Hi Curtis,
What kind of cage do you have around your camera?
Hi Youthure, I use a Varavon Zeus Uni cage: ruclips.net/video/cAwCMkiiKd0/видео.html
To use these, you have to have a camera that puts out a clean HDMI signal, right? I have a Canon 70D, and I don't believe I can use it with an Atomos. Right?
Canon 70D doesn't have clean HDMI out I've tried.
Can I use my existing wifi app/tablet with GH5 to control the camera while recording to the Atomos?
Confirmed - just tried it with my GH5s and ATOMOS Sumo and the Panasonic app. The screen on the camera blanked out, which I haven't experienced before, but that may be another setting.
Great information as always. Very well put together and professional which gives the viewer a lot more confidence in your views and opinions. Thank you.
Thanks Jeff!
Awesome review, does it work with taping on record screen to focus the area you want? just to avoid touching the camera especially when it's on gimple, I use Canon 1DX Mii, Thanks
Hi, no focusing is still done with camera controls, not with the ATOMOS recorder.
Hi Curtis, great video! I can see you reply to most if not all messages I hope you have a change to reply to mine too. I am quite new to cinematography, I love cinema and currently reading for codecs, containers and more. You said “you get much better codecs”. So, if I have a cheap dslr like D5100, or better a D610 and get atomos to record 10bit 422 Chroma subsampling prores? I don’t understand if the bit depth, the Chroma subsampling and the codec is is up to the censor the camera or the recording media. If the last one is true, then we never record to our camera again and just buy an atomos. Right?
Hi, the ProRes or DNxHR codecs have a few advantages. One is that they can support greater bit depth and color information but that will not make much of a difference when the camera only feeds 8-bit 4:2:2 (like the D610). However, they can capture more information for each frame which can help when shooting action. Despite their much larger size, these codecs also play back smoothly during editing which is also very helpful. And of course the Atomos recorders have the tools to help with exposure, focus, and composition (I can see issues on a 7 in screen that I cannot see on a 2-3 in screen). I hope that helps and best wishes!
Thank you for being such a responsive You Tuber! I had one more question.On the recorder, you have the Atomos HDR slider, which allows you to see how the image would appear on an HDR display. But aren't we still a few years away from most people having HDR displays? So my question is: What is the point of viewing in HDR if most people have SD displays? How the image appears on the Atomos display doesn't not affect your actual exposure, does it? In other words, for most situations, wouldn't you want to display without using the HDR slider? Otherwise, you are not really seeing what most people are going to see. You are only seeing what someone might see on an HDR screen or TV.
Thanks Flying High! Yes, that is a matter of some confusion. Even if you're not planning to finish your video in HDR, knowing whether your highlights are clipped is very helpful if you plan to grade and sculpt the final look of your video for SDR viewing. This allows you to prevent blown highlights or at least make calculated decision about how much of the highlights you're willing to clip to get the look you want.
I had to exchange my smallhd 702 bright twice due to quality issues. Since I shoot with a FS7, I didn't think I needed an external recorder. But now I'm starting to get cold feet with smallhd and thinking of an Atomos with both sdi and hdmi. Do you think Atomos's scope feature rival Smallhd's or better?
Hi Peter, I haven't used the 702 so I'm not familiar with its scopes but I've been very happy with the scopes on the Atomos Shogun and Ninja Inferno. Ive had my Shogun for over 3 years and still going strong so has been reliable for me. Best wishes!
Ahh! Thank you sir!
Great review as always!
A quick question I cannot find the answer going through the Atomos manual pdf:
Can the Atomos display a flipped image horizontally and/or vertically (like a camera rotating lcd does) ?
and if yes, can this flipped image be outputted to an external display via hdmi?
Main use, for people in front of camera having a proper view of the frame.
Hi Evan, the screen can be flipped so that it can be used upside down. I'll need to check to see whether it flips the HDMI output signal. Good question!
Do you recommend this for my Sony A7iii? I am having color issues when I shoot 4K videos for my events. Very useful video though!.
Depending on the color issues, this will probably not solve the problem. What kind of issues are you experiencing?
CURTIS DO USE WAVEFORM FROM THE CAMERA OR ATOMOS?Another question do you get rec 709 output or vlog output
Hi, I use the waveform on the ATOMOS recorder because it is larger and easier to see. You can get rec 709 or vlog, depending on on configuration.
I can't seem to find a way of getting vlog L as output can you give me some insight thanks@@curtisjudd
@@tindikali Hmm, I believe I just changed the GH5's Picture Style to V-Log L and it automatically output a V-Log signal via the HDMI port.
On the screen where we have the atom hdr,log to video and rec 709 does your atomos have native processing i saw it on the manual but i cant see it on my recorder....
Probably best to contact ATOMOS support.
Thank you so much for sharing your knowledge and experiences! Big fan of your RUclips channels and online course, and have learned a lot from you while preparing to move into doing videography in addition to my photography. Have you tried using an Atomos and MixPre together, with timecode over HDMI from the camera? I am contemplating on getting an Atomos Ninja V, and am wondering whether the timecode signal from my camera will come through to the HDMI output on the Atomos, so I can plug that into the MixPre.
Hi Michael, thanks! I borrowed the Ninja for the review so I don’t have it to confirm. I have my older Shogun and the MixPre does not receive timecode from it so I’m not sure whether it will work with the Ninja V. You might contact ATOMOS support to see if they have tested this combination. Good luck!
Curtis Judd Thanks for replying! I’ll see if Atomos support can help me.
Can you use it as a audiorecorder to? Or is it better with a zoom H5 recorder then?
It does have 2 XLR inputs if you get the adapter cable. I did not test those on this one so I cannot say for sure. I did test the original Shogun and it's preamps sounded quite nice, but produced a bit too much self-noise for my tastes. Then on the other hand, I recently tested the audio inputs on the new Sumo 19" monitor and it had superb microphone preamps. I wish I could have tested this one, but unfortunately they didn't send the adapter cable with it.
Nice video Curtis. I've always liked the look of these recorders, I somehow thought the were built a bit tougher. I think the Small HD stuff might be a bit tougher.
Hi Hugh, thanks! They're workable and I haven't broken either of mine yet despite all the mileage they have on them. But metal like they use on the Ninja II would be nice on the newer models.
Great video!!! Thanks for sharing. Does the Shogun allow you to use custom luts as well?
Thanks! Yes it does.
@@curtisjudd Awesome! Thanks.
Hopefully this comment isn't lost, but I was wondering since the GH5 can't capture audio in VFR, will connecting an external mic to the Ninja capture audio?
Yes
Amazing, thank you
Brilliant as always. You called out NPF batteries, what about powered by a larger V-lock battery, shoulder rig? Any concerns doing that?
Works great with my original Shogun, an Anton Bauer Gold Mount and an NPF to d-tap dummy battery made specifically for the Atomos recorders.
Yep, another excellent video. Been a subscriber for a while, and i feel that i have learnt an awful lot from your channel.
My question... As a Blackmagic Pocket Cinema Camera user, i wondered if you have tried out the BM Video Assist models, and if so how do they compare to the Atomos?I guess the 7" model is the most similar to the Inferno, but it seems that it uses SD cards only... no SSD recording, which i guess is a bit of a minus point, now that, as you say, SSD prices have come down a lot.
Any thoughts?
Hi Tim, I haven't used the BMD Video Assist. I've been quite happy with my Ursa Mini Pro and appreciate what BMD does in terms of adding features via firmware. Will have to see if I can get my hands on one of the Video Assists...
Would be nice to hear your opinion if you do. Thinking about something along these lines, Although the BMPCC does record Prores and Raw, it is limited to SD cards. and the screen is small, too!
I'd second a comparison between the 4K video assist and the Atomos used with the GH5
I've been playing with the Ninja Flame and an A7iii. Where is a good place to really learn all the details of how to work with these recorders. Is there a course online dedicated to this subject? Really enjoyed the video! Thanks!!
Thanks Michael. Unfortunately I’m not aware of an online course. Manual is pretty decent. Best wishes!
Thanks! I Didn’t even realize that they had manuals on the website. DOE!! 🤪
That should help a lot!
I just recorded a conference on the Shogun Inferno. SDI out of c300mkii / 1080p 24fps using the 1tb g-drive and caddy that came with kit.
There is file spanning and a few frames missing between clips. Any thoughts?
Hi, and thanks for the question. I'd check in with ATOMOS support on that. It shouldn't be dropping frames but there might be something going on between the C300 and Shogun. Good luck!
Curtis Judd Thank you. I did contact Atomos. They suggested that I contact the g-drive co. Losing frames during a long conference is a deal breaker. Maybe I could offer a discount for the missing words in between clips. Lol
In your opinion would the pix e-5 or 7 be a more secure route? I can live without raw but would miss the very bright display.
Note: Another drive seems to work without breaks. Unfortunately I was using the brand new drive that came with the Atomos. Bh is excepting a partial return of the drive at this point but I’d go with whatever recorder is the most secure.
I’ve seen the PixE recorders but haven’t used them for any jobs. I have had very good luck with Sound Devices in terms of quality and reliability so that is a factor in the PixE’s favor. But bad storage media can be a problem with any device. So if it is the media that’s the issue, I’d stick with the ATOMOS. Good luck!
Hey curtis what is the attachment called that you are using from your camera to your monitor?
Friction arm?
Cheers Curtis. I use the smallrig cage with my atomos ninja flame. It's great value, not too heavy.
And it ads threaded mount points.
Good info, thanks for sharing that!
Question: Now that GH5 can record 400Mbps is it helpful to record out to the Ninja Inferno that will use a codec that has a lower Mbsp? Hows doe that all work out? TY
Good question, I'm going to install the new firmware and see! Even with the new firmware, the exposure tools and larger screen are still a nice addition to my workflow in most cases. More to come on the new codec.
I found a chart on ProRes and DNR bitrates along with bandwidth spec, as if there is not enough info to consider already. I work on Windows and I think that if I use DNX HQ I can still record at a high Mbps. On a related topic, when I record internally on the GH5 and then look at the footage's recording bit rate in Quicktime it is always real low. But when I use the ninja star, the bit rate that I selected is what shows in Quicktime. I have ask Panasonic more than once to explain this but they never get back to me. Do you have any clue on why I'm seeing this? TY! Looking forward to your video on this! Is my camera broke? That is the thing about being new to a camera without a boots on the ground mentor; asking one's self is it me or is it the camera.
As Curtis nicely explained and emphasized a number of times in his excellent video a major feature of an external recorder is to speed up significantly (especially the 4K) workflow with using SSD USB3 drives with PRORES files. The Davinci Resolve, for example is terribly cumbersome and dead/dog/snail slow (practically unusable) without PRORES files. I simply use my SSD drives directly with the editor, I am not copying the huge files onto my hard drives at all.
Another informative video! Great work, Curtis.
Thanks Stephen!
Can the atmos record in 4k 60fps even if the camera cannot to 4k 60fps ie it only does 4k 24 or 30 fps natively ?
Hi, no, if the camera maxes out at 4k 30, this cannot make your camera record 60. Happy shooting!
Having a tough time deciding between Ninja Inferno and Ninja V for GH5 :/ Can you just tell me which one to buy? They are just too similar.
Ninja V. 😀
Curtis Judd thanks that’s all I needed ahaha!
LOVED THE SUMMARY in the beginning thank you
You bet! 👍
Hi , what is the difference between 10bit 4.2.2 and uncompressed 8bit 4.2.2 ?
+Zaro Zaro the difference is the resolution of luminance values which generally means smoother gradients in things like the sky for the 10 bit.
Thank you Curtis! This information is actual even 4 year later!
You're most welcome! Happy filming!
Great video! I particularly liked learning about the codec options and how they equate to smooth editing, even in UHD. My question would be: which Atomos, and which codec do you recommend for UHD on the older GH4? Cheers!
Hi Ben, I usually shot with the ProRes 422 codec when I was shooting the GH4. You can bump it up to HQ for super critical clips, but I almost always found 422 to be plenty.
Thanks, Curtis!