Kirill Petrenko & Berliner Philharmoniker: Dawn of a new era
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- Опубликовано: 22 авг 2019
- As early as his debut in 2006, the orchestra felt that Kirill Petrenko was a very extraordinary conductor - charismatic, captivating, revolutionary. “He was like a meteor”, remembers violist Matthew Hunter. It was only logical that the Berliner Philharmoniker should elect him to succeed Sir Simon Rattle as chief conductor in 2015. In our video, the musicians describe what is so special about Kirill Petrenko’s art and what inspires them most about their new boss.
The Berliner Philharmoniker's Digital Concert Hall:
www.berliner-philharmoniker.de
www.digitalconcerthall.com 
Видеоклипы
Ich bin durchgeschüttelt!
Und fühle mich derart abgeholt zum einen von den Worten der einzelnen Musiker und auch dem, was von Petrenko zu sehen und zu hören ist, dass ich es nicht vermag, in Worte zu fassen.
Dieser Mann ist die Liebe. Durch und durch. Zur Musik und zu den Menschen.
I am not very fond of Tchaikovsky, but I attended the 6th with Petrenko and must say: this concert is still in my head, esp. the ending, the basses, the silence. One of the most intense evenings I´ve ever had in the Philharmonie.
“It’s perfectly possible we’ll go on a journey with him that’s never existed before.” What an awesome statement!
Petrenko: Marvellous, awesome performance!!
After a long period of boredom the orchestra was longing for a new challenge and found it with Petrenko. After the first concerts it is crystal clear that we experience a new king of love between musicians and their leader, they give to each other their utmost craft and the result is spectacular. I can´t wait for the many years to come with this wonderful unison of passion and discipline and as a proud Berliner I can´t also wait until everybody agrees upon that the Berlin Philharmonics are not in the top 3 of the best orchestras in the world but are without a doubt the best.
Greetings from Dublin... I hope to see the BP live on day in Berlin :)
Ppl
Seeing Berlin philharmonic is also on my bucket list
That horn swell of Strauss’s Don Juan always has me.
Good luck Mr Petrenko Thank you, Mr Rattle 💜
Wow! something hot is happening with the Berlin Phil. I must get over to Berlin pronto to hear this amazing man. Do you know? the BPO have NOT sounded like the BPO of old for many years, but......! I can hear the BPO sounding as they did of old!! may heaven be praised, I thought that Berlin sound had gone forever. Manifestly, IT HAS NOT!!! Bravo.
Excellent
The Karajan era people just have to mention his name. His influence is still there somehow after all these years
One of the Greatest Orchestras of all time unites with one of the most emotional conductors. A real brilliant video.That Scriabin performance at the end was rocking!
Regards from India🇮🇳
I just really hope that Petrenko keeps giving 20th century/contemporary music its place with the orchestra, as Rattle was doing.
Alejandro Vidal He will make it...better!💯💯
@@saanic3117 that's my biggest expectation with him. The BPO has been devoting a lot of time to modern music during Rattle's tenure.
@@alejov923 Judging from this year's schedule I don't think so. Not as much as Rattle for sure. Well, only time will tell, hope that I'm wrong!
@@torterrakart7249 Yes, it's true. Judging by the current season, there isn't a lot of modern music. But hopefully, this will change in the future. I know that Petrenko is not averse to 20th century/contemporary repertoire.
Usually I think conductors are selfish, egotistical scumbags. But he is not. And is a great, empathetic, sensitive artist like no one else in our days. I applaud his search for depth with effortless originality and saw that the first time I heard him conduct. What a hero!
At 8:54, I swear I hear a choir, but it's just the orchestra. Amazing, truly.
Man, why am I just seeing such an amazing conductor? I am ready for some live performances. Look forward to see some of his performances. I am a fan!
That gave me goosebumps
there is something coming that may be really great!
In describing the influence of Furtwängler on the BPO, the timpanist in the orchestra said, in an interview decades ago, that on one occasion when the orchestra was rehearsing, when the timpanist was studying the score because the music did not at that time call upon him to be playing, he suddenly heard the sound (der Klang) of the orchestra change. He looked up and saw that Furtwängler had just entered the room. Furtwängler's mere presence changed the way the orchestra played. So the impact of Petrenko on the current BPO, described in this video, is not without precedent.
Indeed. That was Werner Thärichen, the great longtime timpanist of the Berlin Phil. There were many colleagues who agreed with him. Carlos Kleiber had the same impact on the rare occasions he appeared there.
I think I am very familiar with that story but forgot where I got it. Do you happen to remember from what article/documentary is this story?
@@neil7137 Yes, I think I do remember. I believe it was on one of the two videocassettes I have titled "The Art of Conducting," the earlier one subtitled "Great Conductors of the Past," and the later one, "Legendary Conductors of a Golden Era." The covers say Furtwängler is featured on each of them, but I think, though am not sure, that the timpanist interview is on the earlier one. I can't check that, since I currently have no way to play them. Naturally, there is by now a dvd: smile.amazon.com/Art-Conducting-Great-Conductors-Past/dp/B00005V30T/ref=sr_1_1?crid=1T58YR9UIKS9L&dchild=1&keywords=the+art+of+conducting+great+conductors+of+the+past&sprefix=the+art+of+conducting+great+conductors%2Caps%2C171&sr=8-1
Whether that dvd has both videocassettes on it, or just the earlier one, I can't determine; but I suspect it's just the earlier one.
Love from Japan 🇯🇵
I can’t wait to go to concert...
fantastic! So happy about this combination. This will be an extraordinary era
Travelled to Berlin on 24th of August 2019 to see him and the BPO do their thing in front of the Brandenburger Tor. Absolutely brilliant! A night to remember.
Die Gänsehaut bei der Generalpause vom Skrjabin 😌
I saw Sarah Willis in the thumbnail and so I am here
I love Petrenko's mood in Beethoven's 7th. Is one of my favorite pieces of all time.
Me too I LOVE Beethoven's 7th, and just from that short clip it sounded great!
Great performance at Brandenburger Tor on the other day by the way. Thank you!
Engenho, arte e coração = música.!! Magnífico!!
One rather reach for 11 with the possibility of falling to 1, than always sit comfortably at 8. He sounds like a great leader, team mate & artist that respects the heritage of the orchestra while daring to push it to new heights. I'm moving to Berlin it would be an honour to see his secret goal come to fruition & witness the development of Berlin Philharmoniker's new signature sound.
Love from Mexico
I'm so excited for this new chapter of the BPO and a new beautiful journey with Maestro Petrenko and every musician 🌹✨
Kirill and Berliner
Magic Moments 🎶💪☺
Love it! My favorite city in Europe, Berlin, deserves nothing less than this genius conductor! Fantastic!
Não há palavras que expresse a satisfação em assistir um espetáculo desse.
Completely brilliant and extraordinary
Durfte das Antrittskonzert live in der Philharmonie erleben, es war eine unglaubliche Energie, ein Flirren im Saal. Beethoven 9 war vom Zugriff sehr aggressiv, rauh, habe ich so noch nie gehört. Hatte aber auch Gänsehaut-Momente.
Wir müssen jetzt leider Geduld haben, es muss wachsen, intuitiv werden. Und meine Dosis Karajan hole ich mir sowieso.... :-)
Das raue, aggressive tut Beethoven für mein Verständnis unglaublich gut. Petrenkos Sicht auf Mahler ist für manche verstörend, für mich ein neues Gesetz. Natürlich hat Abbado weiterhin Gültigkeit für mich, in seiner Sehnsucht nach dem Humanen in der Musik. Das ist für Petrenko nicht das Maß, er denkt die Werke völlig anders und heraus kommt etwas, das verblüfft.
A great conducteur for a great orchestra.
Super content pour l'orchestre, un très grand chef
Fantástico🌟 MARAVILHOSO🌈 SAUDADES 🇵🇹
This conductor is SO INTENSE!!!!!
Can't wait!
Good job!!! ....Не зря выбрали,не пожалеете!
Großartig!
Toll! 😍😍
brilliant. Can't wait to see more of the same!
Far out, I miss this orchestra. We won't come back to Berlin soon, so, please come to Fremantle!
how far is it?
bravo !
Que lindooooooooooooo!!!!
El director que hará historia, en la mejor orquesta del planeta.
Das ist eine wunderware Erfahrung!
I seem to recall the similar comments were made from the orchestra when Rattle was appointed. :-)
Paul Lewis They cannot say otherwise :). After all, music is business like any other
And Rattle was, to a great extent, a breeze of fresh air back in the day. Also, do not forget that, unlike many other orchestras, the chief conductor is chosen by the BPO musicians, and that gives a different copping between parts. But Rattle and Petrenko are, in many ways, very distinct. Rattle is very communicative. He is quite energic and has this quite marked media profile. He likes to shine from himself. Looking behind, that helped BPO regaining some space in mainstream media and capitalize it.
Kyrill is, in many senses, the opposite. He has this shy-type profile that may actually fit quite well, given the moment that BPO is passing right now. Rather than having a conductor that it was also the PR guy, now they are selling the image of the shy young and bright talent, with overwhelming energy and passion that, apparently, likes to shine through the brilliance of the work within the orchestra (not "with" the orchestra). He immerses in the group, blends in and they explode together. To me, it seems a somewhat very emotional, dramatic and powerful experience. Something not that common. If this is going to be the tone, it will be emotionally quite demanding to all the musicians. And a hell of a ride.
Seems to me that, in the coming times, I'm going to see Berlin more often!
This brought to my mind Celibidache. I would love to see what he would comment :D
@@VHMR1974 `` And Rattle was, to a great extent, a breeze of fresh air back in the day `` `Surely his predecessor, Claudio Abbado was a far better conductor? Ok I am biased as I don`t rate Rattle very highly but there have been few conductors in the past 30/40 years who could match Abbado.
I've never heard this machine-like orchestra sounds this willing and emotional!
I would give a lot to see the full performance of scriabins poeme de l'extase with petrenko! Absolutely magical!
This man is the real deal.
Dunnerlüttchen ! Ganz genau so dirigiert man ... bis zum Herzinfarkt ;-)
he IS the music.
It is true. In the past under Karajan one could switch on the radio and say "that's them!" The Berliner Philharmoniker is extra special. And now again!!
Fabuleux chef
🅱🄴🅁🄻🄸🄽🄴🅁 ▭ 최고 🅿🄷🄸🄻🄷🄰🅁🄼🄾🄽🄸🄺🄴🅁 is really beautiful and amazing.
🌌 ▭▬▬
BEST CHOICE BRAVO👏👏👏👏👏
That Scriabin piece....one of the best orchestral works ever.
Can you tell me what the Scriabin piece is called, please?
James Hamilton sure : Le Poème de l’Extase
They want Karajan back. What else does "we're returning to something in our sound" mean at 9:43? Petrenko, as different as he is, seems like the man for the job. That's some real intensity at the end of the Scriabin (end of the video).
Good said!
All of this is most exciting. I just hope Petrenko doesn't wear himself out physically. There's such physical, intellectual and emotional commitment there. He goes for broke!
Mr Petrenko is very expressive and it is a great joy to watch him conduct.
Ma non c'è nessuno che parli della grande impronta lasciata in questa grande orchestra dal grandissimo Claudio Abbado?
最低限の方向性を示す以外は個々のプレーヤーの表現を尊重した結果のふくよかな響きがラトル時代の音だとすれば、ペトレンコ時代は氏が感じるものをオケ全員が汲み取り一丸となってそれに向かっていくシャープな音作りになった感。
Very difficult to understand what this all means. Time will tell, I guess. There is definitely something to the notion of the orchestra recovering its old sound. The proliferation of this new “international sound” has not been good for music. The great orchestras increasingly sound the same. 50 years ago the listener immediately recognized the Berliner Philharmoniker. What we may have gained in virtuosity or ensemble playing we have lost in tone color and style.
Berlin will never get it's old sound back as long as the orchestra is populated by and conducted by non germans.
adambomb30 I think you are probably on the right track here but I would suggest that the genie is already out of the bottle. I suspect the “German sound” as we once knew it is gone forever. The professors don’t teach it, the orchestras don’t play it, the imported musicians don’t hear it, and the conductors rarely ask for it. The new international orchestras sound technically great, at the expense of style and expression. Who could have imagined this 75 years ago? Only the Viennese have managed to hold on to some of the old ways.
@@christopherwagner2395 Thankfully we have recordings of the great central european orchestras before their sounds were ruined.
@@christopherwagner2395 Actually, I'd argue that the constant search for that certain full and dark sound can kill the expression. Expression requires you to go with the flow of the music, and adapt your sound to it.
cookiemonster nice moniker. I like oatmeal. The sound I am thinking of is not the product of a search per say. It is a notion of sound that everyone automatically shares, like a cultural value. In this sense the expression adapts to the sound, not the other way around.
Didn’t know Dr. House can play the bass at 05:11
Can someone please tell me what was the last piece of music in this clip?
poem of ecstasy, Scriabin
What was the last piece they played in the video? Thx in advance
Scriabin, The Poeme of Extasy
What is the piece they play at the very beginning of the video?
Tchaikovsky’s 6th Symphony
Does anyone know what was the last piece that was played?
Zhang Ziruo It was „Le Poème de l’Extase“ by Alexander Skrjabin
meteors burn out very quickly when in the reach of our destructive world.Is it not more than premature to talk of an " era' at this point in time???? However I do admire K.P. 's music-making, don't misunderstand that! Fear this type of PR is just another instance of the music 'business' " style"of today
What ist the horn piece at 3:40?
Richard Strauss' Don Juan
this building might be ugly but it is a fucking acoustic bomb!
What is the title of 7:50 ??
What is the name of the last piece? Thank you.
It's scriabin, La poeme de l'extase
5:10 Dr. House as the cellist on the left.
🤣
What’s the last piece being played?
ruclips.net/video/DqVz7Y2k4YU/видео.html
Shih-Jung Huang Thank you!!!
Broc Dobervich You are welcome!
Bg
😁💚🎶🎵
Definitely passes the blindfold test with no pre knowledge of the conductors podium style.
What is the last piece called?
"Le Poème de l'Extase" by Alexander Scriabin
@@jacobtapianieto9655 thank you very much!
They warship emotions. The german expression for Shirk is Beiwerk
"warship"?!
es hat m. e. eine neue ära in der klassischen musikgeschichte begonnen.
wundebar
This guy is a genius.
Er strahlt nach vorne und nach hinten...er führt an die Ursprünge zurück... Was soll man dazu sagen?
Und dann kam Corona... Come back strong, Philharmoniker!
Why Sir Rattle left Berliner?
Im Not hear Live concert with petolenko .
But maybe little bit more better then Simon ?
I hope so it.
ברור מאליו שהוא עילוי בניצוח !!!
Arthur Nikisch is back!
Dare I go there? Kirill Petrenko is a 21st century Leonard Bernstein as they both possessed a similar Russian and Jewish ethnicity. But whereas Lenny came by way of immigrants in cosmopolitan New York City, Kirill was steeped early on in the Russian life and death struggle with the extreme cold manifested in the frozen southwest Siberia of his youth. I think these factors provide a glimpse into understanding the immediacy of Petrenko's musical communication.
Petrenko to Russky Zyd
El fantasma de Karajan sigue rondando el escenario de la Philharmonie y poseyendo a sus directores... Una lástima que traten imitarle quedándose en mero envoltorio sin contenido. Veamos que puede hacer el señor Petrenko.
Weisse Magie. Neues Zeitalter. Ich habe 10 Minuten durchgeheult. Das ist Zukunft. Neues Zeitalter. Weisse Magie.
It is far too early to judge Petrenko and the BSO. Petrenko is the opposite of Karajan as a conductor (and a person), and everyone regarded the Karajan BSO to epitomize the BSO sound. We'll wait and watch and listen and not leap to premature conclusions.
Give me Sarah Hicks anyday.
Scheint russisch und ein bisschen zu energisch, aber klingt mitteleuropäisch und auch authentisch.
Is a conductor to hear but not to see him, he didn´t need to jump like a mad dog on the podium, you can get the same with an economy of gestures.
Pablo Varela but music isn’t about economy right? There’s a whole lot emotion at its center
@@centuriomacro9787 Did you ever seen a film with Bruno Walter conducting? He was very precise and not a podium dancer. Do you think that his performances where unemotional? He didn´t need to put those post-Bernstein faces.
Unfortunately flailing on the podium is what passes for "music making" these days.
Pablo Varela, I do not think that we, while the audience, should have anything to say regarding the conductor's style. Our "job" is to assess the quality of their work, conductor, and orchestra. What do they brought to the piece, What have they, conductor and musicians, achieved? Was it just another brilliantly technical performance? Or was it something else? Did he manage to deliver to me, the listener, a new depth in this piece which I had already heard a fair number of versions/occasions?
If the BPO musicians feel that much, and deliver that much, due to his work and style, then it is with great pleasure that I will seem them being divine. They are the ones entitled to evaluate the capabilities, the work and the style of the conductor.
I will not go there to just watch some sort of reserved control freak exercising his power over the orchestra. But I will go there to listen to experience an overwhelming piece, delivered by an overwhelming performance.
@@VHMR1974 Conductors that "act" on the podium get inferior results next to conductors like Boehm, Jochum, Boulez, Richard Strauss and so forth.
Is this what u call tooting your own horn ;P
Kkkk!!!!!!!ll
Le congrès s'ennuie. A trouvé un nouveau jouet. Tant mieux pour eux.