Tremenda interpretação! Orquestra extremamente bem regida, o tempo que o maestro escolheu casou bem com as abilidades do tenor, pois sabemos bem que sacrificar o cantor no altar de tempo lento é imperdoável. Luciano tem uma voz vibrante, e domina sua técnica tão bem que consegue manter um som homogêneo das notas mais graves até o ré-bemol sobreagudo. Alguns acham que cantou o sobreagudo em falsete, apenas pela falta de som metal que outros têm como caracteristica constante nas suas vozes seja no extremo agudo, ou grave. Pelo meu gosto, teve suficiente conexão no sobreagudo. Luciano, mesmo sendo um performance desde faz muito tempo, reconheço aqui o começo de algo muito especial. Fidelidade ao processo que produziu esta voz belissima aqui neste video garantirá uma voz intata, saudável e expressiva até o seu 90º aniversário. Sê fiel. O Criador deste talento honra fidelidade.
It appears that Luciano Botelho himself has uploaded this and other videos of his performances. If so, Luciano, I'm delighted to be able to tell you directly how your MAGNIFICENT rendition of Cujus Animam moved me. I am not a musician but have listened to Rossini's Stabat Mater many times and love it. I found you on RUclips purely by chance and am now an aficionado. Bravissimo.
Bravíssimo, Luciano ! Você sempre arrasa !! Vc não teria uma gravação do "Possente Spirto" de L'Orfeo para mostrar ? Lembro-me de que vc esteve impecável em São Paulo. Felicidades.
Perfect !! Congratulations, Luciano! Fiquei orgulhoso de ver um cantor brasileiro que além da belíssima voz, mostrou que entende da boa música, bom fraseado e finíssimo gosto. Um abraço.
Light voices like Gedda, Florez, Vanzo, and others is easy to mistake, but it's not falsettone, is full voice. Actually I was lucky to see the same Luciano Botelho exactly at Pearl Fishers in Rio de Janeiro, he left a terrific natural C at the end of "Je crois entendre" aria, also full voice. Bravo Botelho!!!
es voz mixta, es la mezcla que se hace para que el agudo suba con mayor facilidad todo tenor tiene esto , solo que unos mezclan más que otros, finalmente esto es voz no falsete,
Bravo! Luciano you are amazing. it's very powerful rendition. This is my first time to hear you sing and I love it. I agree with ngurrytenore and Operaboymtius. the legato is so beautiful. I don't think that's a falsetone...
felicitaciones!!! excelente!!! estoy estudiando esa obra y tu version no solo es de las mas prolijas sino que ademas es inspiradora. gracias por postear esto! ojalà pueda cantarla como vos.
He's excellent. The timbre is very smooth and the singing, polished and steady. In some ways he reminds me of the lyric tenors from the past, with that fast vibrato and sweet tone ... I'd only like him to have a less effortful and steadier high register. Apart from that, he's mostly wonderful.
that's a wonderful illustration of the 'voix mixte', a very reinforced falsetto that incorporates both head and chest registers. It's actually how these notes were sung back when these works were written
vladimirmoscoso... usted tiene toda la razon. En este caso el tenor hace el cambio un poco evidente... la tecnica debe ser depurada para que esto no se note. Miguel Fleta, incluso tenia la capacidad de hacer esta mixtura muy abajo (en un sol, sol#) Los que no saben hace rla mixtura son los que se ven que se les brota la vena del cuello en un LA o SI bemol y que, obviamente, son tenores cortos de SI natural y de ahi para arriba no pueden mas.
@Kyrios79 No señor, para cantar esta pieza HAY QUE TENER EL RE BEMOL en su sitio, bien colocado, al estilo, no digo que debe ser asi, pero como un Juan Diego Flores.
Great singing! beautiful voice, excellent technique. The ones who are arguing about the top note, better go to learn good technique instead of wasting time like critics. What really matters is the legato line the beautiful singing, not just if it is a falsettone or whatever!
A fine artist with a lovely lyric tenor voice... Nothing thrilling about the timbre or the falsettoish D-flat, but he should be quite good in a number of lyric roles.
What he does technically, reminds me of Carlo Bergonzi. Is he his student? I just think he has to find the bridge from his middle registers to his high register. Thats why it kinda sounded like it came from a falsetto or almost like a reinforced falsetto because he just went to Voce di testa full blast and forgetting the balance of testa and chest. But thats fine! This is not opera you know. Maybe it's his choice. Still, Bravo!! Bella voce!
The score says Allegro Maestoso. This a bit fast for my liking but it's personal. Listen to the Jussi Bjoerling for the greatest tenor who I once heard was quite adamant about his tempi.
Beautiful voice! Once the maturity sets in he will be a great voice to follow! At this stage he lacks the deep emotion needed for this and thus does not capture the listener completely! But, I am curious of his future!
I think that the main probles is that the shift to the head note was too abrupt. But we should remember that was Rossini the one who despised Dupre when he showd him his Chesty high c. donzetti an belli were quite happy with dupre´s finding but Rossini he didn´t like it.
es voz de cabeza, esta bien colocado si, no se pq la gente sataniza esa tecnica, solo la gente q quiere cantar como un camion en todo el registro dice eso.
Good stylish singing. Nice legato and all but the Db IS in reinforced falsetto. Getting back into full "chest voice" is not in itself proof that it isnt. Cultivated falsetto CAN drop back into chest. Look at Countertenors when they drop into it for low chest notes. They do it seemlesly. It certainly doesnt mean they sing in full voice in the rest of the range.
Isso é que é a realização de um sonho, saber que voce sempre lutou por seus objetivos e chegou onde estás, Luciano voce é um anjo de Deus.
it is a terrific performance. the voice is warm and the timbre beautiful. The d flat is easy and very well controlled.
Tremenda interpretação! Orquestra extremamente bem regida, o tempo que o maestro escolheu casou bem com as abilidades do tenor, pois sabemos bem que sacrificar o cantor no altar de tempo lento é imperdoável. Luciano tem uma voz vibrante, e domina sua técnica tão bem que consegue manter um som homogêneo das notas mais graves até o ré-bemol sobreagudo. Alguns acham que cantou o sobreagudo em falsete, apenas pela falta de som metal que outros têm como caracteristica constante nas suas vozes seja no extremo agudo, ou grave. Pelo meu gosto, teve suficiente conexão no sobreagudo. Luciano, mesmo sendo um performance desde faz muito tempo, reconheço aqui o começo de algo muito especial. Fidelidade ao processo que produziu esta voz belissima aqui neste video garantirá uma voz intata, saudável e expressiva até o seu 90º aniversário. Sê fiel. O Criador deste talento honra fidelidade.
It appears that Luciano Botelho himself has uploaded this and other videos of his performances. If so, Luciano, I'm delighted to be able to tell you directly how your MAGNIFICENT rendition of Cujus Animam moved me. I am not a musician but have listened to Rossini's Stabat Mater many times and love it. I found you on RUclips purely by chance and am now an aficionado. Bravissimo.
beautiful, beautiful singing, an excellent tenor
Bravíssimo, Luciano ! Você sempre arrasa !!
Vc não teria uma gravação do "Possente Spirto" de L'Orfeo para mostrar ? Lembro-me de que vc esteve impecável em São Paulo. Felicidades.
Perfect !! Congratulations, Luciano! Fiquei orgulhoso de ver um cantor brasileiro que além da belíssima voz, mostrou que entende da boa música, bom fraseado e finíssimo gosto. Um abraço.
Light voices like Gedda, Florez, Vanzo, and others is easy to mistake, but it's not falsettone, is full voice. Actually I was lucky to see the same Luciano Botelho exactly at Pearl Fishers in Rio de Janeiro, he left a terrific natural C at the end of "Je crois entendre" aria, also full voice.
Bravo Botelho!!!
es voz mixta, es la mezcla que se hace para que el agudo suba con mayor facilidad todo tenor tiene esto , solo que unos mezclan más que otros, finalmente esto es voz no falsete,
Bravo! Luciano you are amazing. it's very powerful rendition. This is my first time to hear you sing and I love it. I agree with ngurrytenore and Operaboymtius. the legato is so beautiful. I don't think that's a falsetone...
Magnifico el tenor y orquesta, Bravo. . !
felicitaciones!!! excelente!!! estoy estudiando esa obra y tu version no solo es de las mas prolijas sino que ademas es inspiradora. gracias por postear esto! ojalà pueda cantarla como vos.
He's excellent. The timbre is very smooth and the singing, polished and steady. In some ways he reminds me of the lyric tenors from the past, with that fast vibrato and sweet tone ...
I'd only like him to have a less effortful and steadier high register. Apart from that, he's mostly wonderful.
that's a wonderful illustration of the 'voix mixte', a very reinforced falsetto that incorporates both head and chest registers. It's actually how these notes were sung back when these works were written
Gostei muito, tem um bom controlo da voz e os vibrato estão perfeitos. Parabens !
Oi, você cresceu muito! Parabéns, Luciano, Deus te abençoe. Beijos
BRAVISSIMO!!!
bela você! schöne Stimme! sings very well; it's not na easy part to be sungI wish him great success.
El falsete eres tú, la nota está perfectamente dada y sin voz de falsete, sucede que Botelho canta para gente musicalmente sutil.
amazing
Bravo Luciano!!
walter
Muy buena interpretación
Linda voz...
The Db is definitely not falsetto....he gets easily down back to his full chest voice. So the Db was automatically connected to the chest..great voice
vladimirmoscoso... usted tiene toda la razon. En este caso el tenor hace el cambio un poco evidente... la tecnica debe ser depurada para que esto no se note. Miguel Fleta, incluso tenia la capacidad de hacer esta mixtura muy abajo (en un sol, sol#) Los que no saben hace rla mixtura son los que se ven que se les brota la vena del cuello en un LA o SI bemol y que, obviamente, son tenores cortos de SI natural y de ahi para arriba no pueden mas.
I don't understand his C#3, It was so easy, did he switch into a strong headvoice or what? it was amazing.
@Kyrios79 No señor, para cantar esta pieza HAY QUE TENER EL RE BEMOL en su sitio, bien colocado, al estilo, no digo que debe ser asi, pero como un Juan Diego Flores.
Great singing! beautiful voice, excellent technique. The ones who are arguing about the top note, better go to learn good technique instead of wasting time like critics.
What really matters is the legato line the beautiful singing, not just if it is a falsettone or whatever!
A fine artist with a lovely lyric tenor voice... Nothing thrilling about the timbre or the falsettoish D-flat, but he should be quite good in a number of lyric roles.
What he does technically, reminds me of Carlo Bergonzi. Is he his student? I just think he has to find the bridge from his middle registers to his high register. Thats why it kinda sounded like it came from a falsetto or almost like a reinforced falsetto because he just went to Voce di testa full blast and forgetting the balance of testa and chest. But thats fine! This is not opera you know. Maybe it's his choice. Still, Bravo!! Bella voce!
A palabras necias, oídos sordos
The score says Allegro Maestoso. This a bit fast for my liking but it's personal. Listen to the Jussi Bjoerling for the greatest tenor who I once heard was quite adamant about his tempi.
Beautiful voice! Once the maturity sets in he will be a great voice to follow! At this stage he lacks the deep emotion needed for this and thus does not capture the listener completely! But, I am curious of his future!
I think that the main probles is that the shift to the head note was too abrupt. But we should remember that was Rossini the one who despised Dupre when he showd him his Chesty high c. donzetti an belli were quite happy with dupre´s finding but Rossini he didn´t like it.
@buontenerone in effetti è un bel po' intubato.
es voz de cabeza, esta bien colocado si, no se pq la gente sataniza esa tecnica, solo la gente q quiere cantar como un camion en todo el registro dice eso.
Good stylish singing. Nice legato and all but the Db IS in reinforced falsetto. Getting back into full "chest voice" is not in itself proof that it isnt. Cultivated falsetto CAN drop back into chest. Look at Countertenors when they drop into it for low chest notes. They do it seemlesly. It certainly doesnt mean they sing in full voice in the rest of the range.
@acitipo Que una cosa es voz de cabeza y otra es falsetto... para muestra de satanizar y confundir ambas cosas basta un botón.
Saludos.
No, no lo es. Es voz de cabeza, que no es ni falsette ni voz de pecho.
Canta indietro... la voce resta in gola!
Es falsete, obviamente.
Scusa mi, ma e falsetto...
Falsettone on the top note. The same Caruso does on the recoreding of "Pearls Fishers". I personaly don´t like this sort of resource...