El valiente tenor Fisichella,resuelve esta dificultad con su enorme fiato y pone al servicio de esta preciosa aria,todos sus recursos...que como puede verse son muchos.
Que hermosa voz, varonil y con agudos libres y seguros... Que lastima que el Maestro no conocia bien esta musica y lo dificil que es para un tenor cantar esto, algunas veces los Maestros son muy testarudos y no entienden que su principal labor cuando acompañan a un buen cantante, es hacer que el se sienta comodo pues somos nosotros los cantantes los que damos la cara al publico, no ellos! Bravo Salvatore, desde ahora soy tu fan.
Vocally, this is a stunning performance which more than bears comparison with any recording that I have heard. Any aspiring tenor should listen and learn.
A rare opportunity to see one aria with two conductors! The nominal conductor starts it off much too slow. Fisichella enters at a much faster tempo. The conductor draws it out again just before the high C# and Fisichella beats out another faster tempo with his left hand. LOL! Fisichella remains one of the most underappreciated tenors of recent years. Maybe he was difficult to work with? I don't know, but here he's right and the conductor is wrong.
Well yes, I can be stupid from time to time and I am not really all that competent musically but I didn't assert that there should be only one tempo throughout a piece of music. This sort of thing is called a strawman argument. What I pointed out was that Fisichella seemed to be unhappy with the tempo. He started to conduct it for himself at one point. I have posted an Armida trio where Bruce Ford also starts to conduct while singing. Maybe they studied together?
Poor Salvatore. I listened to this video for him not for this obscure conductor. There are only a half dozen men on earth who have the right voice for this piece. Any boob can beat time. The score markings are hardly the point. Read Gossett on Rossini scores. Those metronome markings were probably added much later by Ricordi (the publisher). Pavarotti had Emerson Buckley as his tame conductor. Buckley always played at P's preferred tempo and so avoided this kind of embarassment.
Agorante where did you find the idea that there is only one tempo in piece? I saw other people with the same ideas that a piece have a specific tempo from the beginning to the end if there is not a composer mark. But to challenge this new way of thinking just listen Klemperer, Furtwangler, Celibidache conducting and you'll see that a metronomic regularity is is completly stupid in the mayority of the music.
I love the tempo, not the singer so much. It is an extremely careful and well-articulated version from a musical point of view. A more ideal Rossinian might have carried it off better - but admittedly, not many modern singers have the breath for it.
@CelesteVoce Well... I think it's unethical to start pushing like this when the conductor has been so unethical to start in his own tempo. It's your job as a soloist to go with the orchestra, you'll just have to be that flexible. The audience deserve a harmonious unity, not the strife of two captains on one ship.
Видеоклипы
Straordinario tenore! Voce che è oro puro! Inarrivabile! Complimenti!
tempo impossibile da sostenere troppo lento e senza dinamiche, a parte un crescendo nella ripresa grande Fisichella a sostenere il tutto.
El valiente tenor Fisichella,resuelve esta dificultad con su enorme fiato y
pone al servicio de esta preciosa aria,todos sus recursos...que como puede verse son muchos.
Magnifico come sempre , veramente grande
Fisichella è uno splendido tenore, sicuro in tutte le note, con notevole padronanza degli acuti... meraviglioso!
Bravissimo Salvatore,voce metallica e potente. E' un piacere ascoltarla.
Que hermosa voz, varonil y con agudos libres y seguros... Que lastima que el Maestro no conocia bien esta musica y lo dificil que es para un tenor cantar esto, algunas veces los Maestros son muy testarudos y no entienden que su principal labor cuando acompañan a un buen cantante, es hacer que el se sienta comodo pues somos nosotros los cantantes los que damos la cara al publico, no ellos! Bravo Salvatore, desde ahora soy tu fan.
His voice is just beautiful.
Vocally, this is a stunning performance which more than bears comparison with any recording that I have heard. Any aspiring tenor should listen and learn.
ruclips.net/video/-HCV61YVAqU/видео.html ruclips.net/video/VEIoyxDhALU/видео.html
This is so emotional and tender at the same time it is so powerful
I am stunned by this amazing interpretation
Esecuzione da brividi! (Nonostante l'orchestra...)
Che grande il maestro Fisichella, sensibilità e potenza da vendere. Fortunatamente non andava dietro il direttore d' orchestra, sempre calante.
Il tenore con un tempo il direttore con un altro mai ascoltato un pasticcio simile!!!
outstanding beauty and technique !
BRAVOOOOOO!!!!!!!
Che acuti, mamma mia😊😊😊😊
Stupendo, Salvatore!!! Bravo, maestro!
A rare opportunity to see one aria with two conductors!
The nominal conductor starts it off much too slow. Fisichella enters at a much faster tempo. The conductor draws it out again just before the high C# and Fisichella beats out another faster tempo with his left hand. LOL!
Fisichella remains one of the most underappreciated tenors of recent years. Maybe he was difficult to work with? I don't know, but here he's right and the conductor is wrong.
Haha yeah I saw that
Fantastic Fisichella!! Bravo maestro!!
Great singer. I love it
bravissimo!ha fatto bene a dirigere il direttore,!
EINE DER SCHÖNSTEN TENORSTIMMEN
Insuperabile!!
this conductor is taking this way too slow. bravo salvatore!
The conductor is sleeping during the introduction; Salvatore Fisichella is obliged to wake him up... but he falls asleep again during the coda...😔
BRAVO!
Well yes, I can be stupid from time to time and I am not really all that competent musically but I didn't assert that there should be only one tempo throughout a piece of music. This sort of thing is called a strawman argument.
What I pointed out was that Fisichella seemed to be unhappy with the tempo. He started to conduct it for himself at one point.
I have posted an Armida trio where Bruce Ford also starts to conduct while singing. Maybe they studied together?
warum wurde dieser tenor nicht bekannter-hätte gern bei ihm studiert
About the tempo: most videos of the same piece in RUclips are about 1.5-2 minutes shorter. Most tenors sing it much faster than that
Bravissimo Fisichella...non certo aiutato dalla "lenta" direzione orchestrale!!!!
The tempus is so slow my God that maestro want to kill him!😲
ho appena sentito il tempo prime battute ...segno della croce e speriamo in FISI
Do you mean the one conducted by Giulini?
I've always wanted to hear that rendition.
Anyway,bravo Fisichella!
With Bernie Sanders conducting.
Bottom line.........great Tenor!!!!!!!!!!!!!!!!
+Tony Caruso Bottom line: great conductor. Not quite sufficient tenor.
Non vedo la necessità d'un gesto simile da un musicista verso un altro al minuto 5:17.
To ilbacioditosca-Do you not think that the conductor should take into account the singer's comfort level with the tempo?
Poor Salvatore. I listened to this video for him not for this obscure conductor. There are only a half dozen men on earth who have the right voice for this piece. Any boob can beat time. The score markings are hardly the point. Read Gossett on Rossini scores. Those metronome markings were probably added much later by Ricordi (the publisher). Pavarotti had Emerson Buckley as his tame conductor. Buckley always played at P's preferred tempo and so avoided this kind of embarassment.
Le chef soporifique. Terrible pour le ténor !
I thought at 5:20 he was going to jump and attack themike or something.
He also waved his hand as if to have the conductor hurry...
What a dope!
Agorante where did you find the idea that there is only one tempo in piece?
I saw other people with the same ideas that a piece have a specific tempo from the beginning to the end if there is not a composer mark. But to challenge this new way of thinking just listen Klemperer, Furtwangler, Celibidache conducting and you'll see that a metronomic regularity is is completly stupid in the mayority of the music.
I love the tempo, not the singer so much. It is an extremely careful and well-articulated version from a musical point of view. A more ideal Rossinian might have carried it off better - but admittedly, not many modern singers have the breath for it.
il direttore sta dormendo, musica moscia
TRAUMHAFT
@CelesteVoce Well...
I think it's unethical to start pushing like this when the conductor has been so unethical to start in his own tempo. It's your job as a soloist to go with the orchestra, you'll just have to be that flexible. The audience deserve a harmonious unity, not the strife of two captains on one ship.