Does anyone else feel that Melodyne has made them a better singer? To me it's even more extreme, Melodyne basically made me a singer. I used to do comedy type music where I didn't really need to sing very well as that was part of the "charm" (at least that's what I told myself). Since Melodyne I now do pitch correcting when I am making my first draft demo and it teaches me how to sing my own song, in my own voice! By the time I do the final version and then go onstage I'm in tune. I think for natural singers, people really "in their bodies", the practice and adjust till they get it right. For those of us who are more "up in our heads" (IE nerds) that process is more challenging and Melodyne is quite literally the best thing I've found to help me with that. So thanks for a life changing program.
Since I don't like to tune vocals and am too lazy to volumeautomate single words - because it should be in the performance and I'm not getting paid - melodyne is now officially my most expensive but also by far most transparent de-esser. It's incredible how bad de-essers actually are in comparison to this. Maybe I own the wrong ones.. but none of the ones I own don't vastly affect the highend or even overall sound of the audiomaterial. Good video.
very, very cool! never ever thought of that. didn't even know Melodyne could do that. on the other hand Celemony is too good not to have such a feature 🔥
Perfekt erklärt, bor allem sehr einfach un für jedermann verstöndlich, deshalb verstehe ich nicht, wieso schon gleich einer dabei ist, der den Daumen nach "unten" gibt, unglaublich in was für einer Welt wir leben. mach aber bitte weiter so. Als Produzent habe ich in all den Jahren selten so guteTutorials gesehen! Mit besten Grüßen, Horst Lemke, Musikproduzent, Germany
Thanks Rich for laying it all out so clearly. I just upgraded to Studio. Can't wait to give it the deep dive. My problem is that I'm a self-defined artist who uses Melodyne as well as other creative tools, specifically Logic and Final-Cut. This along with writing and performing, organizing etc. Not easy being me. Hard to track all the little details such as those in this video. Any quick tips? Thanks again so much!
Its litle bit difrent a have melodyne 4 Its work more fast by cut volume end low noise of sss c.To bad but melodyane dont have option for making vibrato.In cubase have this option pitch corect but in my version a dont have.thanks man eny way you video its good for learing..
Hi Rich. New Melodyne user here, just now watching your videos which are excellent. Very helpful. Question about de-essing: Do you find pop filters helpful to reduce the essing as the vocal is being recorded, or do medodyne's editing capabilities make pop filters unnecessary? Thank you. PS anyone else reading this comment who wants to answer, please go ahead. I know this vid is 2 years old, so Rich may not check in on comments on old videos
Pop filters won’t help much with sibilants. They are designed for plosives and everything that involves a lot of air touching the microphone’s capsule.
We recommend that you use Melodyne as the very first plug-in in your chain. Otherwise you would ‘bake’ the processing of any previous plug-ins into the audio that Melodyne gets to see. Also, some effects might blur the clarity that Melodyne needs for its note detection.
All Melodyne editions will detect sibilants and leave them alone when you tune or time-stretch a note. The Sibilant Balance Tool, however, is only available in Melodyne assistant, Melodyne editor, and Melodyne studio.
Problem is when melodyne interprets as "sibilants" what indeed is pitched sound. What to do then? How can we make melodyne reinterpret those parts as pitched sounds so we can tuned them properly?
Would be great if sibilants could remain separate when changing pitch of a connected note, as moving pitch often creates rather unpleasant artifacts on sibilants. As far as I know, at this point, the only way to get around this is to manually separate the sibilants, which takes too much time.
This is exactly how Melodyne 5 works! It automatically separates sibilants from the rest and only tunes the tonal parts. You don’t have to separate the sibilants manually. 🙂
@@celemony I have Melodyne 5 Studio, and I can honestly tell you that very often the sibilants have artefacts when moved in pitch, and I'm sure that those sibilants are recognised by Melodyne.
Sibilants are detected in all Melodyne editions and left alone when you tune a note. The Sibilant Balance tool is only available in Melodyne assistant, Melodyne editor, and Melodyne studio. Hope this helps.
The Sibilant Balance tool is only available in Melodyne assistant, Melodyne editor, and Melodyne studio. Do you perhaps happen to have Melodyne essential?
Make sure that ‘Options > Note Editor > Show Sibilants’ is enabled. Also, the tool is grayed out if you’re not working in Melodic algorithm. If this doesn’t help, please contact our Tech Support team for assistance: www.celemony.com/support
I have adhd and I cant believe how easy to follow this tutorial was for me, this needs to be studied, thank u so much
Does anyone else feel that Melodyne has made them a better singer? To me it's even more extreme, Melodyne basically made me a singer. I used to do comedy type music where I didn't really need to sing very well as that was part of the "charm" (at least that's what I told myself). Since Melodyne I now do pitch correcting when I am making my first draft demo and it teaches me how to sing my own song, in my own voice! By the time I do the final version and then go onstage I'm in tune.
I think for natural singers, people really "in their bodies", the practice and adjust till they get it right. For those of us who are more "up in our heads" (IE nerds) that process is more challenging and Melodyne is quite literally the best thing I've found to help me with that.
So thanks for a life changing program.
dude absolutely also autotune can also help with pitch awareness realtime
This guy is such a good presenter. Loved this thank you
Thank you for creating these tutorials. Please continue with this series.
Thanks Larry! We have more on the way!
An excellent tutorial from a brilliant teacher! Thanks, Rich!
Since I don't like to tune vocals and am too lazy to volumeautomate single words - because it should be in the performance and I'm not getting paid - melodyne is now officially my most expensive but also by far most transparent de-esser. It's incredible how bad de-essers actually are in comparison to this. Maybe I own the wrong ones.. but none of the ones I own don't vastly affect the highend or even overall sound of the audiomaterial.
Good video.
Fabulous as always, thanks
Thanks for watching!
very, very cool! never ever thought of that. didn't even know Melodyne could do that. on the other hand Celemony is too good not to have such a feature 🔥
Perfekt erklärt, bor allem sehr einfach un für jedermann verstöndlich, deshalb verstehe ich nicht, wieso schon gleich einer dabei ist, der den Daumen nach "unten" gibt, unglaublich in was für einer Welt wir leben. mach aber bitte weiter so. Als Produzent habe ich in all den Jahren selten so guteTutorials gesehen! Mit besten Grüßen, Horst Lemke, Musikproduzent, Germany
Viele Danke fur Google Translate...Meine Deutsch ist nicht so gut. Glad you are enjoying these Horst!
Hello Rich, very good german, wozu hat man Google Translate. Du machst das toll! Beste Grüße, Horst www.marabu-records.de
Great explanation of this feature in M5... thanks a ton!
I missed being taught by you, Rich. Great vid.
Perfectly explained! Thank you so much!
wow!! it helped me a lot thank you bro God bless you !!
I had no idea Tom Segura was also an audio engineer! Love it :)
Thanks Rich for laying it all out so clearly. I just upgraded to Studio. Can't wait to give it the deep dive. My problem is that I'm a self-defined artist who uses Melodyne as well as other creative tools, specifically Logic and Final-Cut. This along with writing and performing, organizing etc. Not easy being me. Hard to track all the little details such as those in this video. Any quick tips? Thanks again so much!
Our best answer would be: Take your time and feel free to come back to our videos whenever you need them. 🙂
dude your a savior
Spat out my tea moment at 5.48. :)
My Sibalance ballance tool is sometimes greyd out so I can not use it. What can be the cause of that?
Its litle bit difrent a have melodyne 4 Its work more fast by cut volume end low noise of sss c.To bad but melodyane dont have option for making vibrato.In cubase have this option pitch corect but in my version a dont have.thanks man eny way you video its good for learing..
Very helpful!!!!
Hi Rich. New Melodyne user here, just now watching your videos which are excellent. Very helpful. Question about de-essing: Do you find pop filters helpful to reduce the essing as the vocal is being recorded, or do medodyne's editing capabilities make pop filters unnecessary? Thank you.
PS anyone else reading this comment who wants to answer, please go ahead. I know this vid is 2 years old, so Rich may not check in on comments on old videos
Pop filters won’t help much with sibilants. They are designed for plosives and everything that involves a lot of air touching the microphone’s capsule.
@@pop_polizei thank you!
So can you pls tell us when we should use melodyne? Right after recording? Before or after eq comp etc? What is the best way to use it in mixing?
We recommend that you use Melodyne as the very first plug-in in your chain. Otherwise you would ‘bake’ the processing of any previous plug-ins into the audio that Melodyne gets to see. Also, some effects might blur the clarity that Melodyne needs for its note detection.
Hey Rick! Thank you for a great video! Why do I get a lisp-sound when I turn the S-sounds down??
This will happen with all sorts of de-essers and even with clip gain or volume automation if applied too heavily. Just don’t overdo it.
I just subscribed.😊
Are these functions available only for Melodyne Studio amd Editor or also for Assistant? I own the Essential and I guess I can't have it. Thanks
The Sibilant Balance tool is available in Melodyne assistant, editor, and studio.
Very informative
Thanks Pravind!
Is that a blue bong in the background? Lol
Can someone tell me how the sibilance control function of this plugin works compared to soothe 2?
We can’t speak for Soothe, but in Melodyne, you can edit each individual sibilant to your liking, or tweak as many as you like simultaneously.
Should I upgrade from essentials to handle something like this? Or could this be done from essentials? Thanks!
All Melodyne editions will detect sibilants and leave them alone when you tune or time-stretch a note. The Sibilant Balance Tool, however, is only available in Melodyne assistant, Melodyne editor, and Melodyne studio.
Problem is when melodyne interprets as "sibilants" what indeed is pitched sound. What to do then? How can we make melodyne reinterpret those parts as pitched sounds so we can tuned them properly?
Good question! It is answered here: ruclips.net/video/hJmGgcJVBQs/видео.html&si=F_0Bc7tIl3NgNV3O
Thank you! :-)
Would be great if sibilants could remain separate when changing pitch of a connected note, as moving pitch often creates rather unpleasant artifacts on sibilants. As far as I know, at this point, the only way to get around this is to manually separate the sibilants, which takes too much time.
This is exactly how Melodyne 5 works! It automatically separates sibilants from the rest and only tunes the tonal parts. You don’t have to separate the sibilants manually. 🙂
@@celemony I have Melodyne 5 Studio, and I can honestly tell you that very often the sibilants have artefacts when moved in pitch, and I'm sure that those sibilants are recognised by Melodyne.
separation notes dosent work in my Melodyne studio how do I fix it
Please contact our Tech Support team, they will be happy to help: www.celemony.com/support
Is sibilence de essing .featires included in assistant version? I bought essential 5 but I cant do it
Yes, it’s included in Melodyne assistant, but not in Melodyne essential.
No matter what I do, I can't click on the Sibilant Handling box. It remains grayed out. ;-(
The Sibilant Handling option is only available for melodic material. Perhaps you’re trying this on something else?
@@celemony OK. I will check. I wish I could hire one of you guys to give me private lessons. Do you offer that service?
Not private lessons. 🙂 But you could look for an IMSTA FESTA in your area where we often have Melodyne Master Classes.
Is this function available in all. versions?
Sibilants are detected in all Melodyne editions and left alone when you tune a note. The Sibilant Balance tool is only available in Melodyne assistant, Melodyne editor, and Melodyne studio. Hope this helps.
I cant gwet this tool to appear. How did you enable it?
The Sibilant Balance tool is only available in Melodyne assistant, Melodyne editor, and Melodyne studio. Do you perhaps happen to have Melodyne essential?
@@celemony Im on studio trial
Make sure that ‘Options > Note Editor > Show Sibilants’ is enabled. Also, the tool is grayed out if you’re not working in Melodic algorithm. If this doesn’t help, please contact our Tech Support team for assistance: www.celemony.com/support
I love you bro
Thanks! We're all in this together...now go share that knowledge with others.
Subtitles, Please....
Which language?
False, de-essers are the best for it, you probably haven't learned how to use it :)
There is not false. It is recommended to take care of sibilants by hand
Vsauce?
Rich looks and sounds quite a bit like the comedian Tom Segura