A musician and tutor who is pitch perfect and so in tune with what is needed to teach a complicated piece of software and make it so understandable. Melodyne, in your case, not needed! Thanks.
This series of videos by Rich Crescenti are ESSENTIAL Melodyne tutorials. Watch them all and you'll learn really essential stuff, as well as tricks you never thought of!
this is awesome. I learned so much from your series to better use Melodyne which is a great tool but there are so many subtleties. Thank you for the illumination!
Not fair!! You're showing everyone my tricks. It's OK though, you've showed me several I didn't know about as well. Seriously, you have a great style and I am glad to know about all your videos. Only three in and I already love them. Great work.
Great video series. Love my Melodyne Studio! This comes right when I was speculating, during a walk, about the possibility of applying this to some nice free strings sample libraries that have “long” notes, but not “legato” notes. What do you think, Celemony? I still have to try this, of course
Is there a rule of thumb for adjusting the formant? (for example if a note is adjusted X amount of semitones, then adjust the formant X amount of semitones.)
Hey Mary, if you experience these kind of artefacts, then very likely this isn’t a clean and dry recording. Any room ambience or mic spill might introduce artefacts in the melodic algorithm. Also, doublecheck Melodyne’s analysis in Note Assignment Mode before you start editing, and correct it if needed. Hope this helps.
When I right-click on a sustaining note with vibrato and point to "Note Separation Tool," the option to "Separate Notes as Trills" is grayed. I'm using the Studio 5 version. What is the trick to making this feature work?
In ARA, I don't have gold lines and the cursor doesn't change like you're demonstrating in this video. Also, in ARA, the TIME feature does nothing. Is there something I'm doing wrong, or are those features not implemented in ARA as of yet?
When u moved the note up but then the Formant down what is the reason to move the note up? And the formant down? Why not the note and formant both to the lower spot? Why separate them like that? At 4:30-5min
When I drag the formant bar in a note up or down, the gold line that represents transition between notes does not appear. I'm using the Studio 5 version. I see that it works for Rich. Can someone lend a hand and tell me what I am overlooking?
Why not trying to fix it with the help of Melodyne? If you decide to re-sing it, then Melodyne needs to analyze the vocals again. If you have further questions, please contact our Tech Support team, they will be happy to help: www.celemony.com/support
Hey Baran, actually Melodyne already supports ARA with M1 chips! You might have tried it with Logic which indeed doesn’t support ARA yet on the latest Macs. We’re all waiting for Apple to fix this in one of their updates.
The singer should be doing what is desired so there is a true performance with FEELING! This artificial performance sounds cold. Think about the live recordings on all the albums done by Led Zeppelin back in the days. They had all kinds of character with very deep feeling. There are so many examples that could be made from so many different kinds of music to show this from so many singers. I want the human feeling and character that comes from the heart!
These videos are so great at explaining the features of Melodyne. Thank you!
I agree that Rich's tutorials are great. But are you able to replicate what he does?
The most amazing episode of all so far. Thank you for giving us cool tips
A musician and tutor who is pitch perfect and so in tune with what is needed to teach a complicated piece of software and make it so understandable. Melodyne, in your case, not needed! Thanks.
You are an excellent teacher!
Thank you for your lesson ☺️
Love the way when he say "and you get" hahah such an expectation moment hahaha thanks for the tutorial
This series of videos by Rich Crescenti are ESSENTIAL Melodyne tutorials. Watch them all and you'll learn really essential stuff, as well as tricks you never thought of!
Very impressive lesson. Learned a lot, thank you!!
this is awesome. I learned so much from your series to better use Melodyne which is a great tool but there are so many subtleties. Thank you for the illumination!
the restore feature is a life saver, brilliant idea.
Just upgraded to 5 - these are awesome videos thanks, Rich !!!
Excellent videos, please do more
Great video 🙏
Much respect! Thank you! You are an amazing teacher!
Amazing explanation. A pleasure to watch.. Thank you
Gotta love Rich!
Respect!!! Hats off. Thank you very much, great tips.
Excellent. Thank you.
Not fair!! You're showing everyone my tricks. It's OK though, you've showed me several I didn't know about as well. Seriously, you have a great style and I am glad to know about all your videos. Only three in and I already love them. Great work.
Wow man what a great video thank you!! Extremely helpful!! 🔥🔥🔥🔥🔥
Excellent, thanks for watching!
Thank You !
Thank you for these great tips! ✌🏽💜🎵
This is best soft on the planet!!! :)
Very informative. Thank you so much!
Well done. Tight and full of info. Thanks very much.
7:21 Celemony literally showing us the bugs xD hahaha
Amazing product, and really helpful video, thank you for both!!
very great teaching
Really helps, a lot! Thank you!
Genius. Thanks 👍🏼
Very helpful, thanks!
That's magic tool. I impressed 👍
AMAZING!! THANK U SM
Thank you!!!!!
This is very helpful. Keep sharing man.
Very great auto ! Thx
Klasse gemacht, wie immer, sehr verständlich, sehr gute Hörbeispiele, das macht richtig Spaß! Beste Grüße, Horst Lemke, Musikproduzent, Germany
Great video series. Love my Melodyne Studio! This comes right when I was speculating, during a walk, about the possibility of applying this to some nice free strings sample libraries that have “long” notes, but not “legato” notes. What do you think, Celemony? I still have to try this, of course
Thank you! These vids are just an excellent tool in themselves! BTW... another vid on editing out the siren?!😁.
Thanks for this video. Its very helpful. One extra thing i'd like to know is, how do you slow down vibrato on a vocal track?
There’s currently no dedicated vibrato speed tool in Melodyne, we’re afraid.
@@celemony This would be great feature. Hopefully they may consider adding this feature in the near future.
Great
Hello Ankl its me AZZA Thank you so much for best lessons and if you teach us how to make (Vibrato and Creshendo)
Hi Celemony are all the transitions in the Assistant version?
Yes, they are. 🙂
Is there a rule of thumb for adjusting the formant? (for example if a note is adjusted X amount of semitones, then adjust the formant X amount of semitones.)
Melodyne already comes with automatic formant correction, so you don’t need to do any math. 😉
Great videos, thank you. Is there one which deals with a vocal track which becomes distorted after pitch correction?
Hey Mary, if you experience these kind of artefacts, then very likely this isn’t a clean and dry recording. Any room ambience or mic spill might introduce artefacts in the melodic algorithm. Also, doublecheck Melodyne’s analysis in Note Assignment Mode before you start editing, and correct it if needed. Hope this helps.
When I right-click on a sustaining note with vibrato and point to "Note Separation Tool," the option to "Separate Notes as Trills" is grayed. I'm using the Studio 5 version. What is the trick to making this feature work?
Hello, could you please contact our support team? They will be happy to help. See here: www.celemony.com/support
In ARA, I don't have gold lines and the cursor doesn't change like you're demonstrating in this video. Also, in ARA, the TIME feature does nothing. Is there something I'm doing wrong, or are those features not implemented in ARA as of yet?
Please feel free to contact our Tech Support, they will be happy to help: www.celemony.com/support
When u moved the note up but then the Formant down what is the reason to move the note up? And the formant down? Why not the note and formant both to the lower spot? Why separate them like that? At 4:30-5min
Moving the note up (or down) will change the pitch, shifting the formants will change the overtone spectrum.
When I drag the formant bar in a note up or down, the gold line that represents transition between notes does not appear. I'm using the Studio 5 version. I see that it works for Rich. Can someone lend a hand and tell me what I am overlooking?
The Pitch Transition lines only appear when you have the Pitch tool selected. This is what Rich explains around 3:43. Does this help?
@@celemony Thank you for responding. Closing and re-opening the file solved the issue.
Once Melodyne has been added to the vocal, can you re-sing a line that needs fixing? If so, how is this accomplished?
Why not trying to fix it with the help of Melodyne? If you decide to re-sing it, then Melodyne needs to analyze the vocals again. If you have further questions, please contact our Tech Support team, they will be happy to help: www.celemony.com/support
How do you add transition line if there isn't one in between 2 notes?
Hello, could you please contact our Tech Support team for this? See here: www.celemony.com/support
This is completely out of context but when will Melodyne release an update to make ARA compatible with M1 chips!?
Hey Baran, actually Melodyne already supports ARA with M1 chips! You might have tried it with Logic which indeed doesn’t support ARA yet on the latest Macs. We’re all waiting for Apple to fix this in one of their updates.
shout out to tom sequra for these melodyne tricks
not the police in 7:54 😭
Im not seeing gold Tansition Bars in M5 Editor
Sorry to hear that you have a problem with Melodyne. Please contact our support: celemony.com/support - Thx!
Why the fuck can't I get that context menu anywhere when I right click
Please feel free to contact our Tech Support, they will be happy to help. See here: www.celemony.com/support
The singer should be doing what is desired so there is a true performance with FEELING! This artificial performance sounds cold. Think about the live recordings on all the albums done by Led Zeppelin back in the days. They had all kinds of character with very deep feeling. There are so many examples that could be made from so many different kinds of music to show this from so many singers. I want the human feeling and character that comes from the heart!