4 Levels of Jazz Guitar Chord Extensions (II79 - bII9 - Vb13 - Imaj79)
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- Опубликовано: 9 июл 2024
- How to work ob chord extensions? We'll go over 4 easy ways and colors to explore with guitar. PDF with TAB & Notation is on Patreon: www.patreon.com/user?u=346042...
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This video is excellent. I can’t believe how much gold is presented in only 13 minutes. You’re a fantastic teacher. Thank you!
Rotem……you play literally the lushest, prettiest chords in just the perfect order. Thank you for blessing our ears
you made complex things very simple and concise..
wish I could have taken a physical lesson from you..
Thanks a lot
I'm not how this dude keep amazing me with how good he is at teaching.
Your love of chords is infectious, Rotem. Beautiful stuff!
I can't believe that I followed that!! I think I've been watching you long enough now that I understand these chords and chord sequences. Really beautiful sounds.
Thank you...those keys are so beautiful
There's a lot of good players out there, but for me personally, I NEED/WANT a great teacher!! Thanks for being a GREAT TEACHER!! (Oh, and a fantastic player also!!)
Really helpful. Thanks, Rotem.
Man!!!! Just what I was searching for.
THANK YOU 🙌
As always, concise and focused content, with a beautiful flair of creativity, thanks
great video. that maj9 has been my new favorite chord shape lately so its really nice and helpful to see it being used in the context of a 2-5-1.
מדהים כל הכבוד!
WONDERFUL SOUND to explore. Thanks 🙏
Loved the lesson Rotem, thank you!
That’s genius man. I’ve learned a lot already and I’m only 7 mins in
I appreciate you man ❤️
Great lesson!! Love your playing
Very clear and concise video, deff changed my guitar playing
אין עלייך ❤️
Großartig erklärt ,super Sound ,danke.Grüße aus Germany.
great video and content on your channel!
Thank you!
Okay. Good stuff. Thanks!
Great ideas and nice presentation. It starts with the fact that you play really slow. Too many guys don´t realize that their slow is fast :-)
...hard to transfer these to known tunes... but, that's the way to get new experience.
Thanks for sharing.
Great! 🤙
Subscribed and Liked. Ty
Great bideo as always. I really enjoy these little snacks of information.
Since i watch your videos, i think i've really become a better musician in a way. I start understanding chords more and more. I already know (by ear sound and position) my chords with the different inversions thanks to your video about the Fmajor7 / Min7 / Dom and Dim shapes!
But im still struggeling with the memorizing of where in which inversion the root, 3 and 5 are... Would make it even easier to know where my 9, 13 or 11 are in a chord.
super nice
Shouldn't the g13 have the middle finger on the d string of the 3rd fret? The diagram shows it on the 4th fret
Yes, you are correct. I'm pretty sure that is what Rotem is playing too in the video. If you play the 4th fret on the d string, you are playing the major 7th instead of the dominant 7th.
true
Hi Rotem! Love your channel and subscribed to you on Patreon. I was wondering what settings you use for your earthquaker avalanche? I bought one after you said you used one. You got such a luscious sound on your chords! Is there anyway you could share that information or do a quick video about it? Many thanks. I am new to pedals!
Súper
Very nice, thanks! One point which is not clear to me, and I have listened to it several times. In the early example with G7 9, the fingering shown in the tab is in fact for G maj 7 9. But Rotem is definitely playing a G7 9 and a G maj 7 as a dominant V chord would be quite weird. Am I missing something? Thx.
Great video Thank You! Subscribed :) . . (is the tab off on the G7 13-? should the 4 on the D string be noted as a 3 instead? For a flat 7)
Can you explain the inversions that were being used in 6:31 to :35?
Nice videos.
Where do you live or in what country?
So nice these instructional videos.
hi rotem, when you do the bII9, you are introducing a borrowed chord from C phrygian (G# ionian) ? or is it just a chromaticism? thanks for the video, it was very helpful!
Shalom Rotem! I thank you so much for the contents and the way you explain music. Helps me a lott!
I have a Question. Wenn you play the G713 Chord, do you play the chord different that what the tabs on the screen say?
What note do you play on the D-String? I dont hear the F#...and honestly, when i play the F# like the tabs, it sound not like you and so nice as if i play the F...
Please help me out! (Same "Problem" when the same pattern kicks in at F713) Thanx a lot man!Greetings from Germany
I agree. Shouldn’t it be the F & not the F# as it’s a G7?
You made a mistake in the sheet music at 1:50 on the G13 chord. It should be an F-natural and a fret 3 on the 4th string. Great video tho.
hi rotem!
when are gonna reveal the giveaway winner?
What's the theory behind this?
I noticed that when I do a ii V I progression with a iim9 - V13 - bII9 - IM9, adding a vm9 and a VI7 at the end sounds pretty cool even when they are technically off key. How is it that the vm7 and VI7 come together so nicely?
For example:
Eminor9 [iim9],
A13 [V13],
Eb9 [bII9],
DMajor9 [IM9],
A minor 9 [vm9],
and BV7 [VI7]
I think that vm9 is a substitute for the ii half diminished. If you think about it like this, A minor 9 (A C E G B) and F# half diminished (F# A C E) both contain the same three notes (ACE) so that gives you the option for substitution. In other words, you decided that instead of playing the normal minor 2 5 1 in E minor: F#halfdim - B7 - Em9, you substituted the F#halfdim with A minor 9, which is actually in terms of the key of E minor, the subdominant. Hope this helps!
👌👍👍👍👍
love your lessons and playing style.
what has happened to your guitar?
Hmmmm..
Chords
🥰
whats up
All good! You?