@@OrdinaryFilmmaker as someone who shoots with those same 3 lenses across my 90d, C100 MK II, and my EOS R since the 4K crops in to about that sensor size. They are all pretty amazing. The Tokina is a bit loud but I rarely use in camera audio for my projects. I tend to use the scratch audio from the cameras for audio syncing my multicam shots. The 18-35 sigma pretty much lives on my 90d since I can use electronic stabilization and the canon 17-55 lives on my C100 since it has optical stabilization. Optical quality is great. The Tokina adapted to the EOS R putting it out to the Ninja V creates great video. And all lenses are great for stills as well. All fairly well corrected with not to much in the way of distortion. Chromatic aberration on the 17-55 is a bit more than I’d like but passable. All in all great stuff.
@@OrdinaryFilmmaker They're great for both video and stills! The Canon 17-55mm gets the most use because of the versatile zoom range and stabilization. I use the Sigma 18-35mm as my dedicated studio/gimbal lens since it doesn't have stabilization and it produces beautiful bokeh. I got the Tokina 11-20mm because I wanted something with better image quality and low light performance than the Canon 10-18mm I had at the time. I was worried about the lack of stabilization and loud autofocus, but the wide angle and weight of the camera combined makes for a reasonably stable image, and the autofocus noise isn't as bothersome as I anticipated. It's only problematic when moving back or forth slowly when you're very close to your subject, and it's not a problem at all when capturing audio externally. I'm considering getting a 50mm that's at least f/1.4 for portrait photography since I'm starting to do more of that.
Hi Joey I just picked up the Canon 90d and I am hearing some things that make me worry a little I was using the Canon SL2 and the 24mm STM and the 50mm STM and the Sigma 18-300 alot of people say that you have to use the best Len's with the Canon 90d will my Len's work to the best of your knowledge?
@@dougdavis5808 The reason people say that is because the 90D's senor has a very high pixel density and can bring out flaws in certain lenses. If you want razor sharp pictures and like to pixel peep then only use the sharpest lenses. Take some pictures/videos with your lenses and if you're satisfied with the results then don't overthink it. I've had both the 24mm and 50mm at one point and they served me well. I also started on an SL2. If you liked that camera then you'll love the 90D!
Thank you for the video. I'm a hobbyist wildlife photographer and bought the 90D two days ago for this purpose only. I have other Canon bodies for other purposes. I'm going to use it with Canon EF super telephoto lenses and expect excellent results. I use 1DIV and 7D regularly for wildlife shooting however, bought the 90D for the extra resolution to help in cropping. It also does AF at f/8 with extenders which is another benefit. Its burst of 10 frames per second is a welcome change in a semi-pro body. You are right that Canon EF 100-400mm L IS telephoto zoom lens is great. Especially, version II is excellent optically, weather sealing and close focusing wise. It also autofocuses with 90D on 27 points when paired with EF 1.4x III extender. Video is not my cup of tea. However, when I do feel like recording few short casual clips; I use a Sony HDR Handycam which I find more reliable than DSLRs or MILCs that are primarily still photography cameras.
Just purchased my first ever camera, the 90D with the 18-135 USM lens kit (special order since it's a older unit, i collect it this month) and I'm looking forward to starting a new hobby with it. Thanks for the video it was very informative and i'm happy the lens i'm getting is a good all rounder.
If you are just getting started in photography like I am, you won't be lacking in features and quality. I had purchased that lens before the 90D, and it performs really well on that camera.
We like to talk about the latest and greatest on this channel, but at the end of the day, there's a big difference between wants and needs. I'm still shooting with the 70D ;)
You can adjust the focal length on a zoom lens to compensate. If I do decide to get a used full frame, I will go bang for the buck with a Canon 5D MK IV.
From what I have researched, the Canon EF 24-70mm f/2.8 USM (L) II is the very best for the 90D. I’m saving up for one myself. I use my 90D more so for video now and photos with my 5D MKIV.
I have the 18-135 USM (purchased used) also, and it's about as good a general-purpose lens as I can imagine. The EF-S 10-18 is nice to get crazy wide stuff, and I like the nifty fifty as well, but to avoid changing lenses on my T6i I can't beat the 18-135. Sometimes I wish it were longer, but I'll save that fight for when I get an R6 and start moving to RF lenses.
After using the 18-135 for a while, I said there has to be other lenses to try. I did, I talked abut them in the video, but for most of the time, I just kept the 18-135 on. I found it that good. I still look back and am impressed with he quality it afforded.
I just received the 90D canon and I have a 50mm 1.4 USM the photos are never very sharp and yet it works well on the 6D Mark 2 or the T8i canon, if it is not mentioned it is because it is not recommended!!!
hi there...I use mostly a Sigma 18-35mm f1.8 with my Canon 90D but I also use the 18-135mm STM lens when I need more reach but it's not good in low light...is there a Zoom lens for the Canon 90D with a constant F2.8 aperture that is good for video? a 18-100mm f2.8 would be a dream but I haven't seen anything like that...18-55mm is too short I think...thanks!
I always like the 18-135 USM, one of the best EF-S lenses out there almost approaching L series. With the 90D being a high end camera, and the last DSLR in that series, I recommend Turing to EF glass. Lots of great lenses there and they can easily migrate to the RF mount later. You might look at some primes: 50mm, 35mm for example.
@@OrdinaryFilmmaker hey...hmmm....that USM lens doesn't have a constant aperture...same as my STM lens...I would prefer a zoom lens with a f2.8 or better...thanks for the help
No it doesn't. For an EF-S it is very good, but that's why I recommend going to EF for the fixed aperture and better sharpness ;) That EF 35mm looks very appealing, but still very expensive.
Hello there, I like to use Tamron 150-600mm g2 with 90D. Should I expect fabulous results from that combo? Pls. share your recommendations on such. Have a nice Day :)
i have the canon 80d i have the 16-35 and the 50mm but i'm going to buy the 55-250 and the 15-85 and maybe the 18-35 sigma art lens and when i go to full frame i will get the 24-105 and be alright with that
Great video, but I would like to ask you what would you recommend between 18-135 (here presented) or canon 17-55mm 2.8 USM? Few days ago I finally upgraded my 450D (LOL) with Canon 90D and have two old lenses 28-135 IS and 50mm 1.8, but as I have learned they are not the best options for 90D due to crop factor and its MP. I would like to have a lens that can perform good also in low light situations, and that is why I am leaning towards 17-55m... How good (bad) is 18-135mm in low light (dimmed rooms, concerts etc)?
You could get by on 17-55, but you have little zoom capabilities. I find 100mm is far enough, but 55 isn't enough for general purpose. Have you considered the EF 24-105 II. IT'S NOT VERY NARROW, but will migrate over to the RF mount. I still think the 18-135 is very well suited for the 90D... but think roadmap.
@@OrdinaryFilmmaker Yes I was also considering 24-105 but again due to crop factor I have abandoned this possibility. Anyhow thanks a lot for advice, I am also afraid that 55 is to low..
Welcome I have a Canon 90D and an 18.135 lens and I am thinking of buying a new lens and I am confused between the 70.200 lens and the 24.70 lens. I need advice based on your experience
At a high level, the R7... for video, the R7 is a clear winner. For stills, you get faster continuous shooting. The buffer fills quickly, but when you need the fast rate, you've got it. The 90D is slower, but will shoot for longer before filling up...
@@OrdinaryFilmmaker I am searching for the most realistic colors and image quality, the r10 has Iso problem the lens under the kg require an high iso to have a clear and realistic image . On paper r7 and d90 look identical for quality but are 2 totally different cameras . On aps-c does the canon 70-300 II reach zoom x38?
I do not buy ef-s lenses. I use FFrames and is a waste to buy cropt format lenses if in the present or future wants to get a 24x36mm ...im pro but... L pro line lenses are more important than the camera itself. Only a w.angl might be useful but the rest youd better buy ef.
I apologize. I have the 80D with the kit 18-135 USM. IM CONFUSED. r u saying there are two different 18-135 USM lenses made by Canon. How do I know which lens I have. Txs. Appreciate your video.
I've had all three. Canon does not have two different USM 18-135, but they made a change from the first release of the lens to the current one. The first one had a very loud focus motor, the later version didn't. I don't know when this happened or what serial number, but they definitely made a change that is important to video shooters. It's why I went to the STM version over the USM, but the USM is sharper.
Hi, I had purchased the RF 50 mm 1.8 lens for my Canon 90 D camera and found it didn’t fit, so I had to switch it the EF lens? I’m very new to the photography world and still learning about lenses for the kind of photography I want to shoot. Great video and very informative. Thanks
Of course it is. I didn't want to get into the crop factor to confuse people. It is still recommended. It produces great results and it is still fun, but doesn't fully com into its own until one moves to FF. Think long term ;)
@@TVe200 The technical definition of a standard lens is one whose focal length roughly matches the diagonal or the film or image sensor. For a standard full-frame 35mm camera this gives a focal length of around 43mm. So for an Canon APSC, the closest lens to standard FOV is the 28mm (28x1.6=44.8mm) 28mm f1.8 USM or f2.8 USM are available There is also a 28mm f2.8 IS USM (image stabilised) (35mm versions are too expensive)
What would anyone recommend for high school basketball? I’m using the 90d with the ol faithful nifty fifty f1.8. All suggestions are appreciated. I know most people say the 70-200 f2.8 but I’m concerned about the crop factor and the 2.8 f stop not being wide enough.
100%. Just because a lens is good for photography does not mean it is also good for videography. The most common issue are associated with how the aperture motors function. Many older lenses have noisy apertures, which the mirror slap of a DSLR drowns out. One bad/good example is the EF 24-105mm f/4L IS USM. Many lenses have apertures that move in discrete steps, just like the clicks on an aperture ring. There is [no] smooth continuous aperture control from one setting to another.
Very true. The 18-135 is an example of three different varieties. A lot of older EF lenses do have loud motors, but this is only an issue for run and gun or with attached pics. Even the rf 50mm motor is too loud for an attached mic if you can believe it.
Good content canon lenses are very interesting. That 16mm RF you mentioned is almost enough to make me migrate to canon. Any rumors on when the R m ii might come out ?
The R6 is the EOS R II Supreme. There are two more cameras due out below it. The Rp replacement for $899 and a camera sitting between the R6 and the RP replacement - An EOS R lite so to speak ;)
@@OrdinaryFilmmaker I use efs trilogy 10 to 250mm plus some prime EF lenses on a 800D, as an amateur I am very happy with it. I may never go full frame I don’t feel the need to.
Tokina 14-20 F2 = Win... I've yet to find anything FOR the 90d specifically that beats it for astro... but... I am keeping my eyes open... Wish we could have a 14mm prime F1.4 specifically for aps-c but it's not going to happen... Yes I'm aware Sigma has some offerings, but they are expensive and looking at tons of reviews, seriously WTF is up with their quality control!? My Tokina only ran $320 last summer on sale... Gives my R5 + 15-35 F2.8 a serious run for the money, SO MUCH SO, I am likely going to sell the R5!! (Oh Noooooo!!!!)....
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The lenses I use with my 90D are the Canon 17-55mm f/2.8, the Sigma 18-35mm f/1.8, and the Tokina 11-20mm f/2.8. I highly recommend all of them.
How are they for video and stills?
@@OrdinaryFilmmaker as someone who shoots with those same 3 lenses across my 90d, C100 MK II, and my EOS R since the 4K crops in to about that sensor size. They are all pretty amazing. The Tokina is a bit loud but I rarely use in camera audio for my projects. I tend to use the scratch audio from the cameras for audio syncing my multicam shots. The 18-35 sigma pretty much lives on my 90d since I can use electronic stabilization and the canon 17-55 lives on my C100 since it has optical stabilization. Optical quality is great. The Tokina adapted to the EOS R putting it out to the Ninja V creates great video. And all lenses are great for stills as well. All fairly well corrected with not to much in the way of distortion. Chromatic aberration on the 17-55 is a bit more than I’d like but passable. All in all great stuff.
@@OrdinaryFilmmaker They're great for both video and stills! The Canon 17-55mm gets the most use because of the versatile zoom range and stabilization. I use the Sigma 18-35mm as my dedicated studio/gimbal lens since it doesn't have stabilization and it produces beautiful bokeh. I got the Tokina 11-20mm because I wanted something with better image quality and low light performance than the Canon 10-18mm I had at the time. I was worried about the lack of stabilization and loud autofocus, but the wide angle and weight of the camera combined makes for a reasonably stable image, and the autofocus noise isn't as bothersome as I anticipated. It's only problematic when moving back or forth slowly when you're very close to your subject, and it's not a problem at all when capturing audio externally. I'm considering getting a 50mm that's at least f/1.4 for portrait photography since I'm starting to do more of that.
Hi Joey I just picked up the Canon 90d and I am hearing some things that make me worry a little I was using the Canon SL2 and the 24mm STM and the 50mm STM and the Sigma 18-300 alot of people say that you have to use the best Len's with the Canon 90d will my Len's work to the best of your knowledge?
@@dougdavis5808 The reason people say that is because the 90D's senor has a very high pixel density and can bring out flaws in certain lenses. If you want razor sharp pictures and like to pixel peep then only use the sharpest lenses. Take some pictures/videos with your lenses and if you're satisfied with the results then don't overthink it. I've had both the 24mm and 50mm at one point and they served me well. I also started on an SL2. If you liked that camera then you'll love the 90D!
Thank you for the video.
I'm a hobbyist wildlife photographer and bought the 90D two days ago for this purpose only. I have other Canon bodies for other purposes. I'm going to use it with Canon EF super telephoto lenses and expect excellent results. I use 1DIV and 7D regularly for wildlife shooting however, bought the 90D for the extra resolution to help in cropping. It also does AF at f/8 with extenders which is another benefit. Its burst of 10 frames per second is a welcome change in a semi-pro body.
You are right that Canon EF 100-400mm L IS telephoto zoom lens is great. Especially, version II is excellent optically, weather sealing and close focusing wise. It also autofocuses with 90D on 27 points when paired with EF 1.4x III extender.
Video is not my cup of tea. However, when I do feel like recording few short casual clips; I use a Sony HDR Handycam which I find more reliable than DSLRs or MILCs that are primarily still photography cameras.
Just purchased my first ever camera, the 90D with the 18-135 USM lens kit (special order since it's a older unit, i collect it this month) and I'm looking forward to starting a new hobby with it. Thanks for the video it was very informative and i'm happy the lens i'm getting is a good all rounder.
If you are just getting started in photography like I am, you won't be lacking in features and quality. I had purchased that lens before the 90D, and it performs really well on that camera.
When you said I don't need anything else, I actually felt better. Thank you! 2024
We like to talk about the latest and greatest on this channel, but at the end of the day, there's a big difference between wants and needs. I'm still shooting with the 70D ;)
Don’t forget the 1.6 crop factor on the 80 and 90D. That 50mm becomes an 80 mm.
Never forgotten. It works well with APS-C, but comes into its own on a full frame camera
You can adjust the focal length on a zoom lens to compensate. If I do decide to get a used full frame, I will go bang for the buck with a Canon 5D MK IV.
From what I have researched, the Canon EF 24-70mm f/2.8 USM (L) II is the very best for the 90D. I’m saving up for one myself. I use my 90D more so for video now and photos with my 5D MKIV.
I have the 18-135 USM (purchased used) also, and it's about as good a general-purpose lens as I can imagine. The EF-S 10-18 is nice to get crazy wide stuff, and I like the nifty fifty as well, but to avoid changing lenses on my T6i I can't beat the 18-135. Sometimes I wish it were longer, but I'll save that fight for when I get an R6 and start moving to RF lenses.
After using the 18-135 for a while, I said there has to be other lenses to try. I did, I talked abut them in the video, but for most of the time, I just kept the 18-135 on. I found it that good. I still look back and am impressed with he quality it afforded.
For some reason I like the way the 18-135 looks I always find myself using it for run and gun situations
Thanks for the info moving from a bridge camera to a DSLR so info is very helpful.
Great video 👍 keep them coming
Will do Ber. Thanks for watching.
I just received the 90D canon and I have a 50mm 1.4 USM the photos are never very sharp and yet it works well on the 6D Mark 2 or the T8i canon, if it is not mentioned it is because it is not recommended!!!
The EF 35mm f/2 IS USM is an excellent lens for photography and videography.
How is that lens in video autofocus and more importantly is the focus noise loud?
@@RockyColaFizz Silent, fast AF, with smooth continuous aperture control. I highly recommend it for people on a budget, but want top tier performance.
@@thesharpercoder Thx for the info. I heard video autofocus noise was loud. I appreciate your telling me its good to use for video.
hi there...I use mostly a Sigma 18-35mm f1.8 with my Canon 90D but I also use the 18-135mm STM lens when I need more reach but it's not good in low light...is there a Zoom lens for the Canon 90D with a constant F2.8 aperture that is good for video? a 18-100mm f2.8 would be a dream but I haven't seen anything like that...18-55mm is too short I think...thanks!
I always like the 18-135 USM, one of the best EF-S lenses out there almost approaching L series. With the 90D being a high end camera, and the last DSLR in that series, I recommend Turing to EF glass. Lots of great lenses there and they can easily migrate to the RF mount later. You might look at some primes: 50mm, 35mm for example.
@@OrdinaryFilmmaker hey...hmmm....that USM lens doesn't have a constant aperture...same as my STM lens...I would prefer a zoom lens with a f2.8 or better...thanks for the help
No it doesn't. For an EF-S it is very good, but that's why I recommend going to EF for the fixed aperture and better sharpness ;) That EF 35mm looks very appealing, but still very expensive.
Hello there, I like to use Tamron 150-600mm g2 with 90D.
Should I expect fabulous results from that combo?
Pls. share your recommendations on such.
Have a nice Day :)
I still
Have my 18-135 Efs,, lens thy came with my rebel 4ti. Is the only difference the “usm” and stm motor ?? Any difference in the glass ?
There were two versions of the USM, one was quiet and the early one was not. The STM is quiet, but the image quality isn't as good as the USM.
i have the canon 80d i have the 16-35 and the 50mm but i'm going to buy the 55-250 and the 15-85 and maybe the 18-35 sigma art lens and when i go to full frame i will get the 24-105 and be alright with that
Can you tell me which lens is good for portrait photography and videography for 90D
Appreciate in advance
The EF 50mm f1.2 is great, but the 1.6 crop makes ut feel more like 85mm. The EF 35mm f/1.4 is my top pick.
@@OrdinaryFilmmaker Thanks again
15 - 85 mm EFS 👌
Great video, but I would like to ask you what would you recommend between 18-135 (here presented) or canon 17-55mm 2.8 USM? Few days ago I finally upgraded my 450D (LOL) with Canon 90D and have two old lenses 28-135 IS and 50mm 1.8, but as I have learned they are not the best options for 90D due to crop factor and its MP. I would like to have a lens that can perform good also in low light situations, and that is why I am leaning towards 17-55m... How good (bad) is 18-135mm in low light (dimmed rooms, concerts etc)?
You could get by on 17-55, but you have little zoom capabilities. I find 100mm is far enough, but 55 isn't enough for general purpose. Have you considered the EF 24-105 II. IT'S NOT VERY NARROW, but will migrate over to the RF mount. I still think the 18-135 is very well suited for the 90D... but think roadmap.
@@OrdinaryFilmmaker Yes I was also considering 24-105 but again due to crop factor I have abandoned this possibility. Anyhow thanks a lot for advice, I am also afraid that 55 is to low..
Welcome
I have a Canon 90D and an 18.135 lens and I am thinking of buying a new lens and I am confused between the 70.200 lens and the 24.70 lens. I need advice based on your experience
For wildlife photography wich would you recommend between Canon r7 with kit or Canon 90d with Canon 70-300 mm II 🤔?
At a high level, the R7... for video, the R7 is a clear winner. For stills, you get faster continuous shooting. The buffer fills quickly, but when you need the fast rate, you've got it. The 90D is slower, but will shoot for longer before filling up...
@@OrdinaryFilmmaker I am searching for the most realistic colors and image quality, the r10 has Iso problem the lens under the kg require an high iso to have a clear and realistic image .
On paper r7 and d90 look identical for quality but are 2 totally different cameras . On aps-c does the canon 70-300 II reach zoom x38?
I haven't had either of these cameras yet. I'm waiting for firmware updates to correct initial bugs.
I do not buy ef-s lenses. I use FFrames and is a waste to buy cropt format lenses if in the present or future wants to get a 24x36mm ...im pro but... L pro line lenses are more important than the camera itself. Only a w.angl might be useful but the rest youd better buy ef.
I apologize. I have the 80D with the kit 18-135 USM. IM CONFUSED. r u saying there are two different 18-135 USM lenses made by Canon. How do I know which lens I have. Txs. Appreciate your video.
I've had all three. Canon does not have two different USM 18-135, but they made a change from the first release of the lens to the current one. The first one had a very loud focus motor, the later version didn't. I don't know when this happened or what serial number, but they definitely made a change that is important to video shooters. It's why I went to the STM version over the USM, but the USM is sharper.
i have nikon d3300 , i need to photograph & videograph [ cars , ppl , machines ] in night & day ,, what lenses should i buy please bro ?
Hi, I had purchased the RF 50 mm 1.8 lens for my Canon 90 D camera and found it didn’t fit, so I had to switch it the EF lens? I’m very new to the photography world and still learning about lenses for the kind of photography I want to shoot. Great video and very informative. Thanks
Thanks for the great content. It's very useful to me as I'm a new 90d user.
Bonjour
Que pensez-vous de l objectif 24 70 II sur le 90d ?
Merciii
Well, its not a 24-70 on the 90D, its more of a 39-112. That gives you different optics.
@@OrdinaryFilmmaker merci
400mm f5.6 non-IS or 300mm f4 are bang for your buck! Old is gold, they say 😄
Yep. Some real good stuff there.
50 mm on full frame and 50 mm on Canon APS-C is something very different. 80 mm is very tight.
Of course it is. I didn't want to get into the crop factor to confuse people. It is still recommended. It produces great results and it is still fun, but doesn't fully com into its own until one moves to FF. Think long term ;)
@@OrdinaryFilmmaker Sure, some say everybody should own a 50 mm prime, on crop cameras (witch most people own) they should have a 35 mm prime then 😏
@@TVe200 The technical definition of a standard lens is one whose focal length roughly matches the diagonal or the film or image sensor. For a standard full-frame 35mm camera this gives a focal length of around 43mm.
So for an Canon APSC, the closest lens to standard FOV is the 28mm (28x1.6=44.8mm)
28mm f1.8 USM or f2.8 USM are available
There is also a 28mm f2.8 IS USM (image stabilised)
(35mm versions are too expensive)
What would anyone recommend for high school basketball? I’m using the 90d with the ol faithful nifty fifty f1.8.
All suggestions are appreciated. I know most people say the 70-200 f2.8 but I’m concerned about the crop factor and the 2.8 f stop not being wide enough.
100%. Just because a lens is good for photography does not mean it is also good for videography. The most common issue are associated with how the aperture motors function.
Many older lenses have noisy apertures, which the mirror slap of a DSLR drowns out. One bad/good example is the EF 24-105mm f/4L IS USM.
Many lenses have apertures that move in discrete steps, just like the clicks on an aperture ring. There is [no] smooth continuous aperture control from one setting to another.
Very true. The 18-135 is an example of three different varieties. A lot of older EF lenses do have loud motors, but this is only an issue for run and gun or with attached pics. Even the rf 50mm motor is too loud for an attached mic if you can believe it.
I find out my Canon T3i get sharper photos than my canon 90D, my lenses are the canon nifty fifty, canon 18-55mm and canon Ultrasonic 28-200mm
i want a good flash for my canon 80d can you tell me which one would be a good to get and i don't want to go broke buying one
thinking in buying the TS 17mm Canon for my 90D but would need adaptor right?
Interesting you found the 18-135 STM softer than the newer USM as they both have identical optics.
There's a noticeable difference in quality from the STM over the first USM.
Great video, thank you
Glad you liked it. Thanks for watching.
I have the 18/135 and a brand new 70/200 mark 3
I've yet to play around with the 70-200... Not sure why!
@@OrdinaryFilmmaker The ultimate shooters lens IMO , had the Nikon , now the Canon , which I hear is better .
Haven’t used it yet
Both offer good lenses, good enough to get the job done, but any improvements are always welcome
Great vid!
Thank you
10 18 lensin var güzel video fotoğraf için hangi lensi almalıyım
Have you heard about the Canon 99 error caused by a lens?
No sir, just err 77
What about sigma 14-1.8
Great video and I learnt a lot. A lot of my friends are suggesting I purchase a RF 24-105mm f/4L for my 90D. What are your thoughts on this choice?
How can we use an rf lens on 90d
sigma 18-35 mm? where is it?best lens for video as price and what can offer ..ever made on budget
his video was recorded some time ago ;)
Good content canon lenses are very interesting. That 16mm RF you mentioned is almost enough to make me migrate to canon. Any rumors on when the R m ii might come out ?
The R6 is the EOS R II Supreme. There are two more cameras due out below it. The Rp replacement for $899 and a camera sitting between the R6 and the RP replacement - An EOS R lite so to speak ;)
Not heard of Canon ef-s for a long time
I still use them ;)
@@OrdinaryFilmmaker I use efs trilogy 10 to 250mm plus some prime EF lenses on a 800D, as an amateur I am very happy with it. I may never go full frame I don’t feel the need to.
Don't do it if you don't need to. Stick to what works, and if you get board, try new things ;)
Interesting video.
I also have the 250d body I may buy another lens for it 😀
Nikon and canon both great 👍🏼
Currently have a dslr with the EF-S 18-135 USM. Did I understand correctly that it will not work with a full frame mirrorless?
The 18-135mm is an ef-s lens. The ef-s lenses are only for crop sensor bodies. If you put it on a full frame it will vignette the frame
Tokina 14-20 F2 = Win... I've yet to find anything FOR the 90d specifically that beats it for astro... but... I am keeping my eyes open... Wish we could have a 14mm prime F1.4 specifically for aps-c but it's not going to happen... Yes I'm aware Sigma has some offerings, but they are expensive and looking at tons of reviews, seriously WTF is up with their quality control!? My Tokina only ran $320 last summer on sale... Gives my R5 + 15-35 F2.8 a serious run for the money, SO MUCH SO, I am likely going to sell the R5!! (Oh Noooooo!!!!)....
The nifty-fifty is EF not EF-s
WHAT??? Canon 55-250 has in body!
I thought this was about lens for 90d? All i hear is 80d or 7
Omg ef or rf
Sigma 18-35 mm
Omg the auto focus noise
Мужик, ты не понимаешь вообще ничего, если ты советуешь этот мыльный объектив! 17 минут потеряны зря!
Then perhaps you didn't listen. The message in the video was clear.