There is no reason to ever compete when you play this well. The music is never rushed and so much thought goes into every bar. Without ever abusing and pounding on the instrument her dynamics are incredible. There are such subtle changes in tempo and a vast array of different touches. There is so much emotional investment and refinement. Her reactions are honest and not put on. I hope you stay on your own path and never copy others.
I discovered you a short time ago. I've always thought that music was purely auditory. Sounds to be listened to with closed eyes even. But I've been wrong. I watch the way you sway to the music as if you're riding waves you create yourself. The essence is in sound and vision; beauty is in the sound but sublimity is in eyes and ears combined... spellbinding. Mesmeric. Thank you.
Wonderfully elegant playing. Love your variety of touches - quite appropriate, especially considering the influence of Mozart on this work. Also appreciate your tasteful embellishments; you make it sound improvised, as it should be (as Beethoven himself played). Kudos!
Wow! you are really committed to playing this one... impressive! I heard it for the first time yesterday and immediately found somewhere to print it. Trying to get to grips with this will keep me occupied for weeks at least (possibly months!)... my next lesson isn't till September, but at least I will be entertained in the mean time!
Must everything be staccato, or even staccatissimo? These runs are meant to be legato and articulate, but you play them distinctly staccato and baroque in fashion. This is Beethoven, not Bach.
What a great sound, phrasing, technique, dynamics....and SIMPLICITY. I like it so much. Well done Kati
There is no reason to ever compete when you play this well. The music is never rushed and so much thought goes into every bar. Without ever abusing and pounding on the instrument her dynamics are incredible. There are such subtle changes in tempo and a vast array of different touches. There is so much emotional investment and refinement. Her reactions are honest and not put on. I hope you stay on your own path and never copy others.
I discovered you a short time ago. I've always thought that music was purely auditory. Sounds to be listened to with closed eyes even. But I've been wrong. I watch the way you sway to the music as if you're riding waves you create yourself. The essence is in sound and vision; beauty is in the sound but sublimity is in eyes and ears combined... spellbinding. Mesmeric. Thank you.
The best!!!
Bravissimo! more than beautiful!!
Wonderfully elegant playing. Love your variety of touches - quite appropriate, especially considering the influence of Mozart on this work. Also appreciate your tasteful embellishments; you make it sound improvised, as it should be (as Beethoven himself played). Kudos!
Bravo! Wonderful.
Beautiful performance of a great piece.
So beautiful
Bravissima
Wow! you are really committed to playing this one... impressive! I heard it for the first time yesterday and immediately found somewhere to print it. Trying to get to grips with this will keep me occupied for weeks at least (possibly months!)... my next lesson isn't till September, but at least I will be entertained in the mean time!
Bravo
Thank you.
Jewel like.
Interpretation sehr gut !!
Körperhaltung unmöglich.
amazing playing! although she could have played it faster and more aggressive.
Sie ist Taylor swift und Adels in einem was die Musikalität angeht.Weiter viel Erfolg.Thomas.
Maravillosa ejecución, horrible puesta en escena (me duele el cuello solo de verla )
It is more professional to sit relatively still while playing
Must everything be staccato, or even staccatissimo? These runs are meant to be legato and articulate, but you play them distinctly staccato and baroque in fashion. This is Beethoven, not Bach.
Lmao "staccatissimo" you're literally out of your mind.